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8/16/2019 Heavy Metal 265

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FEATURING: WILKINS, NELSON, ELLIOTT, EASTMAN, MARCELLIUS, GRANT, HAWARD, GASTONNY & MORE!

THE WORLD’S GREATESTLLUSTRATED MAGAZINE

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HEAVY METAL MAGAZINE (ISBN 0085-7822):“HEAVY METAL” is a trademark of Metal Mammoth,Inc. © 2013. 116 Pleasant Street, Easthampton, MA01027 PHONE (413) 527-7481 FAX (413) 527-7483.All rights reserved. Nothing may be reprinted in partor whole without permission from the publisher.Any similarity to real people and places in fctionand semi-fction is purely coincidental. All materialin this issue is copyright to the respective creators.EDITORIAL INFORMATION: Publisher assumes noresponsibility for unsolicited material. For informa-tion on how to submit material, please go to:www.heavymetal.com/submissionsSUBSCRIPTIONS: Published six (6) times per yearby Metal Mammoth, Inc., 116 Pleasant Street, East-hampton, MA 01027 • $21.95 paid annual subscrip -tion, $40.95 paid two year subscription, $53.95 paidthree year subscription in territorial U.S.A. Add$19.00 per year for Canada and other countries out -side of the U.S.A. Periodicals paid at Plattsburgh,NY and additional mailing of ces. CHANGE OF AD -DRESS: Subscriber, please send change of addressto: Subscription Department, Heavy Metal Maga -zine, 116 Pleasant Street, Easthampton, MA 01027or e-mail change to heavymetal1@rcn.com POST -MASTER: Please send change of address to: Sub -scription Department, Heavy Metal Magazine, 116Pleasant Street, Easthampton, MA 01027 • ADVER -TISING: Heavy Metal (413) 527-7481 • CUSTOMERSERVICE: Heavy Metal, 116 Pleasant Street, East -hampton, MA 01027 (413) 527-748PRINTED IN THE USA

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DA V E E L L I O T T • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

• G U E S T E D I T O R •

3 7 8 2

5 2 9 4

Cover byDave Wilkins

GALLERY: THE OTHER DEADPat David • Mike Shoykhet •Kevin Eastman • Qing Ping Mui &Blond • Mike Shoykhet •David Millgate • Shane White •Tim Vigil & Blond • Dave Dorman

CarpeDIEmW.H. RaufRhoald MarcelliusSakit Yuwono

THE LOTTERY PARTYRichard Caldwell

TALES of the BUDDHA(Before He Got Enlightened)Alan GrantJon Haward

GALLERYMark A. Nelson

THE GARDENMark A. Nelson

We Are LEGIONDave ElliottGarrie Gastonny

Sakti Yuwono

DRAVN 1805:FROM THE DEPTHSJesse NegronDave ElliottHendry PrasetryaEko PutehBramasta Aji

FENRISDave ElliottDave Wilkins

DepthRADIUS:“SUNSTONE” byNEBEZIAL & SIGEEL$techgnotic

9 9 1 0 8 MAXIMUM FORCEDave ElliottMiralti FirmansyahRiri Mashuri

GALLERY: ZOMBIE WARKevin EastmanEric TalbotRonda Pattison

• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

Back Cover byMark A. Nelson

I l l u s t r a

t i o n

t D a v i d

he Other Dead is the riveting story of

a Zombie Animal outbreakset in Louisiana during thenext Hurricane Katrina-like disaster, and featuresan all-star collaboration

between Teenage MutantNinja Turtles co-creatorKevin Eastman, award-winning, best-selling writer

Joshua Ortega ( Gears ofWar , Frank Frazetta’s DeathDealer ), Minimates creatorand Art Asylum founder Dig-ger T Mesch ( Agent 88 ),rising star Qing “Kingpin”Ping Mui ( Warcraft ), andacclaimed colorist Blond(DC and Marvel Comics).

The first issue, releasedon September 25 throughIDW Publishing, features aspecial Subscription Variant

cover by Kevin Eastman, the first of a series ofinterlocking covers thatwill form one entire ZombieAnimal masterpiece. TheOther Dead #1 also

features a 1:10 Incentive

Cover by the legendaryDave Dorman, the samecontroversial Obama cover

that’s had the internetabsolutely abuzz withcontroversy and acclaim.

The series also featuresan amazing selection ofZombie Animal™ artwork,spotlighting the full spec-

trum of the animal kingdom, from the mundane (rats,cats, and dogs) to theincredibly exotic (lions,

tigers, and bears!), alldrawn by some of theindustry’s leading talents,

including Tim Vigil ( Faust ),Sam Shearon ( 30 Daysof Night ), Samwell Didier( Worlds of Warcraft ), andShane Pierce ( Infinity Blade ).

The Other Dead has been

called “the most acclaimed, talked-about horror booksince The Walking Dead ,”and as you’ll see on the

following pages, the art andaesthetic of this massiveundertaking clearly showswhat an amazing andground-breaking work of art

this project truly is!

You can find out more aboutThe Other Dead atwww.theotherdead.com and on Facebook at facebook.com/theotherdead

Illustration by Mike Shoykhet Illustration by Kevin Eastman

“How has this brilliant premise not been done yet? Just when we’re inundated with ‘zombie this, zombie that,’ Ortega, Digger,and Eastman come along with a rip-roaring adventure that provides the most unique spin on the zombie apocalypse in years.” – Cliff Bleszinski Creator of Gears of War

I l l u s t r a

t i o n

Q i n g

P i n g

i & B l o n

“The Other Dead has the perfect combination of action, emotional impact, and brooding/building horror. I kept turning thepages to run from the impending doom.” – Kevin J. Anderson New York Times bestselling author of the Dan Shamble, Zombie P.I. series.

I l l u s t r a

t i o n

M i k e S h o y k h e

Illustration by David Millgate

Illustration by Shane White Illustration by Tim Vigil & Blond

“The basic conceit of this story, that nature, not our neighbors, is the real threat, harkens back to Hitchcock’s The Birds andSpielberg’s Jaws , only taken to the next level. Just when you thought the zombie genre had been strip mined, The Other Dead proves you wrong.”– Robert Napton Writer of Battlestar Galactica, Warlord of Mars, and Dark Wraith of Shannara

I l l u s t r a

t i o n

D a v e

D o r m a n

available now!

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Originally published by Alfred A. Knopf

in 1930, although evidence exists thatan earlier version had been submittedin 1926, Gladiator is the story of HugoDanner, a product of his timid scientist fa-ther’s early experimentation into geneticmanipulation. But Hugo is also a productof his times, as the then young PhilipWylie’s novel presents a penultimate shout of water tale, a slice of life comingof age narrative where the lead charac-ter struggles with nding his place in arapidly changing world while growingup and preternaturally growing wiseacross America and around the globe. Tocomplicate matters, thanks to his conspir-ing against nature parents, Abednego andMatilda, Hugo is from birth a man-god,a super-man whose physical constitutionis exponentially greater than that of anyother man. And contrary to that origin,this is no superhero story. While the book has gone through at leasta dozen printings in the almost ninetyyears since it was written, where it rateson anyone’s radar is generally in refer-ence to how Wylie’s Hugo Danner was aprecursor to the likes of Superman andDoc Savage, in that Hugo has rock-hard

esh, can run faster than a speeding bul -let, is more powerful than a locomotiveand can leap tall buildings in a singlebound. Yet at no point does he even re-motely consider dressing abnormally

or pursuing justice by beating the turds

out of motley crews of law-breaking ne’erdo wells. Hugo is a young man with greatgifts of strength, and even before pubertyis painfully all too aware of what makeshim different and sets him apart from hisfellow man. In his youth he makes tre-mendous efforts in hiding those gifts, andas he matures he gradually wrestles moreand more with the ongoing dilemma ofallowing those gifts to control the worldaround him, or allowing the worldaround him to control those gifts. After a failed attempt at college and apromising athletics career (due to a mo-ment of lost control), Danner becomes adrifter, traveling about incognito whiletaking on any number of random odd jobs on his voyage of self-discovery.Finding a momentary sense of purpose,he enlists in the Foreign Legion for aworld-spanning war and soon becomesa hero to many, although he’s eventu-ally disheartened by seeing such epicpotential for destruction within himselfin a very “Heart of Darkness” sort of way.Following the years of grisly horrors onthe battle eld, Hugo returns to the stateswith a better sense of his capabilities and

the increasing desire to repurpose himselffor greater aims, which puts him at oddswith both corporate and political powers.Danner comes full circle and embracesa manner of self-acceptance, almost tothe point of becoming a bully, pushingwhat he feels is ethically right and proper.Thus his questing takes him into moralterritory where the adage “might makesright” is certainly put into question. Fromthe ostracizing of his youth, to dealingwith the prospect of becoming a leaderof men, Hugo is as torn as any intelligentbut non-super mortal might be, and thebook ends on a surprisingly shocking andviolent note that is arguably loaded withbitterness of spiritual insinuation.

While this novel absolutely predates thecostumed superheroes of the comic bookmedium, it also preexists many of theprose pulp heroes of the 1930s and ‘40s.It is de nitely conceivable that Hugowas some degree of in uence on thosethat came later, but that should not belimited to Superman or Doc Savage, asspeci c elements of the narrative couldeasily have also inspired the “rejected bysociety” themes of the assorted X-Men

characters, the proportionately bug-like abilities of Spider-Man (or his own

precursor, the Fly), and the super-soldieridiom of Captain America (or the bettervariant, Fighting American) to name afew. I would even suggest that Hugo’ssweaty but insightful encounters with along line of female companions may havein uenced the philosophy of relationshipwritings of the great Milan Kundera. Butas my title expresses, I also feel that, notat all contrary to Wylie’s suggestive ob-servations concerning the strange roadsthat scienti c achievements are leadingour species down, in many ways this maybe his updating or homage of Mary Woll-stonecraft Shelley’s Frankenstein . Theultimate man, with no suitable rules toabide by and meeting nary a friendly facewithout duplicity or other ulterior mo-tive, Hugo Danner is the more than man,freak of a man. In the three times I haveread/studied/fought with this book overthe last couple of years, I have avoidedreading other essays or reviews of thework as I prefer to form my ideas withas little in uence as possible. That said, Isincerely believe this is Wylie’s modern-ization of Prometheus Unbound , cast inan age even more be tting of the moralis -tic implications of sciences that are over-

taking our dogmatic social insecurities.Wylie was by no de nition a rookie scribewhen this novel was originally released,young though he truly was. He went onto write many more books and essayswhile staying ever mindful publicly, andperhaps even vigilantly, of the bridg-ing points between science, politics, andmorality. While at once perfecting Shelleyand laying the groundwork for the godsof old to be reinterpreted as heroes oftoday, Gladiator is a powerhouse novel,and should be celebrated widely.

Hugo is from birth aman-god, a super-manwhose physical consti-tution is exponentially greater than that of anyother man. And contraryto that origin, this is nosuperhero story.

by Richard Caldwell

PROMETHEUS UNBOUND AND MAKING A FOOL OF GOD An essay of Gladiator, the “oh my god you have to read this” novel by Philip Wylie.

y per-sonal work reects along standing inter-est in myths, folktales

and different cultures. Joesph Campbell (ThePower of Myth), Buffy

Johnson (Lady of theBeasts), Marija Gimbu-tas (The Language ofthe Goddess), naturalhistory writers: DavidQuamman, S. J. Gould,Carl Zimmer, EdwardO. Wilson, and a large

list of sci- and fantasywriters have created thebase for my personalquest and approachesto creating images.TheBroken Angel seriesdeals with the god-dess and the jaguar,the Headdress seriesdeals with the varioussides of the goddess

and the Medusa seriesdeals with the myths ofthe Medusa and metis.Each drawing is alsoinuenced by the modelI use. There are a lotpersonal symbols inthese drawings, and Idon’t expect the viewerto know them all. Theybecome designs and

elements in the draw-ings and hopefully helpthe story by creatinga mood or questions.The best descriptionof my work came fromanother artist, whosaid “your work is veryshamanistic.”

I have worked with avariety of mediums.Everything from oils,

acrylics, watercolors, pastels,silverpoint, lithography, etchingand drawing. These images aredone on paper rst, the drawingis worked up with black and whiteprisma-color pencil on a greypaper, and then scanned into thecomputer for the coloring.

I nd that with Photoshop, I cankeep the character of the drawing

ark A. Nelson

and add layers of color. I try toblend layers of color as I did withglazes in oils or the transparencyof litho-inks. The computer for meis another tool for the artist to useto express their ideas.

- Mark A. Nelson

MMark A. Nelson

GalleryGallery

You can find more ofMark ’s amazing work here:

www.grazingdinosaurpress.com

www.facebook.co/grazingdinosaurpress

www.mansyc.deviantart.com

You can find more ofMark ’s amazing work here:

Slayers - Women of War 48 pages - full color

Booty - Pirate Queens48 pages - full color

Fantasy Art of Calandra48 pages - full color

Dragon Song64 pages - full color

Drakaina Masters48 pages - full color

Atlantica - Mermaids48 pages - full color

Glamourama48 pages - full color

Art of Pete Tapang48 pages - full color

Sword Song64 pages - full color

Art of James Hottinger 48 pages - full color

Beauties & Beasts64 pages - full color

Savage Art of Bob Larkin64 pages - full color

m SLAYERS A-SLAY 15.00m GLAMOURAMA A-GLAM 15.00m ART OF PETE TAPANG A-TAP 15.00m ATLANTICA A-ATL 15.00m BOOTY A-BOOT 15.00m SWORD SONG A-SS 20.00

m ART OF HOTTINGER A-HOT 15.00m SAVAGE ART OF LARKIN A-LARK 20.00m BEAUTIES & BEASTS A-BEA 20.00m ART OF CALANDRA A-CALAN 15.00m DRAGON SONG A-DS 20.00m DRAKAINA MASTERS A-DMAS 15.00

POSTAGE &HANDLING: US Orders: $4.00for the first book,

then add $2.50 foreach additional book.Foreign Orders:$22.00 for the firstbook, then add $9.00for each additionalbook. Shipped via Int’lFirst Class Mail.

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DANGEROUS CURVESAHEAD!

GALLERY

When the soldiers entombed in ourmilitary cemeteries begin to risefrom the grave, who will stop them?

Jina, a tough-as-nails ghter pilot,is on a mission to uncover what re-animated these heavily armed kill-ing machines and, more importantly,how to defeat them!

Featuring scripts by TMNT co-creatorKevin Eastman and Tom Skulan, withart by Eastman and Eric Talbot, thisnew incarnation will present ZOMBIEWAR in full color for the rst time,courtesy of TMNT colorist RondaPattison! Two giant-sized issues ofmayhem!

“When long-time friend Tom Skulan (FantacoPress) and I created the concept of ZOMBIE WARit was purely and completely out of LOVE for thegenre, and when it came to bringing the vision tolife, Eric Talbot was the only artist we wanted towork with! Man - what a great time we had with

this story!”- Kevin Eastman

“Personally, this event is VERY exciting to me — more than twenty years after theoriginal series came out in black and white, we get the chance to re-master thepiece with my favorite colorist on the planet, the most AWESOME Ronda Patterison!I can’t wait to see what the fans think of one of my most near and dear blasts fromthe past!”

- Kevin

“Personally, this event is VERY exciting to me — more than twenty years after theoriginal series came out in black and white, we get the chance to re-master thepiece with my favorite colorist on the planet, the most AWESOME Ronda Patterison!I can’t wait to see what the fans think of one of my most near and dear blasts fromthe past!”

- Kevin

a v a i l a b l e n o w

FULL COLOR • 32 PAGESFULL COLOR • 32 PAGES

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heavy metal 265

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