60 minutes on selected (feminist-craft-oriented) projects ...€¦ · mechanized flow, 2003 . aya...
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60 MINUTES on
Selected (feminist-craft-oriented) Projects
METASEX94 (1994)
OVERCRAFT (2003)
BOYSCRAFT (2007)
Visiting Curator Lecture Series
FIU Department of Art and Art History
March 6, 2015
METASEX94
1994
Ein Harod Museum of Art
Bat Yam Museum (MOBY)
Miriam Cabessa There is Nothing To Do, 1994 Glass cabinet with taxidermied animals
Anat Zahor Urination, video, 1994
Ariane Littman Untitled, 1994 Wall installation with female mannequin legs, slide viewer, fabric and wood
Anat Betzer Room installation with doormats and wool-woven tapestries, 1994
Anat Betzer Room installation with doormats and wool-woven tapestries , 1994
Anat Betzer Detail of tapestry, 1994
Ganit Mayslits-Kassif, Building Components, 1994 Wood, feathers, glass, liquids, latex and plaster
Ganit Mayslits-Kassif, Building Components, 1994 Wood, feathers, glass, liquids, latex and plaster
Ganit Mayslits-Kassif, Building Components, 1994 Wood, glass, candies
Nir Hod Woman-Soldiers, 1994 Photo transfer, oil on canvas, glitter, triptych
Nir Hod Woman-Soldiers, 1994 Photo transfer, oil on canvas, glitter, triptych (detail)
Hila Lulu Lin No More Tears, 1994 video
Hila Lulu Lin Cold Blood (A Poem in Three Parts), 1996 Computer generated images on fabric and paper
General view of MetaSex at the Bat Yam Museum, Israel
OVERCRAFT
2003
The Art Gallery, Haifa University
Artists’ House, Tel Aviv
OverCraft presents 15 Israeli women-artists who distinctively use an obsessive
and decorative visual language in order to reveal various aspects of
feminist-oriented issues, such as the body, woman-nature relationship,
gender labor politics and pornography.
„Obsession‟ is defined in the dictionary as a domination of one‟s thoughts or
feelings by a persisting idea, image or desire. In psychology this term is
explained as a sort of neurosis characterized by emotionally charged
compulsion. The term “compulsive-obsessive” is common to refer to any
exaggerated preoccupation with something. „Decoration‟ related to
ornamentation, beauty and craftsmanship. OverCraft will focus between
these two terms.
Participating artists:
Tal Amitai, Hilla Ben-Ari, Aya Ben Ron, Miri Chais, Meital Katz-Minerbo,
Alice Klingman, Shula Kobo, Vera Korman, Tal Matzliah, Dina Schupak,
Michal Shamir, Dina Shenhav, Naomi Siman Tov, Merav Sudaey, Yael
Yudkovik
Hilla Ben-Ari Mechanized Flow, 2003
Aya Ben-Ron The Four Seasons (Autumn) 2003
Aya Ben-Ron The Four Seasons (Summer) 2003
Aya Ben-Ron The Four Seasons (Spring) 2003
Aya Ben-Ron The Four Seasons (Winter) 2003
Michal Shamir Untitled, 2003
Michal Shamir Untitled, 2003
Michal Shamir Untitled, 2003
Michal Shamir Untitled, 2003
Michal Shamir Untitled, 2003
Michal Shamir Untitled, 2003
Tal Matzliah Not Tasty, 2003
Tal Matzliah Not Tasty, 2003
Yael Yudkovik Polynomos, 2004 Ceramic floor installation
Meital Katz-Minerbo The Hairy Scary Woman, 2004
Merav Sudaey 32A, 2004
BOYSCRAFT
2007
Haifa Museum of Art
AVAF, Butch Queen 4, 2005, wallpaper installation Edna Ohana, Filiality, 2007, wax sculpture of Uri Gershuni on a sewing machine
Edna Ohana, Filiality, 2007, wax sculpture of Uri Gershuni on a sewing machine
AVAF, Butch Queen 4, 2005, wallpaper installation
Masculinity /Macho Stereotypes
Violence. Aggression. Strength. Competitiveness
Assaf Rahat
Untitled, 2003
parcel twine,
thread, glue
Assaf Rahat
The Sacrifice of Isaac
2003
parcel twine,
thread, glue
Ashraf
Fawakhry
Ikhtilal
(Unsteadiness),
2002
embroidery
threads, nails
and acrylic on
plywood
Ashraf Fawakhry
Ikhtilal (Unsteadiness),
2002 embroidery threads,
nails and acrylic on plywood
Tom Gallant, The Collector II: Acanthus, 2005, paper cut, glass and wood
Ramazan Bayrakoğlu, Car, 2005, satin cloth, 135 x 315 cm
Ramazan Bayrakoğlu, Car, 2005, satin cloth, 135 x 315 cm (detail)
Guy Zagursky, Fat Boy, the King is Dead, 2007, wood carving, 100 x 240 70 cm
Military subjects or
Patriotic References
Lior Shvil, Rough Cut, 2006-2007 (video still), single-channel video
Dave Cole, The Knitting Machine MASS MOCA, 2005 (video still)
Expressions of Loss and Healing
Oliver Herring, Untitled (Flowers for Ethyl Eichelberger), 1993, knit Mylar
Oliver Herring, Untitled (Flowers for Ethyl Eichelberger), 1993, knit Mylar
Kristian Kožul, Wheelchair I, 2003, from the series "Discoware," wheelchair, chrome
beads, mirrors, rhinestones, feathers, rotating platform, 120 x 100 x 80 cm
Kristian Kožul, Wheelchair I, 2003, from the series "Discoware," wheelchair, chrome
beads, mirrors, rhinestones, feathers, rotating platform, 120 x 100 x 80 cm
Kristian Kožul, Wheelchair I, 2003, from the series "Discoware," wheelchair, chrome
beads, mirrors, rhinestones, feathers, rotating platform, 120 x 100 x 80 cm
Erez Israeli, Fields of Flowers, 2005 (installation detail), glass beads
threaded on plastic netting, 35 x 360 x 260 cm
Post-colonial Approaches Exoticized Perception
of Authenticity Preoccupation with
‘Otherness’
El Anatsui, Another Man's Cloth, 2006, found aluminum, copper wire, 366 x 495 cm
El Anatsui, Another Man's Cloth
2006 (detail)
El Anatsui, Another Man's Cloth
2006 (detail)
Tim Curtis, Untitled 2, 2005, from the "Labor series," 365 men's ties, wood
Tim Curtis, Untitled 2, 2005, from
the "Labor series," 365 men's ties,
wood (details)
Nick Cave
Soundsuit, 2006
found fabric, beads,
sequins, mirrors
and thread
245 x 63 x 36 cm
Nick Cave
Soundsuit, 2006
found fabric, beads,
sequins, mirrors
and thread
245 x 63 x 36 cm
General view
Nicholas Hlobo, Unongayindoda (One Who Almost Looks Like a Woman), 2005-2006
Installation: dress, handbag and boots, organza, rubber and ribbon, 260 x 600 x 330
The Homosexual Discourse
and Queer Theories
Stephan Goldrajch
22h38, 2007, color print
edition 1/3, 70 x 70 cm
Stephan Goldrajch, 22h38, 2007, color print, edition 1/3, 70 x 70 cm
Gil Yefman, Untitled, 2007 (installation detail), knitting with wool and
thread, fabric, lace, plastic
Gil Yefman, Untitled, 2007 (installation detail), knitting with wool and
thread, fabric, lace, plastic
Servet Koçyiğit, Sometimes, 2005, crochet tapestry, polyester thread, textile
hardener, 11.5 x 673 cm
Servet Koçyiğit, Sometimes, 2005, crochet tapestry, polyester
thread, textile hardener, 11.5 x 673 cm
Francesco Vezzoli, Cyd Charisse Is an Embroider, 2001, 2 b/w laser prints on
canvas with metallic embroidery and golden frame, 59 x 49 cm each
Francesco Vezzoli, The End (Teleteatro), 1999 (video still), from "An
Embroidered Trilogy," 1997-1999, directed by Carlo Di Palma, with Valentina
Cortese; video stills
Francesco Vezzoli, The End (Teleteatro), 1999 (video still), from "An
Embroidered Trilogy," 1997-1999, directed by Carlo Di Palma, with Valentina
Cortese; video stills
https://www.youtube.com/watch?v=TiyWW7RTtSw
• https://www.youtube.com/watch?v=TiyWW7RTtSw
General view
General view
Gal Weinstein
Huliot, 2004 (detail)
perforated PVC pipe
diameter: 15 cm; height: 323
Shaul Tzemach, Concretion, 2005-2007, paper cut, 70 x 100 cm
Haimi Fenichel
Homebox, 2004-2005
carving, Ytong block
30 x 30 x 30 cm
Haimi Fenichel
Passive Aggressive, 2007
carving, Ytong block
30 x 5 x 5 cm
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