a wfe fmntn avwmf bow yelk oltyi - moma · mm fmntn 0^tr iimw^m)atmwmwk a wfe avwmf bow yelk oltyi...

mm

fmntn 0^tr iimw^m)AtmWmWk A w f e

AVWMf Bow Yelk Oltyi

» •— ~ 7

ftsbriftary 1 7 f 1930 (ifor tumfllmto release)

The Museum of Modern Art during too loot too weeks of lto exhibition of

at least in the afternoons. The fronted here come to i S o Oodtlon with tho

boo arisen because of tho entiroly unexpected crowds which have filled tho Museum pllorloot making It Impossible In tho aftornoooo to toe the painting* and oo eon* footing tho elevator system in ths nookaolisi building that crowds gather in tho corridors both on tho ground floor and on tho toolfth floor where tho galleries of tho Museum fire situated.

innumoraoio ooryxainf iron vist$orsf some or room numujmuo» oono of t>cem seriously resentful* here boon received, fhey hovo come legending to look at pictures and have Inst sad boon trampled* with no bettor compensation than a view of othor visitors* necks. v>pon critics* oho ordinarily haro plenty of epiwrtunl** tioo to view tho oaNLbitlono in comfort, haro c^m^lalned. tierdeek Poufboiton of The Bioy Yorker calls tho isnesun exhibition *o nob ooono « § • you fought your m y into the place and elbowed your ray threurft tho rooms*. Mr. WgBrlde of tho Sun, "aynjoathlioo with thooo oho only ooo M o o liberie 'Picasso1 over tho hoado of hundreds of others". Mr. Loolo $• stems, President of tho Atlantic City Art Gallery, loft a pathetic not© at tho entrance, * "Hearty congratulations on your rory refreshl&c show. X wish thoutf* I h&& learned to ploy football. I will haro to oono again early oono rooming*.

More urgent still are the complaints which tho patient managesaant of tho neefcscher building has received from other tenants who are unable to leave their offlooo or return to them without considerable