interior design portfolio 2010-2012
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PortfolioAngeline Yang 2010 - 2012
Table of Contents
Design
Gelati Celesti............................................4
Tie Lab......................................................6
Oncology Center - Reception...................8
Bios Group..............................................10
Les Cols Restaurant................................12
Computer
CAD - Construction Documents............14
CAD - The Hoop.....................................16
Revit Construction Documents..............18
Revit Families..........................................20
4
Existing site located on 2223 Park Avenue Richmond, VA
~681 SF of net
Retail space for gelati
No new doors or windows
Accessibility
Respect existing exterior shell
Concept based on concept model ‘anticipation’
Gelati Celesti
Anticipation concept model Ceiling design sketch model Store front sketch model
A key that fits within the lock but does not turn.A hidden object contained in a cube that cannot open. The only clue of the contained object is the sound it makes when the box is in motion.
One can only wonder what is inside...
To contrast the roundness and softness of the ice cream, the rest of the shop is based off of rectilinear forms and the ceiling design becomes the only non-frosted glass within the space to signify that the customer is finally within reach of the goal (ice cream). The varying levels represent the building excitement.
Frosted glass is used in the store front to distinguish the front to the other surrounding buildings. The glass is translucent to pique the customers interest and make them want to peer through and see the colorful display of ice cream.
P2. View from dip cabinet to back
After studying precedents of retail spaces, the design began to form into the concept of anticipation. Ice cream is usually consumed as a treat to one’s self and the design began by the thought of how to prolong the want for such a treat. By making the customer wait, the need for a scoop of ice cream will become unbearable. Building the anticipation became the driving factor for the space’s design.
The store front contains the dip counter and once through the main entryway, the customer is blocked from their goal by a long wall of frosted glass which is broken at random times to allow the customer a glimpse of the ice cream and of customers enjoying their ice cream. Each glimpse teases the customer’s desire.
To reach your desired goal, you must first be tantalized.
View towards front with dip counter
View towards the frosted glass P1. View from patio to front
Materials and Furnishings
Cermic tiles. Novabell ceramiche tile. Play series. (wraps into wall)
Cement.Translucent glass.3form Varia Ecoresin: Play - Crush Max Pure
Pendant light. bonesimpledesign c143
Ceiling glass. 3form Varia Ecoresin. C3 Color -Ghost
Plan
E
F
G
D
C
P2
P1
B
A
Legend:
A. Main entrance hallway B. Interior seatingC. Counter areaD. Accessible unisex restroomE. Accessible patio seatingF. Service areaG. Accessible exterior seating
Section A-A Section B-B
Paraline view of shop
6
Existing site located on 2223 Park Avenue Richmond, VA
~681 SF of net
Client: Bethany Shorb, owner of Cyberoptix Tie Lab
No new doors or windows
Accessibility
Respect existing exterior shell
Concept based on antithesis
Tie Lab
Display concept model
Wall display concept model
Retail sketch model
Retail Plan0’ 1’ 3’2’ 4’
A
A
B B
CC
Residential PlanA
A
B B
CC
D
D
Section C-C
Section B-B
Section D-D
1. Exposed textured brick wall
2. Sand D331-60; Wilsonart Laminate3. Urban
metal charcoal UM93; Amtico International
4. Wildlands; International Tile & Marble, Ltd.
5. Steelworks Aluminum Tube (Round) 3/4 x 3’; Lowes
5.
6. Campbell Commercial #12 Single Jack Chain
6.
1. 0001 White Quartz Finish; Arpa by Interlam
2. Solid White Textured S-7-4T; Nevamar Arp Surface
3. 75220; Mosa. Tiles Global
Collection
3.
4. 4170; Caesarstone Quartz Surfaces
5. 75200V; Mosa. Tiles Global Collection
4.
5.
6. P44 Esse Wenge; Liri
7. 2689-309 Cranberry
7.
Section A-A
Design concept became based off of the client’s personality and how she presents her work. Words that describe her include quirky, ironic, sense of humor, edgy, etc.
Rough and textured materials were used to contrast her products which are very detailed and intricate. Such materials attract attention to the hanging display as the ties are smooth and silky.
View towards living areaView towards studio
View towards retail area
View from reading nook
View from store front
View from main entrance
Close up of hanging display
View of residential space
8
Located at 10120 W. Broad St., Henrico, Virginia
Started out as a spa that utilizes natural materials
Designed for a Melanoma Oncology Center
Coloring of melanoma inspired use of wood
Axial relation of each space considered
Oncology Center - Reception
Initial Ideas:
Natural materials: wood, stone, bamboo
Booth-like research center
Partition screens for back area
Not children’s center - no curves
Lean towards adults - mix of men and women
Luxurious but still relaxed type of space - not homey
Focus on experience - spa-like
Don’t want generic doctor chairs for waiting area
Layout: Reception>partition>file storage
A computer station resembling a sauna room to give a sense of privacy.
Custom reception desk.Finalized furniture layout.Finalized bubble diagram.
This image of skin cancer influenced the space’s design to focus on melanoma because of the skin’s pigment that is similar to wood.
Melanoma is the most dangerous type of skin cancer. Symptoms of melanoma include asymmetry, borders, color, and diameter. The design of the space revolved around the color of melanoma and the appearance of human skin.
A
A
Floor Plan1B
B
P1
P2
Legend:
Resource area 1Reception desk 2
File storage 3Waiting area 4
Computer stations 5Additional seating 6
1
2
3
4
5
6
5
A computer station resembling a sauna room to
give a sense of privacy.
This image of skin cancer influenced the space’s design
to focus on melanoma because of the skin’s pigment that is
similar to wood.
Inspiration and Floor Plan Angeline Yang
Melanoma is the most dangerous type of skin cancer. Symptoms of melanoma include asymmetry, borders, color, and diameter. The design of the space revolved around the
color of melanoma and the appearance of human skin.
Melanoma Oncology
Center
View from resource corner1
Koshi P Pendant Lighting. YLighting.
Reclaimed Douglas Fir. Old Barn Reclaimed Wood Co.
Timber Latitude Natural. 3Form.
Random Molten Marble. Nemotile.
Elan Dining Chair. Design Within Reach.
Mapp Table. Oak. Design Within Reach.
View from reception deskInteraction of Materials
Additional FF & E
2
Promises Promises. Yellowgoat Design.
Rusa Chaise. Design Within Reach.
Rusa Club Chair. Design Within Reach.
Rusa Corner. Design Within Reach.
Rusa Side Table. Design Within Reach.
Terra Texture Countertop Tiles. Thinkglass.
Wormy Chestnut Lumber. Old Barn Reclaimed Wood Co.
Section A-A1
Section B-B2
Kraal. Yellowgoat Design. Lighting at main entrance.
Joy PL Ceiling Light. YLighting. Lighting overhead reception.
Rusa Bench. Design Within Reach. Located in front of main entrance.
Security Shade. Mayline. Available in varying heights.
Phenomenon Honeycomb/Rock. Mutina. Focus wall
diagonal to entrance.
Varia Ecoresin: C3 Color. Ghost. 3Form.
Overtop Wormy Chestnut Lumber.
Hard Rock Reclaimed Antique Wood. Old
Barn Reclaimed Wood Co. Ceiling.
Timber Longitude Mocha. 3Form. I-beam filler.
Crypta Letter White Ink. 3Form. Wallcovering.
Terra Texture Countertop Tiles. Thinkglass. Reception
desks parcel ledge.
Timber Latitude Natural. 3Form.
Partition.
Wormy Chestnut Lumber. Old Barn
Reclaimed Wood Co. Reception desk.
Random Molten Marble. Nemotile.
Flooring.
Reclaimed Douglas Fir. Old Barn Reclaimed Wood Co. Computer
desk wood
Vaga Texture Glass
Floor Tile. Thinkglass.
Flooring in waiting
area.
Copper Beach. EcoVeil Naturals 8050 Series
1-2% open. MechoShade Systems.
10
Located at 2600 E. Cary St., Richmond, VA
Fictional software company titled Bios Group
Chose gaming software as data is more accessible
Utilized various ways to determine best space planning
Concept: unexpected humor in an unsuspecting space
Spaces revolve around large war room which acts as the core of the space
Subtle gaming references seen throughout the space
Bios Group
39
war rm 10
SD
huddle
DE
DEDE
DE
DEDE
DEDE
galley
help
rcpt
n
waiting
P
conferBM
A
AA
CO
filebar
file
CO
bar
help
SA
war rm
QA QA
testdata
ART ART
studio
huddle
huddle
file
directclosefar
privacyacoustical
writer
After many attempts of achieving a suitable diagram, the finalized version is shown in a more legible manner.
Series of possible adjacencies from a macro to micro level.
38
CRITERIA MATRIXoffice space
1. Reception
2. Waiting room
3. Admin. Assistant
4. Principle
5. Accountant
6. Brand Mrkt. Mn.
7. Software Dir.
8. Software Dev.
9. Artists
10. Artist’s Studio
11. System Admin.
12. Data Center
13. Tech. Writers
14. Help Desk
15. Q.A. Tester
17. Huddle Rooms
16. Test Lab
18. War Room
24. Copy Center
23. File Storage
22. Refresh. Bar
20. War Room
21. Galley
19. Conference Rm.
SQ. F
t.
Needs
Adjacen
cies
Public
Acss.
Dayligh
t
Privacy
Plumbing
Speci
al Equ.
Speci
al Con.
1, 2
1, 2
3, 4
3, 4
3, 4, 5
3, 6, 19
7, 8, 14
7, 8
11, 14
center
1, 8, 20
5, 13
14, 24, 20
8, 10, 19
4, 7, 11
3, 4, 11
15, 16
4, 8, 9, 15
15, 16
11, 12
13, 16
11, 12
9, 10
9, 10
Y
Y
Y
N
N
N
N
Y
Y
N
N
Y
N
Y
N
N
Y
Y
Y
N
Y
Y
Y
Y
I
I
Y
Y
N
Y
Y
Y
Y
Y
Y
N
Y
Y
Y
Y
Y
Y
Y
Y
Y
Y
N
N
N
N
N
Y
Y
S
Y
N
Y
S
Y
Y
N
N
Y
Y
S
S
S
Y
N
N
Y
Y
Y
Y
N
N
N
N
N
N
N
N
N
N
N
N
N
N
N
N
N
N
Y
N
Y
N
Parcel ledge
Seating (4), side table
Parcel ledge
Table for four, two guest chairs
Seating (2)
Worktable
Table for six computersWhiteboard, laptop seating
Whiteboard, laptop seating
Whiteboard, laptop seating
Whiteboard, pin up space
Counter, refrigerator, sink, microwave
Watercooler, small refrigerator, counter
Freestanding copier, surface to fax/copy
12’ storage
16’ storage
12’ storage
16’ storage
16’ storage
12’ storage
12’ storage
Storage
16’ storage
16’ storage, HVAC
12’ storage
12’ storage
12’ storage
Odors/mess
Small desk and chair, telecommunication cabinets
Seating (2)
Table for multiple screens
Experimenting with different possibilities.
Experimenting with different possibilities.
Finalized criteria matrix in a more legible manner.
After going through the process of laying out each space, the designer achieved a layout that best suited the given program. The layout above proved to be the most suitable for the given space due to its ability to accommodate each space while considering fire egress.
Most suitable furniture layout for the given space due to size of furniture, personal space, and fire egress.
Private Office; ICrete Office; Los Angeles, California
Bacterioptica. MadLab.Ethereal light.The ephemeral effect of lighting that skits around and at times hidden provides an adventurous atmosphere.
Spontaneous.The expected is unwanted. The unknown is most welcome and highly treasured among creatures.
Reflected Ceiling Plan
0’ 8’2’ RCP - Level 2RCP - Level 1
Help DeskTech. Wr.Tech. Wr.
Bar
Data Ctr.
Copier
File Stor.
QA
HuddleHuddle
Huddle
Huddle
Galley
Break Room
War Room
Large War Room
A A
B
C
B
Restroom
Test Lab
Artists
Studio
Reception area
Principal
Bar
Accountant
Brand M.M.
Admin. Assis.Software Dev.
Software Dir.
System Admin.
0’ 2’ 8’
0’ 2’ 8’Furniture Plan - Level 2
Furniture Plan - Level 1
Conference Room
Motto and beliefs:
Epic games. All day. Everyday.
Dedicated to creating the most epic games of all time.
2. Play nice; be fair
3. Gameplay and quality
4. Learn and grow
6. Every opinion matters
1. Let out the inner nerd
5. Think global
Deep down, everyone’s a nerd. No need to deny it. Each person’s enthusiasm helps transform Bios Group.
We firmly believe in maintaining respect and integrity between players, colleagues, and even your mouse. That poor thing.
The success to a software company is the ease of controls and playing satisfaction. High quality graphics are a must in order to lead you to Platinum level.
Let’s face it. You may scoff at the noobs, but before you reached your level of awesome, you were a noob too.
Bios Group knows that everyone around the world plays and each individual brings a new sense of richness to the game play and gaming experience.
Not satisfied? Well then, neither are we. Every player and employee is taken seriously and given a voice. Anytime. Any day.
P
Lounge chairs.Tabisso.2’ 1.59” x 2’8.28” x 2’8.28”
Campfire Personal Table.Turnstone.1’7.5” x 1’2” x 2’2”
Rocky.5D Studio.2’1” x 1’10” x 3’
Fusion Supermatte. Designtex. Partitions between offices.
Chocolate Edge Grain Plywood Smith & Fong. Ceiling treatment.
Fusion Supermatte. Designtex. Partitions between offices.
WMSilver12. Rudy. Reception’s parcel ledge.
Amber Flat Grain Plywood.Smith & Fong.Campfire Personal desk treatment.
Cloud 9 Bisque #5. Arc-Com. Letter chairs and Loopita seating.
Adams. Richlite. Typical workstations.
P
Last Supper Table.Studio Lawrence.12’9.5” x 3’1.7” x 2’5.52”
NL Weena 760 A 3014 DA Rotterdam the Netherlands +31 (0)10 2250464 UK 6 Ellerslie Road W12 7BW London United Kingdom +44 (0)20 83542667 info@studiolawrence.com www.studiolawrence.com
Wonky chairs
NL Weena 760 A 3014 DA Rotterdam the Netherlands +31 (0)10 2250464 UK 6 Ellerslie Road W12 7BW London United Kingdom +44 (0)20 83542667 info@studiolawrence.com www.studiolawrence.comWonky Chair.
Studio Lawrence.1’2.17” x 1’2.17” x 2’11.03”
Neopolitan Plyboard. Smith & Fong. Flooring in collaborative spaces.
Black Diamond. Richlite. Large war room tabletop.
Actual leg used.
P
STAKS 003.First Office.10’ x 6’6” x 2’6” overall
Kart Nesting Chairs.5D Studio.2’4” x 1’8” x 3’
Topo Freestanding Table.Metro Design Group.1’8” D x 1’6” H
Host Storage.FP Design.5’2” x 2’4” x 2’6”
Adams. Richlite. Typical workstations.
FA006-G. Pionite. Worksurfaces.
Brownstone. Herman Miller. Task seating.
View of Typical Workstation. View of Huddle Space.
View of Reception Area. View of Large War Room.
P
Loopita.Kerozene Design.25’10” x 12’
Lounge chairs.Tabisso.2’ 1.59” x 2’8.28” x 2’8.28”
Walnut on cherry. Herman Miller. Loopita exterior treatment.
56
C1. Chocolate Edge Grain FRN1: 6350 Caesarstone FRN2: Amber Edge FRN3: Adams
FRN4: Square 101 FRN7: Fusion Supermatte FRN8: Brown stone
FRN11: Cloud 9
F1: Neopolitan Plyboard
F1
F1F1
F1
F1F1
F1F1F2
F2
F2
FRN9
FRN3
FRN10FRN11
FRN5
FRN6
F2
F2: Havana Ply W1. Existing Brick
FRN9: Black Diamond
FRN10: Walnut on cherry
FRN6: WMSilver12
FRN5: Brushed Aluminum
Materials board.
50
UP
War room
Huddle
Artist
Artist
Studio
Waiting
Reception
Princip
Conference Administrator Assistant
Accountant
BrandMarketManager
Bar
Software Developers
Huddle
War Room
CopySoftware Dir.
System Admin.
Data Center
Tech.Writer
Test LabTech.Writer
Help Desk
Huddle
QA Tester
Galley
Break Room
FileStorage
Bar
A109
1
2A108
1A108
1/8" = 1'-0"1 S_Level 1_Furn Plan
al
Section A-A0’ 2’ 8’
Section B-B
Elevation C
0’ 2’ 8’
0’ 2’ 8’
50
UP
War room
Huddle
Artist
Artist
Studio
Waiting
Reception
Princip
Conference Administrator Assistant
Accountant
BrandMarketManager
Bar
Software Developers
Huddle
War Room
CopySoftware Dir.
System Admin.
Data Center
Tech.Writer
Test LabTech.Writer
Help Desk
Huddle
QA Tester
Galley
Break Room
FileStorage
Bar
A109
1
2A108
1A108
1/8" = 1'-0"1 S_Level 1_Furn Plan
al
Section A-A0’ 2’ 8’
Section B-B
Elevation C
0’ 2’ 8’
0’ 2’ 8’
50
UP
War room
Huddle
Artist
Artist
Studio
Waiting
Reception
Princip
Conference Administrator Assistant
Accountant
BrandMarketManager
Bar
Software Developers
Huddle
War Room
CopySoftware Dir.
System Admin.
Data Center
Tech.Writer
Test LabTech.Writer
Help Desk
Huddle
QA Tester
Galley
Break Room
FileStorage
Bar
A109
1
2A108
1A108
1/8" = 1'-0"1 S_Level 1_Furn Plan
al
Section A-A0’ 2’ 8’
Section B-B
Elevation C
0’ 2’ 8’
0’ 2’ 8’
12
Located at 205-207 East Broad Street, Richmond, VA
Original location in Catalonia
Owner/Chef and son want to move to VA and adapt to Virginia cuisine while maintaining Catalonian cuisine
Design based on surrealism after exploring with juxtapositions
Juxtapositions of the furniture material, place setting, high-end cuisine to location, etc.
Les Cols Restaurant
flat
ramp
sal/desste/fry
bar ramp
10
6
2A106
3A106
1/8" = 1'-0"1 Level 1
1.2.
3.
6.
4.
5.
3.2.
1.
4.
5.
Restaurant Legend:1. Main entrance 2. Dining room3. Booth seating 4. Bar5. Bar seating 6. Kitchen
Residential Legend:1. Main entrance 2. Bedroom/Studio3. Living room 4. Dining/Kitchen5. Master bedroomFirst Floor Plan
0’ 2’ 8’N
V1
V2
V3
V4
Definition of surrealism provided clearer idea of what exactly entails surrealism; juxtaposition.
Standard utensils have become victims of surrealism: a missing prong for a fork, a twist to the knife, and an abrupt end to a spoon.
flat
ramp
14' - 0"
sal/desste/fry
bar ramp
10
6
2A106
3A106
1/8" = 1'-0"
Project Name
1/8" = 1'-0"1 Level 1
1/8" = 1'-0"2 Section 1
1/8" = 1'-0"3 Section 2 1/8" = 1'-0"4 Section 3
1/8" = 1'-0"5 Section 4
6 {3D}
PRODUCED BY AN AUTODESK STUDENT PRODUCT
PRO
DU
CED
BY AN AU
TOD
ESK STUD
ENT PR
OD
UC
T
PRODUCED BY AN AUTODESK STUDENT PRODUCT
PRO
DU
CED
BY
AN A
UTO
DES
K ST
UD
ENT
PRO
DU
CT
flat
ramp
14' - 0"
sal/desste/fry
bar ramp
10
6
2A106
3A106
1/8" = 1'-0"
Project Name
1/8" = 1'-0"1 Level 1
1/8" = 1'-0"2 Section 1
1/8" = 1'-0"3 Section 2 1/8" = 1'-0"4 Section 3
1/8" = 1'-0"5 Section 4
6 {3D}
PRODUCED BY AN AUTODESK STUDENT PRODUCT
PRO
DU
CED
BY AN AU
TOD
ESK STUD
ENT PR
OD
UC
T
PRODUCED BY AN AUTODESK STUDENT PRODUCT
PRO
DU
CED
BY
AN A
UTO
DES
K ST
UD
ENT
PRO
DU
CT
View of custom alcohol storage View of bar
Diagrams of place setting.
Detail of custom alcohol storage.
V1. View of dining table and bar
V2. View from Broad Street
V3. View from back entrance
V4. View from hostess stand
Restaurant
Residential
Surrealism
6 {3D}Axonometric
Wire Cloth. Silver specified.Belleville Wire Cloth Co., Inc.
Moldable polyethylene terephthalate (PET). Clear specified.
Fuoco. Trove. 9’ x 6’ pictured.
Luxe. Nydree flooring.
Evolute table. Essenze. Pictured: 71.3”L x 31.9”W x 29.1”H. White legs and trim specified.
Mies table. Secchio.
Ghost side chair. DWR. 35.5”H x 15”W x 15.5”D
Standard chair. Uhuru. Black specified. 17”L x 17”D x 39”H
Ecco Bar stool. Janus et Cie. 18”W x 21.25”D x 48.75”H
SURREALISM
clear
distinct
vision
blur
reality
dim
fantasy
illusion
dreamscape
subtle
escape
airy
contradictory
entice
mixture
14
Drawings of Pollak Building room 415
Showed understanding of different line types
Polished understanding of line weight
Used dimension tool in a professional manner
CAD - Construction Documents
Architectural Floor Plan
North ElevationScale: 1/4” = 1’ - 0”
East ElevationScale: 1/4” = 1’ - 0”
South ElevationScale: 1/4” = 1’ - 0”
West ElevationScale: 1/4” = 1’ - 0”
Furniture Floor Plan Reflected Ceiling Plan
Scale: 1/4” = 1’ - 0’’ Scale: 1/4” = 1’ - 0’’ Scale: 1/4” = 1’ - 0’’
16
Tasked to redesign studio space into a suitable workspace for its users
Total area around 2130 SF
Pattern created with various line types and weights
Pattern seen as an RCP that has overhead planes to accent major spaces
Different line types and weights to give a sense of what the design could develop into
Space split in half by a partition wall for the studious students and for the side that needs a break
Various floor level changes are incorporated into the design to emphasis the overhead plane
Spot rendering with material swatches to highlight design
CAD - The Hoop
Inspiration of rectilinear shapes of varying line types and weightsFurniture PlanScale: 1/4” = 1’ - 0’’
Reflected Ceiling PlanScale: 1/4” = 1’ - 0’’
North ElevationScale: 1/4” = 1’ - 0’’
East ElevationScale: 1/4” = 1’ - 0’’
South ElevationScale: 1/4” = 1’ - 0’’
West ElevationScale: 1/4” = 1’ - 0’’
18
Construction documents of Bios Group studio project
Carefully arranged in a correct manner
Dimensioned and tagged in a professional manner
Created custom 18” x 24” title block
Demonstrated understanding of ADA codes and guidelines
Revit Construction Documents
UP
Room LegendBreak Room
Conference
Control Rm.
Copier
File Storage
Galley
Huddle
M Restroom
Reception Area
Room
W Restroom
War Room
Workspace
Workstations
3/16" = 1'-0"1 Bios Group Color Blocking
UP
A7.3
2
113' - 11 3/16"
61' -
11
3/4"
21' -
10
1/4"
40' -
1 1
/2"
102' - 2 1/4"
10' -
3 1
5/32
"
12' - 10 9/16"
11' - 5 21/32"
9' -
8 5/
16"
26' - 0 19/32"
9' - 10 15/16"
11' -
4 2
5/32
"11
' - 6
7/3
2"
16' - 11 27/32"
12' - 10"
10' -
2 1
3/32
"
0' - 2"
0' -
4"
13' -
8 3
/32"
6' - 7 31/32"
1' - 2"
14' -
6"
0' - 11 5/8"
11' -
7"
5' -
4"
11' -
8"
2' - 11 1/2"
2' -
7"
22' - 9 3/4"0' -
6"
5' -
9 1/
16"
11' - 0 1/2" 11' - 0 1/2" 11' - 0 1/2" 11' - 0 1/2" 11' - 0 1/2" 11' - 0 1/2" 11' - 0 1/2" 11' - 0 1/2"
6' -
2"6'
- 2"
6' -
2"6'
- 2"
6' -
2"
6' - 2" 6' - 2" 6' - 2" 6' - 2" 6' - 2" 6' - 2" 6' - 2" 6' - 2"
6' -
2"6'
- 2"
A7.21
A7.3
1
3
A7.22
A7.1
4
2
35
6' - 10 17/32" A7.11
3/16" = 1'-0"1 Architecture Plan
14' -
8 3
/4"
0' - 3 1/2"
7' - 7 1/2"
4' -
11 5
/8"
17' - 5"
26' -
0 1
/4"
6' -
0 5/
8"
20' - 10 15/16"
3/16" = 1'-0"1 Architecture level 2
A7.1
4
2
35
2' - 3 3/4"
3' -
9 3/
4"
1' - 5"
0' -
9 1/
8"
4' -
0"
2' - 6"
5' - 10 5/32"
2' -
6 15
/16"
2' -
10"
2' -
11 1
/2"
2' -
3 3/
4"
1' -
3"
2' -
4 3/
16"
1' - 6"
0' - 9 1/32"
3' - 0"3' - 6 3/16"
1' -
3" 2' -
11 1
/2"
3' - 5"
1' - 0"
1' - 4 3/4"
3/8" = 1'-0"1 Restroom
3/8" = 1'-0"2 Elevation 1 - c 3/8" = 1'-0"3 Elevation 1 - d
3/8" = 1'-0"4 Elevation 2 - a 3/8" = 1'-0"5 1 - b
A7.3
1
5' -
0 11
/16"
6' -
4 3/
16"
5' - 9 7/8"
3' - 8 25/32" 5' - 2 13/32"5' - 2 19/32"
3/8" = 1'-0"1 Enlarged Workstations
3/8" = 1'-0"2 Enlarged Workspace
16' -
0"
18' -
0"
3' -
9 1/
2"
8' -
6 3/
8"
12' -
5 2
1/32
"
1' -
0"
8' -
0"
7' -
0"
1' -
0"
8' -
6 3/
8"
8' -
6 3/
8"
8' -
6 3/
8"
Glass
Masonry - Brick
Glass
13' -
5 1
/32"
16' -
0"
18' -
0"
3' -
1 9/
32"
10' -
3 3
/4"
8' -
6 3/
8"
1' -
0"
Glass
Masonry - Brick
18' -
0"
16' -
0"
3' -
1 9/
32"
10' -
3 3
/4"
8' -
6 3/
8"
12' -
5 2
1/32
"1'
- 0"
1' -
0"
8' -
6 3/
8"
8' -
6 3/
8"
Masonry - Brick
GlassGlassGlass
3/16" = 1'-0"2 Elevation 1 - b
3/16" = 1'-0"1 Elevation 1 - a
3/16" = 1'-0"3 1 - a
Translucent glass walls are used throughout the space to provide privacy aswell as offer visual connection to the rest of the space. The Head of eachdepartment is enclosed as acoustical privacy is necessary.
In comparison to the Heads, the restof the office workers are notseparated by a wall or partition inorder to increase amounts ofcollaboration.
The building's existing structure was preserved; brick walls, garagedoors, windows, and skylights. Industrial lighting fixtures were added tomaintain the same feel of the space.
The large war room in the center of the space acts as the"brain" or "core" of the space. Humorously, the table iscalled the Last Supper table paired with Wonky chairs.
Chairs arranged to spell "N00B" at the reception area.
Upper level serves as another space for collaboration.
Loopita adds a "wow" factor to the space by offering privacy to workers or another space to collaborate.
GlassGlass
Glass Glass
Furniture ScheduletnuoCkraM epyTylimaFleveL
Level 1 Steelcase Coalesse - Rocky - Seating - Five StarBase Chair
C1 5
Level 1 Steelcase Coalesse - Kart - Seating - NestingChair
C2 15
Level 1 Steelcase Coalesse - Kart - Seating - Cafe C3 8Level 1 wonky chair C4 10Level 1 letter O C5 5Level 1 letter B C6 1Level 1 Letter T C7 2Level 1 letter N C8 1Level 1 letter L C9 2Level 1 letter W C10 1Level 1 letter R C11 1Level 1 number 3 C12 2Level 1 number 1 C13 1Level 1 number 7 C14 1Level 1 angle table D1 12Level 1 L table D2 6Level 1 head desk D3 3
14Dnodda on elbat L1 leveL15Dksed noitpecer eciffo1 leveL
Level 1 loopita half L1 632Lmuidem rehtag ot
to gather large L3 2Level 1 to gather small L4 1
1CLelgna rotcennoc rehtag ot2 leveLLevel 2 to gather 3pc LC2 1
11M4atad redlohecalp12M3atad redlohecalp
counter1 M3 1Level 1 Steelcase Coalesse - Denizen - Table - Console S1 10
22Sdetide 47 aznederc tsoh1 leveLLevel 1 Steelcase Coalesse - Topo - Storage - Pedestal -
20'' WS3 5
Level 1 S4 4Level 1 Steelcase Coalesse - Topo - Storage - Pedestal
Tower - 20'' WS5 6
Level 1 S6 10Level 1 last supper T1 1Level 1 personal table T2 12Level 1 quovis table T3 6Level 1 circle table T4 2Level 1 Steelcase Coalesse - Denizen - Table - Tablet T5 1
files U1 112Uatad redlohecalp
counter U3 1fridge U4 1
Lighting Fixture ScheduleLevel Family Type Mark Count
Level 1 pollak light B1 6Level 1 Downlight -
RecessedCan
B2 14
A7.3
2
A7.3
1
3
B1 B1
B1 B1
B1 B1
B2
B2 B2
B2
B2
B2
B2 B2
B2
B2
B2B2
B2
B2
5' - 9 19/32"
5' - 9 19/32"
5' - 9 19/32"
7' - 3 27/32"
7' - 3 27/32"
7' - 3 27/32"5' - 3 1/8"
5' - 3 1/8"
1' - 2 19/32"
15' -
6"
15' -
6"
15' -
6"
15' -
6"
10' -
8 2
3/32
"
10' -
8 2
3/32
"
10' -
9 1
3/16
"
10' -
9 1
3/16
"
2' -
10 1
/4"
4' -
0"3'
- 10
1/1
6"4'
- 0"
4' -
0"3'
- 10
1/1
6"4'
- 0"
2' -
10 1
/4"
12' - 0"
3' -
0 3/
16"
3' -
0 3/
16"
6' - 2"
5' -
0 3/
16"
5' -
10 5
/16"
5' -
0 3/
16"
5' -
10 5
/16"
12' - 1 1/2"
6' - 5 1/2" 6' - 0 7/8"
4' - 6 3/16"
4' - 6 3/16" 5' -
10 5
/16"
5' -
0 3/
16"
A7.1
4
2
35
Interior finish
3/16" = 1'-0"1 Level 1Downlight - Recessed Can - 8" Incandescent 227V
Linear Track Lighting
3/16" = 1'-0"Lighting Legend
UP
A7.3
2
D1
D1 D1
D1
D1D1
D1D1D1
D1D1
D1
D2 D2
D2
D2
D2D2
D3
D3
D3
C1
C1C1
C1C2
C2
C2C2
C2
C2
C2
C2
C2
C2
C2
C2C2
C2C2
C3
C3
C3
C3
C3
C3
C3
C3
A7.3
1
3
T3
T3
T3
T3
T3
T3
S1S1
S1 S1
S1 S1
1S1S1S1S
C1
T5
S2
S2
S3
S5
S3
S3
S4
S4
S5 S5 S5S5
D4
S3S3
D5
S4S4
S6 S6
S6 S6 6S6S
T4
T4
C10
C5
C5
C7
C13 C12
C12
C14
C7
C11
C5
C9
C9
C8 C5 C5 C6
T2
T2
T2
T2
T2
T2
T2
T2T2T2
T2
T2
S6
S5S6
C4 C4 C4 C4 C4
C4C4C4C4C4
T1
L4
L3
L2
L1
L1
L1
L1
L1
L1
U1
M1 M2
M3
U2
U3 U4
3' - 9 9/16"
4' -
6 1/
32"
3' -
4"
3' - 6 1/2"
3' - 7 1/32"
3' - 6 1/8" 7' - 8 3/32"
A7.1
4
2
35
3' - 10 25/32"
4' -
10 1
5/32
"
3/16" = 1'-0"1 Furniture Plan
L3
L2
L2LC
LC2
3/16" = 1'-0"1 Mezzanine - Level 2
20
Modeled furniture from scratch
Showcased understanding of the extrusion tool, reference planes, void extrusions, align, linear and aligned dimension
Navigated Autodesk’s user interface
Understood importance of what to model and what not to model
Modeled at 1/2” = 1’ 0” scale
Revit Families
Numbers and Letters Lounge chairs.Tabisso.2’ 1.59” x 2’8.28” x 2’8.28”
3D View
Plan view
STAKS 008 with add-on.First Office.10’ x 6’6” x 2’6” overall
Custom Reception Desk.~6’5” x 6’5 23/32” overall
Loopita.Kerozene Design.25’10” x 12’
3D View
Plan view
PortfolioAngeline Yang 2010 - 2012
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