exposure 2008
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Welcome to Exposure 08, the publication of our annual graduation show, which is now part of the College of Creative Arts Festival: Blow, Nga hau e wha.
Just as the Royal College of Art describes itself as a ‘very special ideas factory’ so too can we at Massey’s College of Creative Arts. We have been at the creative heart of Wellington, and indeed the nation, for more than 120 years, and have been impacting on the cultural and economic well-being of New Zealand through our innovative thinking ever since.
Known variously as the Wellington School of Design and as the Wellington School of Art, we have produced some of the country’s best-respected artists and designers. Now, as Massey’s College of Creative Arts, based in Wellington and Auckland, we continue to produce world-class graduates in art and design. Many of these have been instrumental
in shaping New Zealand’s national identity through iconic imagery, or contributing to its economic growth through the creation of original and desirable designs.
Our alumni include proven leaders in New Zealand’s creative and cultural industries: Kate Sylvester, Richard Taylor, Len Lye, Gordon Walters, Judy Darragh and Mark Pennington are all our ex-students and all have touched the lives of New Zealanders through creating the clothes we wear, the fi lms we watch, the furniture and household articles we buy, and the images that repre-sent us and our unique culture to the world.
Ground breaking creations such as the Fisher and Paykel Dish Drawer, the Apple iMac, Formway’s ‘Life Chair’, the digital ani-mations of ‘Lord of the Rings’, all came about through the work of our alumni. Recent graduates can be found in design studios and enterprises across the country,
PRO VICE-CHANCELLOR
7
and indeed across the planet. Although many of them may not yet be known to you by name, like the generations of students who have come through this extraordinary New Zealand institution before them, they give shape to the material world around us in a distinct and compelling Kiwi manner.
A recent government exercise (called the PBRF) saw Massey’s School of Design ranked fi rst in the nation, with the largest number of participating academics, the highest quality score, and six of the coun-try’s eight leading design researchers based there. In the same exercise the College’s School of Fine Art’s quality score of 4.33, when set alongside the 4.30 achieved by Elam at Auckland University, indicates that we truly are the best in the country.
Like other world leading design schools such as the Royal College of Art, ACCD Cali-fornia, or Rhode Island School of Design in
New York, the College of Creative Arts has always understood the intimate and impor-tant relationship between fi ne art and all areas of visual design. We also understand that a strong arts community is central to developing national identity and encourag-ing an innovative, knowledge economy. We are pleased to be helping to build such a community here in Wellington, the nation’s creative capital.
In this publication we showcase New Zea-land’s artists and designers of the future taking their fi rst steps out into the world. Be proud of them – their work is stunning and they thoroughly deserve their moment in the sun.
PROFESSOR SALLY MORGAN
Pro Vice-Chancellor
8
The design disciplines of Fashion, Indus-trial, Spatial, Textiles and Performance form the Institute of Design for Industry and Envi-ronment. Each discipline has its own values, theory, practise and research cul-ture that is nurtured and encouraged within the Institute. There is also rich opportunity for exchange and exploration between these disciplines within the Institute and also beyond into the wider university and community. Our undergraduate and post-graduate programmes capitalise on the research excellence and technical support of our world-class staff.
Design for industry and the environ-
ment is of signifi cance to us all. In our
increasingly international consumer
orientated society, the ability to trans-
form materials into desirable and
valued objects, places and spaces is
fundamental to our physical, psycho-
logical and economic well-being and
identity. It is also critical for a sustain-
able future.
INSTITUTE OF DESIGN FOR INDUSTRY AND ENVIRONMENT
9
The work presented in this year’s publica-tion illustrates the quality of the Institute. The outstanding creativity of these gradu-ates, the inspirational guidance of their academic teachers and the technical and administrative support provided by my col-leagues demonstrates our commitment to design excellence and innovation. These are key qualities not only for our graduates and staff but also for New Zealanders, our industry and environment as we make our way in the world. A world that is challenged
by economic uncertainty and environmen-tal change needs, more than ever before, the ideas, insights and solutions design can contribute.
Congratulations to the students and staff of the Institute for the achievements of 2008.
I wish all our graduates success and fulfi ll-ment in their careers.
PROFESSOR TONY PARKER
Head of Institute, Institute of Design for Industry and Environment
11
Fashion graduands celebrated the culmina-tion of four years of fashion design studies with collections showing immense creative talent at the Foya Collective Fashion Show 2008. See http://issuu.com/foyacollective
Fashion design outcomes varied from exploratory conceptual pieces to commer-cial collections designed for a range of markets within the fashion industry. Our students produced highly innovative designs derived from research, creative design processes and technical expertise.
A number of students gained success in national competitions and Massey University fashion awards: Elizabeth Steele/Samara Vercoe; Unity Collection Award for Commercial Design: Harriet Sharpe/Charlotte Little; Purfex Award for Design: Victoria Temple-Camp/Hannah Mitchell; Kirkcaldie & Stains Award for Innovation and Creativity: Liz Ting; Rembrandt Suits Award for Excellence: Wendy Kwan; John Rainger Vilene Award: Miriam White; Grow Wellington Award for Business.
We congratulate all fashion graduates of 2008 and thank them for contributing to the continuing success of our programme.
DEB CUMMINGPROGRAMME LEADER FASHION DESIGN
12
ELEISHA BALMER
A World of Nonsense is the exploration of scale and the miniature versus the oversized, through contemporary fashion design.
Leashyloo22@hotmail.com027 690 1222
BROOKE ANDERSON
I tube you collection.
It is based on using one shape, the circle, to create a conceptual and wearable collection.
andersonfamily@paradise.net.nz021 032 9887
13
SARA BRISTOW
Genderfuck. A parody of two genders.
Sara-bristow@hotmail.com027 318 9399
KATE BARTELS
This high-fashion collection, entitled Luxor Paradiso, derives from Egyp-tian revival in design, and proposes to architecturally reform and display the body in a contemporary way.
Finalist in Southern Trust iD Dunedin
Emerging Designer Awards 2009
katebartels@gmail.com021 064 9021
14
RUTH BUCKNELL
Anonymity depicts how the busy, work-ing mother becomes anonymous: fulfi ll-ing everyone else’s desires so effi ciently she becomes unseen – her identity belonging to her roles.
Finalist in Southern Trust iD Dunedin
Emerging Designer Awards 2009
motherbuck@xtra.co.nz(06) 377 7563, 027 260 0574
BELINDA COPPIN
My collection explores the relationship of young women in transitional times between
traditional expectations and the more fl uid networks of innovation and novelty which
modernity offered in between the wars.
Winner Zonta Design Award, Fashion, 2008
belinda_coppin@hotmail.com027 472 6301
15
LOREN EDWARDS
For Euphemia. A collection based on personal understanding
of the idea of real beauty, ‘beautiful’ clothing for women with a twist
of restraint and awkwardness when on the body.
Loren.e@hotmail.com027 319 9821
REBECCA DAVIDSON
Taking motive and inspiration from Simon Morley’s collaborative book Writing on the Wall my collection presents itself to the viewer as “assorted block text.”
rebs_davidson@hotmail.com027 250 2132
16
GABRIELLE FUTTER
36 . 24 . 36 A collection inspired by the corset and the never achievable perfect measurements for an hourglass fi gure 36” 24” 36”.
Gabrielle_futter@hotmail.com027 310 0441
HELEN FORSTER
Mend and Make Do: The Wedding Dress
This process has been taken to the extreme by creating an extravagant, ostentatious wedding dress which is then deconstructed. The resulting garments still contain that certain sacredness implied in the original wedding dress.
promqueen_02@hotmail.com 021 042 4230
17
ROBYN HOLLAND
The concept of Miraculae Naturae (Monster) is one that brings into question what is ugly and how can
something that is considered ugly or grotesque be trans-formed into something desirable or fashionable?
accursed_girl@hotmail.com021 127 3032
CHARLOTTE HAZLETT
Its all about the gus is inspired by early 80s American sportswear. Garments are taken away from the sports fi eld and contemporised into modern streetwear.
Charli_anna@hotmail.com027 406 5570
18
KATIE KENNEDY
“There sometimes seems something almost mad about these women and men who dedicated their lives to the ‘tragic game’ of being chic” Elizabeth Wilson / Bohemians:the Glamorous Outcasts.
kt_k1@hotmail.com027 380 4248
WENDY KWAN
In the aesthetic historical timeline from Mao’s communist era through to today, Chinese women’s identities have changed, but the remnants of the past and their original roots are still there.
Winner of John Rainger Vilene Award 2008
Wendy_YY_Kwan@hotmail.com021 105 1931
19
CHARLOTTE LITTLE
Pickled
Organic Singlet Dress worn with Crocheted Organic Merino Fox Wool, naturally died with Turmeric, Tea, Coffee and Chilli Powder.
Winner of Purfex Award for Design 2008
charj_little@hotmail.com027 551 6877
MARIE LOPDELL
How would it be to have the audience taken aback by asking from the garments, that which is
unnatural and unexpected? To defy gravity.
mlopdell@hotmail.com027 698 5421(04) 385 2280
20
RACHEL MCCARTEN
Into the Fold explores the trend of origami in fashion, as the static fabric is transformed into a wearable 3D form through the process of folding.
rachelmccarten@hotmail.com027 463 6684
21
HANNAH MITCHELL
BELIEVE
An independent investigation of the truth.
Winner of Kirkcaldie & Stains Award
for Innovation and Creativity 2008
Hr_mitchell07@hotmail.com027 215 9960
HELEN MOORE
Stitch of Grace was inspired by the story of deconstructing a pair of ballet shoes.
fashion_manikin@yahoo.co.nz027 417 6864
22
TIFFANY NGAN
…and make it I am the Sun Queen is a journey into fantasy, designed to take the wearer away from their current situation.
tiffany.j.ngan@gmail.com027 282 8883
RA MUGGERIDGE
A commercial capsule collection of relaxed interchangeable garments inspired by world street fashion.
ramuggeridge@gmail.com021 121 8113
23
COURTNEY PETLEY
To explore the way zips can be used in the detail of clothing.
courtneypetley@gmail.com 027 420 6626
MELANIE PRATTEN
A visual interpretation of the ele-ments of nature explored through aesthetic design, colour, silhouette and the manipulation of fabrics.
m_pratten@hotmail.com 021 068 4440
24
CASEY SCHWASS
“so unaided, she began her next performance with an apparent improvisation which was in reality, only a variation upon a theme” A.Carter 1974
casey_s@xtra.co.nz021 838 174
DAVID SEAMAN
One of the members of the Birds of Prey,
a sci-fi glam rock gang of peacocks.
metal_jeans@hotmail.com027 331 8331
25
HARRIET SHARPE
As human beings we strive to understand the natural world and the forms that fascinate us. Fiband & Nemhain maps birds’ mobility and structure through fabric, form and design.
- Winner of Purfex Award for Design 2008
- Runner-up Zonta Design Award, Fashion, 2008
harrietsharpe@gmail.com021 026 40644
ROSIE SHELTON
myspace
Myspace is a collection of mini environments that highlight the gulf between
private experience and public interpretation upon
the dressed body.
rosieshelton@gmail.com021 280 9575
26
GEORGINA SOUTHEN
A juxtaposition of leather, silk & aluminium combine with classic tailoring, drape and industrial processes to create a collection that fi nds a balance between uniform and femininity.
gsouthen@hotmail.com027 331 6699
ELIZABETH STEELE
Envelop Me allows the wearer to envelop themselves in the clothing
which gives them a feeling of complete protection, warmth and comfort.
Winner of Unity Collection Award
for Commercial Design 2008
Steele.lizzie@gmail.com027 310 9910
27
VANCE STEELE
Fresh form and submersed emo-tion captivate the essence of the collection, Salacia Inspired, by Marine Biologist Ernst Haeckel.
vancesteele@hotmail.com
VICTORIA TEMPLE-CAMP
In the lost and found
In relation to the post-industrial found object, an investigative pro-cess of ownership, dis-ownership and deterioration are explored through clothing.
Winner of Kirkcaldie & Stains Award
for Innovation and Creativity 2008
vixy@hotmail.com027 305 0755, (04) 382 8395
28
LIZ TING
Foe Crossing
An exploration of the relationship between religion and branding in today’s society.
- Winner of Rembrandt Suits Award for Excellence 2008
- Winner of Pacifi c Blue Travel prize , iD Dunedin Fashion Show 2009
liz_ting@hotmail.com027 331 0210
29
SAMARA VERCOE
The Space Between
The space between your heart and mine is the space we’ll fi ll with time.
Winner of Unity Collection Award
for Commercial Design 2008
s.vercoe@hotmail.com021 266 9454
MIRIAM WHITE
Kubla and Salome blends a conceptual investigation into poetry, narrative and fashion drawing infl uence from Kubla Khan and Aubrey Beardsley illustrations.
Winner of Grow Wellington
Award for Business 2008
miriamannwhite@hotmail.com027 497 5421
31
Textile design is concerned with under-standing and creating one of the most intimate and yet public aspects of the mate-rial world. In our unique programme we encourage exploration in design and colour, development of technical knowledge, and digital media skills for translating textile con-cepts into marketable products.
The 2008 Textile Design graduate work refl ects the students’ sustained commit-ment to engage in critical debates to focus and contextualise their designs. Along with their broad skills base and a thorough understanding of the structure and surface aspects of textile design, our students are well prepared for successful careers within the international arena of textiles.
The students have produced innovative, contemporary applications and will contrib-ute to various creative, commercial, cultural and heritage organisations. Some of the students have already achieved recognition and outstanding success in competitions such as the International Society of Dyers and Colourists, World of Wearable Arts and the Hokonui Fashion Awards. We wish this group of students well and commend them on the quality of their achievements.
SANDRA HEFFERNANSUBJECT LEADER TEXTILE DESIGN
32
NATALIE BABBAGE
Haptic Collection.
Winner of Bromedia
Imaging Award 2008
nbabbage@gmail.com
RUTH BROWNE
Threads of Memory. Design can trigger culturally shared memories,
evoke recollections or create fi ctional memories. The unclear disposition
of memory has been captured with deconstruction and manipulation
of fabric structures.
Zonta Design Awards 2008:
Winner Textiles Award and
Winner Supreme Award
browne.r.m.e@gmail.com027 630 1889
33
CARRIE DONALDSON
Inspired by the demise of my rural home town, Raetihi along with key words abandoned, broken, layered, crumbling, decay and loss.
carrie.lee.donaldson@gmail.comwww.carriedonaldson.co.nz
JESSICA EDWARDS
Exploring the notion of creating unconsciously. By removing
elements of control, it was discovered that we constantly
seek to retain control, even within a process that lacks it.
jess.amy.edwards@gmail.com027 488 5080
34
FRANCES HODGSON
A fabric collection based on analogies formed between the human anatomy and the natural world.
Winner of Sotech Excellence in
Embroidery Award 2008
franceshodgson@hotmail.com027 699 3546
HARRIET GARLAND-LEVETT
Dress is a communication tool; within it layers of signs that
describe identity.
www.harriet.co.nzharyit_gl@hotmail.com
027 321 7750
35
ALANAH GIBSON
Refracted light is a textile print-based collection exploring architecture: playing with light, depth and transparency.
Hokonui Fashion Show 2008,
Winner Knitwear Section
notnancy@gmail.com027 330 7050
CLAIRE HINCHEY
The human skin is a canvas which people use to express
their identity and individualism. This project celebrates the tattoo
and the representation of the permanent mark.
Joint Winner, Digitex Most
Innovative Digital Design Award
clairehinchey@hotmail.com027 318 3657, (04) 976 4783
36
AMY PYLE
The New Zealand Bach.
The way the baches are added to layer by layer, generation by generation.
- Winner Blue Print Imaging Excellence
in Textile Print Award
- Runner-up Zonta Design Award, Textiles, 2008
pyleamy@hotmail.com027 306 4544
37
DANIEKA LITTLEWOOD-ROWE
My major project explores how historical family storytelling infl uences memory and then resonates into the development of memorable textiles.
danieka_206@hotmail.com027 411 4081
SIMOEN VAN DER MEENT
This project celebrates the individuality of the 60s and 70s youth counter-culture by focusing on three revolutionary bands: Led Zeppelin, David Bowie and the Sex Pistols.
simoen.vandermeent@gmail.com027 426 9911
38
AMY VAN LUIJK
Wrapping and Revealing
- Winner Resene Best Use of Colour Award 2008
- Hokonui Fashion Show 2008, Collections Section Merit Award
avanluijk@gmail.com027 392 5641
SARAH WALL
Accessories of Dress
Inspired by the extravagant nature of Victorian women’s accessories of dress, looking specifi cally at the techniques that were used combined with additional techniques: weaving and foiling.
Winner John Rainger Textile
Interlining Award 2008
027 334 4823sarah.rose.wall@gmail.com
39
CARLA YEUNG
Take a dive with this collection and explore coral inspired knit and crochet textile fabrics.
- Winner Purfex Excellence in Textile Design
for Apparel Award 2008
- Winner MSO Design and Art Production
Best Portfolio Presentations Award 2008
carla@dublin.com021 143 9006
MAYA ZILBERBERG
Travel through a personal geography that is made up of memory, knowledge, experience and genealogy. Exploring where one fi ts into a multitude of landscapes
that together composes ones identity.
maya.zilberberg@gmail.com027 521 2726
41
Design is about creating pleasurable, desir-able and meaningful experiences for people. The contribution of industrial design is multi-facetted. The economic and soci-etal value of being able to offer the market products that meet utilitarian as well as emotional needs cannot be underesti-mated. This needs to be done with care, respect and consideration to others, to our planet, and to our future. Our graduates increasingly show that they are thoroughly prepared for successful careers as indus-trial designers. The fantastic turnout at the BeST awards 2008 (eleven of the 15 stu-dent fi nalists were from Massey) and the 2008 Dyson awards (all four fi nalists were from Massey), is excellent proof of their abilities. Projects by our students show a profound level of innovativeness and origi-nal thought grounded in solid research. They refl ect their ability to understand and inquire into novel contexts of use and to transform ideas into relevant, innovative and exciting products. Students’ work also exhibits a high level of awareness and sen-sibility to aesthetics, meaning and value for the intended user and market. We congrat-ulate our Industrial Design graduates for their outstanding achievements as they enter the world with the privilege and responsibility of shaping our futures in the most infl uential of ways: by creating prod-ucts that surprise, delight and enhance our everyday experiences.
STAFF AND ASSOCIATES OF AFFECT RESEARCH CENTRE FOR AFFECTIVE DESIGN, INSTITUTE OF DESIGN FOR INDUSTRY AND ENVIRONMENT
42
JAMAINE RANIERA FRASER
Korowai O Tangaroa - Cloak of the Sea
A product with cultural signifi cance that is designed to keep small cetaceans cool, moist and comfortable whilst stranded.
jamainefraser@hotmail.com
43
GUO FU
1. Disaster prevention water tower
2. Eco bin, made from pc case
3. Dusk - Prowler stealth vessel for ‘Halo’ movie production
Fuguo27@hotmail.com021 261 9875
44
JAKE HOCKING
Re-mouldable with heat, STRYK is protective hand-wear for Underwater Hockey. Cost effective for mass production in a selective market. Sleek. Aggressive. Resilient.
jakehocking@gmail.com021 020 08997
JOEL LARSEN
A wireless control system that operates the rotation, angle, extension and the water/foam controls of aerial turntable ladders mounted on fi re trucks.
no1_souljah@hotmail.com 027 698 9596
45
SAVANN MAN
Speculative 2018 Formula 1 Vehicle
This design project speculates about a future 2018 Formula 1 vehicle and illustrates what new innovative technologies and philosophies the vehicle may inherit.
Savann_man@hotmail.com021 039 6631, 027 767 4255
46
LAURENZ WALTERFANG
A solution for long-lasting, earthquake and hurricane proof buildings with built-in solar energy supply. Customizable in size and layout. Prefabricated and easy to assemble.
l.walterfang@gmail.com021 261 4703
ALASTAIR WARREN
Ambieth is a table-top heater, designed as a focal point for gathering. With a welcoming
glow and advanced ceramics, it employs directional infrared
heating technology.
awarrennz@gmail.comwww.alastairwarren.com
027 340 3457
47
AIMIE WHITING
The Point of difference™ is an innovative 3 inch high heel with inbuilt metatarsal padding, aerated heel ball and co-moulded hard and soft polyurethane heel that creates a pair of cush-ioned, shock reducing, comfortable high heels.
aimie_rawiron@hotmail.com027 410 5958
JULIET WHYTE
3c Kitchen for future urban living.
Winner Zonta Design Award,
Industrial, 2008
Juliet_whyte@hotmail.com027 498 4040
49
Spatial Design is the practice of imagining, forming and constructing environments that consider space, time and sensory inhabitation. Emerging from the fi eld of Interior Design this programme explores the embodied and theoretical conditions of architectural and virtual environments, as well as performance events. Our interdisci-plinary approach integrates textile, furniture, object, fashion, digital and installation design, which is facilitated by our position within Massey University’s College of Crea-tive Arts. This allows our graduates to work in a wide range of industries, including architecture, fi lm, multimedia, exhibition, urban and events design.
Spatial design offers an expansive territory for practice and research, extended by the critical and speculative work of our under-graduate and postgraduate students. The 2008 Spatial Design graduates have shown a commitment to, and passion for, designing environments and experiences during their time with us. We wish them all the very best in their future. They leave Massey with skills that enable them to make valuable contribu-tions in their chosen careers.
DORITA HANNAHPROGRAMME DIRECTOR: SPATIAL DESIGN
50
AMY BRODIE
In the palpable darkness of the void, boundaries can be sensed if not quite seen, and we are immersed in a meditative mood.
amybrodie@studiopacifi c.co.nz021 395 179 CHLOE COLES
Routines and spatial requirements that change with the seasonal cycle
allow a rural/coastal dwelling to breathe; to hibernate during off-peak season
then bloom in Summer.
Coles.chloe@gmail.com027 313 4142
51
CLEON FERREIRA
Concepts of relational aesthetics are used to bring
the ‘urban facebook’ into Wellington for IntensCITY week and provide the public with an
active spatial experience.
Winner Zonta Design Award,
Spatial, 2008
clee.1985@gmail.com027 204 7754
BROOKE FOWLER
Using the fold as a tool to break conventional working practices, the offi ce becomes a space of fl uid environments, activating better interaction in its form and operability.
brookey.fowler@gmail.com 027 472 0354
52
HAYLEY GRAY
In-Between identifi es a video practice which activates the live context of watching, transforming cinema’s
historical and cultural ‘architectures of reception’ into sites of cinematic experience.
hayleygray_nz@hotmail.com027 433 1358
AMY FRASER
This project explored the qualities of light to create serene waiting spaces at Wellington Public Hospital.
elastar12@hotmail.com027 335 6831
53
MEGAN HINE
Banish Air from Air
The poem Banish Air from Air by Emily Dickinson was used to explore and direct possibilities around air and architecture to create an inner city bathhouse for women.
meganhine@hotmail.com027 342 8366
54
JENNIFER KAY
Dressing
Fashion aids in the dressing of the body, and an exterior cladding dresses the structure of a building. This project translated this idea of the dressed body / structure to propose a design for a fashion house.
Kay489@gmail.com027 404 3038
JULIA KINGHAM
This project addresses the issue of temporality by proposing a modular spatial design that was inspired by Jaeha’s Winter 08 collection.
juliakingham@gmail.com 027 466 3289
55
BRIAR LOBB
Forest of Knowledge
This library design was conceptualised from a poem that talks about the many
pathways within a forest. Tall pillars extrude through three levels interrupting
the navigation through the space.
briar.lobb@hotmail.com027 329 8434
56
SAMANTHA RICHARDS
There are no mirrors in a hospice. The only refl ection of self is through the objects, memories and people who gather around the terminally ill.
Sam-john@clear.net.nz(04) 934 0563, 021 294 3793
MELANIE MARSHALL
The project Assemblage looked into assembling a DOC campsite on Matiu Somes Island. I have created a construction system based on the analogy of quilting. The design is informed by the site and draws on the experience and craft of the construction process itself, this being a universal programme that can be applied to any remote site.
57
STEPHANIE SCHICKER
The Commuters Interchange explores the collective movement of commuters passing through the underground tunnel situated at the Wellington railway station.
- Runner up Zonta Design Award, Spatial, 2008
- ARTICHOKE® Magazine Prize for Design Communication 2008
stephschicker@hotmail.com027 635 5911
SAMANTHA SCRYMGEOUR
This design was a proposed interior fi t-out for an urban retail store (Spacesuit) on Cuba Street in Wellington.
sam.scrymgeour@gmail.com027 458 1163
58
KELLY TAN
This project proposes a virtual reality motel within an existing car parking building and plays on the contrasting aesthetics between the virtual and actual worlds.
tandefang@hotmail.com
59
BRIDGET TAYLOR
Body Code. This project proposes a re-design of the TSB Bank Arena’s foyer space that sits in between the staged, formal performance inside, and the performance of the ‘everyday’ on the outside. The design for this transit space is derived through “a mode of spacing that gives its place to events” (B. Tschumi).
Bridget.s.taylor@gmail.com027 316 2233
AMIE WALTERS
My interests lie in the space of the in-between, the ways in which people inhabit and interact with space, and how spaces can exceed current modes of inhabitation.
amie.walters@gmail.com
61
This year we are very pleased to graduate our third cohort of students in this dynamic new programme. Run jointly between Toi Whakaari (New Zealand Drama School) and Massey University, the degree offers a unique education in the developing fi eld of the live arts. It is a discipline that works in the many situations of performance, across spatio-temporal practices in theatre, fi lm, dance, opera, music, exhibition, fashion, performance art, and events. It considers the active role that design can play in manip-ulating space, object, movement, body, and light to become a performing agent with lan-guages and narratives of it’s own. Our students learn the principles of designing for the stage, whilst also learning methods, theory, and creative processes whereby they can become more than designers for performance, but also designers of perform-ance. The past four years of study have been very busy for this group of fantastic students - exhibiting work in the 2007 Prague Quadrennial, and presenting per-formances in Wellington throughout 2008. Our congratulations to them all for their fan-tastic achievements over the past four years, and best wishes for the future. Performance Design at Massey is now integrated into the Spatial Design programme.
SAM TRUBRIDGEPROGRAMME CO-ORDINATOR, PERFORMANCE DESIGN
62
SARAH BURRELL
Set design for Macbeth, Basement Theatre at Toi Whakaari: New Zealand Drama School, September 2008.
sarah.g.burrell@gmail.com
CHRISTOPHER ULUTUPU
When images of pain and terror are transmitted onto a televi-sion or the computer screen, it gets digested, processed and regurgitated along with other information. Remember 911 – The Party is a new form of cruelty: a carnival of horrors.
chris_ulutupu@hotmail.com 021 158 8246
63
MARINA DAVIS
In loving commemoration. The loss of a home so ingrained, is survived by memories and material. Let the future be stitched together.
marina_dee@hotmail.com027 268 3777
64
HARRIET SHARPE
Winner of Purfex Award for Design 2008
Runner-up Zonta Design Award, Fashion, 2008
WENDY KWAN
Winner of John Rainger Vilene Award 2008
ELIZABETH STEELE
Winner of Unity Collection Award for Commercial Design 2008
HANNAH MITCHELL
Winner of Kirkcaldie & Stains Award for Innovation and Creativity 2008
CHARLOTTE LITTLE
Winner of Purfex Award for Design 2008
VICTORIA TEMPLE-CAMP
Winner of Kirkcaldie & Stains Award for Innovation and Creativity 2008
FASHION AWARDS 2008/2009
RUTH BUCKNELL
Finalist in Southern Trust iD Dunedin Emerging Designer Awards 2009
BELINDA COPPIN
Winner Zonta Design Award, Fashion, 2008
KATE BARTELS
Finalist in Southern Trust iD Dunedin Emerging Designer Awards 2009
NATIONAL AWARDS: INSTITUTE OF DESIGN FOR INDUSTRY AND ENVIRONMENT
65
TEXTILE AWARDS 2008/2009
LIZ TING
Winner of Pacifi c Blue Travel prize at Southern Trust iD Dunedin Emerging Designer Awards 2009
Winner of Rembrandt Suits Award for Excellence 2008
SAMARA VERCOE
Winner of Unity Collection Award for Commercial Design 2008
MIRIAM WHITE
Winner of Grow Wellington Award for Business 2008
RUTH BROWNE
Zonta Design Awards 2008: Winner Textiles Award and Winner Supreme Award
FRANCES HODGSON
Winner of Sotech Excellence in Embroidery Award 2008
NATALIE BABBAGE
Winner of Bromedia Imaging Award 2008
ALANAH GIBSON
Hokonui Fashion Show 2008, Winner Knitwear Section
CLAIRE HINCHEY
Joint Winner, Digitex Most Innovative Digital Design Award
AMY PYLE
Winner Blue Print Imaging Excellence in Textile Print Award
Runner-up Zonta Design Award, Textiles, 2008
66
KENNETH YOUNG
DINZ BeST Award 2008, Silver
SCOTT PARKER
DINZ BeST Award 2008, Silver
JAKE SNOWDEN
DINZ BeST Award 2008, Silver
IAIN TOLLADAY
DINZ BeST Award 2008, Gold
Dyson Product Award 2008, Runner-up
ASH HOLWELL
DINZ BeST Award 2008, Gold
MATTHEW MCKINLEY
DINZ BeST Award 2008, Gold
Dyson Product Award 2008, Finalist
AMY VAN LUIJK
Winner Resene Best Use of Colour Award 2008
Hokonui Fashion Show 2008, Collections Section Merit Award
SARAH WALL
Winner John Rainger Textile Interlining Award 2008
CARLA YEUNG
Winner Purfex Excellence in Textile Design for Apparel Award 2008
Winner MSO Design and Art Production Best Portfolio Presentations Award 2008
INDUSTRIAL AWARDS 2008
NATIONAL AWARDS: INSTITUTE OF DESIGN FOR INDUSTRY AND ENVIRONMENT
67
SAM ROWSELL
DINZ BeST Award 2008, Silver
ALEXANDER WASTNEY
Dyson Product Award 2008, Gold
DINZ BeST Award 2008, Silver
DANIEL MCLAUGHLIN
DINZ BeST Award 2008, Bronze
SANDY PAWSON
DINZ BeST Award 2008, Bronze
JULIET WHYTE
Winner Zonta Design Award, Industrial, 2008
STEPHANIE SCHICKER
ARTICHOKE® Magazine Prize for Design Communication 2008
Runner up Zonta Design Award, Spatial, 2008
CLEON FERREIRA
Winner Zonta Design Award, Spatial, 2008
SPATIAL AWARDS 2008/2009
68
Type, form, colour, time and space prov-ide a palette of tools that are invoked to transfer a message or emotion in an ever-changing design environment.
This year saw increased growth in Master of Design enrolments, a trend that is continuing through 2009. These students develop a deep rigor in research, theory and practice, culminating in a signifi cant piece of work. This qualifi cation follows the international trend as the qualifi cation of choice for design students and professionals.
INSTITUTE OF COMMUNICATION DESIGN
Students of visual communica-tion complete their studies knowing that nothing is as it fi rst appears. Throughout their time with the Institute of Com-munication Design, students re-examine knowledge to dis-cover the power, beauty and meaning of visual media.
69
Our academic staff are also constantly push-ing the boundaries of design with the emergence of new centres of excellence, with expertise and international connections, refl ecting the new global culture of design research. Areas such as typography are experiencing a signifi cant renaissance, driven by informed theory and practice. Other areas, such as graphic design, digital media, illustra-tion, advertising and contextual studies are increasingly incorporating research into the creative process, connecting these areas to global research conversations.
It was our best year at the BeST Awards 08, with an impressive 29 awards, 10 of which
were gold. This included a graphic ‘Stringer’ Design Award.
This year’s graduating students refl ect a diverse range of specialities and potentials. Following graduation, these new designers will be absorbed into the design community and, over time, will become the new creative leaders. By maintaining their links with Massey, the dialogue between education, research and practice will continue to fl ourish and sustain visual communication as an integrated component of today’s society.
GRAY HODGKINSON
Acting Head of Institute, Institute of Communication Design
71
As advertising permeates every level of our society, the responsibility our graduates face is signifi cant. While encouraging our students to be innovative and insightful, they still need to be alert to the powerful affect their work can have on societal stereotypes.
The Advertising programme has been very successful in the training of advertising lead-ers in all areas of creativity, as well as art directors, copywriters, and account service over the past 18 years. Our graduates have achieved notable successes in the industry both nationally and internationally.
The programme maintains a strong link with industry. Our enviable reputation of pushing the envelope in the practice of both strategic and creative thinking is paramount to the programme’s success.
The 2008 Advertising graduates have clearly demonstrated their passion and profession-alism for their respective crafts. It is with confi dence that I farewell them into their respective industries. I wish you all long and illustrious careers and look forward to learn-ing of your future accomplishments.
EUAN ROBERTSONADVERTISING LECTURER
72
ANNA ALICIA HERMANN
MSF take their medical expertise and equipment anywhere in the world they are needed. This campaign asks for help in doing just that.
a.a.hermann@gmail.com027 465 9404
RYAN BURROWS
This project Spring Tide promotes beer to gay Kiwi men, but without employing sexual imagery or stereotypes. Pay off: ‘The beer with benefi ts.’
ryanburrows@gmail.com021 112 4230
73
KIMBERLEY HO
LookSmart Alterations - Because everybody is different.
k.ho_09@hotmail.com021 257 4255
NICOLA EDHOUSE
Winner Y Media Challenge 2008
74
ALISHA HOPKINS
This project explored the misuse of Methylphenidate on children with ADHD. The campaign aims to educate and encourage the consideration of alternative treatments.
lishabobisha@gmail.com 027 372 5409
GIRISH PARBHU
A swap of the rational for the ridiculous was used to inject
some life into the promotion of healthy products.
girish.parbhu@gmail.com021 251 9156
75
JENNA PARDEY
This project explored appropriating the successful recruitment strategies of gangs, into other areas of advertising that are trying to recruit the same target audience.
jenna_pardey@hotmail.com027 324 7581
MICHELLE TRIGGER
We do what we know until we know better.
The Weapons campaign serves to provide New Zealand principals with the motivation and opportunity to take action against cyberbullying in their schools.
michelle.trigger@gmail.com027 696 0334
77
As technology continues its pervasive infu-sion into everyday life, the term digital media undergoes constant redefi nition. Media forms are in constant fl ux, with dynamic interplay between areas such as video, ani-mation, interactivity and motion graphics. Interactivity once described a mouse and a computer screen, but now has expanded to include cell phones, ipods, GPS, motion tracking and the ever-evolving Web.
As proponents of digital media, students begin to interrogate both their own role and the state of media, suggesting new and innovative ways of bringing disparate ele-ments together. Even in the areas that are considered traditional, students challenge conventions with research from a wide range of sources, giving their work increased meaning and purpose.
Fundamental to all study in digital media, is an awareness of adaptability; today’s hot tech trend can soon become tomorrow’s old news. Students leave Massey with strong skills in how to deal with change, adapt, and become award-winning experts and leaders in their fi elds. With an emphasis on investi-gation and problem solving, coupled with the desire for new forms of creativity, gradu-ates from our Digital Media programme are well positioned for today’s society.
STRUAN ASHBYDIRECTOR FOR DIGITAL MEDIA
78
SCOTT BURROWS
A collection of computer generated concept images detailing the possible negative effects of current global trends on Wellington City in 2071.
scottburrows.nz@gmail.comwww.creative-species.com/scott
GUY DAVIES
The extensive bombardment of mediated communica-tions in our daily lives leads to a corrupted and illusory perception of natural reality.
Seek to infl uence. Seek an alternative!
Breakmedium@gmail.com021 253 2392
79
BRENT DICKENS
Click local is a social networking website that allows local people to fi nd and meet with each other so they can improve their local environment.
brentdickens@gmail.com021 911 030 JAMIE FERGUSON
Collect is an online collaborative workbook for designers to help with
idea generation.
jamie@jamieferguson.co.nz027 308 3875(04) 382 7100(04) 380 0872
80
JEREMY FORT
Sector B-37 is a short animated narrative which speculates about a possible future scenario on Earth. Climate change has devastated the planet, and the remaining animals have been forced to adapt in order to survive within this harsh environment.
jzaproductions@gmail.com021 020 08180
MARK HANSON
Video still from Fizz Factory, a short fi lm shot on location at the Foxton Fizz Factory, part of the DVD White Fungus Video issue 1.
027 221 9742mark@whitefungus.com
81
STEPHANIE HERMAN
“People play games to be somewhere they can’t be”.
hermanimator@gmail.com021 024 18409
JULIE HOLMES
“Until he extends his circle of compassion to include all living things, man himself will not fi nd peace” – Dr Albert Schweitzer
Silver_julz@hotmail.com027 310 8715
82
RACHEL HYDES
A narrative 3D animation that promotes the positive role of male primary teachers to students.
rachel.hydes@gmail.com027 630 1998
GEOFFREY JOE
Music has the ability to inspire creative change and transformation. It can trigger memories, create emotions, colour our moods, affect out perceptions and generate behavioural pattern.
www.geoffreyjoe.comhello@geoffreyjoe.com027 487 9874
83
KOU JIAN
Through this 3D animation, I explained my idea thathumankind should not step over our knowledge.
koujian2000@hotmail.com021 167 4109
KELLYANN HEE
A web-based interface for browsing music that reduces the need for extensive graphical elements.
tarantula.09@gmail.com027 325 5737
84
IAN LOVERIDGE
Journeys through the void. Travel a surreal dreamscape on the back of a giant turtle. Your spirit guide, a companion in the dark.
ian.w.loveridge@hotmail.comwww.interviz.blogspot.com
MATT HING
Quick call the exterminator! This ship is infected with gigantic bugs.
matthing@gmail.com021 906 963
85
WILLIAM MINTY
Game-based learning was utilised to create an accessible and engaging environment for primary schoolers to discover opportunities to apply te reo Ma-ori throughout everyday situations.
william.minty@gmail.com027 224 6534
RAYMOND CHAN
We get scared in this crazy world and forget it’s just a ride… don’t be afraid because the ride’s more fun with your eyes open.
Raymondchan168@hotmail.com 027 314 4452
86
XIAO TIAN
This 3D animation adopts 2D Anime visual style, telling a story about an adventure of three brothers in a place called Sky Rocks.
showntian@hotmail.comk021 056 8688
87
MICHELLE SU
Counting the difference is an interactive info-graphic which shows individuals the impact of everyday household energy consumptions overtime.
Pochacco_su@hotmail.com021 217 0124
KENNETH TO
Computer animation is an ideal medium to recontextualise a classic novel, combining it with related theories and an updated visual style.
Kennethto718@yahoo.com.hk021 123 4192
88
GRAHAM WILLIAMSON
I have used 3D computer animation to create a 3D animated narrative expressing the process of viral infection.
panistheman@hotmail.com027 344 0146
89
VICKY YANG
In the fi eld of animal behaviour research, the researched species are often observed in a very constrained environment, which impacts badly on the animals’ mental health.
lemon_icce@hotmail.com021 022 47590
YAROSLAV KHMEL
The Survival Game is an interactive educational programme, designed to provide a multisensory learning experience in a believable environment, and to then test the player.
yaroslavkhmel@hotmail.com 021 060 8654
91
Today’s knowledge economy presents both enormous challenges and opportunities for Graphic Design graduates transcendent of any geographic context, isolated discipline, or optimised concept. Beyond traditional skills and vocational knowledge, graduates of the Graphic Design programme have been encouraged to cultivate a “creative leader-ship” in their search for the ‘new’ by considering conceptual approaches that blend broader understandings with specifi c design knowledge – ultimately articulating their ideas in compelling ways enriched by the diverse experiences and perspectives gained through the course. For this reason our graduates are capable of applying their creativity and communication skills to a broad range of industries, businesses and profes-sions outside of, and additional to, the traditional role of a graphic designer. They have the capacity to shape the future of their industry by addressing innovations in tech-nology and wider social changes in society. We look forward to following the achieve-ments of this year’s graduates and the impact that they have within the evolving fi eld of graphic design as they extend beyond existing disciplinary boundaries, challenge entrenched thinking, and continue to ques-tion what it is to be a ‘Graphic Designer’
MARK BRADFORDSUBJECT DIRECTOR, GRAPHIC DESIGN
92
EMMA ARMSTRONG
City Break is a large book that is a state-ment of the experience of surfi ng at a local break shown through type and image.
esl_armstrong@hotmail.comwww.emmaarmstrong.co.nz
KATE ARNOTT
A fl exible system of visual communica-tion that refl ects the bustling, energetic,
vibrant atmosphere that is Wellington Creative Markets.
kate.arnott.nz@gmail.com027 306 5939
93
DANICA ROSE ATKINS
‘From mindless design to design mindfulness’… As design sits on the transitional cusp of sustainability, this self-refl exive manifesto challenges the current disconnect between an emerging design generation and an equally undefi ned social/design paradigm.
danica.atkins@gmail.comwww.danica-rose.blogspot.com021 563 426
MAIRE BADGER
Type Specimen promotion
This design piece explores the potential of Centaur as a contemporary typeface through re-contextualisation and association.
maire.badger@gmail.com027 309 1357
94
NIKITA BAZALO
In a world bombarded with misleading marketing claims, ethical coffee is no exception. This coffee brand was created to inspire and educate through the everyday consumer experience.
nbazalo@gmail.com 027 464 3772
JEMMA BENNETT
Design for Social Inclusion – Information design for the elderly & vision impaired that relates to local events & activities, so as to enable community involvement and encourage social inclusion.
bennett.nz@gmail.com021 221 7216
95
SARAH BOWIE
This project builds a documentation of the history of Matiu/Somes Island by using remnants from inhabitants as inspiration for a graphic and typographic direction.
sarahmareebowie@gmail.com021 288 8843
TODD BRAGGINS
Chernobyl Children – between the lines
These are the children I created as one part of a graphic solution, for a book which focused on the
emotional detachment created by the statistics sur-rounding the 1986 Chernobyl Nuclear accident.
Todd_braggins@msn.com027 462 7771
96
SU CHIN CHOW
“Within contemporary environments, shopping is now arguably one of the defi ning activities of public life. It is the medium by which the market economy has solidifi ed its grip on our spaces, buildings, cities, activities and lives.” Leong, S. T. 2001.
suchinchow@gmail.com027 619 7392
CHARLOTTE CLARK
Peas if you please! informs children about the cycle of the pea from seed, to plant, to plate, and back to seed.
charlotte.n.clark@gmail.com027 492 9590
97
ANEEKA CLAUS
Exploration of a visual language specifi cally designed to depict
statistical information of the pacifi c in a way more appropriate to the
culture it originates from.
aneeka.claus@gmail.com027 313 4338
98
HANNAH DOLLERY
‘Becoming sustainable is a journey. There is no ‘ideal’ available yet; because we are still designing it.’ - Megan Hosking
hannahdollery@hotmail.com027 407 5037
JOEL COCKS
A project exploring the role PR fi rms, political consultants and the media play in shaping the public perception of political candidates.
www.joelcocks.comhello@joelcocks.com
99
TIM DONALDSON
A sad and depressed elephant, hand crafted and mis-printed from a wood block to give it an obviously-not-digital aesthetic.
www.TimDonaldson.comTim.R.Donaldson@gmail.com027 270 4466
LAURA FORLONG
Employing a decorative process and aesthetic,
to re-assert the ‘abject’ of urban Wellington, as a valid
part of the visual landscape.
L.Forlong@gmail.com027 418 0060
100
JAYSELL GOPAL
Using the book as a metaphor for the mind, demonstrating the effects
of Post Traumatic Stress Disorder.
Jaysellg@gmail.com027 365 0107
ILKE GERS
This project investigates the relationship between our minds and information in our environment, from the point of view of philosophy of human culture and cognition.
ilksgers@hotmail.com027 363 0123
101
DAN JOHNSTONE
Threadhed. Bringing people together with a stitch of crochet.
hey@danjohnstone.com021 034 4927
ANNIE JONES
With every action, people make trash. Casually, as a matter of course, we throw things away. This project explores the beauty of waste to inspire refl ection and motivate change.
amjonez@hotmail.com021 848 747
102
JUNG-YOON LEE
Dari is a display typeface that is created to bridge Korean Hangeul and English.
balloon8585@hotmail.com021 256 7752
ASHLEIGH LAMBERT
An exploration into how tech-niques from the fashion construc-
tion process can be adopted to communicate the design process.
ash.lambert@xtra.co.nz
103
MARTIN LEE
This project explores our relationship with the web through print. Our inter- actions within the internet are given form as a portrait of the virtual self.
the_leemail@yahoo.com021 025 06211
ANNA LINDSAY
This project, a Typographical Weave was an explora-tion into New Zealand’s cultural diversity. Twine was a typeface developed to refl ect the unique hybridity of cultures, which reside in New Zealand.
anna_lindsay68@hotmail.com027 555 0001
104
EMILY MACRAE
The visual and oral history of the iconic Bar Bodega on Willis Street, Wellington.
macrae.emily@gmail.com027 416 4316
LARISSA MCMILLAN
How do Ma-ori identify themselves in contemporary society?
Larissa_mcmillan@hotmail.com021 258 8184
105
EMMA MICHELSEN
Continuing Bonds: An exploration of the gifts of patriotism, hero-ism and sacrifi ce. A typographic war memorial informed through interdisciplinary research.
michelsen.emma@gmail.com027 253 7499
PITCHIN NG
A decorative typeface created by using The
Bucket Fountain to refl ect the culture and identity of Cuba Street, Wellington.
pitchin_ng@hotmail.com021 026 41500
106
CHARLOTTE O’KEEFE
This is a sample of pages from my book entitled Treachery of Images, which focuses on women’s representation in media and media infl uence.
Charlotte.okeefe@hotmail.com021 127 9186
RICHARD PAYNE
The fi rst astronaut to land on the moon left an inscription set in Futura caps:
“… we came in peace for all mankind”.
Richard.Payne87@gmail.com027 651 3444
107
MICHAEL PESTER
Through observation of the Wellington-based progressive rock band The Novelist, I designed a visual biography of the band, through their process of writing, recording, practising and performing.
mrpester@gmail.com027 424 9498
SAMANTHA ROUSE
Our Backyard, Spread the Word:
This project aimed to explore how visual and tactile communication can inspire a local audience to sustain their surrounding natural environment.
samy.rouse@gmail.com027 314 2060
108
RUTH SEATTER
Urban Paradise is a journal, which reminisces, celebrates and questions
our ‘natural’ national image within an urban area, from early settlement to today.
ruthyseatter@gmail.com 021 024 89888
LAUREN RUSSELL
“ I make my work out of my everyday experiences, which I fi nd as perplexing and extraordinary as can be.” Claes Oldenburg
lmrussla@hotmail.com027 426 2014
109
KHAMARA THOMSON-BAKER
Every individual has their own story of colonisation within New Zealand. To explore this I have taken my own area in North Taranaki; Mimi Road.
k.thomsonbaker@gmail.com027 484 5959
RANGA TUHI
Ma-ui with two of the birds that accompanied him on his quest to obtain “Eternal life for mankind” from Hine-nui-te-po-, the Goddess of death.
ranga@whanau.net(04) 232 5143
110
COURTNEY VAN BEEK
We are the only species on the planet to create harmful waste. This is a nature inspired package for designers to give back to Mother Earth.
vb@gmail.com
ZOE VIRTUE
Packaging Calmness.
AMI offers no claim benefi ts through a hypothetical, soothing and calming confection.
zvirtue@gmail.com027 222 2160
111
ROBERT MICHAEL WALLACE
An exploration concerning contemporary ideas of identity throughout the awe-inspiring Multiverse, in the form of an interactive poster.
rob@parallelteeth.com027 387 2951
MEILIN ZHONG
A project about humour is written by life itself, it comes from our everyday life; it’s all around every day. I used graphic design to communicate the ‘spirit’ of humour and apply this to the promotion of the Wellington Comedy Festival.
meilinlin27@gmail.com021 427 498
113
Illustrations are like words—visual words. They are pictorial translations of thought. Whether created out of ink, paint, pencil or pixels, they too make us think, perhaps in a more immediate way than the written word. This year’s illustration specialists present a diverse body of highly engaging work.
Whether it is to visually describe and com-ment on physiological conditions such as synaesthesia or dyslexia, or provide com-mentary on how Pacifi ka culture assimilates into, and helps develop New Zealand culture, this year’s graduates demonstrate why illustration is such a powerful communi-cation medium.
As design education in the 21st century becomes less about the production of mate-rial artifacts and more about refl ecting the society we live in, the focus is on how our ‘thinking designers’ shape experiences.To that end, our Illustration graduates have developed highly sophisticated design strategies to engage society with their messages.
MIKE MCAULEYSUBJECT DIRECTOR, ILLUSTRATION
114
ROSALIND ATKINSON
Imaging the Invisible
Unlocking, from a series of eight editorial illustrations exploring how to express ideas of synaesthesia – union of the senses.
rosalind.atkinson@gmail.com027 715 9538
ODETTE EAVES
Clyde is the infamous otter who escaped the Wellington Zoo
and had an adventure in New-town. This scene is him being discovered in the student fl at.
odetteeaves@yahoo.com021 583 588
115
ROWAN FALCONER
This project explores the cognitive issues of dyslexia through the use of metaphor and illustrated narrative.
rowan.falconer@paradise.net.nz027 637 6275
ALEX FOX
Cuba Humanimals: An exploration of subcultures in Cuba Street, Wellington. Placing characters back into their original context to see how they are manipulated
in this space over time.
alex.fox.86@gmail.com027 392 1590
116
LEILANI ISARA
Through celebrating the evolution of Pasifi ka Aotearoa, I hope to create a sense of place, history and identity for New Zealanders with Pacifi c roots.
Winner Zonta Design Award,
Visual Communication, 2008
Leilani.isara@gmail.com027 464 8276
JOSHUA MORGAN
This illustration of my great, great grandfather Sam Kirkpatrick, who
was deported from Scotland for tickling trout, was one of a series
exploring whakapapa.
josh.morgan@clear.net.nz027 757 5838
117
MICHAEL PAYNE
A new sound for pictorial narrative
This project explores an unconventional technique of storytelling that is based on the rhythm and structure of music.
payne.michael08@gmail.com027 328 5494
RACHEL WALKER
This piece combines illustration and photography to refl ect the
philosophical notion that we are all falling through time.
www.walkerillo.comRachel@walkerillo.com
027 489 8662
118
NATIONAL AWARDS: INSTITUTE OF COMMUNICATION DESIGN
SIMON FAISANDIER
DINZ BeST Award 2008, Silver
EMMA BEVERNAGE
DINZ BeST Award 2008, Gold
Stringer Award 2008, Gold
ALICE DODDRELL
DINZ BeST Award 2008, Bronze
DIGITAL MEDIA AND ADVERTISING AWARDS 2008
GRAPHIC DESIGN AWARDS 2008
MICHAEL HOURIGAN
DINZ BeST Award 2008, Bronze
SARAH HARRIS
DINZ BeST Award 2008, Gold
EMILE HOLMEWOOD
DINZ BeST Award 2008, Silver
STEPHEN BUTLER
DINZ BeST Award 2008, Gold
NICOLA EDHOUSE
Winner Y Media Challenge 2008
JULIAN LEGGE
DINZ BeST Award 2008, Gold
119
GEMMA MCCABE
DINZ BeST Award 2008, Silver
GRAEME OFFORD
DINZ BeST Award 2008, Gold
DANIEL PEMBERTON
DINZ BeST Award 2008, Bronze
JENNIFER WATSON
DINZ BeST Award 2008, Bronze
BRENT WILSON
DINZ BeST Award 2008, Bronze
NATASHA VERMEULEN
DINZ BeST Award 2008, Gold
KYLIE PHILLIPS
DINZ BeST Award 2008, GoldType Directors Club Award, 2008
Graphis New Talent Award, 2008
KIM SENG
DINZ BeST Award 2008, Bronze
DEAN IVAMY
DINZ BeST Award 2008, Bronze
LAUREN MARRIOT
DINZ BeST Award 2008, Silver
LEILANI ISARA
Winner Zonta Design Award, Visual Communication, 2008
120
The School currently has two signifi cant research bases; The Litmus Research Initia-tive, an internationally focused programme devoted to scholarship in contemporary art, and a second Research Cluster who’s res-earch represents the School’s unarguable position as New Zealand’s premier provider of degree level photography. There is a dynamic and innovative culture that per-vades the school.
The School of Fine Arts at Massey University offers degree courses in Photography and Fine Art from undergraduate through to Masters and PhD level, and an undergraduate Diploma in Photography.
SCHOOL OF FINE ARTS
121
The staff that teach on the programmes are notable for their research activities and as exhibiting professional artists, academics and writers. The students who emerge from our courses are imbued with a sense of excite-ment and purpose. They have comprehensive skills in working across a range of media, and the critical and analytic tools with which to explore the global dialogues of contemporary practice. Their panache and élan are well
noted by the creative sector nationally and there is a genuine buzz around the creative community of Wellington anticipating the future careers of these new professionals. The staff of the School of Fine Arts would like to wish the graduates success and fulfi lment in their respective futures.
PROFESSOR JEREMY DIGGLE
Head of School,School of Fine Arts
123
Our graduates this year will head into a world increasingly reliant on the photo-graphically derived image. At Massey they have learnt to apply photography to a huge range of contexts - from documentary practice through to highly specifi c client driven applications. A comprehensive under-standing of photographic history and the role of the medium in the social realm also informed student work.
We are confi dent that our graduates will use their skills and knowledge to push the boundaries of the medium. In 2008 all of our students were exposed to a regular pro-gramme of visiting photographic artists and arts professionals. We have developed an exciting relationship with the Goethe Institut that has enabled us to host a series of lead-ing German photographers and curatorial experts. This programme – Tiefenscharfe - will continue to develop strong international links between the School of Fine Arts Pho-tography Department and the German photographic scene over the next two years. In addition to supporting student learning this initiative also has signifi cant benefi ts for research within the School.
The Peter Turner Scholarship in Documen-tary Photography was also launched in 2008. The quality of the fi rst applications confi rms that we will see some exciting projects generated by the recipient in the Master of Fine Arts programme. We look forward to graduates taking this opportunity to enable them to return to postgraduate study in the future.
WAYNE BARRAR DIRECTOR OF PHOTOGRAPHY
124
KATE BARTLETT
Clean air, or a Muggy Future? Global warmings call for cleaner energy.
KateBartlettPhotography@gmail.com027 635 1969
ROCHELLE DENT
missdent23@hotmail.com021 065 1370
125
JULIA FERRIER
Constructed Portraiture.
Personal space as a refl ection of identity and in turn an
extension of the body.
julia_ferrier@hotmail.com021 847 662
AMANDA ELLIOTT
amanda.m_elliott@hotmail.com027 331 0846
126
TARA HEERAN-HARRIS
Untitled from the series Witnesses is a response to the way in which crime, violence and death are glamorised in the media today.
taraheeranharris@gmail.com027 304 0553
MEL HENDERSON
Larger than life.
melaniejhenderson@gmail.com027 547 6512
128
LEANA KEEN
Neverland – Putaruru series
A journey of memory, magic and adventure.
leanakeen@gmail.com027 408 0033
EMMA KOTSAPAS
Emma@aol.co.nz027 334 9799(04) 383 6838
129
MURRAY LLOYD
Moutoa Gardens is an image from the series Scenes in Ma-oriland
in which early 20th century New Zealand postcards are placed
within a contemporary context.
www.murraylloyd.commurray@murraylloyd.com
(04) 976 6733021 473 999
ANNA LAWRENCE
As Ma-ori bloodlines have become diluted signifi cant aspects of Ma-ori cultural practice have diminished resulting in Ma-ori descendants searching the void of their cultural conditions.
AnnaLawrencePhotography@gmail.com027 664 9527
131
LUCY JANE BEATTIE-HUGHES
Order out of chaos
Imagery from a contemporary perspective, which explores familiar objects, space and memory to re- evaluate and re-view my family archive.
Lucyjbhughes@gmail.com027 416 5089
SARAH MACDONALD
How can photographic methods be employed to explore people’s impulse to control and construct nature, within the domestic garden?
www.sarahmac.co.nzSarah.mac85@gmail.com027 406 3733
132
LUCY MCLEAN
Affl icted Splendour
Notions of the Romantic have merged with the Sublime, creating a sick beauty and aesthetic magnifi cence that implies impending danger and threat.
lucymcleanphotography@gmail.com027 421 2575
JESSICA MICHELS
The objects we align ourselves with become a shrine, a homage to the person we aspire to be. This work critiques the ‘building’ of identity through consumerism.
Runner-up Zonta Design Award,
Photography, 2008
jess_michels@hotmail.com027 464 4148
133
ROCHELLE PEPPER
Blood & Water
rochelle.pepper@gmail.com
MIZUHO NISHIOKA
Far North
This research aims to locate a role for the archive within photography, specifi -cally focusing on where photography intersects with the process of the archi-val and how might the archival mode of photographic practice assign value to a given set of images.
Mizuho.Nishioka.1@uni.massey.ac.nz
134
TIM SEARLE
timsearle@gmail.com 027 306 9947
JESSICA SHERLOCK
Eva Strangelove, burlesque dancer.
savagaendruin@hotmail.com 027 424 4848
135
AMY SISSON
Portraiture series looking at the absence and presence of the sitter in the photograph.
- Winner Zonta Design Award,
Photography, 2008
- Epson NZIPP Iris Awards
2008, Bronze Medal
amy_sisson@hotmail.com 027 316 5534
136
ALICE SKINNER
In-between Places.
alice.skinner@gmail.com 027 698 8481
NINA VAN DER VOORN
nvandervoorn@gmail.com 027 345 0357
137
ALISCIA YOUNG
Illuminations: Illuminating a replication of an ephemeral moment in time, as derived from nature.
alisciayoung@gmail.com
139
It is with great pleasure that the staff of the School of Fine Arts extend their warmest congratulations to all our graduates of 2008. During their time with us, these stu-dents have benefi ted from an astute, inquiring and supportive culture – one that they have helped create, and also partici-pated in. We know that this model will hold them in good stead as they go on to a vari-ety of active roles in the cultural fabric of New Zealand and the world beyond. We are proud of the fact that graduates from our programmes work thoughtfully, inde-pendently and collaboratively, and are valued for their ability to effectively combine a wide range of media and processes. The School’s focus on interdisciplinary training is intended to enable our graduates to work across conventional boundaries - from new forms of image generation to interface technologies, from material and spatial exploration to planning and urban develop-ment, or indeed any new industry requiring fl exible, creative and lateral thinkers. We look forward to following their progress as they move into new opportunities as artists, consultants, teachers, freelance practitioners, art writers, curators, techni-cians, project managers, in postgraduate study or the many other paths they may decide to follow.
MADDIE LEACHUNDERGRADUATE PROGRAMME DIRECTOR, SCHOOL OF FINE ARTS
140
DEBBIE ALLAN
Video still.
Debaleigh2@hotmail.com021 170 3334
CATHERINE CAUDWELL
The Analytical Daughter
“We may say most aptly that the Analytical Engine weaves algebra-ical patterns just as the Jacquard-loom weaves fl owers and leaves.” Ada Lovelace
catherinebcaudwell@gmail.com021 904 584
141
GEMMA DUNCAN
Hanging Hill 2008
gemma.duncan@hotmail.comwww.gemma.duncan.com
R. KENDRA EDGE
If these pages were people they’d be undressed. Just undressed. Still marked by the weave of cloth, the ridge of seam, the clutch of strap.
kedge.nz@gmail.com021 111 7141
142
WAIMATAO FAMILTON
Video stills from performance piece and remnants of performance: Ma-ori brown eyes. A celebration and critique of cultural social standings.
waimatao@gmail.com027 216 8039
HANNAH EDMUNDS
The role of the Cinematic and Video Art is becoming increasingly blurred. When
aligned with the notion of the audience as participator it
raises the question of Art as entertainment.
hannahe21@hotmail.com021 063 9463
143
LARA HEWALD
The 3D form is comprised of geometric shapes from
architectural structures. It is a site-specifi c work referencing
the space it occupies.
lara_hewald@yahoo.co.nz027 212 6792
SARAH PETI SIAN HUDSON
An exploration of ideas around femininity and feminism, self-portraiture
and memory, childhood and sexuality, fetish and the grotesque.
s.hudson@inbox.com
144
JOHNATHON TITHERIDGE
Time-Based
I prefer things that move and stand still at the same time.
j.titheridge@windowslive.com027 408 1593
PHILIPPA MALLINSON
Ambiguous, quiet and restrained.
An amplifi cation of the unconscious quotidian, the quiet contemplative nature of the work gently jolting the
viewer into a self awareness.
philippa.mallinson@gmail.com027 469 9702
145
KEILA MARTIN
“Motivated by the status of contemporary painting, I explore themes of death, plasticity, excess and obsolescence
in otherwise traditional still lives”.
keilamartin@gmail.com021 123 8976
MARG ROBINSON
This is a confl ation of iconic painting and mundane materials.
rodday@gmail.com021 189 6930
146
SHANE MCGRATH
Regressive Action No.1
mcgrathshane@hotmail.com
CHRISTINA OLDFIELD
David MairPhotomedia
Spatial ResidencesContextual Studio
christinamicheleoldfi eld@gmail.com
147
REBECCA RAIT
There is a continuous shaping of space that
takes place as we re-order, re-organize and re-arrange
those places we inhabit.
bec_rait@hotmail.com021 620 753
NATALIA KARENKA PARRA-SIERRA
In Between Cities 2008
This print has several plates with vibrant colours and textures of different materials, presenting a vision of Wellington city, intersected with ideas of Bogotá, Colombia.
nataliakparras@clear.net.nz027 444 6687
148
KRISTIN VAN DER POEL
A playful exploration of intervention into various domestic and public sites involving altered everyday objects and
the manipulation of function.
kristin.vanderpoel@mail.com027 306 9750
SAMANTHA WALLIS
Ideal moth catching conditions…warmth, darkness, humidity, night scented plants, sugaring solution and Robinson light traps.
sammy_wallis@hotmail.com 027 330 0932
149
ANA WHITLOW
2E0.6 (detail)
ana_whitlow@yahoo.co.nz
JANE WILCOX
j.wilcox@massey.ac.nz 027 315 1437
150
Three years ago I mentioned in my speech to career advisors from Auckland’s secondary schools that our students and staff have something in com-mon; we have a very healthy disrespect for the impossible. In many ways we have now proven to our local and inter-national colleagues in both industry and academia, that we have risen to an interna-tional standing.
AUCKLAND SCHOOL OF DESIGN
Since our inception in 2003, our graduates have won awards nationally and internation-ally. The latest was Carolina Pena Villarreal who won the Bronze award in the 2008 Business Week’s International Design Excel-lence Award through ‘Close Up’, an art table designed for collaborative learning. Carolina was the only winner from New Zealand fea-tured amongst other top students from all over the world.
At the Auckland School of Design, we have a clear agenda. Through research and teaching, we contribute to New Zealand’s economic and social interest through the creation of products, systems and visual communication messages. It is very timely,
151
therefore, that we are introducing a new major in Integrated Design in 2010. Students in this new major will be at the leading edge of creativity shaping the future. Through forward-looking and innovative integrated design solutions, they will offer new, creative ways to solve current and future design issues. These are the skills sought after by employers.
The work presented in this year’s publication to a certain extent illustrates the results of integrating design skills, business acumen and futuristic thinking. Regardless of their majors - Transport, Industrial or Visual Com-munication, all these research projects look
at issues that are important and real to all of us. You will fi nd, among others, the creation of products and systems that address issues of sustainability and social responsi-bility. Many of the projects were sponsored by companies and some of those are either in the process of being commercialised or have been patented.
Congratulations to the students and staff of the School for the achievements of 2008. I wish all our graduates success and fulfi ll-ment in their careers.
AZHAR MOHAMED
Head of School,Auckland School of Design
153
Each year the fi nal year students are asked to defi ne their major research project. In the early stages they evaluate questions with unclear and shifting boundaries. We ask of them: Is the problem area too big to work or too small to be relevant? Will the result be meaningful? Or will it be another object in which valuable materials and resources are lost in an endless wasteful cycle?
The process of researching such an open problem reveals not only surprising insight for all parties, but gives the initial question a whole new spin. The clearest proof is the relevance of a well-conducted design research process and the energy invested in it.
Being aware of crossing the dimensional categories in favour of more integrated solutions, the introduction of the new major in Integrated Design is the next logical step. With this in mind, I applaud the research projects presented here, and I look forward to seeing the graduates as agents of change in the industry and community at large.
OLIVER NEULANDPROGRAMME LEADER FOR INDUSTRIAL DESIGN, AUCKLAND SCHOOL OF DESIGN
154
BREE ASMUS
Embrace37 is a controlled heated environment designed for premature infants. The objective is to minimise issues of intimidation and psycho-logical separation often found within NICU or SCBU units.
DINZ BeST Awards 2008
Bronze winner
www.breeasmus.comdesign@breeasmus.com
KRISTOPHER BORRIE
Sea Doo Matador – Advanced Diver Propulsion Vehicle
The Matador is an advanced version of a recreational DPV (Diver Propulsion
Vehicle), developed to meet the demands of experienced Scuba divers.
www.kristopherborrie.comKay-ris@hotmail.com
155
OLIVER CAVE
Anthozoa Chair
33.5m of steel, 218 welds, 1 lounge chair.
The Anthozoa Chair is a result of the Industrial Craft project which looked to combine craft ideals with industrial processes.
oli.cave@gmail.com
WEI SEN CHOW
Got’cha – the next generation electronic tag game
Got’cha incorporates cutting edge touch sensor technology
with the traditional outdoor game of ‘tag’. The result is a fun fi lled,
interactive experience, illuminated to play night or day.
weisenchow@yahoo.com
156
BEN DENMEAD
Revilo Teaching Guitar System
A Teaching System for beginners which uses a guitar with a remov-able touch screen unit including a music viewer, effects processor, tuner and more.
www.vapordesign.co.nzben@vapordesign.co.nz
HANEEN FAHMI
reLoos
Reloos is a kit of wearable products created through the integration of fashion
design and technology, which aims to bring awareness of stress levels to the user.
neenah12@gmail.com
157
ADRIAN FRENCKEN
EarthWyze – Recycling for the 21st Century
The Earthwyze recycle bin is an innovative version of the wheelie bin that incorporates a compartment to recycle ’special disposal’ items like eco-bulbs and batteries that do not biodegrade.
www.mammoth9.comwww.earthwiza.blogspot.commammothstudio9@gmail.com
DANIEL GREENWOOD
U SPY – Self diagnosis kit for Skin Cancer
The U SPY is a simple home use product to enable users to view and monitor their moles with a portable camera, with follow up from their dermatologist.
www.daniel-designs.comdaniel@daniel-designs.com
158
WILLIAM HARBIDGE
Façade
This stylish media hub boasts a unique modular setup, wireless signal transfer and uncomplicated transparent media panel resulting in easy setup and opera-tion for any user.
www.fl uentdesign.co.nzwilliam@fl uentdesign.co.nz
PAT KIM
bite!
An educational lunchbox for children, incorporating a screen
with friendly characters, it is easy and fun for children to learn and
keep record of what they eat.
yakdetector@gmail.com
159
JOSEPH NELSON
Rei – Urban Electric Motorcycle
An urban electric motorcycle for the youth of the future.
Powered by recyclable Lithi-umion Titinate batteries the
Rei can reach speeds of over 100km/h with
a 300km range.
www.id-joe.comjnelsoenator@gmail.com
IMOGEN MAIDEN
A freestanding coffee machine for semi-public spaces utilizing wireless power technology. The mobile device was designed to enhance social interaction in com-panies and larger institutions as well as to promote a sustainable, but high quality coffee experience. The machine should reduce the use of prepacked single serve pods and takeaway coffee in paper cups.
onefi vestar@yahoo.co.nz
160
CHARLES NICOLSON
Rush Rugby is the next step in the evolution of sport, combining modern touch sensor technology with a fast paced, action fi lled game.
www.acedesign.co.nzcharles@acedesign.co.nz
TOM PARSON
The Aquadro is a quad bike body shell, designed specifi cally for surf lifesaving. It holds vital life saving equipment and will replace that
currently used by surf lifesaving clubs.
thomasparson@hotmail.com
161
ALISTAIR PATTERSON
Bio Bottle is an additive en-hanced, Poly-lactic Acid, bulk
water bottle that splits after use and forms two plant pots that will biodegrade in the garden.
www.alistairpatterson.com designer@alistairpatterson.com
CAROLINA PEÑA VILLARREAL
Snowfl ake is a playful therapeutic device for children with Sensory Processing Disorder aimed at extending the benefi ts of clinical therapy to their school and home environments.
2008 Business Week’s International
Design Excellence Award; Bronze
www.coctivo.comcaropenadesign@gmail.com
162
GRANT SCOGINGS
PlaySmart’s Rugby Training Tool is the fi rst step towards a new breed of precise electronic training equipment for rugby league and rugby union players.
www.grantscogings.comindustrial.design@grantscogings.com
ANN NA TEOH
Rainfl o: Transforming the landscape of Auckland’s Quay Street on a rainy day to increase tourist attractions during New Zealand’s wettest and lowest tourism season.
AnnNaTeoh@gmail.com
163
DANNY WILSON
Nviz, Video See – Through Personal Display Glasses
Nviz, a 2015 future concept for gaming hardware that utilises a technology called Augmented Reality (AR) which superimposes 3D digital content onto your immediate environment in real time.
www.dannywilson.co.nzdannysw@gmail.com
INDUSTRIAL DESIGN AWARDS 2008
KENT HODGSON
Dyson Product Award 2008, Finalist
BREE ASMUS
DINZ BeST Award 2008, Bronze
STEPHEN SMITH
Grand Prize, Dyson Product Award 2008
CAROLINA PENA VILLARREAL
2008 Business Week International Design Excellence Award, Bronze
165
The quest to design a more effi cient form of transport started a long time ago with the discovery that human beings are by far the fastest in getting from A to B. As the world evolves from discovery to industry to psy-chological fulfi lment, we naturally want to explore the world, to win competitions, and also to create objects of desire.
The work of these Transport Design graduates showcases the afore-mentioned objectives. This year we are very proud to see a range of research projects that not only fulfi l what the industry expects from the graduates, but also those that pushed the boundaries further. Projects this year tackled issues ranging from performance yachts to stability on roads to revolutions in wing-in-ground effects. The design outcomes clearly demonstrated a healthy quest for design through research. For this, I congratulate the students as they have produced what is comparable to some of the best work produced by top design institutions internationally.
This leaves us hungry for more - we now encourage graduates not only from design but also from other relevant areas of tech-nology and engineering to join us in the pursuit of excellence through graduate stud-ies in Transport and Integrated Design. Let us demonstrate New Zealand’s history of design ingenuity to the world.
AZHAR MOHAMEDHEAD OF SCHOOL, AUCKLAND SCHOOL OF DESIGN
166
SOPHIE AMESBURY
Isis is a unique, luxury super yacht with an environmentally aware focus. Sixty metres long, it can elegantly accommodate up to twelve passengers.
S.Amesbury@gmail.com
ALEX BOWLER
The Rival is a revolutionary new motorbike which turns using centre hub steering. This greatly reduces oversteer and increases agility, giving the driver more confi dence when riding through curves.
bowler_8@hotmail.com
167
JOHN BUKASA
Targeting environmentally conscious driv-ers, the iCar brings a unique and creative approach to transport design for the urban environment of 2027.
Pwr_masters@yahoo.com
JAMES BRETT
Aihe p16 Proa
Inspired by the highly effi cient designs of Micronesia, the Aihe is a 16m, high performance cruising yacht with an aesthetic like no other.
James.brtt@gmail.com
168
ISAAC BURROUGH
Morpheus is a concept for a wing-in-ground effect super yacht. Designed to fl y in close proximity to the water surface, it is effi cient, fast and comfortable to ride in.
isaacburrough@gmail.com
HAYDEN DENNIS
The Outlaw 28, with its dedicated game fi shing
features and luxurious layout, is a perfectly balanced sport fi shing machine designed to
rival others in the super yacht/sport fi sher market.
hrdennis@windowslive.com
169
ALASTAIR THOMPSON
Alchemy is a 50 m high performance luxury super yacht. With its elegantly sleek hull construction, it provides a fast, stable, stylish and comfortable ride.
oopy77@hotmail.com
THOMAS PAYNE
Aura74 Exploration Superyacht
This 74m exploration super yacht pushes the boundaries of what is achievable,
technically and aesthetically. Fusing elegance and aggression, the over all
styling is minimal, functional, and organic.
Tmp00@hotmail.com
171
Communication and design are both funda-mental categories of human activity. As such, our graduates spend 4 years at Mas-sey gaining the expertise to enter the wider world as the potent and necessary force that drives our culture onwards and upwards. Expertise that is evidenced by the raw talent, craft, dedication and integrity exhibited in this book.
Our graduates have not only gained exper-tise and knowledge concerning the fundamentals of graphic design, visual liter-acy and typography, but have also honed their personal voices by tackling problems, issues and concerns current in our society. In creating responses to these larger socio-cultural concerns our graduates express the critical component of a Massey University education: the desire to defi ne the world around them, combined with the expert skills that allow them to do just that.
In reviewing the projects contained in this book, I am fi lled not only with pride in the work of our graduates, but the confi dence that New Zealand is better off for their being here to care for it. Speaking as an emigrant myself, our students can take pride in know-ing that they stand on a level with graduates of the fi nest institutions the world over.
JACOB RISTAUPROGRAMME LEADER FOR VISUAL COMMUNICATION DESIGN, AUCKLAND SCHOOL OF DESIGN
172
FRANCES BRAATVEDT
10/100 (or 10%) was born out of the desire to contest the old and idealised
‘100% Pure’ brand and to offer new views of New Zealand.
www.francesbraatvedt.comcommunicate@francesbraatvedt.com
173
CARA JANE BRETT
Kiss Guide, Vehicle Maintenance
The Kiss Guide is designed to inform and instruct people on a
variety of subjects. Universal and generic, the information is not
restricted to a certain audience.
idesign_7534@hotmail.comwww.caradesign.co.nz
JI-MYOUNG (LINA) KIM
Roll the Dice
This campaign provides a visually appealing and attractive campaign with an ironic perspective that will help to communicate the consequences when gambling becomes an addiction.
jmk1901@hotmail.comwww.kimdesign.co.nz
174
MELANIE MATTHEWS
Make It Great is a promotional campaign designed to create
awareness and provoke excite-ment for the Rugby World Cup New
Zealand is set to host in 2011.
www.yesmam.co.nzm.anne.m@live.com
JUSTINE LEIGH
2byou Laptop bag range
The 2byou laptop bags are the computer accessory of the future. Unique and elegant, the bags offer culturally specifi c designs unlike any others.
www.sproutdesigns.co.nzJustine@sproutdesigns.co.nz
175
CHEYNEY MCDONNELL
Foot Traffi c is the main event for Auckland’s creativity week in 2009. It is a tribute to the dying art form of Polaroid instant photography.
www.cheyney.co.nzcheyneyc@gmail.com
176
KENDYL MIDDELBEEK
See Red – The Story Behind the Stereotypes
This visual narrative began with the desire to explore the identity and subculture surrounding redheads, before they become resigned to the endangered species section of encyclopaedias.
www.kendyl-stephanie.comkendyl_stephanie@hotmail.com
CLAIRE PATERSON
NZ Orienteering – Interactive Media
This project is aimed at changing perceptions and increasing awareness of the little known and misunderstood sport of Orienteering.
www.clairepaterson.co.nzcpatersonz@gmail.com
177
CARLA SY
Think Dyslexic
Through the art of visual communi-cation my project aims to create an awareness and appreciation of the
specifi c skills, qualities and benefi ts that dyslexia can provide.
sy.carla@gmail.com
NICOLE SLATTERY
Watertalk is the fi rst set of water signals and safety equipment to standardise distress signals and may help save more New Zealanders from drowning.
www.nicoleslattery.comnicole.slattery@gmail.com
178
MEGAN VAN STADEN
Daydream is a project featuring love-poems written to Auckland Regional Parks. A regional park becomes a metaphor for a state of release and recharging.
www.shmee.co.nzmegan@shmee.co.nz
BRIAR VAN AMERINGEN
Vote for a change is a campaign that is specifi cally aimed to entice young people aged 18-25 to vote.
www.redink.co.nzbriar@redink.co.nz
179
ERICA WILSON
Skin Works
Tattooing is found in ancient cultures across all continents. Skin Works uses these different cultures in an exhibition to explore narrative themes in Tattoo art and design.
erica.gv.wilson@gmail.com
LAURA WILSON
My New Zealand
This research looks at creating a brand for New Zealanders to help them make better choices when it comes to managing the environment we live in.
www.laurawilson.co.nz laurawilson@gmail.com
180
GEORGIA WITTEN SAGE
I Said No
My research explored the process of fi ring a gun, its physical and emotional impacts, symbols and imagery, and the impact of my personal experience with gun violence in Brazil.
georgiawittensage@hotmail.com
181
JUNKO YANAGISAWA
Wabi Sabi – Japanese Sense of Beauty
Incorporating the expression “Nothing lasts, nothing is fi nished, and nothing is perfect”, this project aims to revive the tradition of Wabi Sabi amongst Japanese youth.
www.junkoyanagisawa.comjunko_design@hotmail.com
182
The postgraduate opportunities offered in Art and Design at the College of Creative Arts enable our students to experience extraordinary opportunities for more in-depth research in their chosen disciplines.
Postgraduate students are expected, with the rigorous supervision of experts, to research their ideas with reference to related texts, theories and practices. The postgrad-uate experience builds upon the skills acquired at undergraduate level and leads to
This year’s Exposure gives an excellent overview of the range and scope of the fascinating research work undertaken by postgraduate students in the creative arts.
POSTGRADUATE STUDIES
183
a consolidation in theory and practice that expands the horizon of possibilities.
In the pursuit of postgraduate projects in Design, Fine Arts and Visual and Material Culture, candidates will have challenged the expected and explored the unexpected. Their work will have involved questioning, investigation, experimentation, self-refl ec-tion, and the articulation of creative responses to research questions.
The outcomes represented here encompass visual, aural and tactile artifacts and sys-tems resulting from this enquiry, along with supporting documentation. It provides a fascinating glimpse into the range of res-earch possible in the creative arts.
I congratulate our candidates on their achie-vement and wish them success for their creative futures.
PROFESSOR JEREMY DIGGLE
Chair, Postgraduate CommitteeCollege of Creative Arts
184
JANE FRANCES APTHORP
Master of Design (Spatial)
The furniture tourist – escaping the habitué
As a tourist within my own research, I have utilised the processes of drawing, making, writing and photography to offer alternatives for viewing domestic furniture and how we use it. The explorations, which collapse body, space and object, allow inhabitation to become a form of tourism. This work triggers the imagination of the habitué by inviting a new way to understand furniture and domestic space.
jane.apthorp@gmail.com
185
CHRIS BROWN
Master of Design (Digital Media)
Motivation Contribution in a Networked Community Environment:
A study into the use of persuasion theory to inform the interactive design process of a social network.
186
CATHERINE DAY
Master of Fine Arts
Being storied; a lived experience of time
Sound, image, fi lm and text are employed in an exploration of durée, Henri Berg-son’s concept of the human experience of time. Life events have infl uenced the work leading to an investigation of mortality and memory. Central to the process are the mundane acts of everyday life – walking, listening, collecting and documenting.
catherineday@nettel.net.nz(06) 372 7507 021 0239 5412
187
FRAZER D ELLIS
Master of Design ( Industrial)
How will Robocop communicate?
The conceptual design of a portable radio communication product for the NZ Police Force in 2018
This investigation aims to produce a Tait-branded portable radio product for the New Zealand Police force by focus-ing on how their communication requirements may develop over the next 10 years. To do this affective product design principles and speculative future scenarios are used along with an iterative design process.
Frazer.ellis@gmail.com027 469 8333
188
DEAN IVAMY
Master of Design (Graphics)
Mapping the Environmental Footprint of the Central Plains Water Irrigation Scheme
Is food the new oil?
Decisions on the proposed Central Plains Water Irrigation Scheme have been left to consent-granting authorities because the issues raised are simply too complex for the public to grasp. This project suggests that statistical data visually mapped in the context of its physical environment can provide signifi cant cognitive awareness of both the schemes future economic and environmental implications.
ivamyd@woosh.co.nz
189
STEFFEN KREFT
Master of Design (Digital Media)
The fi lm Lepidoptera is a personal, dream-like illustration of the artist’s struggle for self discovery. The social, sexual and linguistic anxieties imposed on the protagonist manifest themselves corporally through a wide array of animation.
steffenkreft@web.de021 179 8921
190
JOHN LAKE
Master of Fine Arts
Death poses for a photo while stalking the tree-lined dreamscape of suburbia.
Image title: Pure. From the series The Rise and Fall of Western Civilisation: Part One, 2007
mail@johnlake.co.nz027 601 7071
191
KERRY ANN LEE
Master of Design (Illustration)
Living in the space between cultures offers rich potential to construct identity from the inside out. Home Made: Picturing Chinese Settlement in New Zealand interrogates the trans-formation of Cantonese settlers into Chinese New Zealandersthrough illustration design. By claiming the book as a space, unsung moments are made visible to challenge stereotypes and forge a new space for Chinese stories.
kerryannlee@gmail.com021 033 3166
192
RACHAEL LINTON
Master of Design (Digital Media)
Sound Vision
Imagine if light and sound from a television had the capability to release healing specifi c neurochemicals within the human brain. Sound Vision is an abstract and experimental short fi lm which presents some of the kinds of sound, light, colour and forms in motion which may encourage both physical and psychological change.
rachaellinton@gmail.com021 129 4461
193
TANYA MARRIOTT
Master of Design (Digital Media)
Storytelling Memories: a tangible connection to bomber command veterans
World War Two historians are diligently collecting the memoirs of veterans to preserve for future generations. This material culture of memory discusses human interac-tion. Storytelling Memories utilises a touch sensitive surface as an interface between the viewer and the memories. A physical controller, when placed near the digital interface surface will “unlock” contained memories, enabling an open-ended storytelling experience with the veteran.
Tanya@marmalademonkey.comwww.marmalademonkey.com
194
MATT MCKINLEY
Master of Design (Industrial)
Re-energizing the fence: Designing a desirable electric fence system.
This Master of Design study utilises applied design research to develop a desirable, conceptual livestock electric fencing system for Gallagher Animal Management.
The research seeks to develop a new permanent livestock fence concept with a focus on the affective design features of the component system. The purpose is to improve product desirability, usability and experience within the overall constraints of existing farming practises, technology and marketing channels.
195
AMANDA YATES
Master of Design (Spatial)
Oceanic thought and contemporary theories of “the event” insist that space and time are inseparable dimensions. Through design-based research this thesis approaches the built environment as a spatiotemporal phenomenon. It critically refl ects upon the design of three houses that establish Pacifi c-oriented space as fl uid, experiential and contiguous with the natural environment.
A.M.Yates@massey.ac.nz021 504 503(04) 801 5799 x6764
196
Allen, Debbie
Amesbury, Sophie
Anderson, Brooke
Apthorp, Jane
Armstrong, Emma
Arnott, Kate
Asmus, Bree
Atkins, Danica Rose
Atkinson, Rosalind
Babbage, Natalie
Badger, Maire
Balmer, Eleisha
Bartels, Kate
Bartlett, Kate
Bazalo, Nikita
Beattie-Hughes, Lucy Jane
Bennett, Jemma
Borrie, Kristopher
Bowie, Sarah
Bowler, Alex
Braatvedt, Frances
Braggins, Todd
Brett, Cara Jane
Brett, James
Bristow, Sara
Brodie, Amy
Brown, Chris
Browne, Ruth
Bucknell, Ruth
Bukasa, John
Burrell, Sarah
Burrough, Issac
INDEX OF STUDENTS
Burrows, Ryan
Burrows, Scott
Caudwell, Catherine
Cave, Oliver
Chan, Raymond
Chow, Su Chin
Chow, Wei Sen
Clark, Charlotte
Claus, Aneeka
Cocks, Joel
Coles, Chloe
Coppin, Belinda
Davidson, Rebecca
Davies, Guy
Davis, Marina
Day, Catherine
Denmead, Ben
Dennis, Hayden
Dent, Rochelle
Dickens, Brent
Dollery, Hannah
Donaldson, Carrie
Donaldson, Tim
Duncan, Gemma
Eaves, Odette
Edge, Kendra
Edhouse, Nicola
Edmunds, Hannah
Edwards, Jessica
Edwards, Loren
Elliott, Amanda
Ellis, Frazer
140
166
12
184
92
92
154
93
114
32
93
12
13
124
94
131
94
154
95
166
172
95
173
167
13
50
185
32
14
167
62
168
72
78
140
155
85
96
155
96
97
98
50
14
15
78
63
186
156
168
124
79
98
38
99
141
114
141
73
142
33
15
125
187
197
Fahmi, Haneen
Falconer, Rowan
Familton, Waimatao
Ferguson, Jamie
Ferreira, Cleon
Ferrier, Julia
Forlong, Laura
Forster, Helen
Fort, Jeremy
Fowler, Brooke
Fox, Alex
Fraser, Amy
Fraser, Jamaine
Frencken, Adrian
Fu, Guo
Futter, Gabrielle
Garland-Levett, Harriet
Gers, Ilke
Gibson, Alanah
Gopal, Jaysell
Gray, Hayley
Greenwood, Daniel
Hanson, Mark
Harbidge, William
Hazlett, Charlotte
Hee, Kellyann
Heeran-Harris, Tara
Henderson, Mel
Herman, Stephanie
Hermann, Anna Alicia
Hewald, Lara
Hinchey, Claire
Hine, Megan
Hing, Matt
Ho, Kimberley
Hockin, Ruth
Hocking, Jake
Hodgson, Frances
Holland, Robyn
Holmes, Julie
Hopkins, Alisha
Hudson, Sarah
Hydes, Rachel
Isara, Leilani
Ivamy, Dean
Jian, Kou
Joe, Geoffrey
Johnstone, Dan
Jones, Annie
Kay, Jennifer
Keen, Leana
Kennedy, Katie
Khmel, Yaroslav
Kim, Lina
Kim, Pat
Kingham, Julia
Kotsapas, Emma
Kreft, Steffen
Kwan, Wendy
Lake, John
Lambert, Ashleigh
Larsen, Joel
Lawrence, Anna
Lee, Jung-Yoon
156
115
142
79
51
125
99
16
80
51
115
52
42
157
43
16
34
100
35
100
52
157
80
158
17
83
126
126
81
72
143
35
53
84
73
127
44
34
17
81
74
143
82
116
188
83
82
101
101
54
128
18
89
173
158
54
128
189
18
190
102
44
129
102
198
INDEX OF STUDENTS
Lee, Kerry Ann
Lee, Martin
Leigh, Justine
Lindsay, Anna
Linton, Rachael
Little, Charlotte
Littlewood-Rowe, Danieka
Lloyd, Murray
Lobb, Briar
Lopdell, Marie
Loveridge, Ian
Lowndes, Samantha
Macrae, Emily
Maiden , Imogen
Mallinson, Philippa
Man, Savann
Marriott, Tanya
Marshall, Melanie
Martin, Keila
Matthews, Melanie
McCarten, Rachel
MacDonald, Sarah
McDonnell, Cheyney
McGrath, Shane
McKinley, Matt
McLean, Lucy
McMillan, Larissa
Michels, Jessica
Michelsen, Emma
Middelbeek, Kendyl
Minty, William
Mitchell, Hannah
Moore, Helen
Morgan, Joshua
Muggeridge, Ra
Nelson, Joseph
Ng, Pitchin
Ngan, Tiffany
Nicolson, Charles
Nishioka, Mizuho
O’Keefe, Charlotte
Oldfi eld, Christina
Parbhu, Girish
Pardey, Jenna
Parra-Sierra, Natalie
Parson, Tom
Paterson , Claire
Patterson, Alistair
Payne, Michael
Payne, Richard
Payne, Thomas
Pena Villarreal, Carolina
Pepper, Rochelle
Pester, Michael
Petley, Courtney
Pratten, Melanie
Pyle, Amy
Rait, Rebecca
Richards, Samantha
Robinson, Marg
Rouse, Samantha
Russell, Lauren
Schicker, Stephanie
Schwass, Casey
191
103
174
103
192
19
37
129
55
19
84
130
104
159
144
45
193
56
145
174
20
131
175
146
194
132
104
132
105
176
85
21
21
116
22
159
105
22
160
133
106
146
74
75
147
160
176
161
117
106
169
161
133
107
23
23
36
147
56
145
107
108
57
24
199
Scogings, Grant
Scrymgeour, Samantha
Seaman, David
Searle, Tim
Seatter, Ruth
Sharpe, Harriet
Shelton, Rosie
Sherlock, Jessica
Sisson, Amy
Skinner, Alice
Slattery, Nicole
Southen, Georgina
Steele, Elizabeth
Steele, Vance
Su, Michelle
Sy, Carla
Tan, Defang (Kelly)
Taylor, Bridget
Temple-Camp, Victoria
Teoh, AnnNa
Thompson, Alastair
Thomson-Baker, Khamara
Tian, Shaun
Ting, Liz
Titheridge, Johnathon
To, Kenneth
Trigger, Michelle
Tuhi, Ranga
Ulutupu, Christopher
van Ameringen, Briar
van Beek, Courtney
van der Poel, Kristin
van der Voorn, Nina
van Luijk, Amy
van Staden, Megan
van der Meent, Simoen
Vercoe, Samara
Virtue, Zoe
Walker, Rachel
Wall, Sarah
Wallace, Robert
Wallis, Samantha
Walterfang, Laurenz
Walters, Amie
Warren, Alastair
Whyte, Juliet
White, Miriam
Whiting, Aimee
Whitlow, Ana
Wilcox, Jane
Williamson, Graham
Wilson, Danny
Wilson, Erica
Wilson, Laura
Witten Sage, Georgia
Yanagisawa, Junko
Yang, Vicky
Yates, Amanda
Yeung, Carla
Young, Aliscia
Zhong, Meilin
Zilberberg, Maya
162
57
24
134
108
25
25
134
135
136
177
26
26
27
87
177
58
59
27
162
169
109
86
28
144
87
75
109
62
178
110
148
136
38
178
37
29
110
117
38
111
148
46
59
46
47
29
47
149
149
88
163
179
179
180
181
89
195
39
137
111
39
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