are the terms “irregular, bizarre, uneven, strange, and awkward,” sufficient and satisfactory...

Are the terms “irregular, bizarre, uneven, strange, and awkward,”sufficient and satisfactory when we come to identifying from what we seeworks which are said to belong to the Baroque? (p.13, col.1)

Are the Wölfflinian principles really “a set of stylistic qualities?” (p. 14, col. 1)

linear/painterlyplane/recessionclosed/open formmultiplicity/unityabsolute/relative clarity

What is the difference between “symptom” and “syndrome?” Invent amodern-day example of each. (p. 15, col.2)

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What “rhetorical devices” can you see in Picasso’s Guernica? (p. 17, cols. 1 & 2) asdf af asdfAsdf asdf asdf asdfasdf asdfasf asdfasdf asdfasdf asfasdf asfdasdf asdfasdf asdfasdf asdf aAsdf asdf asdf asdf asdf asdf asdfasdf asdfasdf asdfasdf asdfasf asdf asdf asdf asdf asdffAsdf asdf asdf asdf asdf asdf asdf asdf asdfasdf asdf asdf asdf asdf asdf asdf asf asdf asdffDfg dsg dsg dsfgsdfg sdfgdsfg dsfgdsfg dsfgdsfg dsfgdsfg dsgdsfg dsgdsfg dsg sdfg

Does a hierarchy of genres exist today? If you think so, make a prioritized list.(p. 19, col. 2)

What do you understand (from Minor’s admittedly sketchy discussion) theword “concetto” to mean? (p. 20, col. 2)

allegorical*, folk art, genre painting, graffiti, landscape,literary*, military*, mythological*, performance, portraiture,religious*, seascapes, still life*traditionally grouped as “history”

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What do you understand to be the concetto behind Rembrandt’s Danae? BehindKienholtz’s State hospital?

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Explain how a Baroque time-traveler might see as “marvelous” the “shock and awe” intended to result from the (unprovoked) invasion of Iraq. (p. 22, col1). The collapse of the twin towers on 9/11.

To what extent would our time-traveler agree that Attila Richard Lukacs’s work exemplifies the Baroque concept of spectacle?

LOVE IN UNION: “Amorous meeting,”1992, oil on canvas, 118.8 x 79 inchesFrom “E-werk” series, exhibited 1994

Monumental canvases were featured in "E-werk," a 1994 exhibition. “In This Town,” Lukacs depicts young workers with trademark shaved heads momentarily pausing from their backbreaking work. Although interpretable as a social commentary on the state of political affairs in post-unified Germany, the grimy, fleshy youths are presented in such a way that the gay male viewer may linger with an erotic gaze on their labor formed pectorals and sweat covered limbs.

Do both these details from theSistine Ceiling include quadriRiportati?

A quadro riportato is a painted Illusion which looks like a real framed two-dimensional paintingglued to the ceiling.

Ceiling fresco, 1597-1602, Fresco, Palazzo Farnese, Rome Ceiling by Baciccio (painting) and Antonio Raggi and Leonardo Retti (stuccoes),1679, Church of the Gesù, Rome

Do you agree that both ceilings show the use of “quadro riportato” (transported picture)?