50 girls 50 and other stories (the ec comics library)by al williamson et al
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vii Triumph of a RomanticistIntroduction by Mark Schultz
1 The Thing in The ’glades!script: Al Feldstein | art: Al Williamson
8 Mad Journey!script: Al Feldstein | art: Al Williamson with
Frank Frazetta (s), Roy G. Krenkel
15 CapTiviTyscript: Al Feldstein | art: Al Williamson
22 a QuesTion of TiMe!!script: Al Feldstein | art: Al Williamson
28 The QuiCk Tripscript: Al Feldstein | art: Al Williamson
32 The long Tripscript: Al Feldstein | art: Al Williamson
35 By george!!script: Al Feldstein | art: Al Williamson with Jack Hearne
42 spaCe-Borne!script: Al Feldstein | art: Al Williamson
49 skeleTon key!script: Al Feldstein | art: Al Williamson
56 The island MonsTerscript: Al Feldstein | art: Al Williamson with Larry Woromay
63 The aliensscript: Al Feldstein | art: Al Williamson with Roy G. Krenkel
69 snap ending!script: Al Feldstein | art: Al Williamson with Roy G. Krenkel
76 CoMe Clean!script: Al Feldstein | art: Al Williamson
82 hoMesiCk!script: Al Feldstein | art: Al Williamson with Roy G. Krenkel
88 The arrivalscript: Al Feldstein | art: Al Williamson with Roy G. Krenkel, Frank Frazetta
94 The one Who WaiTsstory: Ray Bradbury | script: Al Feldstein | art: Al Williamson
with Frank Frazetta, Roy G. Krenkel
101 fired!script: Al Feldstein | art: Al Williamson with Frank Frazetta (s)
107 Brain-Child!script: Al Feldstein | art: Al Williamson with Roy G. Krenkel
113 50 girls 50script: Al Feldstein | art: Al Williamson with Frank Frazetta, Roy G. Krenkel
120 i, roCkeTstory: Ray Bradbury | script: Al Feldstein | art: Al Williamson
with Frank Frazetta (s), Roy G. Krenkel
127 TWo’s CoMpany…script: Al Feldstein | art: Al Williamson with Frank Frazetta (s)
133 savedscript: Al Feldstein | art: Al Williamson with Roy G. Krenkel
140 a neW Beginningscript: Al Feldstein | art: Al Williamson with Frank Frazetta,
Roy G. Krenkel, Bernard Krigstein
148 fish sToryscript: Al Feldstein | art: Al Williamson with Roy G. Krenkel
155 upheaval!story: Harlan Ellison | script: Al Feldstein | art: Al Williamson with Roy G. Krenkel
162 Take Carescript: unknown | art: Al Williamson
168 a sound of Thunderstory: Ray Bradbury | script: Al Feldstein | art: Al Williamson
with Angelo Torres (s), Roy G. Krenkel
175 losT in spaCescript: Otto Binder | art: Al Williamson with Angelo Torres, Roy G. Krenkel
181 viCious CirClescript: uncertain, possibly Carl Wessler | art: Al Williamson with Roy G. Krenkel
187 food for ThoughTscript: Jack Oleck | art: Al Williamson with Roy G. Krenkel (s)
— 4 ExTRas 4 —197 sQueeze play
script: Al Feldstein | art: Frank Frazetta with Al Williamson
204 TiMe To leavescript: Jack Oleck | art: Roy G. Krenkel with Al Williamson
210 an eye for an eyescript: uncertain, possibly Jack Oleck | art: Angelo Torres
217 The planeToidscript: Al Feldstein | art: Al Williamson and George Evans (s)
lettering: Wallace Wood
227 More Food for ThoughtAfterword by Bill Mason
237 al WilliamsonBiography by S.C. Ringgenberg
240 Behind the PanelsCreator Biographies
245 The Ups and Downs of EC ComicsHistory by Ted White
Al Williamson engaged a fluid group of talented sidemen to assist him in various ways over the years. For the art credits for this book, we have relied on Williamson’s own statements and the judgment of those familiar with his art and career. Note: “(s)” indicates instances where an assistant signed or initialed the story.
Editor/writer Al Feldstein wrote more scripts for EC than anyone else, virtually all in collaboration with publisher William M. Gaines. Gaines’s creative involvement reflected the pride he took in his comics and was another way in which EC Comics distinguished itself. Almost daily, Gaines and Feldstein co-plotted a new story based on Gaines’s “springboards,” from which Feldstein produced a script. It was, by all accounts, a creatively symbiotic and satisfying partnership.
Feldstein did not write every script and EC did not publish writer credits. EC’s master records no longer exist. Based on the best information available, we believe the creative credits above to be accurate. We welcome any corrections.
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