imperial heartbeats, pt. ii
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ImperialHeartbeats,Pt. IIfrom
The Chain Industry
www.peculate.co
Copyright July 2014 Ben Norton
Countertenor
Tenor
Baritone
Bass
Electric Guitar
Electric Guitar
Electric Guitar
Electric Guitar
5-string Bass Guitar
Piano
Harpsichord
Synthesizer
Violin I
Violin II
Viola
Violoncello
Drum Set
q = 180
f
The glo bal- chain in du- stry- is a kind be nev- o- lent- em pire.- it seeks on ly- to help its sub -
f
f
f
Imperial Heartbeats, Pt. II
Ben Norton
from The Chain Industry
3 3
RI-0
3
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
7
The glo bal- chain in du- stry- is a kind be nev
jects, those un grate- ful- bar bar- i- ans.- The glo bal- chain in du- stry- is a kind be nev
3
3
3
2
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
A13
o- lent- em pire.- it seeks on ly- to help its sub jects,- those un grate- ful- bar bar- i- ans.-
o- lent- em pire.- it seeks on ly- to help its sub jects,- those un grate- ful- bar bar- i- ans.-
f
3
3
R-0
3
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
21
f
f
4
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
32
5
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
q = 150B43
Out of the kind ness- of its
Out of the kind ness- of its heart.
3
6 6 6 6 6 6 6 6 6 6 6 6
6
6
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
q = 10048
heart.
Clean
Slap
3
3 3
7
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
q = 7552
of its bloo dy,- bea ting-
Out of the kind ness- of its bloo dy,- bea ting-
Out of the kind ness- of its bloo dy,- bea ting-
Distortion
Nat.
8
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
q = 100 poco rit. C54
heart.
heart.
heart.
mp
mp
mp
mp
RI-0 R-0 I-0 P-0
9
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
q = 150D65
f
It brings Co mmerce.-
f
f
R-0
10
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
rit. 71
Al migh- ty- Co mmerce,- to "back ward"- peo ples.-
3 3
11
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
q = 12077
f
It cre ates- jobs,
f
It tea ches- Skills, Al migh- ty- Skills to "back ward"- peo ples.- It cre ates- jobs,
It tea ches- Skills, Al migh- ty- Skills to "back ward"- peo ples.- It cre ates- jobs,
12
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
q = 180E83
Al migh- ty- Jobs, for back ward- peo ples.-
Al migh- ty- Jobs, for back ward- peo ples.-
Al migh- ty- Jobs, for back ward- peo ples.-
f
f
f
f
f
f
RI-0 R-0 I-0 P-0 RI-2 R-2
13
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
q = 160F91
f
Don't go to sleep.
f
f
f
G©‹7/B
f
P.M.
I-2 P-2
14
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
99
Don't you dream
C©(“4)/B
OpenP.M.
Open P.M. Open P.M.
15
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
105
don't e ven-
GŒ„Š7/B F©Œ„Š7/B
OpenP.M.
Open P.M. Open P.M. OpenP.M.
Open
16
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
G110
close your old, worn
AŒ„Š7/B
P.M. Open
P.M.Open P.M. Open
P.M.
17
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
117
eyes, 'cus we are
F©%/B BŒ„Š7
Open P.M. OpenP.M. Open P.M.
Open P.M.Open
P.M.Open P.M. Open
18
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
H123
wa tching,-
f
mon i- tor- ing- o ver- head;-
f
EŒ„Š7
3
P.M.
19
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
129
coun ting- our o ver- head- "Pro tec- ting- free dom."-
B¨7/G© BŒ„Š7 A7/C© D&7/B EŒ„Š7
Open P.M.
Open
20
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
135
B¨7/G© BŒ„Š7 A7/C© D&7/B
Open
Open
21
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
I141
Sleep is for the weak. You are a wor ker,- not a slee per.- You to -
E¨Œ„Š7
22
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
J145
il, not dream. Pain is for the weak.
P.M. Open P.M. Open
P.M.Open P.M.
6
6
3
23
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
150
You are a wor ker.- You are the blood flow ing- through our co mmer- cial-
Open P.M. Open P.M. Open P.M. Open P.M. Open P.M.
24
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
153
veins. Your cries of an guish- are our im per- i- al- heart - -
OpenP.M.
OpenP.M.
Open P.M. OpenP.M.
Open P.M. OpenP.M.
Open
6
6
25
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
K157
f
beat.
f
f
f
EŒ„Š7 B¨7/G© BŒ„Š7
mf
EŒ„Š7 B¨7/G© BŒ„Š7
f
Saxophone
P.M. Open
P.M.Open
3
26
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
164
A7/C© D&7/B EŒ„Š7
A7/C© D&7/B EŒ„Š7
P.M. Open
P.M.Open P.M. Open
P.M. Open P.M.Open
P.M.
27
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
170
B¨7/G© BŒ„Š7 A7/C© D&7/B EŒ„Š7
B¨7/G© BŒ„Š7 A7/C© D&7/B EŒ„Š7
3
Open
P.M. Open P.M.Open P.M. Open P.M. Open
P.M. Open P.M.Open P.M.
28
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
176
B¨7/G© BŒ„Š7 A7/C©
B¨7/G© BŒ„Š7 A7/C©
33
3
29
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
181
D&7/B EŒ„Š7 B¨7/G© BŒ„Š7
D&7/B EŒ„Š7 B¨7/G© BŒ„Š7
Open P.M.
Open
30
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
L186
A7/C© D&7/B EŒ„Š7
A7/C© D&7/B
f
Open P.M. Open
P.M.
Open
31
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
191
B¨7/G© BŒ„Š7 A7/C© D&7/B EŒ„Š7
3 5 5 5
Open
P.M.Open
P.M.Open P.M. Open
P.M.
32
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
197
B¨7/G© BŒ„Š7 A7/C©
6 6
Open P.M.
Open P.M. Open P.M.Open P.M.
Open P.M. Open P.M. Open P.M.Open P.M.
33
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
202
D&7/B EŒ„Š7 B¨7/G©
f
5 6 6 6 6
Open P.M.
Marimba
34
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
206
BŒ„Š7 A7/C© D&7/B
56
6 5
Open
Open
35
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
210
EŒ„Š7 B¨7/G© BŒ„Š7
P.M.
36
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
M214
A7/C© D&7/B EŒ„Š7
mf
EŒ„Š7
5 5 5 5 6 3 6 6
Open
Open
37
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
219
F©Œ„Š7
F©Œ„Š7
3
38
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
225
f
EŒ„Š7 F©Œ„Š7
EŒ„Š7 F©Œ„Š7
P.M. Open
P.M. Open
3
39
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
231
EŒ„Š7
f
EŒ„Š7
40
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
N236
f
D©‹7 EŒ„Š7
D©‹7 EŒ„Š7
5
P.M. Open
3
41
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
242
F©Œ„Š7
F©Œ„Š7
42
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
248
f
EŒ„Š7 D©‹7
EŒ„Š7 D©‹7
6 6 3
43
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
254
C©7 C©‹7
C©7 C©‹7
63 3
44
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
O260
C©Ø7
mf
EŒ„Š7 B¨7/G© BŒ„Š7
C©Ø7
mf
EŒ„Š7 B¨7/G© BŒ„Š7
45
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
267
A7/C© D&7/B EŒ„Š7 B¨7/G© BŒ„Š7 A7/C©
A7/C© D&7/B EŒ„Š7 B¨7/G© BŒ„Š7 A7/C©
46
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
273
D&7/B EŒ„Š7 B¨7/G© BŒ„Š7
D&7/B EŒ„Š7 B¨7/G© BŒ„Š7
3
47
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
278
A7/C© D&7/B EŒ„Š7 B¨7/G© BŒ„Š7
A7/C© D&7/B EŒ„Š7 B¨7/G© BŒ„Š7
48
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
q = 70P283
A7/C© D&7/B
A7/C© D&7/B
3
49
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
289
50
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
294
51
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