gustave le gray, brig upon the water, 1856. albumen · 2019. 4. 9. · wynn bullock, stark tree,...

Gustave Le Gray, Brig Upon the Water, 1856. Albumen

Camille Silvy, Valley of the Huisne, France, 1858. Albumen Print

KNUD KNUDSEN. Torghatten, Nordland, c. 1885. Albumen print.

CARLETON E. WATKINS. Cathedral Rock, 2,600 Feet, Yosemite, No. 21, published by I. Taber, c. 1866. Albumen print.

Eadweard Muybridge

151. TIMOTHY O'SULLIVAN. Tufa Domes, Pyramid Lake, 1867.

Ansel Adams, Moonrise, Hernandez, New Mexico, 1941

Ansel Adams, Mono Lake, California, 1948

MINOR WHITE. Barn and Clouds, in the Vicinity of Naples and Dansville, New York, 1955

MINOR WHITE, Two Barns and Shadow, in the Vicinity of Naples and Dansville, New York1955

WYNN BULLOCK, Mendolino Coast, 1968

WYNN BULLOCK, Stark Tree, 1956

Bernd and Hilla Becher, Gas Tanks, 1983-92

Frame for a tract house. Colorado Springs, from The New West, Robert Adams

Robert Adams Untitled, Denver 1970-74

Lewis Baltz

Lewis Baltz, Tract House #7, 1971

Lewis Baltz

Frank Gohlke, Aftermath: The Wichita Falls, Texas, Tornado No. 10A and 10B - Maplewood Avenue, near Sikes Senter Mall, looking east, 1979/1980.

Frank Gohlke, Abandoned grain elevator, Homewood, Kansas, 1973

"Buildings on Tremont Street, Boston, 1975," by Nicholas Nixon

Stephen.Shore

From 'Twenty Six Gasoline Stations', 1962 Ed Ruscha

William Christianberry

"Untitled (#15)"1996From the "Mother Land" seriesTea-toned gelatin silver print, 38 x 48 inches© Sally Mann

"Shipbreaking # 4", Chittagong, Bangladesh, 2000. Photo: Edward Burtynsky

Edward Burtynsky Highway #1, Los Angeles, California, USA 2003

"Nickel Tailings #34" Sudbury, Ontario, Canada. Photo: Edward Burtynsky

Joel Sternfeld

Joel Sternfeld

Joel Meyerowitz, Cape Light

Alex Soth, Along the Mississippi

Todd Hido

LS#3, 1999, Beate Gutschow

Weekly Shooting-  The Landscape and the detailsUsing every corner of your frame make photographs that deal with the landscape and its details.  Try and work with some of the design elements addressed in class.  Take time to see a wide shot and a detail. Think about textures. focus, lighting, and what is in the frame. Does it need color or can it work in black and white?

 Some ideas…

Photograph a natural landscape.Photograph a cityscape.Photograph of a person interacting with the land.Photograph a landscape that is new to you.Photograph a landscape that is familiar to you.Photograph an environmental tragedy.Photograph a landscape at surface level.Photograph a landscape from an elevated height.Photograph a landscape in a vertical orientation.  Choose your 6 (wide and detail) best to share with the class in week two.