12 italian songs for voice and guitar
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Twelve Italian Songs
by Albinoni, Caccini, Caldara, Carissimi, da Gagliano, Giordani,
Lotti, Melani, Monteverdi, Pergolese, Pesenti, and Stradella
Arranged by Peter Billam
For guitar accompaniment
© Peter J Billam, 1979
This score may be freely photocopied, and redistributedin paper form. It may be freely performed to live audiences;performing rights are waived. It may not be redistributed in
electronic form, and all other rights, such as those of recordingand broadcast, remain reserved by the arranger, Peter Billam,
GPO Box 669, Hobart TAS 7001, Australia.
This printing 11 April 2006.
http://www.pjb.com.au
Twelve Italian Songs, for voice and guitar
These arrangements were made when I was a guitarist, accompanying the Swiss tenorFranz Anderegg in the late 1970’s.
Page3 Amarilli, Giulio Caccini (1550-1618), from Le nuove musiche di Giulio Caccini
detto Romano, Firenze, Marescotti, 16016 Ruscelletto Limpidetto, Tomaso Albinoni (1674-1745), Bibl. del Conservatorio,
Firenze. Ms D. 772 I, f. 63−658 Come Raggio de Sol, Antonio Caldara (1670-1716)10 Vittoria, Vittoria, Giacomo Carissimi, Bibl. Estense, Modena. Ms, Mus. G. 28.12 Caro mio Ben, Tommaso Giordani14 Pupille Arciere, Giovanbatista da Gagliano, from Varie Musiche di Giovanbatista
da Gagliano, Libro Primo, Venezia, Alessandro Vincenti, 1623 (Espl. Bibl. NazFirenze)
15 Pur Dicesti, Antonio Lotti18 Vezzosa Aurora, Alessandro Melani, Biblioteca Laurenziana, Firenze. Ms Ashb
1452, f. 13−1620 Nina, attributed to Giovanbatista Pergolese (1710-1736), in fact written by
Legrenzio Vicenzo Ciampi (1719 - ?)22 Lamento D’Arianna, Claudio Monteverdi, Bibl. Naz. Firenze. Ms Cl. XIX, 114,
pp. 18−19. Aria dall’ opera Arianna (1608)23 O Biondetta Lasciavetta, Martino Pesenti, from Arie a voce sola del Signor Mar-
tino Pesenti, Libro Terzo, Venezia, Alessandro Vincenti, 1636 (Espl. Bibl. S.Cecilia, Roma, p. 17)
24 Cosi Amor me fai Languir, Alessandro Stradella (1645-1681), from Bibl. Mar-ciana, Venezia. Ms Ital. IV. 466, pp 57−62 or Bibl. Reale, Copenhagen. Ms C I c530, pp 49−50
Peter J Billam, www.pjb.com.au
3AmarilliGiulio Caccini
arrangement (c) 1979 Peter J Billam
Adagio
44
ma −A −
4444
6e en Re
li , miaril − la , nonbel − cre − di, o, del mio
dol cor − − ce de − si − d’es −o : tu −− ser
mi −l’amor o . − di loCre pur e se ti −
− mor t’as − sa −
cresc . . .
le , di mioquesto pre − − le ,stra
pri m’ila −
f
dim . . .
− pe to e vedrai co −scrit − to in
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4 Amarilli, Giulio Caccini
arrangement (c) 1979 Peter J Billam
p
re : A − ma −
3 3 3
legato . . .
− − −ril
mp
A − ma −li ,
cresc . . . mf
− ril − −−
mf
li , A − ma −
cresc . . . ff
ril − − li e’il mio a −
dim . . .
mo − −− re !
tempomolto rit . . .
mp
− Cre − di lo
se pur , e ti − sa −mor t’as − le ,
pre − ndi que − sto mio − le ,stra − prim’ il− a
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5Amarilli, Giulio Caccini
arrangement (c) 1979 Peter J Billam
to e vedraipet − − −co scrit − to in
p
A − ma −re :
ril − −−
mp
A − ma −ri , − − −ril
mf
li , A − ma −
cresc . . . ff
li e’il mio a − mo− ril
dim . . .
− −
pp
re ; ma −− A
molto rit . . . accell . . .
ril − −
tempo
e’l mio a −li
−mo − −
f
−− re . 1
4
3
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6 Ruscelletto Limpidetto Tomaso Albinoni
arrangement (c) 1979 Peter J Billam
Andante32
3434
46 en Re
10 3
4
3 1
4
03
4
2
4
2
1 3
12 22
02
32
mf
−Ru − scel let − to li − mpi − to ,det − I −quando re − ne a te sen ’
vie − ne , lanon cosìfa vez − zo − sa , lanon cosìfa
vez − zo − sa . Ru − scel −
let − to− li − mpi − to ,det − quando I − are − ne te sen ’ vie − ne ,
no , lanon cosìfa vez − zo − za .
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7Ruscelletto Limpidetto, Tomaso Albinoni
arrangement (c) 1979 Peter J Billam
p
no , lanon cosìfa vez − zo − za .
FIN
p
Se co − no − sce i pre − gi suo − i con gl’ a −man − ti el −
la fi − a ipo − più cru − le e piùde − ri − tro − sa ,
mf
con gl’ a − el −man − ti la fi − a ipo − più cru − de − le e più
ri − tro − sa , più cru − le e piùde − ri − tro − sa ,
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8 Come Raggio di Sol Antonio Caldara
arrangement (c) 1979 Peter J Billam
34
3434
Co − me raggio di
sol , mi − te e se − re − no , Co − me raggio di sol ,
mi − te e se − re − no , sovra pla − cidi flut − ti si ri −
dim . . .
po − sa ,
sf
men − tre del ma − re , men − − tre del ma − re nel pro −
fon − do
cresc . . .
se − no sta la tem − pe −
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9Come Raggio di Sol, Antonio Caldara
arrangement (c) 1979 Peter J Billam
−
f
a −sta sco − sa !
Co − sì − ri so ta − ga − jo e pa −ler , di con −ca − to ,
diten − to − to in −gioaj un vol − fio − ra , nel suo se −men − tre
cor pia −il gre − to − −ga − s’an − goscia eto
si marto − −ra − !
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10 Vittoria, Vittoria Giacomo Carissimi
arrangement (c) 1979 Peter J Billam
Allegro
34
Vit −
3434
6e en Re
to − ria , Vit − Vit −to − ria , to − ria , Vit − mioto − ria , −cuo Nonre !
la − grimar nonpiù , grimarla − epiù , d’A −sciolta lamo − re
vi −ser −
rit . . .
Vit −tu , ,
tempo . . .
Vit −to − ria , mioto − ria ,
rit . . .
cuo − Nonre !
tempo . . .
la − grimar epiù , d’A −sciolta lamo − re vi −ser − tu , e
scio − −− −− −− d’A −ta − lamo − re
vi −ser − tu . Gia f
tuoil’empia a fradan − ni distuo − lo consguardi ,
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11Vittoria, Vittoria, Giacomo Carissimi
arrangement (c) 1979 Peter J Billam
vezzi bu − di giardi − gl’in −spose −gan leni , gliaf −frodi nonfanni
hanno più −lo delco , suocrudo efuoco l’ar −speto
− − do re ! Vit − Vit − to − ria , Vit − to − ria , to − ria , Vit − mio to − ria ,
cuo − Non re ! grimar la − non più , grimar la − e più ,
sciolta d’A − lamo − re vi −ser − etu , ,
scio − − −
− − −− d’A −ta − lamo − re vi −− ser tu .
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12 Caro mio ben Tommaso Giordani
arrangement (c) 1979 Peter J Billam
Largetto
44
4444
4 4
1 1 44
41
43
2
p
− ro mioCa cre − di mi al −ben , sen − za dimen , te lan − guisce il
cor . ro mio Ca − sen − ben , za di
lan − te gui − sce il cor .
p
Il tuo fe −
cresc . . .
so − del −pira o
f
ces − gnor , sa cru −
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13Caro mio ben, Tommaso Giordani
arrangement (c) 1979 Peter J Billam
to ri tan − del −
dim . . .cresc . . .
ces − gor , sa cru − tan − del ro ri −
tan − ri −to gor , −
pp
Ca − gor , ro mio
cresc . . .
cre − ben , di mi al −
mf
sen − za men , di− gui − te sche illan −
p
mioCa − cor . ro
cresc . . .
cre − di mi al −ben , disen − men , za
pp
te
p
lan − sche ilgui − cor .4 4 4 4
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14 Pupille Arciere Giovanbatista da Gagliano
arrangement (c) 1979 Peter J Billam
Allegretto
44
le ar −Pu − pil − ci a −O lu − voiIo per
4444
−cie − pu re , −ma − lu te , −sen − gra to
ne − pil − re ,le a − ci te ,be − men − ve to ,tor −
ber − reg − gio al − gio d’A −me − chieg − gio rce − delis − cru − del − si − mi
re ,mo − io ,anch’ mi .lu −
quel − levoi te − −me a Da − v’a − −mo e in Pur
se − chete , i − data ,
−tan − d’a to ,
fig − ge − tra − re ,mi vi − te − ta ,ro pia − mo − nto ,
sa − −e che più −tor non so −fo ver −
−te il ta − co −to, o men − Di −ne e nta − fiu
re .o .mi .
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15Pur DicestiAntonio Lotti
arrangement (c) 1979 Peter J Billam
Grazioso
2424
di −Pur
sul D . . .
sti , oce − boccabocca , la , obel − boccabocca , la ,bel −
so −quel a − ve e roca − " si " , " si " , fache
to iltut − pla −mio cer , il pla −mio cer .
di −Pur sti , oce − boccabocca , la , obel −
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16 Pur Dicesti, Antonio Lotti
arrangement (c) 1979 Peter J Billam
boccabocca , la ,bel − so −quel ve ea − ca − ro " si " , " si " ,
quel so −a − ve e ca − ro " si " , fache tut − to il
mio pia − −cer − − − , il pia −mio
cer ,− quel so −a − ve e ca − ro " si " , " si " , fache
tut − to il mio pia − −cer − − − , il
tr
mio pia − cer .
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17Pur Dicesti, Antonio Lotti
arrangement (c) 1979 Peter J Billam
_________ 2a
FIN
_________ 1a
o −Per
nor − di fa −sua lacel − uncon ba − cio A − t’a −mor
prì ,− uncon ba − cio A − −t’a mor prì ,
cedol − fen − te go −del der ! Ah −
sul D . . .
− −
− − −
f
sì − ,
rall . . .
−go del der !
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18 Vezzosa Aurora Alessandro Melani
arrangement (c) 1979 Peter J Billam
Andante34
3434
mp
mp dolce
za Au −Vez − zo − gen −Al − ba
− ra ,ro − − le ,ti −
Vez − za Au −zo − gen −Al − ba
ro − ra ,ti − le ,
deh ,−af
−sor −fret
−−
− gi ,− ta ,
sor − gi ,deh , fret − − ta ilaf
sì ,piè ,
to in −E il pra − do èChè il mon −
−do −vi
− ra,− le ,
to ile il pra − chè il do èmon −
−do −vi
− −
− ra,− le ,
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19Vezzosa Aurora, Alessandro Melani
arrangement (c) 1979 Peter J Billam
pra − il to in −mon − do eil
rado − levi −
do il −tan − por − za sen − di
di .te.
za Au −zo − Vez − gen −ba Al −
− ra ,ro − − le ,ti −
za Au −zo − Vez − gen −ba Al −
ra ,ro − le ,ti −
deh , sor − gita ilfret − af −
deh ,sì , pie , af −
−sor −fret
−−
gi !− ta !−
sa Au −zo − Vez − gen −ba Al −
ra ,ro − le ,ti −
sor − deh , gi ,ta ilfret − af −
sì ,piè ,
sa Au −zo − Vez − gen −ba Al −
ra ,ro − le ,ti −
sor − gi ,deh , ta il fret − af −
sì !piè !
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20 Nina attributed to Giovanni Battista Pergolese
arrangement (c) 1979 Peter J Billam
44
Tre
44
son ni che gior − na , cheNi − chena , Ni −
Ni − inna se nete let − − sta − , in
let − nese te sta . f
f
panifari , tim − Pif −
cem − sve −ba − li , te mia Ni −glia − sve −net − ta ,
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21Nina, attributed to Giovanni Battista Pergolese
arrangement (c) 1979 Peter J Billam
te mia Ni −glia − − net − ac −ta , dor − ciò mano
più − − , ac − dor − maciò non Sve −più .
glia − − mia Ni −te ta , net sve −− mia glia − Ni −te
net − ta , ac − dor − ciò manon
_________________ 1a
più .
_________________ 2a
più . ac − ciò non − dor ma− più .
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22 Lamento d’Arianna Claudio Monteverdi
arrangement (c) 1979 Peter J Billam
44
−La − scia
4444
6e en Re
mi − mo −te − re ,ri tescia − la −
mi mo − re .− ri che E vo −p
te voi − le −
mi che con − te− for du − racosi in te , sor − cosiin
gran mar −
f
re ? ti − La − − scia te mi mori − re ,
la − tescia − mi mo − ri − re !
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23O Biondetta LascivettaMartino Pesenti
arrangement (c) 1979 Peter J Billam
Allegretto leggerio
44
det − ta O bion − la − sci −bel − la O ru − ni − nfalet − ta O Lil − par − go −
4444
rel − vet − ta la, ( lil − la −pas − to − bel − bel − la , la, ( lil − la −nin − fa let − let − ta , ta, ( lil − la −par − go −
rel − la la, ) tut − tapa − sto − freg − gio la, ) D’a − morD’a − mor ma − ta la, ) Lil − la in −Lil − la a −
la !− bel gio !− pre ta !− gra
zo − sa , se fe −Se vez − den − te , pur so −Se ri − can − ti , tra − gli a −Me − tre in
ti mi − ahisto − za ro , io ti mi − ahiven − te ro , io ti mi − ahiman − te ro , io
ro , − spi ahiso − −so − spi −
______________________ 1a, 2a
ro ! −
______________________ 3a
ro !
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24 Così, Amor, me fai languir Alessandro Stradella
arrangement (c) 1979 Peter J Billam
68
sì , Co − A −sì , Co − A −
6868
6e en Re
fai la −mor, mi fai pe −mor, mi
mi la − − fai nguir , mi pe − − fai nar ,
sì , A −nguir , co − sì , A −nar , co −
fai la −mor, mi fai pe −mor, mi
mi la − − fai nguir , mi pe − − fai nar ,
non enguir ; non minar ;
cio o − de −che mi tan − a −to chi dai
o , mi − − chi si i , mio − − il ma
se guir− − fug ge sac ciar− − be ne
e chi si− deg gio , e mi con −− deg gio ,
ge , mio− nel strug ne , vie non − − chi
− nel miofo co , − chi nona mo ,
− da fug −co ho fo − pur a −a mo
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25Così, Amor, me fai languir, Alessandro Stradella
arrangement (c) 1979 Peter J Billam
a si − chi gir , e con − − mi mor ,
− nel miostrug ge , − chi non vie ne ,
− nel miofo co , − chi nona mo ,
da fug −co ho − fo pur mo a − a −
sì , A −gir . Co − sì , A −mor . Co −
fai la −mor , mi fai pe −mor , mi
fai mi la − − nguir , fai mi nar , pe − −
minguir , minar ,
−la fai −pe fai
− guir ,nar , −
fai la −mi fai pe −mi
guir ,nar ,
fai mi la − fai mi pe −
___________ 1a
guir ,nar ,
___________ 2a
− guir .− nar .
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Peter Billam was born in London in 1948, studied piano, and lived in Switzerland from1973 to 1983, where he studied composition, classical guitar, flute and voice, worked as MusicalDirector of the Theatre Populaire Romand, and as recording engineer, record producer andcomputer programmer. He moved to Tasmania in 1983, lectured in composition at theConservatorium, conducted recorder ensembles and choirs, studied recorder, voice andharpsichord. He founded www.pjb.com.au, becoming the first composer to sell scores on-line,with on-line delivery, taking scores from Composer to Performer in one immediate step.Www.pjb.com.au offers new approaches to funding composers and to music publishing. Ina special offer to promote the opera November at the Carousel, all the pieces are currentlybeing offered free ! These pieces are written to be read, made to be played !
Compositions at www.pjb.com.au include: Divisions on an Italian Ground, flute and guitar, 1980;Three Violin Duets, 1987; Fable, for piano, 1987; To Erich Jantsch, SAATTB recorders, 1988; A Suite ofCurves, trombone (or horn) and piano, 1990; Two Recorder Duets, alto recorders, or other melodyinstruments, 1991; Tr ombone Quintet, trombone, flute, piano, bass, and percussion, 1994; Three Songs, onpoems by Jack Kerouac, Vikram Seth and Dylan Thomas, voice and piano (only the first and third of thesesongs are available), 1994; Piano Study, piano, 1994; Four Dances, various ensembles including recorderquartet, string quartet, 1995; The Poet in the Clouds, on a poem by S. T. Coleridge, SATB choir, 1995; Tr esCasidas del Diván del Tamarit, on poems by Federico García Lorca, voice and piano, 1997; Three Suites,for the solo line, piano, and piano and a solo line, 2000; Die Zeiten, on poems by Kästner, Bachman andJünger, choir (only the second and third of these songs are available), 2000; Three Duets for flutes, 2001; ForFour Hands for piano four hands, 2002; Three Preludes for piano, 2003. Second Solo Suite for flute, violin,viola or cello, 2003. Guitar Duet for two guitars, 2006.
Arrangements include: By J. S. Bach: Trio BWV 655, piano and flute; Vor deinen Thron BWV 668,piano; Fugue in F minor BWV 689, SATB recorders; Flute Sonata BWV 1031 transposed into G major foralto recorder and keyboard; Flute Sonata BWV 1032 completed by Peter Billam and transposed into Cmajor for alto recorder and keyboard; Ricercare a 3, from the Musikalisches Opfer for keyboard; Ricercarea 6, for sSATBG recorders, or strings, or two keyboards; Fuga Canonica in Epidiapente for keyboard andmelody instrument; Contrapunctus 14, from the Art of Fugue as completed by D. F. Tovey, for keyboard, orfor SATB recorders, or for strings; Passacaglia and Fugue in c for piano four hands; Chorales with Descantfor melody instrument and piano; Cello Suite I for flute or alto recorder, Forty Chorales for piano. ByJohannes Brahms: Fugue in Ab minor for organ, for SATB recorders and gamba, in A minor;Choralvorspiele for organ with previous settings by Isaac, Bach, Praetorius, recorders. By Franz Schubert:Four Songs, voice and guitar; Schubert Dances, recorders and guitar, Schubert Dances, piano 4 hands. Byother composers: G. F. Händel, Concerto Grosso in A minor op 6 no 4, harpsichord and recorders; ClaudioMonteverdi, Ecco Mormorar l’Onde, SSATB recorders; Twelve Italian Songs, voice and guitar; JohnWilbye, Draw on sweet Night, SSATTB recorders, and for flute choir; Telemann, Twelve Flute Fantasias,recorder; John Carr, Divisions on an Italian Ground, flute or recorder and guitar; Fourteen Folk DanceTunes, recorder and guitar; Easy Classical Pieces, Bb trumpet and piano.
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