04 greek architecture
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AR 223/AR 3163 Polytechnic University of the PhilippinesArch. Ticao College of Architecture and Fine Arts
Greek Architecture
INFLUENCES
A. Geographical
Located at south eastern Europe Greece is a land surrounded by three major seas: the Ionian Sea in the west, Aegean in
the west and Mediterranean in the southern part.
The region is mountainous, but then a fertile land. So it is also prone to earthquakes. Because of this setting, mountains in Greece were served as barriers of different groups
or clans and were responsible for the rivalry which was characterized the different
Greek statesboth in peace and in war.
In the ruins of Sicily and southern Sicily lies the Dorian tribe, while the Ionian group waslocated at the lands of Asia Minor.
CRETE largest island located at the southern part of the Mediterranean Sea.B. Climate
mostly they enjoy the climate of that of Mediterranean, which is that, summers arelong, hot and generally dry
usually has a mild and fairly rainy winters high place such as mountains is wetter and cooler than that of the lowlands
C. Geology
Greece is mountainous and the land is fertile MARBLE it is the chief mineral in Greece. It is the most monumental and most beautiful of all building materials It facilitates exactness of line. Greeks gave a very much importance to its quality. It makes accurate outlines and
smooth surfaces for they coated it with coarse-grained limestone with a layer of marble
stucco.
Other minerals found in the mountains: gold iron lead bronze silver
D. Religion
The Greek religion was based on the worship of nature and of a group of superhumanGods and Goddesses. It was based on the natural phenomena in which a god is
personifying.
Three main greek gods include: Zeus (Jupiter) the god of all gods; god of thunder and lightning Poseidon (Neptune) god of sea, earthquake and horses
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AR 223/AR 3163 Polytechnic University of the PhilippinesArch. Ticao College of Architecture and Fine Arts
Hades (Pluto) god of the underworld Other major and minor gods:
Hera (Juno) wife and sister of Zeus, goddess of marriage and mother of allgods
Athena (Minerva) goddess of wisdom; patron of Athens Aphrodite (Venus) goddess of love and beauty Apollo (Apollo) sun god; god of healing and medicine. Artemis (Diana) goddess of hunt; twin sister of Apollo Eros (Cupid) god of diety, lust, and sex Ares (Mars) god of war Hephaestus (Vulcan) god of fire and forge Hermes (Mercury) messenger of the gods Demeter (Ceres) goddess of agriculture Hestia (later known as Dionysius) (Vesta) goddess of hearth
*Olympics a religious festival in honor of Zeus held in the town of Olympia.
Mt. Olympus home of the Greek gods and goddessesE. Social
Greeks were united because of their devotion to their religion and religious festivals.They also have love for music, fine arts, drama and national games, thats why, other
than temples, structures were meant to built for recreation like theater, stadia and
gymnasia.
Greece rarely linked social hierarchy (ranking people by importance) to political power. People in the urban center lived in low apartment buildings or single-family homes,
depending on their wealth.
Dwellings, public buildings, and temples were situated around the agora, where peoplegathered for conversation and to buy food and crafts at daily markets. Citizens also lived
in small villages or farmhouses scattered around the city-states countryside. In Athens,
more people lived outside the citys wall than inside. Houses were simple, containing bedrooms, storage rooms, and a kitchen around a small
inner courtyard, but no bathrooms. Waste was dumped in a pit outside the door and
then collected for disposal.
E. History It all began when the Greeks defeated the Persian army during the Persian War in
Marathon (490 B.C.), Salamis (480 B.C.) and in Plataea (497 B.C.)
Most important temples were built 50 years after. 444 429 B.C. when Athens reached the climax of their prosperity during the time of
Pericles. Because of this, the Spartans became jealous of them which lead to thePeloponnesian Warin 431 404 B.C.
Other states were against the supremacy of Sparta. Therefore, the leadership wasmoved in Thebes and Macedonia.
There was union of the Greek people with the help of King Philip of Macedonia for hisson, Alexander the great reached and conquered the whole of Greece.
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AR 223/AR 3163 Polytechnic University of the PhilippinesArch. Ticao College of Architecture and Fine Arts
In his time (334 B.C.), Alexander the great had his six years of expeditions. He subduedthe Egypt and the Persian Empire. His conquests extended to northern India, which
Hellenism was spread in western Asia.
Macedonian Empire was split among different generals after his death. And in the end,Greece had just become a province of Rome in 146 B.C.
ARCHITECTURAL CHARACTER AND CONSTRUCTION SYSTEM
Greek Architecture was divided into two Periods:
Early Period (3000 700 B.C.) also known as Mycenaean / Minoan period Architectural Character: Rough and Massive
Hellenic Period (700 146 B.C.) Architectural Charactero Simplicity and Purity of lineo Perfection and Proportions gives dignity and grandeuro Refinement of Detail / inspite of smallness of scale System of Construction:o Columnar and Trabeated in structure.o Refinements made to correct optical illusions:o Long horizontal lines of such features such as stylobates, architraves and
cornices would appear to sag or drop in the middle if it is straight in reality and
so it is reformed with slightly convex out line.
EXAMPLES
A. Temenos
a sacred enclosure which is the highest part of a Greek city. It was set apart because ofthe topography and it was allowed to be a citadel (acropolis). These are walled like cities
and are irregular in shape because of the terrain.
It normally has:o Principal templeo One or two subsidiary temples or shrines together with treasurieso Stoaso Altarso Columns in honor of heroes, benefactors or heroes in the gameo Exedrae- a recess or alcove with raised seat where disputes takes placeo Sacred groves of trees
The acropolis has:o Propylae- entrance gateway/vestibuleo Pinacotheca- building containing painted pictureso Statue of Athena Promochoso The Erectheion Erectheumo Old Temple of Athenao The Parthenono Theatre of Dionysos
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AR 223/AR 3163 Polytechnic University of the PhilippinesArch. Ticao College of Architecture and Fine Arts
o Stoa of Eumeneso Odeion of Herodes Atticuso Temple of Nike Apteros
B. Civic Squares
political, social, business and economic life were the center of GreeksC. Temples
said to be the chief buildings during the Hellenic Period different type and purposes in uses built with special regard to outward effect because they were not intended for internal
worship
adorned with fine sculptures on order to form fitting shrines to the deities to whomthey were dedicated
Architectural Analysis of the Temples
Plan
Temples generally stood upon a crepidoma of three or more steps Naos- contained the statues of gods and goddesses Pronaos- front portico Opisthodomos/Epinaos- rear portico There are seldom treasury chambers The smallest building were wholly surrounded by colonnades
Elevation
Seldom there were double colonnades to carry the roof which is made of timber andcovered with terra cotta
Light was let in through holes cut in especially large tiles of the roof On the ends of the temples were triangular-shaped pediment usually filled with
sculpture which terminates the roof span
Eaves have antefixa which served to eject rain water Doors were placed within the pronoas on the east front Windows were rare in temple buildings Temple are described according to two types:
o number of columns on the entrance front Henostyle- one column Distyle- two columns Tristyle- three columns Tetrastyle- four columns Pentastyle- five columns Hexastyle- six columns
Heptastyle- seven columns Octastyle- eight columns Enneastyle- nine columns Decastyle ten columns Dodecastyle eleven columns
o arrangement of the exterior columns in relation to the naos In antis- temples have from 1-4 columns between antae at the front with usually
two columns
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AR 223/AR 3163 Polytechnic University of the PhilippinesArch. Ticao College of Architecture and Fine Arts
Amphi-antis- have from 1-4 columns between the antae at the front and at therear
Prostyle- has a portico of columns at the front Amphi-prostyle- have a portico of columns at both rear and front Peripeteral- the naos is surrounded by a single line of columns Pseudo-Peripeteral- have flanked of columns attached to the naos walls Dipteral- the naos was surrounded with double line of columns Pseudo-Dipteral- like Dipterial except that the inner range of columns are
omitted on the flanks of the naos
D. Propylaea
entrance gateway that marks the approached to the sacred enclosures in many Greekcities
E. Theatres
open-air structures hollowed out of the slope of a hillside in or near the city. It consistsof:
Orchestra- a complete circle which was slightly raised, usually with an altar to Dionysosat the centre and where the choris chanted and danced.
Cavea- rose in tiers of stone seats founded on natural rocks Skene- also called scene building which was merely a tent or booth in which the players
prepared. Development of skene:
o Parascenia- wings at the ends which projected forwards that marked the widthof the orchestra.
o Proscenium-built in front of the skene, its roof serving as a stage or logeion(speaking place)
o Episcenium- a raised background of the upper part of a two storey skene whichwas later developed.
F. Public buildings
Agora- town square, center of Greek business and social life Stoa- a long colonnaded building used around public places and as shelters and religious
shrines
Prytaneion- served as a senate house for the chief dignitaries of the city and as a placewhere distinguished visitors and citizens might be entertained
Bouleuterion- council house which was also a covered meeting place for democratically-elected councils
Assembly halls- generally for citizens Odeion- A kindred type to the theatre, was a building in which musicians performed
their works for the approval of the public and competed for prizes
Stadium- a foot racecourt in the cities, where games were celebrated and has a lengthof about 6000 between banks of seats, founded on convenient natural ground. The
starting end was straight and the others are semicircular
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AR 223/AR 3163 Polytechnic University of the PhilippinesArch. Ticao College of Architecture and Fine Arts
Hippodrome- similar to stadium, though longer type of building for horse and chariotracing
Palaestra- wrestling school Gymnasium- place for any physical exercise. it is made up of the following:
o courts for athleteso
tanks for batherso dressing rooms and toiletso places for rest and conversationo exedrae and other seats for spectatorso storeso ephebeum or club-room w/c served for lecturers
Naval building- included ship-shed and stores Tombs- mausoleums or monumental tombs Domestic buildings
o Architectural elements: Plans - symmetrical, simple and rectangular; thoughoccasionally asymmetrical
GREEK ORDERS
Doric Order
Stands without a base directly on a crepidoma Height of 6-7 times of its diameter Circular shaft is divided into 20 shallow flutes Capital consists of abacus and echinus Near the base of the echinus are annulets or horizontal fillets The abacus is a square shaft Entablature Details:
o The architrave is made up of 2-3 slabs in the deptho The frieze is formed of triglyphs with 3 upright channels alternating with
metopes or square spaces
o The cornice has a birds beak molding or a cymatium Examples: Temple of Apollo, Temple of Zeus, Parthenon
Ionic Order
Has a base Has 24 flutes separated by fillets Base consists of upper and lower torus divided by a scotia and fillets Capital has a pair of volutes or spirals 2/3 the diameter in height, showing to front and
back and joined at the sides, by a concave cushion, sometimes plain but usually
ornamented with numerous flutes, fillets and beads
The volutes scroll rests on an echinus, circular or plan , carved with egg-and-dart andresting on a bead molding
Above the volute scrolls a shallow abacus, with molded edge, which at first waselongated in the direction of the architecture it supported, but which eventually
became square on plan
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AR 223/AR 3163 Polytechnic University of the PhilippinesArch. Ticao College of Architecture and Fine Arts
Entablature Details:o Original had only 2 main parts, architrave and cornice. The latter large dentils
and bed mould. Further development had a frieze inserted and the bed mould
taken away
o The architrave normally has 3 fasciae is capped by a small group of mouldingso The frieze is sometimes plain yet sometimes ornamented with a band of
sculptures
Examples:o Temple of Athena Polias, Prieneo Temple of Apollo Didymaeus, Miletuso Temple of Nike Apteros, Athenso The Erectheion
Corinthian Order:
Capital is much deeper than the Ionic It has an inverted bell, the lower of which is surrounded by 2 tiers of 8 acanthus leaves
and from between the leaves of the upper row, rise eight caulicoli, each surmounted by
a calyx from which emerge volutes or helices supporting the angles of the abacus and
the central foliated ornaments
Each face of the moulded abacus is curved outwards to a point at the angles, or theabacus is chamfered at each angle.
Detail of Entablature:o Entablature may be Doric or Ionic. Invariably, there are 3 parts to the Corinthian
entablature: architrave, frieze and cornice. The cornice is the developed type,
with small dentils in the bed mould. Eventually under the Romans, the Order is
enriched by extra small molding, and an important modillion band is added to
the bed mould, the modillions being consoles or brackets beginning support to
the projecting corona on the cornice.
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