m110dy maker...thad jones and mel lewis, pictured ot ronnie scott'• 8 snd 9. new jazz club...
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,1M110dy · Maker
SlPTEMBtR 6, 1969
BOB DY[AN AT THE ISLE OF WIGHT. The MM's Chris Welch and Tony Wilson spent four days with Dylan and his followers. Read all about the historic happening on centre pages.
ls weekly
Jones -Lewis big band special-page 8
One appearance COUNTRY JOE and the Fish,
the American rock band who feature political commentary in their act, are to visit Britain later this month.
Led by Country Joe McDonald, the group will make one appearance at London's Royal A lbert Hall on September 22. They will be the only act appearing.
This appearance comes at the end of a continental tour and will be their third v isit to Britain . Tha concert has been arranged by the Harold Davison agency .
No t elevision or radio appearances are to be arranged.
Stones may quit Decca
SHOCK news of the week Js the report that the Rolling Stones - who ha.1,e
been with Decca Records siDct 1964 -may go independent.
A reorganisa.U011 of the St.ones• business lnteril6ls by Allen KJei.n - U.S. fiaandaJ adviser who handles their affairs - m.igh1 involve the setllng up of, an indepeodmt recording company wJlhue the next ll months.
Decca's contract w:11.h the Stones eods in May. Sir Edwan! Lewis, chairman of Dec,a, told the Melody Ma~er. "We do not usually discuss tm- affairs of our clients, or contracts. But there- is a Iona; time to go yet."
Meanv;hlle. Deica a.re to release an album ol the RoUlog Stones p&st hits duril>& September. TIU., of the LP ls "ThrouJb The Pas~ Darkly (Big lilts Vol. 2)."
It will include thdr current hit. .. Hook"· Tonk Woman," as well as •• Ruby Tu.es-day," " Ju.mpi.n• Jac.k FYsh;' •• Pa.int lt Black ., " Street Flg.htini 1\1•n." .. Ha\ eYou 'Seen Your Mot.her Baby." .. LS,.-. Spend The Night Toget.ber," "2000 Light Ye~rs From Home." •• Mollwrs Llttlr Helper.''"' She's A Rainbow"' ar,d .. Oand\'liClnU
1 (1) IN THE YEAR 2525 Zager and Evans. RCA 2 (6) TOO BUSY THINKING ABOUT MY BABY
M arvin Gaye, Tamla Motown 3 (4) SAVED BY THE BELL Robin Gibb, Polydor 4 (2) HO:IIKY TONK WOMAN Rolling Stones, Decca 5 (3) MY CHERIE AMOUR Stevie Wonder, Tamla Motown 6 (7) VIVA BOBBY JOE . . . . .. , Equal s. President 7 (14) BAD MOON RISING . Creedence Clearwater Revival, Liberty 8 (11) DON'T FORGET TO REMEMBER Bee Gees, Polydor 9 (16 NATURAL BORN BUGIE Humblo Pie, Immediate
10 (8 ) EARLY IN THE MORNING Vanity Fare, Page One 11 (5) MAKE ME AN ISLAND . Joe Dolan. Pye 12 (10) CURLY . Move, Regal Zonophone 13 (18) JE rAIME MOI NON PLUS
Jane Birk in and Serge Gainsbourg, Fontana 14 , 21) GOOD MORNING STARSHINE .. . Oliver, CBS 15 (9 ) CONVERSATIONS , . .. .. . . . Cilia Black , Parlophone 16 ( 15) BRINGING ON BACK THE GOOD TIMES ...... Love Affair, CBS 17 (1 2) GOODNIGHT MIDNIGHT ............ Clodagh Rodgers, RCA 18 ( 28) CLOUD NINE .. . ... .. Temptations, Tamla Motown 19 (1 9) WET DREAM ...... Max Romeo, Unity 20 ( 17) IN THE GHETTO .. Elvis Presley, RCA 21 ( 22 ) SI TU DOIS PARTIR . ... .. Fairport Convention. Island 22 ( 13 ) GIVE PEACE A CHANCE .. .. ..... Plastic Ono Band, Apple 23 (25) l'M A BETTER MAN . . .. .. .. Engelbert Humperdinck, Decca 24 (27) WHEN TWO WORLDS COLLIDE .... ... .. Jim Reeves. RCA 25 ( - ) SOUL DEEP .. ... . Box Tops. Bell 26 (20 ) I CAN SING A RAINBOW/LOVE IS BLUE Dells, Chess 27 (- ) I'll NEVER FALL IN LOVE AGAIN .. . Bobbie Gentry, Capitol 28 ( - ) MARRAKESH EXPRESS . Crosby, Stills and Nash, Atlantic 29 ( - ) BIRTH .... ... ... .... . Peddlers, CBS JO (- ) TEARS WON'T WASH AWAY THESE HEARTACHES
Ken Dodd, Columbia
POP 30 PUBLISHERS
1 hM:o. 2 Job.we 'C.rt,n. 3 S•har111. 4 M1r11g• S Jobet• C.rl I' S Gr•nt 1 Burhngto". 8 Ab1g••I.
~c,t• 10 Lou•ry 11 $hahNbury. 12 Euea M -S:- t .. ,.,,_,.'10,,•I 13 Str. • P1ro B af'\SIIHI. 14 u ... _, Art 1 1S c-kn,,,y 18 Jo• ,d Mu1,c;
u.s. top ten l (1 ~KY TOMC W OMEN
R, ' ,nv Stone,. London 2 f 2 A 80Y NAMED SUE
Joh"'"J' cash. Cohimb•• 3~ SUGAR SUGAR Th• Arc:tues. Celendlf
t, GAE.Sf fl/VEIi Cl'Md9"'C• Cl ,...,,,1,· Rev,v1I. F• nt• IV
, I.ET S GIT TOGETHER Yov""1blood. RCA
top twenty albums 1 11 ..,TA.ND UP Je1hrt1 Tull. l111nd 2 FROM ELVIS IN Pw!EMPHIS
fh,11 Pt111ley. RCA. ( 2l 1001 Soundtr1ct.. MGM ,, kAUI London Caal Polydor 6 ACCOfllOl,.G TO MY HEART
J,m R"ves RCA 61 OLI\IER S0<1nd1.-.cll. RCA 91 BEST Of CUFF Cl ft R1ch.,d. Columb••
: : ) ~=•:"~;e;~~~;;~~s ~°o"r!~~~=•· ~!~~ 10 ( '2, A HEAD fUNG Ol/T B1odwyn P,g Island 11 I FLAMING STAii fiv,s Prul•y RCA
6 (C) PUT A LITTLE LOVE IN YOUR HEART Jack11 0• Sh1nnon. lmper11/
7 (91 LAY LADY LAY Bob Oyl1n. Columb11 I (13) EASY TO BE HARD
9 jS) S WEET CAROLIJ:rH ~~?1 tt.~~On~uuh~III 10 { 4) l ' U NEVER FALL IN LOVE AGAIN
Tom Jon•s Purol
ncn
NEW album from the
Monkees ''HEAD''
SF/RD 8051
The original soundtrack recording from their latest film.
ELVIS FILM-IT'S NEGOTIATIONS involving the British showinr of the longawaited bvis Presley TV spectacular are now back to square one!
For the past eight weeks, NBC • TV International had been nego· tiating with the BBC and ITV for the British screening of the all-colour spectacular, already exclusively previewed by the MM.
BACK TO SQUARE ONE
Now, NEC-TV executive Peter Marriott reveals that the selling rights have reverted to Singer Sewing Machines Ltd., the company which orig inally sponsored the Elvis show in the States
Singer's have appointed the Stateside fi rm of Katz, Mosel! and Shi re to handle the fi lm in Britain, a nd Mr. Jack Ka tz is due in Bri tain nex t week to re-open negot iations for the British TV screening.
Comments Todd Slaughter, sec retary of the Elvis Presley Fan Club: "This is a bit or e hitch. It means that the whole business has to be sta rted a ll over agaln. But we a re hopeful the fi lm w ill be shown here."
The Elvis spectacula r was networked in t he Sta tes just before Chri stmas lest year.
The RCA record ing from t he TV show has a lready been a best-se ll er in Brita in.
ORCHESTRA TOUR
PRESLEY networked in U.S.
band or mus icians should auracl the atten tion of lhe Americans."
LULU IN ALABAMA LULU, WHO flew to Al_aba!""• to record last week, is in line for another major TV series in the New Year
She plays a week at the Broadway Cl ub, Sailsworth, Manchester, from September 7, prior to opening at the Flami ngo, Las Vegas, on the 18th
MATT BREAKS RECORD
HARMONY GRASS DATE HAR!\1ONY GRASS. "_ho bad 8
bis hit earher this )-e:ar with " Mo,•e In A UttleCloser start • cOIISl·lO-C0aSl tour of Canada next week
The group leave for Canada on September 15 . and open their ten day tour m Toron10
CAROL'S TV DATE AMERICAN J AZZ smser carol Sloane, who re-cenll.>· made a big hit It Ronnie Scott's Club, 1~ to m:ue a telev1sk>n appearance in the first of the new YorkshireTelev1sion serie.5 Sez Les which suirs r-omedian Les Dawson and the Sid l..awt't'nC'e Orchesrra
The programme will ~ televised on Wednesday next (10) and olhtt e.uesu m the urles are \1a) nard Ferauson (Sept 17), Dakota Staton (Oct 8), Salena Jones (Nov 5) and Franroiu Hard) (No, 19).
BlN E. KING SIGNS AMERICAN STAR Ben E. Kin& has been signed for four dates at B1rminaham·s latest night spot Rehetta's on October 16 and 30 and Novembt-r 6 and 11
THE BIRM ING HAM-bosed J ohnny Lombe Glen n Mi ller Orchest ra, heard recently 1n the J immy Young S how and other Radio One prog rummes. Is in line for a n Amer ican tour o n .a reci procal exchange
GLOBETROTTER Matt Monro is this week singing 1n the Ph ilippines, where three years ago he broke Nat ,-----------1
a,~:m~i~le~ii r:~!st~-;erlcan
·• King" Cole's attendance record in t.he vast Arant• Coliseum by attracting 27,000
P~~~t or:v::~h tgr ~~e "Jt~1:. Enquiries have been received from the Glenn Mill er Estate in America about a visit to the States by the Lambe band - the first American tour by II British big band lo be arranged since Ted Heath and h,s Music was at its peak
Said Johnny Lambe·
pines from Hong Kong. when• he had been talki ng business. and in mid-September he goes on to the Che\•ron Hotel, m Me lbourne, Australia. for a two-week stay.
This i5 followed by a oneweek stop in Adelaide and a TV show in Sydne)', and he 1s the.n due to return home via Los Angeles and New York, doing American TV dale!li on
" EveryU11ng depends on the negotiations, of course, but it 1s fa ntastic news. I thi nk 1L's wonderful that a Birm ingham the way
FILM
JULIE
FOR JULIE J ULI E FELIX on Monday star ted work rm 1.1 fi lm ror Pathe Pictu res in whirh she sings and a.lso commeres The film is being shot 1n Malta. Cyprus and Gth ra har.
She start a new series in colour-thi!l time on BBC-I TV~n February 9 There will be seven shows, in which will featu re several guest st&r!ii, maml-v rrom America
Julie sta r ts a series of concerts in December Dates include Croydon (De• rember 7), Belro.st (27), London (30), Bristol (January 23). Brighton (2•), O>.ford (25), Manchester (30), Liverpool (31), Birmingham February 2), Sheffield (7) and Newcast le (I •).
BREAD LOVE and DREAMS THE NEW FOLK
0 SKL 5008 0 LK 5008
12· Storeo or Mono LP li•Hii:11 TNIO~ . Ft .. v-,1Cr,n< "" l r,,i t•d • ••--•--t)~;a H,,., .. .A lti-1• l ~ b• nli:1"1111'"' LQ114M S ( I
REGGAE . HOT 20
l1ll! "" wmwm 1 121
2 (J )
3 (1)
4 1• 1
5 (4)
6 1a1
7 ( S )
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10 171
11 (1 0 )
\2 111)
U ( 11)
14 1121
15 t-1
'6 f'41
17 1171
U (20)
1t 1- 1
HOW LONG WILL IT TAKE Pot "-~i.., G"5-11S
WHAT AM I TO DO lOl>y $.ott !"SCOU
WET DREAM MG• •- ft'Gl -Sil? IF IT DON'T WORK OUT 1"01 IC.liav GAS- 12S SEND ME SOME LOVING Den, · Morgi:s,- CIA.t-l,
MY WHOLE WORLD 15 FALLING DOWN .,., !'oner t.A11ll0() ,
PEYTON PLACE o-id i..• UNIT-'-Slf IAFF IOOM n,. r- " CtAI 16 JUST ONCE IN MY Lin -·. Teddy cue-11 SUP AWAY s, . .,. s.,,,,t, UN!T'T-5:20
THROW ME CORN 'W utoriSl-.t,,- IU.\.fl-:i99 WANTED l,;,,bat>w ~111 SOMEBODY TO LOVE SI,,.. >'"Jh UNITI'-51 S
MAN ON MOON o.,,. l "-'"'.,_. CIA. lO
HAILES SELAISE/ BLUES DANCE lot.,,•I "'''-t'I NI If ,U -4,Y2
HOLD DOWN n,.. 1 •1'\> ':to, CR.U lt SAY• THE LAST DANCl lo ,,1 A,1~ .. NU tU,T "'
SOCK IT TO Ml SOUL BROTHER • " '"-'trM '" TOO PROUD TO BEG , ... u -A.!, 1•
20 I 191 TOO EXPERIENCf
' PAMA RECORDS
•
,.,er. .... ,.- ... ~kW.10 -· .,.,.,nu,,.,.
TITUS GROAN I "You a,. going to be '° t,;g ;,-. friglil- - .... only go1 thort 1191 · ·
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AO\ffl • r.t
FIFTH COLU'91k PLUS TWo
•
CHARLES, BUDDY RICH, SC R PETERSON DUE SOON
Thad Jones and Mel Lewis, pictured ot Ronnie Scott'• 8 snd 9.
NEW JAZZ CLUB FOR LONDON
JAZZ NEWS '
Scott to compere big band battle
MIKE WESTBROOK And John Jnc.k arc opening thclr own \Vest l:.nd
ja.u club to ,:l\"t- the band 11
London base,.. The club, caUNI lht.> Crucible. will M open on frklav anc1 Saturday nights front ~ptrmbrr 12 nnd will opc.rotr 111 6u 'ew Compton . trttt, Soho-onc:c the home or the l>ella
~~~~-~! ::s~ :~nuro~ ~:1:~t:c::
1.y . ~ 'I A • , - .
I
cu;s O\1.'NER RONNIE SCOTT. who pla) s tenor sax m the Kenn:, ClarkeFraney Boland Big Band. will be introducintt a series of band battle concerts on the Conllnent oo.:er the next week.
Fast ol lhe battles reatures Ult Clarke-Boh..nd band. Thad Jonn-Mel Le.wis o.n-hestra and Kun Edelhagen's band, and Lakes pla~ at the Concert Hall, CoJoKM" on Sonda)', Sept.ernbtr 7.
T'tf'O days later, tn Rotterdam, thett will be. anot her tJutt.band concert with the Bo)· Edp.r band in pl.Ice of Edelhar;vt.. Aft"r that, the Jone-s-1.ewis on:Msua and CBBB ~pge in suai~ht duel in Basie (Septem?>ff 11) and Frankfurt (13). Ronnie Scott is to MC all th~ eve:n&.s. - in English.
'The Clarte-BolAnd band
HERB ALPERT and his Tijuana Brass will climax their forthcominJ!. tour of Europe with a concert at London·s Royal Festival Hall on No-.,ember I•
Alpert's tour will last ten da}t, start,n,: in \11enn1 on
·;rvember 4 and will cont,nu..- t1'trou,th Munit'1't (5!, Harnburs: (6). Frankfort (7 , Ess~n (kJ, The Haaue (9 • _:r.,penM,ten 02) and Stockholm (13) befor-t ""inding up 1n London
Th s trip folk>v.s Alpert's 14-day coast-t~coasl tour or America.
Natalie Wood ""'II be the i;pecuil gue~I star "" Alpert's Uurd TV s~ctacular, titled "The Brus Are Comin&," wh1c-h will be sccttned in Ame-r-11:a on Octobc-r 29 No details of a possible Bntish
·tte,nng are yet fixed
v.111 he making its return visit to Ronnie Scott's Club on Octobe.r 6, when 1t starts • thrtt-wttk season.
On MC'lnday, tht: Elvin
~~:r rr:s'e ~~1t:!~ J~
Farnll (tttds), began a fort -
~;::c~Th~ng~~:;:'l sh:~ ~= bill with Elvin's trio.
PENTANGLE TOUR PENTA, GLE stan a nationwide solo concert tour at London's Royal Alben Hall next month. The tour takes 1n 13 cities and ends
ovember I at ewcastle
.. &~n1:;ur~,.~~heforku~st a~~ record another Peter Sarstedt show on September 9 for transmission on ovember 30
Oates set for the tour include Glasgow (Septembf'r 10), Edinburgh (II). Leeds (14), Bnghton (17), Manches• ter (18), Bnstol (19), Leicester (24), Harrogate (25), Ports• mouth (26), York (28), Birmingham (29) and Newcastle (Nov<":mber 1). The aroup's new album l$ to be lilied
12 and IS wUI be by tho £ult W('Slbrook Concert Ba.nd. Thr follo,, Ing londlly (15), l\1Ikt' opens ,,1t1, his Sextet for tour da1s o.t Ronnie Sc:olfs Up~lalrs Room.
'fR~h!:~~11 pl~h:~~~~ ish cJub datl's tollowlng his appearance at Jau. E.-.:po '69 In l11t~ Oc.tob4:!r, The tirst or the club dates wlll be Osterley Jazz Club on Octobc.r 31 o.nd f\Jrther dates arc being negolloled.
BBC Jazz Club on ep, u~mber 20 futures
"Boss Baritones" with the Joe Temperley Quartet, Ronnie Ross <',let and John Surman with the Swiss Radio Orchestr3.
T"fau !!!~~.t~n \~~~~ Us annual meeting on un• day afternoon (S('ptembc.!r
7) at Landon's huqm-c, Club. udltlon {or the Na• tlonnl VouU1 JR.LL Ort:hr"'• tra will lK' lnc:htded amt the Ott:hl' Ira ls l}DrllCU· larl).t fnterc IC'.'d In trun,p("I
~~j-~~ n:a1cbn~l11~t~.11·r~~l~ NYJ hnr • conttn •t Lo I\ d o n's lntcrnatlo1111I sru~nts· llon1t un S<'p• trmber 19.
QRNl::TT · uleman h•"
Jmp:I~ 1ou
1:S'" .. t~r,rn\1~:; The Moon •• \\ hlcl, com• bin rock rhythm with t"lcctronk mu~k - crnll
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1"ll~tl~!~RIQ~~~·laJo~,~· ,u•ckl Ja.u ,-\pprt.-rhHh.,11 da-.: !'I rtt(lnUn\"IIC<' on Sepll'mN'r :.!6 Dl I .amlu.1..., ~~- Pnrk \dult lduollun
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Patte 4-MELODY MAKER ' Seplcmher 6, 1969
Sl ARlS HElPING YOU DO BEllER BUSINESS ON SEPTEMBER 18
ORGAN SPECIAL INSIDE
BUDGET
Dedicated to for all Record Retailers. Music Instrument Dealers. Record companies Producers, Music publishers. Disc Jockeys. Booking Agencies, Promotion and PR Organizations, Artist Managers, Tour Promoters,
Recording Studios. It you're in the music industry,
'reliable, well informed' Dedicated to Better Business for all
Record Retailers, Music Instrument Dealers, Record Companies. Producers, Music Publishers, Disc Jockeys, Booking Agencies, Promotion and PR Organizations, Artist Managers, Tour Promoters, Recording Studios. If you're in the music industry, you know it's always on the go. Profitable-but unpredictable. Tough to keep up with. You've probably wondered why there isn't a paper that really involves itself in the busiQeSS end of this huge musicleisure market. A paper that supplies
·· · ~ ,,. v,r" · formed news ,k
you informed news an analyses of trends . One that tackles problems facing all aspe'cts of the trade, takes a stand on controversies. A paper that you could reallY use. Well, at last, there is one. Music Business Weekly. When you get your hands on the first issue, you'll wonder hoW you got along without it you know it's a1waYs on the go.
Profitable- but unpredictable. Tough to keep up with . You· ve probably wondered whY there isn't a paper that really involves ,tselt in the business end of this huge music-leisure
. market. A paper that supplies
H /\Vr. IT DELIVERED TO yoUR OfFICE EACH WEEK FILL oUT THE couPON AND MAIL IT IN - yOU CAN LEAVE THE RESTTO us. .
Sub_scription Manager , Music Business Weekly, 30 -39 Bowling Green Lane London ECi . Please have copies of MBW delivered to the address below everv week starting Sept. 20.
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NAME(S) POSITION COMPANY
ADDRESS
Obscurity to the top
•
-In just two months THE ZAGER & EVANS SUCCESS STORY JUST TWO short months ago Denny Zager
and Rick Evans were in debt. They'd borrowed money to record a five-year-old song they included in their act at a small Lincoln night club in America's Mid-West.
Th,ll five-year-old song has now sold nearly two million copies, has topped the American charts and 1s at the number one spot in the MM ZAGER & EVANS: borrowed money to record a five year old song chart. And from that r--------;:::;;:;:i;::;;;;:;:;:;;;:,;:;:;;;::;::;::::;:;:;:;::;;;,;::::;;;::--small night c lub t hcy've moved on to concerts. in front of 25,000 people.
ROYSTON .ELDRiDGf . .~ .::~. ~ ~
Session "1l was a springboard to
a nal ion and then to the whole world . The way things are happening for us, is unbelievable. H's something you might read out of a fairytale oook." said Denny Zager in a break between takes at a Chi cago recording session.
• We've just got throu~h a concert in M1lwauk~. 1t was our first one and aclUally we were pretty scared Rick came down with laryngitis and we onlv did 25 minutes instead or 45 but 1t worked out okay I'd heard thal '2525' had ,tot mto your top ten but number one we're really thrilled .. I think we'll bt' back m Bntam b), tht e-nd or th~ \ll>ar and I'd 1mag1ne we'd be domg some concert appea ranct"s
• Righi now we're m
C h i ca go recording. We're not living in Lincoln anymore. we've moved to New York City which is convenient for us as most of our work will be in recording and television
Studios "We move backwards
and rorwards from New York to the studios here. We've got a rew television spots to do although we mighl wait and do an hour long special. II feels pretty good to get out and be able to move around arter staymg m one place for such a long time We can go to a lot of places and people don't recognisP us"
Success for Zager and Evans came very much overnight Were they expecting 1t?
"Jt didn'I really surprise us once it got to be a
hit in Lincoln. We didn't really rea lise how quickly it was happening in the other States. By the time it was released in England we felt pretty sure of it as a Jot or American music goes well in Britain as a matter of course."
Normal RCA have released the
duo's first album "In The Year 2525" in the States already and it is being rush released in Bntam.
"The album is moving pretty well over here and should move up again this week. Rick's been writing quite a bit more lately and everything's progres5ing at normal speed although we're doing a lot of personal appearances so we don't have as much time as berore.
"~~:~e~e;;;:, r~~rd~niih~
NEXT WEEK
CARL WAYNE
OF THE
MOVE IN
BLIND DATE NEXT WEEK
use as a follow up to · 2525.' We're in the studio at the moment doing some rhythm track5, we'll be adding the horns and the voices later. •
" We might take a track off the album but it's likely that we'll release a song called
~;t1~~~~~• d!~~ ::w;
fast so we might have time to do a couple more tracks
" 'Crutches' is a n up-tempo number, more or less like '2525,' with plenty
~,::i:~o~~ ~\e;~~t;~~ people ond the crutches
they lean on in life. We're going to keep the ly ric., as st rong as possible. I'm su re the public won't be dis• appointed from that point of view.
"The music is quite a bit like • 2525 ' but the melody l5 completely different. Rick's style of writing is very varied - from love ballads to
Star Gr Sound Ci
. ~~ •. ;~
'~ -~ plification
W11nw r1ghts linn1lem1n Dinny Laine St ung Bind Chm lemb & Thi U111verul1 Liverpool Sc,nn M,ohly Beby The Nu1 Clrnno• Jun1on,Ev1~ Th• otletk 32-20 Hlut11 Band Dn110 On Oozy Mick & Trlch M11c/1 Mttthi!II The love Alhir The Spr.clrum The Nu;e Th11 HT Chr1~ Fn1low•&Th, Thundeib11d~
Jof! E Young •nd The lo111cs R,ch Grrrnes & B.ibylon
J11111 Hon.dllJ. E111t11t1'1Cc TheH,11 d Blo$SOm TIM's The Ep1$ode S1• Tht The Who O.v•Deeetc Th,, Acllon Gl,ns Mtn.1q1111r Thi! fcll.'ct100 The Lid leppl!hn Oms fwlowe Juniou M1rm1lo1dc The S111us Duo Avnslcy Eyn Jon H1541m10 s CollnHum The! Ounhill Rr.tnh,1tmn Tht- Kuh 111d 801110 Do!] Band ln111e Smm N,1100 rn•ny 11lht1 qroup, Pu,11 Mt!d1tmf Thn Pl~sl!c Pr1w1y 11.r<! 1~, ,,,,,._,, H,111 ,1,, "' 1~, '11111.1 Tlw Rovf!IIIIOf filHl)(ll! Cunv~11!1LW1 S1rnom ,,,, , . .it~, J.t.n1\ Jt,iilin ,.,.,,,
h r• f
things like '2525 • but they all have aomething to say. They'renot just chches that rhyme."
The 500 dollars that Denny and Rick bor• rowed have now been returned. And the friend who gave them the money now looks after their business affairs
"We know about the music but we're not so good with the investments," said Denny before returning to the studio.
_J
Paair 6--MfLODY MAKfR. Seplember 6, 1969
Adventurous Elvin THE Thad Joncs-111•1 Lewis 80.nd
h,,s sm.ished a ll box ~n,c~ records at London 's Ronnie Scot
Club. . 'd , 1 · v Over their six d ;1y.i,; resr t' 1 c..: J
Jff f RAVfRl~.
Grateful Dead WS 1790
play lng " Burgund)' St"al " Ka n Co lllar singing •• Old Roc'11 . ln9 Chair" a n d Al•• Wa l1h'1
., ~ ::•rt,°.'"'J l~er_~I• marquH Inside lh• cavarnou, Corn I•· ch a ng • (wr ongly nam • d ro r th is FH llva t) g ave Iha outdoor a l mMph ara w ithout tha n•" ror umbn llas_ Nelthar bH r n or foo d r un out A m a rv e llous:,,
rr:b~:'! r!~'n!! fh ~'i~.c~;:va:~-.,d lll!ad or trombon is t w ith tha Savny Jaum en) a arry Pa lur c.o mpare d 1me-o01ly a bly H· l isted by T•r ry 0 H h
Oh YH, a n d lhe ra was no naked da nce r . - LSS PA&£.
HUNGARIAN FOLK QO TO London'• Fu-th, a l Ha ll
b4 fo re Seplt"rt'lbar 13 a n d calch th a Hungaria n Stahl Fo ll! Ense mble - usll y th o most Important folk Im port from Eu rop e alnca ns• w hon thoy wor e pnvl ou s ly In Lon do n. Miklos Aa ba , t he a nn m b la's d lnc1or, ba tt• r th a n m ost p.opla oper a Ung w llh ovar a hundrad p• rrormars, has so lvad
~: , r:ob~~-:;• oJa ~ca1ns l~! lng
1:::
wllhot.tl balng lns urJora bly stagey Th • fre s hn ess of p • r • form a n ce ls he lped mlghtlly by vibra nt musk and catchy m e• lodlu. Th• ~pectacla Is help ed by mast erly choreography a nd
~o;:~:u11~~-F:f •~~~,'P.'e~ou~ reprenntatlon of Hunga.r lan wadd hg cu1loms - rlv111J anything put on In th • WIii • nd ror years . - ERIC WINTER.
SALENA JONES JAZZ al this yur' 1 Edlnburah
Futlval begins and 1 nd1 with S11lena JonH ! Installed In the Harlaquln llloom, Prine• , Street, ror th• Festival's- entire three-w •• k run, she Is proving .. n-• r to Pllt1"Kt "an In a Jan slng • r , u one Is llkely to flnd In Britain!
She looked super-<onfldent wHh her baaullfull:,-~llored 45• minute act, cramm ed with Im• peccabla ta 1t1 and first-rate material. To lhls critic she WH singing ton•tlmu bethr th11n • Y••r ago In the wme room -and she drew nv1 not ices lh1n !
It wa s a ll enhanced by th e sound sys tem sh• had brought with her, th e hlghllght bei ng an adventurous tn:iatment of " Yu•
l• rday I Hea,d the R.llln " Ftom now on tha Tony lhnnett v1r1lon IJ HC.Ond-bu l wllh m al MIH Jones, WI ara glad 10 h•v• )IOU aboard thl, •tharwlH j&:u:-1lan,1d roundabo11t J OH N C IH ON
DOCTOR K FIYli young music.Ian, bring .
ln11 back m • morlu of lh• • arty " Stonis ." That's Ula lm p raulo n th e a udl1nce galn 1d a ttar a nna p1rform11nc1 by Doctor K's • a nd at th1 Fish• mon1 or '1 Arm,, Wood Cretin , on Tu• sd"Y
Ceoff krlvtt (l•• d 1 ultar ), J eff Aong ar (bau gulta,) , J on Allan
~~; uHf!ir :::::: .:0
~oc:!r.1•::J
ha r' onlca enlortaln • d u,rouah • " "' two U ffllnu t• His w ith bfu~:e,': h;~n~~l, from raw
Tha F,..ddla king n u mber
~a':k~nl, I ~:c':lva:' b~rs ~no~H : ; pop ular as ·• • rln1 It On Homa" which wu raqu • s tad 11va,al tl m n .
Th is llves:o me pl11yl n11 on their hom1 ground of North London ru lly la t loose on lhalr c~; ... c.omposlllon " Loving
Hlghllght o f lh elr IICl was " Country Boy, " composed a n d arra ng ed by th e group , - PET& BROWN.
BREAD, LOVE BA• AD, Love and Ora.ams, a
new Scots trio whe ha ve produced an Intriguing mus lu l
:n'.J•:ru~,~fsh~•!~•d ~==• cf:/7!~ n ight •udlenCH ., l!dlnburgh's Tr-ava rn Theatr• rec.anlly Just
~~:.l'~~ •::c1~11"J. •~:~f~~
progranlva scene. They usad tha fr own mala r ia!
for most of the w11y - on e or
:.':.!11:;c-:i~loo",1
th~•l~~11!:• " ~r. Shook Up,'' whlcti w•• all 11nt up by Dllv• McNlv• "
There w•s more humour In
~.h:..1:a~~re~~ ,~ha•ngdro'(r ~~ o::. :.nelh~r:vi~t b~~~ :: ':~
1~~.::;
~•:~m:0;!';· s~•lv~~'¥,'" an:'•.~•~
:rti: )'~~",¥ a~h~~~,1::•;~t al~tnd~ once or vlvldly lmaaln11tlv1 lyrics. - ALISTAIR CLARK
well over , 000 paying customers were jam~~d in and. on every night t>xccpt Tuesday, they W<'~~ hJving to turn people away at t e
doors. .. F nta'-S!lid the club's Pelt' King: 8 ;,:
lie - 1hc bts( c,·er tn ffi;lr um yNI 10 ~1story ." Jones and Lewis pu~~ious u_,,·l"rnl hundrt d more than the P Cl rkt•· tto rd holdtrs, the Kenny 8
Francy Boland Big Band L • And on Thursday night J s ew1s akme their were 125 one -musicians ,n the audience.
One guy w ho probably
d idn't enJOy the band - d b k the man who rang the b n rea s club to nsk if the Trad a Jones-George Lewis Band was still there.
Graham Bond swears he d aud1t1oned B tenor player all recor s this w eek who, after a couple of weird numbe rs, said '. " You'll have to tell me what key we a re m -r'm tone deaf"
Rosko to open his own London club .. Lulu 's brother, 18-year-old BIii Lowrey has record~ a song called "Rosol ma" with Maurice Gibb . . . Roy Ha rper recorded live a lbum at Les Cousins !:1st week .
Jigsaw's tenor sax1st Tony Brfttnell taken to hosp i tal a fter his face got burned dur ing his fireea ting act m Leicester lost week .. . .. Casuals' nex t single to be produced by Move's Roy W ood
Thought it was Benny HIii on Top or The Pops for a minu te there. Turned ou t to be Tommy Roe ... Keith Tlppe.lt keeping up
~~~nko/n':1 c~~"\~~w
1nm
8tt~ tOO Club.
Jody Grind challenge nllcomers to the Great Roadies Race. The ru les? The fi rst band to load up
the ir equipment in Park Lone, race to Hampstead Cou ntry Club. set up and begin to play, wms.
Messa~c for Chris Welch from a Mr R_on Watts: "This is the Id iot Da ncer speaking. I train on Newcastle Brown Ale nnd, In 1967, set the world Hokey-Cokey Record nonstop by Brit_ish Ra il from SloLJgh Trading EsLa le to Pans and back in ,l8j hours O
Bonzo Viv Stanshall enjoyed Ens t Of Eden's set al the Speakeasy so much he p0u red beer down Legs Larry's t rouser leg ... Orange a mps to be used a t Duke of Edinburgh charity show at Empi re Pool - and th us
~~dli~r 0!0r.pc~i~t~en't ~~ t he Duke Of Ed inburgh."
U .S. bassist -a rrnnger-
~lffa';er i ~ 1lo~d~nd
la~~
week Happening or thf week: public ist Kellh Goodwin ~rinking tomato juice des pite offers or a pin t.
No tru th in the rumours tha t the Foulk Brothen are ninnmg a Bntsah Fes t iva l next .Y Mr and running trips from the Isle O( Wight . ThlS Year's Tower.sey Folk Ftst1\l l l a huge success, _particularl) lhe son-et- lum1ere.
Quote of the year. Mu Jones w ith drink in hind a nd surrounded by star American ~ zzmen· "l"m
;g~ i°,;i! ~ .. i~ ~~s~'~;r lam femal e publicist would stop writing 1bou1 " the bluse " in handouts
Tony Oxley must send to Jama ica for 11/ thON incredible shirt s. • T hought for rhe week. Perhaps the MM's phones wil I have time to cool off now the hlW Fest ival 11 fi na ll y over
The heavy sound
~@ Warner/Reprise
Neil Young RSLP 6349
Neil Young RSLP 6317
MELODY MAKER, Sep!tmbtr 0, 1969-P•&• 7
- . - .. -um with
john marshal!- harrybeckett -dick heckstall -smith -jon hiseman-henry lowther
felix pappalardi -chris spedding -art theman · words by pete brown
PEOPLE IN and around 1azz have been talking •bout the Jonas BoysHank, Thad and Elvin. in
order of seniority - for a long while now And since the end of '65. when the Jones•lew1s Jazz Orchestra first saw the hght of dey, Thad has become a good deal better known than ever before in his three decades of playing
This band, started as a sideline, has made a real impact on the Jazz world -because 11 sounds good, fresh . stylish in the most subtle of ways. and because 1t 1,1.,nds for something most successful jazz musicians dream cibout a k1cks band wh,ch doesn'1 have to compromise but which can reach the pubhc
THAD JONES: ' the greatest event in my life so far •
Ne1lhl'r ll'.1i.Jl'r ~u1utests thal apri\/llu,..- l!!i ummpurrnnt, and m•• t of tht" band members l'v(' talkc-d ta a,tree about ·• lhr- C(lmmumcatiun lhmg." And Thad emphttsi!lf'd more-1h11n nn<'9 that pl1~·lng without • dirc:tt audience responn
lnr this rea!.on, no doubt, Th.1d doe1-n·1 tore for lhe df' tnption ·• rf"heaual band." Whrn thf'} concf'1ved the Idea or "" 0tto~u .. ,nttl band. made up c>f Ne'" York session mus1ciam, whn needed a jazz. QUl),:t. tht'}' may hdVe had 1ha1 kmd of fm11~e In mind Bul lhl' ffl(lffif.'nl II became a reahl.} both leaders we re lonk1n1: for • place tn plB'.\' In publlt
Kicks band that doesn't have
.. For us. reallv, it couldn't be a ~hursal band," I was told by Thad ·• There's no fun 1n that We wanted to expres., our particular ideas on mu~1c, of course, hut part
to compromise ol that u concerned '"ith prcsenllnc 11
pe;:p1:.u th~~,v~e ':u~:: c/~ Obviously. from this, Thad like no one can, and keep It mu..,ictan He need,- the and the others enjoy the Jan. When he decided on a tempo p~plr; th.n's th« way it 15, Orchestra And look at Thad It was right there It never an.1 always has bern In music in animated action On sta1e varies, and it always swings
.. There-·• an jnterchange - directinc nuances of sound This Basie must have 11 bel.\-'ietn performer and .au• with gestu~s. wor:d&, &fl· metronome In his head. I've dicnce th.it ran·t be- denied, mace~ and a splendid reper- never seen a nyone like him that'• """" ard1ng to the mus!· tolre of movements like since-c lan - e-uent131 almost karate- chops - is to see _a "I was In that orchestra Co mmun1c.,111on the whole man living big-band musi c for nine- years. and some or bit we bellt\'e 1n that, :and so and loving ll. the most pleasant moments or far we'vt- t>ttn fortunately A lot or subjects seem to my ure were spent there ahle tc1 communicate our give Thad Jones pleasure Even so, this band of ours is fethnl'S mu!lically tn a l[reat BuJe is one- <'r them. the greatest event in my life m any p~ph: " "That man can set a tempo so rar ·• _ _;_;_;_ _____ ===--=======~ Dy 1t.s very nature, the
FINGER STYLE GUITARS w ith the CLASSIC TOUCH
Sc.,ld t.,y .11 ledd1nq Mu~ICd! !n~tr,,m> nt o~.i\tr,
thrnu9tioul Gt Br1t<im
Jones-Lewis ensemble Is a part-time activrty for all thf' men In it If it should gel too
Big band veteran DANNY MOORE. the Lrumpe• rer who d1spla)'5 h1" crock!lnl[
~!o ;:~~~ ~~'JY II nr~:~1t1~~ upe-rif'OC't which be-llt:J hill
vnr~h~~~I ag~~~r:."~ hn comu from a IHtli:- t11wn c,tlltd W1.1 '!"crOH 1n Geriri1~, h.1s pla\•f'd in thr bandl of fllin1ton. Huie, U,.rman, and Ari Rla~cy a1 vorinu• t1me-s In his carf'e-r
Moore It-rt Wayi.:roo lnr !ht' artl'lth:all y- mnr~ rew1rt'I tnR air nf rl11ndd durin,i hu; , nulh, .anti pllvf'd with (.:In· nr.inh"111 .11nd NJI Adtltdl'\ 1mnn£_ 11lhcn
·• f.vrntu11\ly 1hc- Ad.Jrrley,., lrll for New York. . • h.- U\-, "and I i ~t JO di i(Ullt'd ttl all lht ~,,od inu~11 uan• g, 11n~ n,,nh thal I \\~nt tu('I, "
Danny " a 11atu1.1I "'andtrt', .ind his on, •}"NIT uy with Jun,., L~b 1, hu il'lr'lll· • t t1;rm )'tt "1th :iny b1tnd
And I'd hkl" ll) alA)' an,11hrr 20 ye.st••• he uv1 ' I h•v~ Jrtll fHJU-CI t,,f Th11d u 1 1nu11<"1an i1nd at a m,u, He I n<il a bandlt-.u.ll'r
- h•'• an 1n11111ut1nn " 10! l \~RU W ll I IAM~
busy, the calls It would make on the membership could threaten the-ir free-lance security. How much work is H doing, I asked Thad. Could It take on too much work?
"No," he didn't think so " I ' ll tell you the situation we have Everyonf' in the band has other work in the city. so it hun't been necessary for us to hunl for work to keep the b11nd alive . We've had financial problems but we·ve m.inaged
"Naturally. if It came v, It we'd search for eng11gements In order to keep th e band golnJ? You've doggone right But In fact things have been moving ahead prelly steadily for us lately .
"We. still h::ive our Monday night at the Vanguard; we make records, and play dances , clubs, concerts , festi vals. everylh1ni And now, thonks to Ronnie 's, we've made our maiden voyage to Britain, our first appeo.rance o n the Continent "
Shall we be seeing them again soon?
" Well . I' ve no s1atement to make bul we have- been talk ing and there's every hope we'll be back nexl year l feel that we could tour In Europe-,
~r I maus~~,a~: n!t W~~~el~~S~~n: great deal Sn there has to _be enou1:h money to make trips worth while-
We talkt"d obriut some o l 1he playtfi ..-.•h,1 had sat In or. mo rr usually, deppc-d wlth the Thad Jo nL'1• Mel Lt'wis OrChetlra , and Thad WO~ rull ol prdl1e rnr Brltnln'i Dave Holl:ind
" A btauliful beu player," was hi s vtrdu.: t ·• Dave ha~ r,nwe-r and ht' s 4in1 prnjt<t1on All I can •ay 1!1 . h• c-nn do H "
And then. ol cnuf!it" there wH Dizzy Glllesp1t - une rif Thad'& nll·llme ffl\lOUriU.•s I mP.nt1oned seem,: the ·11,1 b1a band 1n Pari, and hr e-nthusf-11 huRt:ly .
"Thal band wa.• dmazinR - o many youn5: ~u_ys Y..ere ,,,m1na up at th11t 11mc 3nd !ht• excitement wa.. trt' -
~e~~;t~ .. :dh~ crf'1~!;~~e~1!~tt~ duplm11ttd
' 1)1.r.r} 111 rid1cu/1 ,u, He camt dn""n tu 1111• Van,tuard one- nlll!h' t(• play \.\1lh u, -l<ll,1 h1 v. 11 r J couldn't make lhf' 1,11 and he n• J ((J !.Uh f<,r
~;~,;;. •n•dn.I't' 1J~~~e~h;11 r:!f ..,n When you tllm!.l nt"xl v, him 1t'a Ju l unhc-llev1hlr Hr'• plly1n1 thin&• )'llU'd ncvrr cv1•n th1nl< of lr)' mll Fanta•1u I Y~•, I tx- ltr,,..: h l''I 1n I ,,,.. w11 h tiur hand Wt ll. hi" c.an curnf' and blow w1 lh u inn- Unit- ht <are-a to 01m a lon,r; • MAX JO Nt',
SINCE HIS ramous association with Charles
~lt"hg~:ome 'r,~~it>hrr:es:n~~ a court cnse in 1962, tromilon i!>l Jimmy K nepper ha~ dropped out of the public eye
Once one of the foremost mr:n on his Instrument, with an un usual s tyle whi ch combined e-lements of earlier trombonisL"' like Jack Tea• garden and Dickie Wells with his euent lal mod ernit y, Knepper has in recen t yea rs seemed a certain cand1 datr: for the " wha tever happened to . . " cat ea ory
The reason for his ab· sence fro m the sce ne, he revealed 10 me, was that . fro m 1964 lo 1966, he played night a fter night in th e p,t orche-stra of th e Broadway 8how Funny Girl
•• I played that show 1.348
~~yesi;in~e .. ~o~id mt~e w~~~ir: run - three years and three months . It was, I guess, a steady job and after a while the act or playing the same thing every night acquired a certain fascination ." Born m Los Angeles 4 I years ago, Knepper started oul playing with be-pop bands in the area One night, he. remem• bers, they needed a bass player for a gig tn San Pedro and eventually hired a guy named Charlie Mingus. who was then unknown
"He played with us ju!lt the one night," soys Knep· per. "but although we never met after that for 12 years he called me up one nfght in 1957 a nd asked me to 1oln his band He'd remembered my playing, and he told me later th,\l we were the fint Integrated band he'd ever played with.
"Any notoriety I ma) have as a musician is mainly due to Mingus, and It was a very rewarding experience working for him .
"He's nn excellent mu&i· cian, and he comes up with some marvellous compositions, bul sometimes you had to play in spite of him."
What about the famous Mingus method of teaching his themes to the musicians by humming the Hne.s to them, instead of writing them down?
"Mingus can write hi s charts down when he wants
I ~
JIMMY KNEPPER: famous association w ith Mingu;
Return of the great
to but he seems to have a m~ntal block about putting them on paper He would play the lines on pia no and bass. and then I used to writ~ them down for myselr so that I wouldn't have any trouble remembering them.''
Before he met Mingus, Knepper spent much of his time listening to Charlie Parker, and at one lime had a large collection or unique and unissued Parker tapes.
" I p layed with Bird In Philadelphia in 1951, just after Red Rodney left the band We had Al Haig, Tommy Potter, and Roy Haines, and a friend of mine taped much of the music we played that wee)!:
Before that. week In Phllodelphia , Knepper re• hearsed with rarkcr in an amazing band which, un fortunately, never worked
The brainchild of arranger Gene Roland , the band was a t-howcase for Parker and included eight trumpets, sJx trombones, eight reeds , and two drumme-rs. Also in the
trombone !tectlon was Eddie Bert, Knepper·• current "'° tion•mate in the JontaLewis band
After leavlna M:in1us, Knepper play~ tht famou:t gig at the Jau Gallery with Gil £vans' orchestra, and has recently recorded w1lh Evans for a new album OIi
the Bearsville label He also did the \1oscow
trip with Benny Goodrn111 in I 962, and made- • tour <Jt Africa with Herbie- Mann in 1960
He's also part of 1 ,,.._
band led by ex•Blood. s..-ui and Tears o r1an1sl Al Koope-r, which includes such notables as Ernie Royil. Bernie Glow, Al Porc,no Seldon Powell, and Preny Purdie
Anyone who heud htS solos with Jones-Lcw\J on " WIiiow Weep For :\1e" or " Kids Are- P~tty Ptople will realu;e the scene Is 111
~~~/~}1tfn~;~("~~eo~!a~yeth~
grrat tromhonrsls ,,t 11u -RICHARD WILLIAMS
AT 27, Eddie Da niels is the J • Junior of the band Bul h is u n Io r wildly e>Ccit.ing du ets wilh fellow-teno rist Joe Henderso n left no doubt or his ex · f h perle nce and capabilities O t e
"There's such a great a tmosphere In the bond th a t there's never eny questi on or b d who's the senior t1.nd who's an the Junior," he says .
" We' re all equals tn the- DANIELS community nf the band and • we're all equals; •
~~~e:n~=~ce ~~y t~~o~r~;;,~ w~~~ r~~:::::::::::::::::::::::::::::::::::::: things like !tlalus " ,
Daniels cnme up through lht famou s Newport Youth Band or 1960, and ~ince then hu spent much of his carter earning a living by play ing commr rcial dates
ll t- has a Bacheh,r" degree m musi c from Orookl)'n College , and t&uRht m high i.chn(J I t11r a ..-.·hile beforetaking a M11ster'a dt-Kree In clarinet al Juillard Conlf'rVRtOI)· in New York
He met rh1d and Mel when hr: wa!. playing hi, ttrs1 Jazz r.lR with Trtny SCQtt al the H.alf Note . three years aao and the pair .r.at in with th,' 2r 1up
·r O earn hi!II daily bread Erldlc I~ nov. &ittmg m 1h( hrst 1e-ed rh11lr nl the pit hand ut 1hr Rr,1adw11y mus. 11 al ~1amc-. '4h11; ~ he ay1 1a
vtn· gorid d•~uphne · II~ 11 11w Plays ,ill 1hr rtcdJI.
plu4 lh.llc ond Pllttol". bul
~b~,:.5 w~:~rh 1~n;"('~~1n:
1~:~~
11nd more 1mpr,rt;iint tn II ud\, lnf'll
fdd1e, wh11 .'o\a!-1 onarnalty lnflurnctd b)' tharht> Vtntu, 11 ~:•~. r~~J•c::;~:a~~- \',1~1:(,~;1
~,.;
and (,t·t2 •· "I I'• funn). but a llhouah
lne- Hent.lt-r<um ind t bCJth com~ ou l nf Rolhn .. \H' both lonk at h1• playlna fr11m cnttr~h d1ffertnt an,: I •• •ti
':,~t:~:I 1\1,~;111nl( ,, i~i.'~l~i::r W II J..11'.~S
VANDORENe THE REEDS WITH MUSIC IN THE GRAIN
,,~~ - - - "\
I r ~~dHt~UH ot Music, Ad~t. 131 01.t St., Londafl, E.C.1 I I
f II
d 151 ('ou pon for th • 1llu1tftettd colou r bro chur• gi.,ne
1 1~ ~ro, •5°f Vandor•n Rttds ond Mouthp•• cet. ind~
• new Jo n \ a xophon• RNch ond Mouthpie<• • · NAM" I AOOR~S5 I
\. - - ------- :.:: I
I !I E' l· ACf that the Th, d Jones Mel Lt'\\ 1 h.l nd 1~ a lmost cqu,, 11 ) , om posed of hlack ,\11<l white mus ic ians is regarded by dru01me1 Jnd co- lea der Mr- I l Pwis as an example of t he " no barri~rs ·· a ttitude of mutual respect music ians have for each other the world over.
" There was no deliberate i_ntention to fom1 the band m th1~ _way," says Mel ' W t.• picked the b est music ,a n c. avn 1lable That 1hev are a lmos t equa lly d1v1dt'd ht!lween black and ; ~~\~en{".~zmen is a pure
But Mt' I a lsn fee ls that such a combination augers Wt' II for the future of jazz, and that It may re sult In a rcnas~ nce of music-al s u1ndards that hav11: de_tt"no rated owl np. to the fo1sl t ring on an undiscerning public uf i roups lacki ng In t ru t' ta len t
of ··•T~:~ol~~o~ e~~ sti':t'~?~~e people in Am eri ca 10 improve thei r conditio ns." says Me l " Mo re and more peop le are aware o f the culture they have to o ffer - a nd jau and blues a re one importan t facet o r this." He reels that the inclus ion o r t ru e jau -which stems from Lhe Negron - In lhe presen1 band is a recognit ion of part or the cuhu r• I herit age or the b lac-k people
Mel beli eves that muslr-al s tanda rd !'! have bef:n debased th roush mere co mmercial c-onsrdera t1uns " Let's fa c-e 1t ," h t' says . " the public will accept what is foi!'lt ed on them And thu1 had been done
~ 01:r~e~t~· h:~: c~~~~d ,t~0~ curr ent rash1o ns ."
Suc-h people have pushed what th e Americans term rock and roll down the pub li c's throats to unprece dented length .-. •• So how can )tiu b lam~ the pubhc 1f they
MEL LEWIS: • W e picked the best musicians·
It's talent that calls the tune come to accept ii?" says Mel •· lmngine if the}' had plnyed Jan and promoled ll to just one half this exlen l Woul dn't ja:r.z have then become a commercia l pmposlllon? "
Mel is happy to see that ma ny o r the emergent groups are the11e day, Inco rpora ting rea l jan talent " Group!I like
Blood , Sweat and Tears and the Mothers of Inventio n play jan," he says
But he fee ls by the same token, il is a mistake fo r the b ig bands to a tlcmpt to c-ash in on rnc-k and roll sounds or Lo play , say, Bea tl es tunes, In an attempt 1(1 win fl eetini popularity
SUSIE COULD NEVERGET
ENOUGH ...
11 1" fel' I.,. th• • th e 1olent nn d tona l cnh1un obu, lnabl t from , ur h • lln f'· UP a thti Jonc1 I. C'wl• ba nd ra n wi n iU ow n lo ll owlna from mOrt' dla• rr, rnlrr R ll ttf'nt-tl
Mt'\ l !C parll r ularly c-ritlt-a l n r nM 1uprr 1 or mony rock a nd m il J;1 rnupa. Tht1lr eur•
~~:~~~rinr,t'll: ~~u~~a t \nd he:~
en1nlls hnmn\Nln11 n se1 of drum!II
.. I cnn p it y o boo,:i.aloo rhythm If I wan t to,.. say, Mel " Rut I be li c-ve 1ha1 n d rummtr ahould play und, r 1hr enatmhle rnt her than ride abQVt' 11. Thi,: way. you ran move up 10 a dimax
" To piny loud and hl'avy all tht llmt1 is mt!re ly 1n• tt' le,s nnd nmn teurh1 h. Some of tht flne11 t d rumm er• on New York rock nnd roll su11lon11 11re actua lly Jo:, drummers."
Me l hn, hnd n weo l!h o f cxperlrnce wit h a ll band~ to back up his belie fs . He's held the drum chair with 5uch va rltd outfits as Ooyd Rae, bu rn, Ray Anthony, Alvino Ray, Tex Benek e and , of COUf!le, Stirn Kenton.
" r joi ned Kenton fn 1954," reca \11 Mel "Ju11 t too late to mnk e th e trip with him w Dublin the year before - but I was with the firs t band he took to EnJ!,IBnd In 1956 "
StranJ!,cly - bearing in mind the present mixed Jones•Lewls tine-up - It was
:~:e~~ln:\,n~f :re~~~~;d b~el•~ toking up an offrr when he was only 18 to join Count Basie.
" I joined Basie - but I never played In the band ," says Me.I with n gri n , "I MCcepted on o ffe r from him , but then the booking office said it wouldn 't work out -as Basie had to play a lot of dates down South So the Count signed Shadow WIi son Instead "
A modest comment from an unassuming musicia n whose dru mmi ng ii as unpretenti ous - but as solid - as h is attit ude to Jan and his fellow musicia ns . No ma u er wh at thei r colour . For, as Mel
~~~~~\~!iiy11
~~11~ 1tu{funt: .'C!~ LA URl l HlNSHAW.
A MAN s uddenly transported from a bread-and water diet 1n Sing Sing 10 the lus h CUISlne of Cla ridges mus t be s ome t hing akin to t he exp_en• coca o f Jerry Dodgion, a llo and flu te pla yer w it h the Thad Jones•Mel Lewis Band
Fo r J erry reca ll s that hi_& mo& t frustra ting m us1-cnl experience was. play• ing with a s uccession of bands fronted by onet ime King o f Swing Benny Goodman
Problems
" 1si~usJi~=r~ent
86~id:~~ bands," reca ll s J e rry . " I was with the one that went to Moscow. Every• thing they say abou t Goodma n is true . Mmd you, I didn 't have too many problems, as l wasn ' t in the fi rst a lto cha ir - th e e lec tric chair a s it was known .
" He would go up to the a lto lea d ing si tting m tha t e lectric chair a nd play right in his ear . H e wanted him to phrase
t~d w!henhe th~hrt~endd rea lly s ta rted to swing, he would damp it down. He was ki nd o f weird this way.
" W e had a great bunch of mus icians on the Moscow trip, but they never were given a chance to play the way they wan ted
" The Russ ians had had no experience of American bands , a nd we had to give them a sor t of musical anthology of all the sty les - rro m the
MELOUV MA KFR. Seplt:mbt:r f. 1%9--Pai • ti
DODGION ' six different bands •
Back when Swing was King
early Dix1e!and to the present
"But a fter starting in t he style of Loui!- Armstrong, then prc,gressing through Paul W hiteman , Tommy Dorsey, Count Basie, Duke, Charli e Parker and Dave Brubeck, we would a lways end up with ' Sing, Sing Sing.' That was SUP· posed to be modem
Ja ZJ. 1 It ~as kmd of humor ous m a way.
"Playm~ w it h Thad and Mel has been a mar v e I I o u s experience Everything ,s s.o free.
" I was !reelancin1t m New York before 1 jomed them Mel called me up t o say t he band was rehears ing fo r a job o n Monday nights a t t he Village Va nguard, and would I hke to com e on over l though t it would ju st be. t h at Monda y-night thing. But now I' ve been w ith them ever since_•·
Admires Apar t from playing with
Goodman, Jerry has played with Gerald Wilson's Big band. with Benny Carter and Red Norvo. He admi res C3r• ter. Johnny Hodges a nd Charlie Parker. Most of all these days he wel comes the freedom of jazz expression he gets with Thad Jones. -LAURIE HENSHAW.
NEXT WEEK
MORE BIG
BAND STARS DON'T MISS IT
. .. but now that more and more people are buying Philips Musicassettes we're able to cut production costs.
And knock shillings off the price to you. And to Susie
who can now afford as many as she fancies. \ I
•limi. ONLY 47/6
For furJher details complete coupon and send 11 lo Philips Records Ltd Stanhope House Stanhope Place London Wl
IPl e-;;;e ";';ndm;-;;,.;;; 1~rmal1 on on M7s,;;;scii'e~ - - 7 I NAME I I ADDRE SS I
L---------------~ P S. Susie has a Philips EL3302 cassette player.
Patt JO-MELODY MAKER. Sepltmber 6, 1969 are lmporunt "'h pe-ople are buyln t n U.t rccnrds. If you I YOttr appear they won· doq•1 y_our record,. A.r>c! t hi.ls Enillsh audlenct. I dl1 r:~::i .. ~hey art real rtill: Wilson
keeps on travelling
ONE MAN not too happy with . t~e Nixon Administration in America is Wilson Pickett.
CHANClD Seated in his office
from which he controls his a rtist management, recordi ng and publishing interests, Wilson cast 3 pessimistic eye. over the current music b u s i n e s s scene and com~ mented: "S h O w bu s ·in es s h as changed in the past year. We've got a new Pres ident, a new administrat ion, and people are holding on light.
They do n't buy r ecords o r go to conce rts b ecause they a r e too busy s tudyIng taxes. W e've got h igh taxes - a nd no jobs - a nd peop le jus t do n't h av e the mo n ey a ny mo r e.
" J c•n' t see It changi ng soon. This yea r hu been very bad. Nobody's been ra is ing hell la tely. Compani es are aoln~ out or busi ness, scJIJng out -but 1 ain't giving up und er no ci rcums ta nces."
WILSON . PICKETT TALKS TO THE MELODY MAKER ABOUT TODAY'S MUSIC SCENE
of da lt.'S, d o them "and th en take a week o ff.
Part of las t ) ea r's travelling took him to Britain w here he had n s mash hit wit~ th e Bea tl es " Hey Jude,
~ t a: ~f~:%1ytr~l k. WIi son
Thi s brought him to Britain fo r televis ion appea ra nces but no t fo r tour how e ver he Is p lanning a two•week tour here soon. Asked w hy he had no t been o ve r touring in th e last couple or years, he sa id, " W ell fo r o ne thing, they do n' t have sufficie nt p ro motion In Eng hmd, a lthoug h ll's
f: !~" ta~t t~~d " : : · m~~i pho ney ac ts ove r th ere.
" English people ha ve go t to know be lier. I t they see an act up the re working, they've go t to know he is a pho ney!"
THIS WEEK
IRON
PICKETT: has covered J imi Hendrix's ' Hey Joe ·
But whil e some people may be feeling the pinch, Wilson Pickett Is one person who Isn' t. He Is kept busy most or the year doi ng personal appea rances, In fac t he fee ls lhal th e t ime has come to ease up a b it o n this front. " Last yea r I spent too much tim e on the road. I was working every week, this year I wa.nt to cut down. Wha l we wa nt to do Is ge t a good bunch
W Iison added tha t th e last t ime he had been Jn Britai n he'd e njoyed It. " I d id that time a nd I g uess I' ve got to get over th ere again. Appeara nces there
BUTTERFLY FROM
AMERICA PACE 15
LEE ALLEN, PROUDLY PRESENT
GRAHAM WARNER & DEL TAYLOR A NEW ERA IN EUROPEAN ENTERTAINMENT
PLANNED ENTERTAINMENTS
AGENCY SOLE REPRESENTATION
ALEXIS KORNER • CHAMPION JACK DUPREE THE OSSIE
THE GREATEST SHOW ON EARTH NEW CHURCH • MILWAUKEE • THE SQUIRES LAYNE AND THE RED HOT BAND • DUPREE'S INSPIRATION
FINNEGAN'S WAKE • BLUE RIVERS & ~HE MAROONS • IF • RATIO MANY OTHER ACTS ON ENQUIRY
CONTACT: LEE ALLEN, DEL TAYLOR, MARC NEWTON, CHRIS HEALEY AT: 548/560 HIGH RD., LONDON, W.4. 01- 994 3526 (4 LINES)
EUROPEAN OFFICES: SWITZERLAND-SOUND PACKAGE, ST. GAWN ITAlY-SOUND PACKAGE,RIMINI GERMANY - SOUND PACKAGE, HAMBURG SPAIN - SOUND PACKAGE, BARCELONA
Eyes of Blue are poised for fame CUCOONf-,0 ,\l't1ON(iS1 1htlr rqulpment "'hlch nlll'd th• k•ra,-t' In tht' middle, nf one
~!un:~ru~~Llsl~•'e:~~-tt'!•r•t~! ~leak or Rlue \\t'h' t• kina •
Ruchlng tht- ('nd of a
::;k~<r~t'h~~:1~",., jd~.;nt~~: group had pl• yt'd tht'm~t'lve, to • i,mpor• ry slandstlll
v.;: ~--l,~i:X,! 9\~~k~~t' :~~~~ contut v.hlch lead on 10 •
~;c;~'::pc~~~~~c1t, a~d ~o~g~~ "'1th samt' or the bi&1,<''it pop names • I thr llmt
With • start 11kt lhat It
~on!~td :s ~"!~(' t~r~~;, fo~~: y.;~~lat~::~:. i::, ~oic:~. l~r~ not to omt' 10 ra1l1y and ror thrt'(! yun, they have btt'n bull. o n the road, doing gigs
~fom • :hdelr di;~e ~h:ulhc~~:~~ l<:1 L('lndon, Birmingham, Man• c hu te..- and all points In. bMween or olht'rwlse.
Nl)W, with l ht•l r St'COnd Mu(ury LP, '' In flrlds or \ rdath," due fo r r~lt • 'it and
an American lour lined up, l he f.)•n an neartr t han they have been ro r a long tlml'
~~,\~:~: , .j'~~~;~~h:C'd~e~~!~: th h llmt' Is th11 1 It will be with 1helr own musk,
The Eyh fir.s t o~ned their peepers at a llml' whe n the more enlightened areas or the ~outh Wa les pop scene were wu h lna the g rusr ou t or t hei r hair and s hedding lea ther skins and clothes ha ng-o\•trt from the teoddy boy era In r• \lou r or Ca rnaby.s trert clobber. Tht' Eyes becamt heroes of the fl rs lgrnentlon mod s.
" \ Yr v.-ere one or the fi rst ,tro up'J'. dol na th e TamlaMolown so ul thing;• said Phll . " W.:i could not rea lly reprudu!'e 1hr !IOund with our line-up not havlnK the saxes and t rumpets. Raymond Wil liams, o n cu lta r , and myself trlrd to sound like a horn 3ecllon, so he wasn"I reall y a aultarlst and I wasn't really an orcanlst."
But It "u the sound that
~On~H~~r A t~:ur f.r:1io~:~ :.1~
~;111~h«'i~"~c!~ded a light Jihow
Uut th~ a roup's own ldus wer, 111a1 u rlng fu t . They beg.an by taki ng sonJ(J a lready POIIUlar and putllnK thl'm to tht>lr o"n arran1emrn l!I, Two or tht- e, tht-ir orlalnal trutml'n t of " Yl'!lt~rday " and Rilchle's aranaement or " Largo," by llandtl, Wtl"l! Included on their flrs-t Mercuf}' LP.
" We met Graham Bond In London wh ile ht was .,,.,altlna for a pe,rmlt to work In the Stal«'"i to C<lfflt' lhrou1,th," said Phil . " Graham wrott two numbers for us, "Crossroads or Tlml'," which was th• title-track nf tht' firs t LP, and "Love Is The Law," w h ich was also Included. Slntc then he ha,; und " Lon I~ Th<' Law" as the tltle-tratk on nn album he rt'cordcd In the Stales. Most or tht' othtr • :;~ck.!i were wrlttt-n by Rltch-
Slt•c\lt•notes of the LP art wr itt en by no le,;s than Quincy Jones, who arte r seeing the Eyes d uri ng a residency al London's Playboy club uked them to wr ite- and perform material for a film.
FIim Is Thi! Toy Grabbers. Amen Corner sax-pla_yer~ Alnn Jones and Mike Smith augment thl' Eyu on the
::~n:~~ac:. c!::1e1r:r pnua!t~:!
~!o~~.01:1c:rn~•:· S~on~~T!~~ne, Redgrave and Bt' tle Davis. Both films are In be rel•ased In Septembe r.
"Qu incy was grra t to work with," said Joh n. '' We learned a lo t from him. Film music Is so diffe rent. You have to learn to write a p l•ce or music that's Just right for pe rh aps a IS-second spoL H's a little like the music you get with commercia ls. Som• or th l' Ideas this ga ve us co mt' out o n a track o n thl' new LP called " Extra Hour."
The group's las t a lbum did much better In 1he S lates and th e Eyes o r Blue- leave a t lhe end of August fo r a n Amer lu n tour lasti ng six lo eight we•ks.
But the release or " In fl• lds Of Ardath '1 should prove an eye-opener on their talent to musk fans on bo th sldC'S or lht' A tlanllc. - AL BRANNE
MFI nnv MAl<FR, SIPptt mhtr 6, 1961t-Pa,:• 11
Having . a nice time, wish you were here JON HISEMAN was sound
ing very happy with the way Colosseum 's first American tour was going when we spoke on the phone in America last week. From Los Angeles Jon said, "We've done extremely well in Boston. The album sudden ly lt"apt into the charts and it's only been out fo r three or four weeks.
Strange
" When we finished in Bostan we went to San Francisco which was a raveup.
" But they do something HISEM A N: a great success in Boston very strange here. ---------------------------They mix the bands up. Whenever we play in England it's with bands that are similar to ourselves.
" At the Fillmore we worked with the Byrds and the audience were digging us one minute and the n ext t hey'd be digging the other band."
React ion Had the react ion varied
from coast to coast? ·• Yes," replied J on. " On the East Coast they took ou r music for gra n ted They seemed to
Jon Hiseman, making his debut tour of the States with the Colosseum, talks about his first impressions of America
think tha t we were m ore musicianly than other groups who had been doing simila r th ings.
" On the West Coast they are not nea rly so ad• vanced. Although the people who knew us went potty. The fi rs t few nights a t the Whiskey A-Go-Go in Los Angrles, the press gave us good revues but the audience didn't seem to
know w hat was going on first of all .
" ln the Eas t Coas t it is more hip. But no matter how big you are in Britain, when you come to America y ou ha ve t o sta rt all over aga in . It's incred ible, it's such a vast country. When you
come out here, you have to eat humble pie.'"
Musicians who have seen the Colosseum have been r eact ing favourably. " We' re play ing w ith the Bar-Kays -that's another example of mixing acts - and they just sit up in the ba !cony and go potty, which is a bit embarrassing.
" There a re a lot of
musician I about. Anyone ,s allowed in the band room so we keep gelling thesenutters coming up who have playtd with Gra ham Bond and want lo know where he is or they ask us about tutors they brought with them."
The group have made s e v e r a I 1mprompLU radio interviews. "The FM stations allow you
~~Pf:.' ~~~!e to fo~~j tha t they want us to give the musical history of Britain for the past five years - a nd they let you play a ny records you wa nt "
Added J on, " 1 t h in k 100 man y A m e ri ca n aud iences are behind BritlSh audiences and fa r more s usceptible to t he hy pe. Over here if you get in the charts you' re made whereas in England t he cha rts don ' t matter."
The tour, th inks Jon, has given t he group a lot more con fiden ce and he said , " I think Keef Hartley's band w ill d o w ell here. English bands are bette r sound ing. 1 don't th ink Keer s band will be anything specia l on the Eas t Coas t b ut on the West Coast h is musica I thmg is happening.
" I t hink a lot of bands w ould d o w e ll ov e r her e if they could find som ebody t o put up t he money. T hey a re go iag t o lose money bu t it's n ice to start agai n . I think it's good fo r you
i-°oN~ta~,& ~~-" 5uch namt>s as Eric Burdon, Chrl'J'. farlowe, Ceorgle Fame and from the States, the Pau l Buttulield Bluu Band.
The l!roup made a couple of rv appearancl's to plug lhtir llnt rl'cord . II flopped and so did a serond. But the- Eye5 did nol have much tlmt' to go rt'd-rlmmrd ovtr that and ror thret• Yt:ars th1·y ha,·t bt"en in
:!:~,~~om~"m:~~ ~~0.:011:Fueb~
tuckl'd uway In th• Rhondda tn rrau l• r lJUH • al London's '\tarqUl'<" ·
Mixed media and mime from Birmingham
'THE NEW HUMBLEBUMS' IS THEIR NEW LP: THERE'S A NEW SINGLE, TOO
Drumrnt-r John Weather.!i took up thf" S IOf)' : "Wt:' havt' •hu}.!i trlt"d lo bl' dlfferrnL rhe chan,ll\" really bC!aan when a lot or lhr- R.r0UP.!i addt'd hnrn wctlon.. W" would be doina, a one-nltthler •nd flnd tht wpportlna aroup doln11 the uml' numbcn u us. Even If thl')-' v,; r<' wor • mu.,lclans th,·) ·would 1ound ht'llN bC'cau,t- or lht horn,."
So1kintt up musical inllutncr , rroni everywhf're, !he I 'tU Wt"rt <,llll notvln,t tht-lr own ,tylt' and so t h•lr ,nrd1 fllr an orltclnal ex· prf'1clun I d lln, t co another trf'nd . When thl' ,;umnil'r of Oowu sx•wt'r bloomed Che} dnnn~d kallani, be ll, :11nd
TEA & SYMPHONY · we improvise·
SOUND CITY STRINGS ,.,~,, :., ... PERFECTION IN STRINGS . . ·::···."! Mad• to o:1c111'19 ltlnd · aid$ be1Wlc'9d lOM: .nd m,ptfC t'ffPO"• with •CC\jf'8t• intonation all· o"'•' tf'lt fin•tboard . to • ._. vou pl"Kltl!ly the 5Qllnd y0LI df'li,..
MIXED MEDIA has bun on e o f thou p hrasu hanging In th• pop ai r since we were Rrst tw rr,•d Into a na t ion of mlgra• 1no tutforen by li1h l shows.
One group w ho really are plann ng to m l• U'l o media are Birmingham's prog renlve 1rlo TH A"d Symp ho ny who , bt· bllf'een tham. pl ay a whole st.age full o f lnstrumonts.
say1 l1ader J amH Lang sto n: " We art s ta rt ing to pr• sont ou rwhole s how as • compl.te m u ll/•medla th ing At th e momcnl we ara s llghlly llm ltcd 11~c:h.~t b':!a : ~nbu~
0 w:1 a~• s~~,~~
tn un p!'11 per stag e lighting , light , how s an d e lr.o fil m s as an ln t.111ral part or the show, accen ting cert.A, vl, ual aspects of the mus ic, W it ha ve a lready m ade a lllll• film "
Th e g roup already fe;1 lure a m i m e arl11l. John Bcnyo n,
~::~;,ar::!e11: : ::~ ~)' ~!' C:cit'.
ro ach " Th e mime 11 part Of 1h 11
, am • th ing, " •• r s J a mH " Our m usic hH a lot of mood c:hang11 a nd we ln1provlH to a nr1;i ln cll len t , Th• mime Is v• r)' muc h re lattd lo whal 1, going on mu 1lca ll r
·• Wh~ w e are ho ping to •ch eve Is the lnvolv1m1tnl of our a ud /tt ncu fer more In what •• &r• doing I think a ud iences who hayen'l h eard u, bef•r• som11lm • s hnd our mus ic Viti')' 1trangt because or Its o r lg lnallty. Peopl1t he'll' said lh•J' felt lost artcr on e or our shows for th• forsl lim e b1tci1UH what •• are doing was so new lo them
·• Now W it wenl lh•fr par11clpa t lo n We do It alr• ady e n one song, • • or•dom,' wh• " •• 9e t peop le en 11.age lo plar percussion 'ffuru me nts a nd so on
" Th • way I ue Ulln~ deve loping I• lhal there will be rer ,nor• people ln•,olvelll th ari
::::,,cr;::e:~d ':,,":,:; o~h~: ligh ts I Ult T .. An Sympftonr d1¥e loplng H a m ini lravellln1 ...... , ..
Tea And Symphony •r• wah' " ' ,.,. Harv•1l to A l1taM \hrf' n•w allu1 m w hkll JaMes , ,... ,..J,.. wllt Ill " Mfflntil"9 ~llffar t"l ••
ENTER 'THE NEW HUMBLEBUMS' ON TRA 201. THEIR
NEW B16 T SINGLE: 'COCONUT TREE' c /w 'HER FATHER
DIDN'T LIKE ME ANYWAY' ON 816 127.
Transatlantic WHERE TRENDS BEGIN
Animals \\ <'hh·r, • former Anlmal, replnct"d Ric
Gr_u•h \\ hu h,•(( I amil,\ to join Clopton, \\ 1muu.>d and Rak<'r. Ht ~tarh,'d playing \ l,11Ln with I rlc Bunion In America but lh, tt> \.\1..'tt' limih.'<I opportunltll'~ to use lht• ln,trunH·nt ,,Ith lhc Animal'>.
Family have a nt\4 V
It', ,mh· in th<' l:.,t lour ntfonth, wllh t·amlll, ht: ..a}~, lh:tt hf''\ re:111) ~ol into 11 ROYSTON ELDRIDGE LOOKS AT THE POP VIOLINISTS
"No Mule Fool" ,,,,';:. " features John's dou: tracked violin oui nt month. Their appear, ' 1
al the F~tival lbll ;:-., week will set -~ member of tht group . their own spot and ~n Is a new album on th t way. t
Their honest, origin.al ap. proach to muo;N:, ~Ir ability to use counl.r) Jazz, blues and roek lnnuenccs and the wm . ingness to e1'perlmtn1 with the violin makes them one of lhe grou,s who have made 1969 a milestone In pop him,11
"\\uh hr-le "e u11oed to do mm.I (1r the hit thln1t"- -.. Sky Pilnt," "Good Tlmc!i" - and I really onl) U\t•d lo do 00(' nurn~r " Paint It lllnck" \\ llh lht• violin.
" With Famil~· I'm usin~ ii a t,:rt'al de:11 both on ,u~"· and recordlnt1,. L ... in~ a 16-trnck machine a nd over-dubbing thtl'C or four time(, you c:in ,;el a \\ hl.)Jr strln~ section on lhC' re-cord."
\\.'hilt.· y, Ith Burdon Jn DAVE SWARBRICK \mcrica, John .saw and
hciard a variety or counlt), Jan and pop vlolin-1\h.
Nashville " Down south in ashville
lhere's country music on the teh•vlc.ion 16 hours a day, you can see <"verybod). Thc>re are a lot or NMh\:illC and blue grass pht)·ers "ho've given me a lot ol ldPa'lo
"There•~ James Burton who used to play with Rick Nelson nnd who did ~l'Ssions wHh Neil Young and Buffalo Sprin,::field, he'c; very aood.
" And when I was in New York I S."IW the John
Handy Quintet who have Michnel White playing Jazz violin. He uses unampllfied violin just with the mike and plays solos In octaves, it's really nice.
" David Lerrnce from It's A Beautiful Day uses a specially made solid violin which is as loud as a lead guitar, It's got a lot or poke. I haven't tried using • solid one yet but it would be good as sometimes I get trouble with feed-back.
" My innuences? Well, Michael White, and I like Stuff Smith, I liked that album " West Meets East" that Ravi Shankar and Yehudi Menhuln did.
(repeat swiftly) SINGULAR
SALLYANGIE HAS A SINGLE
SENSATION
'TWO SHIPS' c/w
'COLOURS OF THE WORLD'
on Big T BIG 126
RICK GRECH
Yehudi has given a new concept to the violin and a lot or the barriers are being broken down.
" There arc so many jazz musicians In pop now. Some of John Handy's musicians are no\V playing with the Fifth Dimension."
John believes that the violin hos come into being as a pop instrument through the advent of groups like Family, King Crimson, Moody Blues. Procol Harum and Traffic who place much more emphasis on ex-
JOHN WEIDER
cellent arrangements. "The music Is stlll heavy
and loud but with taste. In bands like King Crimson the musicianship Is extremely high. They use a Mellotron to get string effects.
" I've got a cello at home which I'd like to use but I haven't had the time to practise. Eventually we'll be able to do everything without session men by building up the tracks.
" A lot of the session guys must be starling to get a bit worried seeing groups doing the whole things themselves. Some of them could be put out of jobs.
" Everything we record we
ONE OF the great things about the current group scene is the way everybody seems to have their own thing going.
so~nd~a~ik~•r p~~~ c~:f:s ~o~~e :~r ~i~u:ss Today everybody seems to ha\lt: learned that originality pays dividends
In fact, when I asked Samson - one or the newer Marquee discoveries - how they would de-sc-ribe thtdr music, I W-'!S told: "You've hit us ,on a raw poinl. Every onL says: 'Who do you sound like?' Why do you have to be com pa reel with someboily else all the lime?''
lnaeed they are hard to categori, ~ with a lane-up that uses French horn and nugelhorn and material drawn from jau and the classics as well as rock.
Classical "1 he classicJI things have been coming
in tec~ntly," they told me "It's. not a case of doing arrangements or classical things, we do ou r own melodies 1n the styles of d1fft renl compo~ns. And ii is going do" n very well y. 1th aud1tnces.
"Really we nrt nor a heavy group. We arL very melodic, no1 as freaky as a lot of the h.incb"
The group \\as originally formrd la\t Novembn and camt> to London ahout five:
~~~,~~hf~ 8(~~s{8:n:r;:161~~::~;~b~~~~t~ 1=~
DAVE ARBUS
can pull off on stage. People have said that we wouldn't be able to get the same sound but you can just shut your eyes and think you're listening to the record.
Maturity " What I like about Fam
ily is that the accent has been on the music first., everything else has come second. That's why the band Is well respected by other musicians and I'm sure eventually we'll make it very big. There's no bullshit with the band.
" It's a matter of having
met while ::.lud,ntJs 111 music- collc•ge m Mane ht•slt>r Thi•y wnt: 1oint.•d hy u former SAMSON· not a heavy group
NEXT WEEK
TEN YEARS OF RONNIE SCOTT'S
SPECIAL SUPPLEMENT
DON'T MISS IT
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t'ngmet'r, Le~ Jones (leod ~Ir), and Nor-man Findlay (urg.1rn) who had bt-en pla}'m~ with a dance band in Hull
NCWt'St mcmht-r uf lht
r;~~~ll l~\'h~uh:as p~\~~ar~
Samson's strength is melody groups, nnd they ar-en't Tht group has t
group called Trine and has worked wilh thl' t:choc.Lulu, John Rt1wlc5. Davt Berr) .. rnd Dusi v Sprmjt,fil~ld 11..1 wc·II d5 fJI John's JiJ./Z j!ruup
"1 hl! standard nr group!t 11 11nprovm1 10 much," lht.•, agr.,~d "And onl' of tht.· rf'asont 1s 1h,• number uf rie-ople from music ,c h1111ls; rom 1nt,t into tht>
58t1Sht"d with Just playing 1L\ first alhum .. J..us ~ad 12-bar hlue!i all nlKhl . amson.·· relect~~d ~el ou
·· In our own cast', w1.: they havl" mcived u Sa) find thf' hlt>nd of Fre,nch what i:,ince it v.u
1~:C~1~~
horn and nu~elhorn works and. in fact, havl" 8 St'C<md so wtll thnl. 1,1,e ,are .i.u~- LP alrt-ady s htdul d prised,
11nobod) h:t\11: Ul'lt'd 1l "We arf a e ,ihtthth·
brfun d1frtrtnl band nci!Jo " h "TI1e two mstrumcnls .'' tuld mt:. "And tht- thm t ~'}
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MELODY MAKER, August 30. 1968--Pase 13
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WILL JODY GRIND JOIN THE GIANTS?
il'ONY WILSON TALKS TO ONE OF AMERICA'S FOREMOST HEAVY GROUPS
DURINC PERAHIULATIONS •,bo"t Town • frequent que..,. h- on• heors snorted In
~~~:: ~'!f~:1~0 ls~1 •~;:r:n c~hve ll"OUp sc•rie? "
Fnqu,rilly on e Is fo rced lo answer " Nufflnk ." owing lo a ceru ln bellof that many of th• n•w contenders for honOMn In lh• group stakes are m•r• shodows of existing 1fanls, or more slmpty, worthlHs bllt•, unlikely to Incite anyUllng ev•n as positive as a round of hearty boM
CASE
Cr~:t 11~ ~=:t, c!~~n •~l~u~~~ accosted m• In a low drinking haunt recc-ntly and whined : " 'Er• Cuv , wot's going to bo big on th• group scene? •· I ~ponded With • lightning , " Jody Grind ," b• fore hurling al• In his race and sHking pastur•• new.
Jody Grind aro an organ trio who hav• bun bu ll dl ng up a nam• for themselves at London's Country Club an d ~~=•• usual ro1,1nd of coll ege
That doesn't sound pattlc1,1-luly Inspiri ng In ltsetr - but Jody Grind have a degrH of Infectious ••cltement and the kind of convlnclftg enthu.sl•sm that augers well for the future.
For a s:Ulrt I have heard people say they don't llke them, which Is always a good sign or somethh,g orlglnol afoot.
JOINING And that orl1lnallty lies In
tho hair-raising o,-gan playing of Tim Hinkley (23) a cheery chap with a Debussy hairstyle, who COllld well be JOlnln1 the rankt- of Emerson, AlllilU and Cnne In the affections of or9an rans.
Tim works •Ith • arry WIii· son (24) on dr ums and Ivan Za9nl {26) on au\l.ar. Tim
BY CHRIS WELCH
plays; Or'llan bass pedals and a mighty thund•r of Hllnd they ::~!ged to kick llp betWNn
Says Tim : "Wa start1d abollt a year ago I 901 together with Ivan and w• decided lo form a grollp. • arry has been with us abollt four months.
" We st.r1ed completely from Kratch ond wa had a bl9 Hlba.ck when we had an amplifier stol•n at a free concert: ·
" We llsten to lots of free music and w• play In a frH styl•, W•'ve all been thtollgh the pop seen• which was a bit dlsappolr1Un9 and plutJc, bill It '!IRS experience
" Huch of our music ls lmprovlnd and w, can't be ~~i_,:c"h•t·s going to happen
VOCALS Sai d Ivan : " Tim doe.s mMl
of t he vocals and w•'v• got e few songs we•v• writte n ollr• selves. The thing Is to hav• a basic Slructlln lO work rrom. I think pop mil.tic Is denlop-lng Into toda.y's Ja.n. And when )'Oil t hink abOllt It -Charlle Parker wu playlng ~~~YI ~~k lon11 before • Ill
" We dig Dove Cr11•n.1olade a lot with Jon HIHman." • arry nominated Carl Palmer as one or his favourite drllmmer,.
Comparisons an on,n odious, but did Jody Grind •vtr flnd themselves bracke111d with the Nice?
" There·s really no comparison, because K1lth leaps abolll a lot on or9an, and they Ilse a bass player whereas w• h•v• a guitar. They're milch mote together than llS beCallH th•y have been pl aying a tong time, We an still nndlng our- feel really ."
IRON BUITERFL Y arrive in Britain next week for their first tour here with the strength of a gold album behind them.
" In - A - Gadda - Da• Vid a " ,s currently high in the album charts and has racked up over a million dollars worth of sales for Butterfly and Atlantic Records.
The group comprises Doug Ingle, leader and singer. Ron Bushey on drums, Eric Keith Brann, guitar, and bass player Lee Donnan It was Lee who I spoke to in New York r,,cently IRON BUTTERFLY: ' W e will be set back two years.
"We ore look• ing forward to coming,'' s a i d Lee, whe n I asked him about the group's 8 r i t is h tou r which opens at
~~nd~:T19f' on "We know we
are unknown in Britain but it will be doubly fun for us because we will be set back two years and that means we
A MILLION DOLLAR IRON BUTTERFLY
have to stan all over again. But there is no apprehension among the group."
Iron Butterfly's rise has been the result of two year's hard work on the club and ballroom circuits in America.
Var ie~ Musically the group has
drawn its inspiration from a variety or sources. "Basically it's a collage of all different sounds," explained Lee. "Tl's different kinds or music put together by four
different guys with different ideologies. It'• not heavy, or acid. There's a little bit of baroque, a little country and western, a little blues.
"We are just going over
~r~~~; l~~e ftlr1J.a:.1, :1~!: if they don't like us they won't. People have put us where we are. We could be the greatest group in the world end people might not like us."
1 asked Lee if the group were making any special preparations musically for Britain. "No," he replied.
"What we'll pBy is not going to be different from what we usually play. If people react to certain
!~~fis us~~em°~~~si~t :: wlll try to play all our songs, a little bit of each album."
Albums Continued Lee, " We may
iri::~~~ure frzX.~!Ja.i~: Vida• lasts 17 minutes on the album but it can run
for 30 minutes, and the solos are different from the album."
The group have two albums out in Britain. " Vtda " is the first and ,ince its release have followed it with "Ball," and now the group are planning to go into the studio to cu t another album, "Metamorphosis " for October re• lease.
"We're evolvinJ a little bit more and using more vocals," said Lee. "The music won't be as complex as the last two albums. It
will be still as heavy but we've realised over the l.lst two years that you don·t havt lo be as complex as we have been
"1 think people hkr the basic push heavy mu,ic has, but it's not neces9llry to turn up the volume to be eff~tive. We've been trying to tum ciown our volume for live performances"
Lee and Enc Keith 8J11nn have the main worry about volume with bass and guitar . "We get wrapped up in the mu11c quite a bit.'' said Lee " We have one .number, • The Iron Butterfly Theme,' which depicts the life of on Iron Butterfly.
" At the end 1t crashet and we htl all the amphfters to make the crash and we use four electronic fires to create a visual ending."
" But we want people in Britain to come and listen. If people will come ond listen that will be fine. We just want to have a good time."
I I NIGHT NON-STOP PERFORMANCES !1
A man went looking for America. And couldn't find it anywhere ...
'
CANNES FILM FESTIVAL WINNER} , "Best Film By a New Director" •
PANDO COMPANY ,n association with eas~u A';~•-R ® RAYBERT PRODUCTIONS presents a 1Ui.1
p'ETER FONDA · DENNIS HOPPER JACK NICHOLSON Writte n by PETER F O N D A DENNIS H O P PER TERRY SOUTHERN
Directed by DENNIS HOPPER
Produced by PETER FONDA
Associate Producer WILLIAM HAYWARD
Executive Producer BERT SCHNEIDER .... •··.·•• 11:.::,•
, ss,·c p'8~AiJ~LY NOW ' c,a 437-2380 •
CONTINUOUS FROM lp.m.THURS.SEPT.4 TILL lam.PERF.ONSUN.SEPT.7 lSUN.SEPT.7th.1,3,5, 7,9p.ml THEN DAILY PERFS!
ROUND THE CLOCK PERFORMANCES FOR LONDON'S BIGGEST HIT!
Dylan charms the labourers ao• DYLAN hH bun an ,lusJ,... p,~n dvrlnt hit wbll lo the hi• er With\.
Ap•rt from his on, press c•nf•r•nc, •n Wedn,sda)' h• h•• be ,n •P••dlnt most ., h I lime al "'' 11th c:enlury stone farm hous,, Forlands Fillrm, near • embrldge. r ehearsi ng wieh the • aftd .
Th , r,rm hOU' • Is •• , In plch11r,u que sunken 1ard•111 and has ll$ -• priwatt swl mmln9 peol.
• H id e th 1 far'" hou1e ls a conw,rt, d Nrn where Dyl .. i a nd u, , aa11d h••e been practi!lln•
Al th• lftlrance to the, farm hou.u , 11 • pair of board•d-up, wr9119ht Iron t•l,.s, •here one or two ch, Han l'-'•rds keep • con1tant watch from a parlced ca, . Thity earn a reported US • day ro, this duty
Outside the coU.91, labou,-.. 11'"5 workln1 on U'le ,.,d ha•n been 1alherin9 n ear the bar-n nh,al"AI ntom t.. IJU.n \o
Dylan and the .. nd run through such numbers as " Lay L•dy L•y .. •nd ,. N•shvllle Skyline ,"
• ul one reperter h•s mane1 ed to pene tuit, the 1ecurlly lines he 1, D•lly Sketch wrlter Chl'ls While.
Chris went la Forla11d1
:~1:n, •"_~,e~ve~~ue:l~rnt':. •::-~ An.now l b , a )ourn•lls-t fr etnd "-"d unofficial pren a1enl for Dylan .
·• Dylan walked out of th1 b•rn Into the 1•rden," ••Id White. " He was we•rlng • brown le•ther co•t •nd groe,ilenHd 11,nglHHI, I asked him If I could h•ve • wan! with him and Oyl•n replied • sun, what do )'OU want to know.' I a s ke d wh•t w•s the auracUon •bout the 1,0 ,W. •nd he e J1plalned that It wH • place where Alfred Lard Tennynn had llved and that 't WU • place he had alwayt, wanted to com, t. . "
Dylan 11 belltved to have rented the ha11n for at least three weeks.
White ashcl Dylan If he h•d any thoughts about tU:h11
=~yth:°':o~=:~,.e"::;,'i'.·d ••.::: •· but we wlll can..ider any offers •• 111. • aslcally we a,-. J11st havln1 a holiday ,
" It's nice to be -rltln9 with lha • and again . We're
lust gelling a bit of • practise n. They are a great bunch ,··
llob also sa od lhat he was awan of the large number of fans he had In England . " They wrll.e to me a loL They •re tho most loyal fan s I have and that was on, of the reasons thal I w•nted to com, to Engl•nd to m•lte my cofflebaclt. It's not the money I'm lntenstcid In, 1 Just want to play music."
" I found Dylan easy •nd plHHnl - tallt • ••• said Wh l&. . .. He was • Complete CNllrut to
what the publicity malt11 hlrn out •s •nd • conlt'ast to hl1 laclt of communlcallon at lha pr111 conhrance.
'' He was a completely different parson ta what I had e•pected. It WH an Insight Intel the person and not th, public
ti:,;•~iuf,0 ':r't!:~ afi°~h,cap~~~! pherftalla or a pn11 cenhrenu . I thlnll he 11 a person who II qulle wllllng to talk to yo11 on his own . • ulcelly he 11 • ahy p,nan."
I spoke to th• 9and'1 •obbla •ott.mo" wt\o told m,, "We've. bHn nh,a nln1 with • ob shKe we oot her,, worti:lng out what we are going te play. Ha's • bit
:,;,~: a~au;e~t, J:d ,-:::•~ b~: place.
"•ut he Just 111111 to play all the tlma. We'n had to AY '1lv• It a rut._ .. Wa CCIUld hardly flnllh our fl"1. album bece1111 ha wanted to play all tha tim e."
HOW many saw Bob Dylan? How many
had their view blocked by a pressman's head? How many had their mind blocked by mis• understanding?
The re were 200,000 o f us s truggling in a damp, dark field o n the Isle o f Wight on Sunday night, not wa n t• ing to miss the most his• tor ic pop event in a yea r of his to ric pop t ven ts.
Blind Faith, the Rolll n,t Stones. the return or Elvis . and now the retu rn or Dy lan A quite q uiet calm tl~ure who enJoys playln~ gu itar, singing and sone writing, who prerera to avoid tools In order not to suffer them
He wns the magnet, the
~l:~n;a l ;~n~it!1.R:,rheo 1::!~ Lhe converted, the uncerlli n a nd the disbelievers.
ocOor-583056
fat mattrrss are bigger fat ~ attress are eric dil(on jimmy le'1e~ion neil landon noel redding fat mattress is bigger fat mattress 1s 1,152 square mchcs of slce'1e
( at mattress is 33.788 inches of music f'at m;ittre.c;s expands ,.
DYLAN VE WHAT DID
He sa ng his t unes and The Band played. while bored men and women told stones by tele phone, a nd kids huddl ed together to hea r the t ruth
And the t ruth was Bob Dylan a nd The Band played beautirully. H is group began the ir own set at 1.10 pm t h r o u g h the festival's magnlftcent 1,600 watt PA sou nd system, which ensu red everybody henrd And Dyla n sang for a solid hour, from 11 ~:e t~a~ii;
1~~
1Uper sta r "
jam sess ion. It was n' t needed It woul dn' t havt worked anyway. The Bea tles, Stones and Blind Faith stayed firmly in front or the stage, and
le\~J"i~ ::•~o~!hi~~msr~I~ ever expected to hear in pu blic in Britain again, unul the Fou lk Brothers surprised the world with their coup.
Ronnie, Ray and Bill Foulk and produce r Ricky Farr shou ld be cona rntu lated fo r their enterprise and s uccesa in prov ing that music and youth is the most hopeful combination In Br1tain
Fans that tolerated three days or unavoidable discomfort, had come for something. identifiably honest and rea l m a world or doubts, distor tion and prejudice. They came lo see their own favourite groups as well as the en igma_ myth, legend, whatever Dylan Is ~Ing ca lled this week
They su rprised the Islanders, who had been tllled with trepidation at the 1nvas1on or their conservative microcosm or England, by their h igh standard of behaviour, which was maintained wilh a few exceptions ror th rtt or more
dafhe compar ison with socctr fa n vandals and skinhead th ugs was there for all to see.
And it wa, a time or owning-up when the nollon's press we re shown up in their bitchy game of misrepresentation a nd miserable hair-truths, wah the honourable exceptions of news• paprrs like the Gua rdian a nd Times, whose co rr re.spondent, reported th • unique e-.·ent :,:~ y_understanding and sym-
.. Dylan'a Midm ght Flop•• crowed one head line - aftN thousands had cheertd hi• fina l e ncore "M ighty Qu ,n n ·
MM's unanlm<,ua vrrdtet waa "A suc~s-.. What did th,)' wanl - b lood -:i·
FRIDAY
WELCH
The Melodl spent four on the Isle hour report
Scots pipers or .slrint urchatras, U was the Nia a1 th~• 0.SL
The Br,n:ros were 1uptrlJ!y runny, wtul, more unu1a.1llr chaotic than 11 even ttad.uoftal. Roaer Spear's nplo11"a
~!f~e ~r~~~~nf~~ u;nr;'Le~ Larry WH Ille owint Ill
Ho.!~:~~ta~1-1ra~:xi dr:~~~
Jim Capaldi N.l in H ,, be had rehear.sed with the Boo10f all day
Viv Stan1ti1II'• news corn· mentary on star arrivals to the rrs11val, 1nclud1n1 t.he informalion that Bert Wttd?II was tunnelhng from M,ddla· brough aod wa, btlintd· to be under the Irish Sc-• wa1 ' minor muterpiece
Other h11hliJAt1 of Frida) was Edecllon's esttllen• pet'forman<:1: which drtw a1et for encores In fact, throosh· out the fett,val, the 1\adlfll« were extN'mely warm to ntn thf' most unm~ptred ael-1
:RDICT: A SUCCESS-lng Sun •· and • country blues tinged "The Vicar And The Pope,.'' the but son&s In his spot, with badtln& from mem• hers of the Mighty Baby
gri':I1~lng Gary came American sinaer-10ngwriter To1n Paxton who received o ne
Int- They leapt to their feet again and roared out .. We Want Tom " and then chanted "Paxton, Poton."
Tom was obviously overwhelmed and came back on
~~r. ~o th~e~:.:at -~:.:~
~ THEY WANT, ~~~~.~? ~ ·--soundina programme which Fusions with rhythmic dls-
1!s~~.!t~f! o,:~lo~su if! tr:. credible and unexpected but honestly deserved.
Paxton l1 a crartsman both as a eongwriter e nd as « n aJ'llst •nd obviously won thousands of new fans with his performance. There were famHiar songs dUch es " C.n't Help But Wonder Where I'm Bound," •• Rambling Boy," " Last Thing On My MJnd " and newer 110ngs illke '' Troubadour," "Momi n11 Again " and "Crazy John,'' but it WH "Talking Vietnam Pot Luck Blues " that brought the crowd to its feet In a great $landing ovatk>n .
of my life," and he meant k, for Tom hH wona tie• wkh Britain and this pereon•J triumph was heartwannina to watch.
The Pentangle had • aom~ what touaher i.lme. Very much • listening band their set wu apoiled by aevenrl incidents. Low flying •lrcnfl drowned out their music at one point, • small tire on the arena perimeter caused a k>P of -interest and to cap it aH the Rolling Stones ch01e to make thei r entry in the middle of the ,group's playin1 ot " Bruton Town," and the flurry or pholoan,pher:s ~d rubber•neckers was obviously •nnoying. However they scored with "Penu.naling ·• wtiich •included on& of Danny
dy Maker's Chris Welch and Tony Wilson have r days among the Dylan aficionados
~nc~:~~~~-~o~e;!;'"~:~ t!J~!~~~s M~:ical~e:~ and The Day," and " Knights In A diversk>n came in the White Satin ." - CHRIS form or poetry from Anthony WELCH Haden-Gutsl and Christopher
Logue between the various acts.
Tom returned to encore with two ,on&5, "Annie's
le of Wight Here is their first-hand hour-byrt of the historic B,mk Holiday happening
SUNDAY . o -DAY. Dylan Day. For
the first time in over three years Bob Dylan was making an appearance In Britain and from early In the day, thousands poured into the Isle of Wight festival arena, ready lo spend hours ln anlJclpalion or the moment when Bob Dylan would take the stage late in the evening.
Gary Farr, brother of producer and compere Rikki,
:~~ve:o~~~it!rP1f:'~'e 11~~~ rock bag with "Good Mom-
~~ng., l~re:inf..;1n~~- ~ong~: morous comment on the American Way or Dying. The audience reactioo was amu-
to page 26
p
WILSON
He sa ng well, but soul seemed a trine out of date, or at least out or place, and hii stage movements were uritalin,t
and gave I.he photographers a chance to leap about .
festival, there was a " Surprise ovation." Tom Parton scored one on Sunday . On Saturday, n was the turn or the Moody Blues . And afte r a vast wave or applause and cheerin& which sounded like a Nuremberg rally, the :,,,oodies said: "We have waited five years to hear that."
Earlier Edgar Broughton scored great success with " Demons Out " and proved that one need not rear mass rioting from his crowd stirring methods after all
Marsha Hunt looked absolutely top-hole in a rather 1ttractlve se-1 of leathe r knickers during lhe afternoon,
Aynsley Dunbar blew 1 violen1 set, which was considerably heightened by the appea rance of Aneue Brox for 11. voul duet with her husband Victor Family and Blodwyn Pig scored signal success.
Family's Roger Chapm an
~~~;"~dad i;~e:e -~~~n •~1:ir,ui~ felt they had not played as well as they could
Every so o rten during the
Despite problems with their Mellotron which distorted slightly and took the edge off th&1r Impact, and some in distinct vocal. the Moodies
From mid-day the first groups began to take their
~~~ jrng~::~~ tgyun ~ii;:~~ every hour.
F.irst on were the Liverpool Scene with their mixture o f pop and poelry -and they were followed by the Third Ear
'My job is to play music, I'm just going to take it easy' THE YOUNG waitress at the Old Fort care In Seavlew, a few miles from the Woodside Bay, Wootton, site of _1he second Jsle of Wight mt1Slc. festival was c.ompletely unconcerned that Bob Dylan was on the Island.
" I don·, really care" s he 'laid. "It Ju~t ml'ans that I sha ll kee-p 1wav from Wootlon.''
And Indeed the ract thal one of thtmu~1c world's mos! popular and_ most 1nfluentl1 I performe rs and songwriter_• 1s on the Island has appttrtd to have llllle •ff'eC'l on the teu,urelv p.ac nl 1he popu lar hohday resort
But at th«" 100 acre J'1te 11nlf. where final pr«"oarawms we~ bt-1na made, ther WH alrudy a eanvH township ~et up by ,. cr,uplr of thnu and cam r.c rs maklnR th,1r ltmpnrar-, homes ror tht" te,11val
Pf't.pl, hoe 1ranlltd rr,,m 11! nvtr r~~~~: ~cand,navla, Arnt-rlrl and
Som.- uf the h,,usina wa~ qu1le prlm1-hvt A-. aroup M Amtr1can 1r,d Can•· di•ns had er«ltd themul.-11 1 mini-11\•nty t'J( Lnl"Tuptc<J Ir r,. pla 111 !ioht:el inc Ind N1ua;h ,ra.s lhMrh1nJ1: A h• nJ
" 1"d bnird d larcd ,omewh,u •r> ~,:1 tth- that UII• wa, 01 sot A.TlfJN
In a field adjommg the music area 25 booths were selhng food aod dothes and there were numerous hot dog, ice c ream and fish and chip stands doln2 roaring trade two days before the fcsti • val be«lns.
There wu also a marquee housing a dlscolheque and cinema wht"re under~ ground films were shown
Other entertainments laid on to l<eep ihe rans happy while they w11ted included a n environmental play-.round and a jouatln,c tournamen t between cars decorated ,n blur-re fa-.hlon
But whal of Bob Dyl1n? The 29-:yea,old Amencan, reported 10 be rccewina CJ2,000 for his appearance has been hvlnR in vu1.ual srclus1on~ven Lord Montaf'Ue of Beauheu wasn't allowed Lo ee him However Georae Hamson has
been to -.ee h,m at _1he 16th century forlands Farm, Bemhnd11:e where Dvlan h,,d t,ttn rehean1n1t with the bond for Lhf- past wee)(
On the- Wedn di v prinr to the res1 1val thtre wat a rather disastrous press conf ren<:e 1,ven hy Dylan D1l3 .. 1rous from lht! point of V1t"H o f the k1n_d of quHl· ion, Hkcd and the formall~NI atmos-
phf{!n~ d,.~n11;°;t~fr 11dt- h\ fri nd, ~t
feJIIVilill oft, 141> Dybn laced In armv of rtporlt r ptlnL(l,:_rapher~ .tnd ca m ra
cr~ilh hlJ tum lnmmeJ ah rt, h ard d and drt NJ n hit sh1t1 and I ans, h mu td bOth rM and t,ew1ldc1o-d hv m ny <>t 1~ qu Lion• lluna .at him. qu t;c,ni: ,f I t,v Irr t~vantf' ('rullt'ril•
Ing his marri•Re and drugs. Asked what had been the altrlclion
~~~e 0 JO:f&~ Wi!r;a;!~y!~n~'lsil the About the expected audience at the
festival he commented: "The more the better. I iust hooe it's a aOOd show ...
Dylan said that he had new uran,Re• ments "Everythln,t we will do Is on record ."
Questioned about his chanae of style in drus and looks. Bob said he had dropped the old s tyle because it was 1.immicky end he no longer needed gimmicks Somebody asked him If he thought of himself u a "square " to which he said " He hid better uk th «" fans "
In reply lo whom he wanted to meet Bob said " An)·one who is around . I'd like to meet Geor«ie Fame."
About his performance Boh stated •• My JOh I lO plav music. I'm JUSt , in& to take It ea!S>,. you've got to take it euy if your ,:oin,: to do your Job well. "
Mention was made of the Beatles offer tn use their Apple 1tudlos. '" I'd sure hke to, I love- the Beatles"'
After 20 minutes the prn\ conftrence camr t\~ an end .
It stf'med ,n f'ft'ect that l)ylan v.H 11mply ll't'lnlt " I am m~ mu . 1c, lllten tn 1L" Rut th1t It aumed \~U nfll enough IM many p~u~n at the con fntnce
01upp<>111tment and ann \'Snee Wftt' c11.rn:ss~ at lh~ fa< 1 1h11 no •r al ..,onh of wlsJum had h1 n dehvt>r1 d bv Ovl•n hur r :iil lv 11 stf'mtil hanlh• I.ht llMt> ,r tht s11u.1-t111n tn d11 ..-1
JOE COCKER Delta Lady llmIII Regal Zonophone RZ3024
CLIFF&HANK Throw Down A Line
DIANA ROSS & THE SUPREMES AND THE TEMPTATIONS I Second That Emotion
& The Believers Don't It Make You Want To Go Home
THE VIRGIL BROTHERS
E M I. Records (Tho G11mophon1 Co. Lid) E.M I Hono. 20 M1nch11t11 Square. London WIA IES
QIANA ROSS & THE SUPREMES
AND THE TEMPTATIONS: " I Second That Emotion " (Tamla Motown).
lt"s Diana Ross, the Supremes and the Temptations. I like it - it"s Motown after all. But I think that S m o k e y Robinson and the Miracles did this song much better.
The arrangement is generally pretty good but it sounds a bit ropey in places. It could be a hit.
JOHNNIE TAYLOR: " I Could Never Be
President" (Stax). That wns discotheque music,
and very good of its kind. 1 think it's Johnnie Tay• lor.
They are trying to establlsh hi, styl&-soul rather similar to Sam and OllVe.
I don't think It Is commercial in any sort or way, except for people. Hke myself who would buy It.
P ETULA CLARK: " Look At Mine "
(Pye). It sounds like a girl but I
can't think who it is. The name is on the tip of my tongue. It sounds very five years ago.
J think it's nice--a little bll gospelly. The style ls bit Uke Brenda Lee or Barbara Ruskin . thlnk It might Just have a nibble at the chart.
SAMSON: " Traffic " (from the Instant
LP " Are You Sam-son," INSP004).
This has possibilities , I don' t know who It is. but. it's a British production.
They sound very nice and tight. I liked tbe French horn at the beginning, It was very nice.
With the current vogue for progressive PoP this could do things. It takes a bit of listening to first of all, but I certainly like it.
R UBY JAMES: "Get.ting Mighty Crow
ded" (Fontana). J like the song, it was done
before by Betty Everett,
It's nice and J think It stands a chance because it must be a bout five years since " Mighty Crowded" was a hit. It could happen and it's pretty well done.
I don't know who it is but it sounds like a mate of mine called Fuzz on bass guitnr.
Who is It? Ruby James? Then It could be my mate.
You can tell a true professional
byhis Shure m!c~hone
~\
~"tr
l='; -Thr cnldlaincr who has bu1h up a reputation 1s not gomR to mk it
by u, m~ an mfono, microphone. H e puts h,s trust 1n S hure 11.nd knu""·• that h15 performance will be ~rfoctly proJcctcd whatever the
a1.ou1t1c condtt1on1. More profa\1onal entertainers uJt Shure than any other make of microphone
TaL.c .it Shur~ Um~phtrc or Umd:vne M1crophone to your next ap1 ~ 1c1n1 c and h~,r the ddfcl'cntt. Malt1mum rttd.back rcJect1on
No c.x lr11ncou, no,~s. No h1u , no hum E,ery nuance fa.i1hfull) rC"produud \ , moutl1. nalural rnpon~ for bc,th vo,ceand rnusic
St-rid m the cx,upon for f,,11 dC'ta.ih of the Shure Um,pherc and Umd)'nc- nmi;cr
Sburf' Uoilpbcre I. The world's most venatile unidirc .. tional mu:ropbooe, Small me, attractively styled in u l1n chrome wirb black
finUb . Cub out lerdbad,. reproduces every oote Rawleuly .
@ifff§fM :'~:~~be world', 1taDClard
fo 'ihtD"t fJret~.niN I td, 8• JUK~""" Rnoad , l..,.,.dno"i .. l lrl 01,ll'ltl,1JI
JOHNNY MATHIS: uLove Theme
From 'Romeo And Juliet' " (CBS).
This could weU be a number one hit In America but I don't think It will be ap• predated enough in Britain.
When It started 1 thought it sounded like Jose Feliciano. I do like this sort of ballad, it's nice and it's dlfferenl.
You can't spend your whole life listening to II Baby Come Back."
THAD JONES - MEL LEWIS JAZZ OR
CHESTRA: " Kids Are Pretty People" (from the United Artists LP "Monday Night," UAS29016).
Who was that? I thought at the start It could be Count Basie but as it went on It certainly wasn' t .
The saxes were rnkl-J930s and the horns were contemporary. And that bass solo at the end-I can't guess who It might be but it was great.
I liked this very much, This ls my scene sometimes but I can't be caught doing it all the time or people would think I can
RADIO JAZZ F9llDAY (S) •.10 pm J : Ju.t Unllmlt1d (Fri, Nitn-Thun). 7.10 pm H2: Jau. 1.•s 11: Jan On One. , .u U: Nuon WIiiiams E1r Show . 11.S E: Glenn MIiier. 11.30 T : Ell• FIUgerald , 11.D T: 1111 Ewan1. U .15 am I! : (1) Juome Richardson {2) Tony • ennett ()) lilllngt.on .
SATU"DAY 0) • ·s am J : Finch .. ndw11on. U .O noon I) : Jau th1cord •equut.s (Steve aau) . ll ,15 pm H2 : Thi Flwa Pennlet (Louis, Danny Kaye). 2.JS H2: Radio Ju~ Magazine , • -15 H2 : llue.s P'ower. 1,32 11 : Jan Ch1b (Kenny 91.11'1 Jan:men, BIii Nlt1' 1 Goodtlme land, Johnny Parker). 10.JO Q: (J) Clarh• loli1nd hnd (•) Catulna Ya• lente (5) Chlc.o Hamilton Sn._, {I) HIit Jei._t U.5 Al ; ••land kirk , Cannonball Adder1ey, Stan GeU 11.5 J: Jau. 11 .5 &: Herb Geller Comba , 11.JCI T Benny Goodman, 1Ml•2. U .O T : C.1rry Mullltan Mull len Webster ,
SUHDAT (l) 12.5 pm J : Finch .. ndwagon. 4.30 Hl ; Nul.,tandl J.an Orie . ,.o Al : Jam Seu.Ian , .15 A2 : Git To Know J,1n ,_,a U : Vanilla Fudge, lt> 0 11: Nlh llav1n'1 I and I Show. 10.30 0 ; (2) •enny • alley. ll O 11 and 2: letl er Jan on llecords (Humph) ,
MONDAY (I} 7 .JI pm Q, 9'1 .. ,ul S.UJN1ie 7.)0 E ; LH Writht Quln'4t. 7 ... 11: Jw,t J .. ~ (Jettn D11n11)
play more than three chords and that would be disastrous for the Image.
ISLEY BROTHERS: " I Turned You On"
(Major Minor). Not for me. Take it off! It' s
a diabolical sound and It won't even make the discotheques.
Horrible!
SAMANTHA SANG: " The Love or A
Woman" (Parlo-phone).
She started out sounding like Shirley Bassey. The song sounds a bit like the middle eight. of " Eloise.'• Jt's had a lot put Into it.
I liked the brass. I don't think the punch llne is strong enough to sustain It as a very big hit, but it will get plays no doubt.
She's trying to do a Bassey and 1 think It could be a minor hit.
JACK HAMMER: "What Greater
Love" (United Artists).
I don't think Steve Ellis wlll like that, it all sounds so much like the Love Affair but with a great bJg Humperdinck voice.
Even the bass guitarist sounds like the guy In the Love Affair.
I think It could be Top 50 material. Or there again it could do absolutely nothing at all.
JOYCE BOND AND LITTLE JOHN:
" Mr Pitiful" (Pama). To hear that song, every-
body will play the Otis Redding version.
The girls voices in the backIng were "pitiful."
Musically, It's all pretty competent but l can' t see ft happening.
PHIL CORDELL: " Pumping The
Water" (Warner Bros).
Take my word for It-that could be a big hit. It's so different I woukln' t even be surprised If It turned out to be the Beatles.
It also reminds me of early Kinks and the guy's voke ls a little bit like Ray Davies.
That could certainly be a hit.
10.20 E: Kurt Edelhagen Ork. 1D.30 U; Irene lleed. 11.0 Al: II and •. ll.15 Al: FrH Jau,
~~::, H!~lU:,!!''t~M';/~ta3!r~: 12.0 T : LH._r Young. 12.5 am J ; lobby Troup Show'
TUffDAY (9) 5.0 pm H2: Ilg .. nd But, 5.25 H2: Jan. 10.30 0: Jau Journal. 10. JCI V : Louis SUlwart. 11.0 U: Btrlln JF 1'M (Count 9asl• Ilg • and) . 12,0 T: Jun Session with •Hie, C•U, Wardell Cray, • le (Tues, Wed).
WEDNESOAT (10)
1J!v1 p~~d~!:ort!aQ.,.~~~•=:~ Down, Trio, • rlan Prlutley) 10.,0 Q: Old Time Jiu. 10.45 Al: Jau Panorw.ma (Hugues Panaule) , 11.20 H2 : Radio Jau Magazine. 12.U am E: • tun
THURSDAY (11)
7.30 pm ; Kurt Edelh•11n Ork, Tool, Thl1lem1n1, Kanl Kraut• llrtner Sut•L 10.41 O: Down Town Strtct Paraders. 12,0 T , FleLCher H1nd1uon All Stan, dlr• ded by lln Slt warL Programmes subject to change
KEY TO STATIONS AND WAVELENGTHS IN NETIIES A '. RTF France 1·112', 2-)U, J-MI • . •• c 1-247, 2·1MO/VHF, J ...... / lM / 11 / VHF. & ; NDtt
~.:.-;~~J.l"j.11~,:;5'~;~,~~ :;.~1.,::·~.tl l:""'1:'..· it. ':. 11,10 lr• ffl•n JJJ. V •a•I• ilr .. nn IJI
D UST Y SPRING· FIELD: "Am I The
Same Girl? " (Phil• ips). Not the usual Dusty sound at all. This is her little girl voice rather than the belter.
It's a soul ballad which sticks easily ij n the memory and has a great little band jumping behind her as well as the usual good girl trio. In fac l there's a touch of the Su-premes about it all.
The song &rows on you and it should be an undoubtea hit.
JULIE DRISCOLL, BRIAN AUGER AND THE TRINl1Y: " Take Me To The Water" (Marmalade). Julie sounds as though she has heard the Nina Simone ver• &ion of th is Gospel song which starts dead slow and then doubles up to sw'jng like the clappers.
She does it well, too, and Briao and the Trinily really help be..r to build to a climax. J like It but have my doubts if enough of Joe Public will to make It a hiL
It ends like one of those great Sister Rosetta Tharpe - Marie Knight things of way back.
CANNED HEAT: "Poor Moon " (Liberty). Something really different from Canned Heat which seems to be a mixture of cou ntry blues, hoe down and Oriental. Bui it works and the result is a real atmospheric piece that I would rate their best single yet.
lt'!,e~m:~i;~e~ryo~i~:op:c: lie too.
BUTTERFIELD BLUES BAND .. Where Did My Baby Go? "(Elektra), More blues, but a more sophisticated version which is more likely lo appeal lo the soul market than the rans of the 11:enuin e article.
Arrangement is a bit tricksy and the voice is a little uncertain at times but there's nice guitar and some good mouthharp in the background amongst the brass and reeds.
DEL SHANNON: "Comln' Back To Me" (Stateside). Strange but I teem to be liking jun about every. thing this week. Del's re• cords always sound as though somebody h,u taken a lot of trouble Ret-~~n~0th!'!rep~\~~~ and this
A~iu'i:d~~nga~?;t~r:h ~~~~ non is one or the. co--writ-
f~· ::%(,"e;~\t!0~r::~b~ track in g here and there.
Deserves to be. a hit.
JOE SOUTH: "Don't II Make You Want To Go Home" (Capital), Pity about this one. An intro that prom-
~sre~ngdOO:a~~J~r~~/~:s g:~~ An~ ~i ~bai;/s ~~& end where
It's meant to build to a climax . it just beeomes a prettnt1ous me.as.
BETTY EVERETT: "You're No Good" (Pruldent). c . Ballard Jnr, 11 gives as composer but it sound.! to ::Y t!~k.somethina from
Miss Evere1 t Is one of tht &rHl underrated s ingers
:hodulfv:erf~::~n:e ~~ !'~u~ia:g ~~~ l~~~t ,tt;uh1f 1he hllll de.se rved ao often In the PHl
Not bad, but iuat not dlfrtr• ent enough
SPANKY AND OtlR GANG: "And She'1 Mine ,. (Mu-
~r1t,~~~~~ h:t~~n:~: It w11 lakm from three different rnorda - and I don 't likc- any of thtom.
Whtn it fftllea down it'• quite an a11r,rt1n tune with vtry ('(ftmtrd1I fflf·
DUSTY: not the usual Dusty at all
al sounds but the backing is over-lush.
GARDEN ODYSSY ENTERPRISE: " Sad And Lonely •• (Deram). First single from a group that does a Jot of cabaret work in Britain and on the Continent. They
~ ~nJ a~'r2t'.he tif!'id v;u~~ ari,t has Ideas.
The song sounds be.tter second time round and if it gets the plays this cou ld easily make the chart.
.RADHA KRISHNA TEMPLE (LONDON): ,. Hare Krishna Mantra" (Apple:). If John and Yoko can get a hit with a chant for peace J suppase there's no reiuon why George Harrison shouldn'L try for the Budd.
t'~~t c,~~ ~rkt~u::;N or Apple ch1nling "Hare Krishna" ad nauseam -and nauseam ls about the nght word.
Just to complicate matters lhe accompanying hando~t indicates somethm~ d1ffertnt on side two whereas my copy seem& to carry on for two full s1de.s.
Recomme:ndt<I to Seekers After Troth, Transcenden-
~~!eV~h~lf{:~nt~ ~;!~f~~~ ture: with a capital N in hand-outs
THE HUMBLF.BUMS: "Coco. nt Tne " (Blt; t). Not bad at all, It'• one of those rather childish songs with a touch of Calypso added .. There's a aort of hypnotic charm about 1t and the lead tln&er has an attractive voict>
Al least it stopped mt" chantlnc " Hare Krishna .·•
STAVELEY MAKEPEACE.; " (1 Wanna Lo"t You Uke A) Mad l>oa •• (Pyramid). Y_~ Gods, 1hcy 1r, evtn J 1VLnJt away five tradinM Stampe with each copy etf this tet make up for thr fact 1h.at the B •id" runs for only 32 aecvnds. Sav~ 300 1tamps and yCJu tt1 :d Makepeace 11hwrap
Tht A side aoundt as thnuah it was ~rded in,.kk a l•r•e pll)I' on a bi.a1ldint1, ,,,. And u·. Ml ... , ... ft ML!ld PUIIV hf, 1 tnANlve
hit It hos a horrible fucination
thal keeps you playln.c 1t fi~! ~;:" even beglnnin& to
THE GUESS WHO! " Laughing,. (RCA). Oh all right then, I'll cuess Johnnie
~hrr, st.:'e'1~:S :rn~~ through Jivlnf: K's boot.&~ Frankly I don t ca.re much and will emigrate to the ~~~ Of Wight If it'& a
TA::\RI:~ ;;;;:A;~Pl~fi Dance" (MGM). Where do a ll these wild gu itar players come from'?
This one produces some pretty far out noisH. In fact this is a lmoat my
~;~:r~ w~icf' is ~~ou~h to doom it to obscurity
Here you have a_n attempt at • commercutl record ~he.re song, VOJCCI and instruments all jtll tQgelher It manages to be
~~~~!~~I ~:~ :~c~~i;!, in":~:~ !~ticends up ~-
51;?:~). ;YMrtlle t~~c~.; wo_rked out the funn)
T;dtlPfu~n !~~ l~~I ~b the mu•1c hnd stopped. S11
~h1~g ~~s i>;8~r1I~ -'&Im THE VIRGIL BROTHERS·
~•,:~:;h:::,. W~/~~~ to be tn,int hud to do
~h:•::rk::~ot~1~.y~c~:J bt-ttcr rn1te-rial
1 was goinc to sat I.hat the>
:h:ne~~~\~~n~h:1.~~:n~!~ ~t~~~ ~h! ~lt~~~~k w:n~"~,: har 204, Horriblt:!
™: .. -~'r~ ... :;,.1;.uy':!'! not in thtt 11e 1ro11p tu t' WIid (Wier 1c-1np • bo\11
at~1:f.::".,~~z .~(~' :~ru:.i
~~:,, tne Al the- bftyt.
In rny day tMy h&d herbc-d W&fC' feft('ff
The l'(Jllp lt CUfflPl'teDl 1hP111b tht-r• ii a NU
j~ b: t~; --.;~n~ 1..nwn IV
Chrysalis presents
In Concert with their guests
M f-_LODY MAKER, Septembe~ 6, 1969---P•,t~ HI
SAVOY BROWN & TERRY REID
NEWCASTLE: EDINBURGH: DUBLIN: BELFAST: LONDON: MANCHESTER: BRIGHTON: HULL: LEEDS:
City Hall, Thurs., 25th Sept. at 7.30 p.m. Usher Hall, Fri., 26th Sept. at 7.30 pm National Stadium, Sat., 27th Sept. at 7.30 p.m. Ulster Hall, Mon., 29th Sept. at 7.30 p.m. Royal Albert Hall, Wed., 1st Oct. at 7.30 p.m. Free Trade Hall, Thurs., 2nd Oct. at 7.30 p.m. Dome, Fri., 3rd Oct. at 7.30 p.m. City Hall, Mon., 6th Oct. at 7.30 p.m. Town Hall, Tues., 7th Oct. at 7.30 p.m.
BIRMINGHAM: Town Hall, Wed., 8th Oct. at 7.30 p.m. SHEFFIELD: Gty Hall, Wed., 15th Oct. at 7.30 p.m. CAMBRIDGE: Rex Cinema, Sun., 19th Oct. at 2.00 p.m. SOUTHAMPTON: Guildhall, Mon., 20th Oct. at 7.30 p.m. BRISTOL: Colston Hall, Tues., 21st Oct. at 7.30 p.m. LEICESTER: De Montfort Hall, Thurs., 23rd Oct. at 7.30 p.m. PLYMOUTH Guildhall, Sot., 25th Oct. at 7.30 p.m. OXFORD: Town Holl, Mon., 27th Oct. at 7.30 p.m. NORWICH: St. Andrew's Hall, Wed., 29th Oct. at 7.30 p.m.
Paae 20-MEI .ODY MAKER, Seplr mher 6, 1961)
J OLL,!'Jo':nt" ~ A~:e~lrSA:~
1~ m;ri~~i1 r.u~~o ~~rk:fl~~~i115
~~~ "1t.'k1d1es th::i:t havr undertones uf h1llbllty Not w1thou1 a certain \ harm but .gets a bil
r • drag In large dnse.s
'\R.~ NO\A: "Sun.shine And ~hadow1" (Atlanlic). Ars N,..va are a half.hearted ~"'&T. and 1n a !i.Urprise to hnd 1ha1 hnt jazz trumpeter JJmmy Owtn-. hlddtn in their lme--up
8.-\CHE.LORS: .. Theo World Of Th~ Bachelors" (Decca). The Irish trio singing their h11., 1n the way that has sold them rn1!11ons or records.
8ROOK BE.NTON: " Do Your Owo Thin&" (Atlan1ic). You'd sv,.car 1t was Tom Jont''ii ror a moment there, but Rr< nk ha., a bit mnre soul
FRIDA BOCCARA: " Un Jour, Un Enfant" (Philips). Plea'ii:in1 French ballad smgln•
BONZO DOG BAND: "Tad• poles •· (Liberty). Funny and enlerta1mng potpourri or Bonzn111ms_ some of al dating back to their days at the Tiger's Head, Catford
JAMES BROWN: "Say It Loud I'm Black and I'm Proud." (Polydor). Slandard Brown sou l He screams and shnuts his way through an extended version of the title track and nine other tracks
JAMES BROWN: '' Soul Fire- ·• (Polydor) . Brown yells, screams and grunt, - and doe them ill well
SAVOY BROWN: "Blue
~~~~~e~ 1i~t::~)~ ~~~ertdfS without singer Chr·s Youlden A nice. meaty album, tho roughly blues based The best so far from this group.
BUFF ALO SPRlNGFIELD: 1• Lui Time Atound" (Atco). They not only had a great sound but lhey wrote ex· crllent songs.
SOLOMON BURKE: " Proud Mary " (Bell). Not much original matenal but he ho.., I.he ability to Interpret other people"s songs in an Individual way
GLEN CAMPBEU..: " Gal• vuton / Where's The Play• :~~~nd !~fi'.~~0j~~r>-_1~e~ marred only by a sick making dialogue called " Friends•·
CASHMAN, PISTILLI AND WEST (Capito!). Gentle, and rather dull, vocal trio with a pop-folk reel.
RAY CHARLES: " Wha t'd I Say •• (Atlan tic). Earl} sides by Ray which bring back all the tingling verve of Ms alngJng and mu1ic
CHER: " 3614 Jackson Highway·• (Alco). Songs from Dylan and Steve StJlls, 1uperb backings and Cher's vwce combine to produce a tremendous album
(London). A wide cross sec• t1on of count!') mu sic reoordl!d in the last 20 }" t'a ra. Arlls ls in clude Flalt and
~~We~~S, d:yhnn~;ll~~:n : R:!:k Owens, Geo rge Jones, Pop St!\ll t!mln and Glen Campb~II
THE COWS ILLS: 0 The Cowsllls In Concert ., (MGM). Recorded 1n concert with a se1 of familiar numbers The
~~~s t1
N~e~':,,vlie~6~~1lte~~~
but might have benefitrd from morr origina l materia l
CROSBY, STIUS AND NASH (Atlantic). Good songwnters as well as excellent performers, the trio have rome up with a delif!:htfu l and original a lbum
DAVID AND MARIANNE DAL"t10UR: "Melodie Oalmour ". (Columbia). Pleasant duo smg1n_g be.riutiful songs and David 1s II tine guitarist
g~H~r~:~1Ds,~g~r(C!1~k ~ mellow voice and a sensiLive approach In the Jack Jones mould at times but wfth a distinctive style of his aw n
THE DELLS: "Greatest Hits" (Chess). Progressive soul from n Chi cago group who've been together for ten years
MARTlN DEMPSY: "My Name b Martin Dempsy And I Sing " (Rex). That's what you think! Mr Dempsy is beuer aclOr than si nger
SIR DOUGLAS QUINTET: " Mendocino" (Mercury). Country infl uenced rock from the _American aroup who had a hit here several years ngo with •· She's About A Mover," one of the worst tracks on the album,
FAT MATTRESS (Polydor). De.but of Noel Redding's group, and a pretty good one too. Nothing mind-shattering perhaps, but well-above-average l 969 group music with a lot of care nnd thought behind it
FIFTY FOOT HOSE: "Cauldron " (Mercury). More All• American rubbish from a pretentious group who g,mpretentious group
THE FLAMINGOS: "Their Hits Now And Then " (Philips). Interesting, but dated, sounds from one of the biggest groups of a rew yea rs .. ,
FLEETWOOD MAC: " The Pious Bird Of Good Omen " (Blue Horizon). A collec~on of tracks taken from previous Mac s ingles and albums A ,tood so lid buy for those who don't a lready have them.
FLOATING BRIDGE: " floating Bridge '' (Liberty). They play "Hey Jude " as an Instrumenta l and begin ll with the ending, but apart from that th ere's nothing partkularly revol utlon:ary orexceptio na l about this.
FOUR TOPS: " Now!" (Tamla Motown). Still one of the most exciti ng sou nds
::u~1 i~in=~~rin1gr-or~~· :u~,:n:
dated
POP LP OF THE MONT11_; __
A magnificent set from Chicago
CHICAGO TRANSIT AUTHORITY: Introductio n; Doe s Anybody Really Know What Time It ls7; Beginnings. Que stions 67 and 68. Listen; Poem 58; Free Form Guitar; South California Purples; I'm A Man: Prologue , August 29. 1968; Someday; Libe ration . (CBS) .
Robert Lamm (keyboard instruments, vcls). Terry Kath (gtr, vcls) . Lee Loughnane (tpt) , James Pankow (tmb) , Walter Para · zaider (woodwinds). Peter Cetera (bass gtr. vcls) , Daniel Seraphine (drs}
BYat~:!P/~! d~~:\0~:~s~~~~ ments of Jau, PoP and blues. The result ls a magnificently powerful two.album set which builds and maintains tremendous musical tension.
excitement of It nil, the sheer guts and drive.
Undern eath Is the fine technl· que of trombonist Pankow, trumpeter Loughnane organist Lamm and guitarist Kath. Pankow, In fact , solos In a way that suggests he will become a prominent name In the jazz world sooner or later.
wed all the e lemenls into n thoroughly personal music that's as tough as the city they came from.
tt a ll makes Blood, Sweat And Tears sound as tame as a teenybopper group.
This can be enjoyed on at least two levels. Nobody could be proof against the surface But foraet the labels, the CTA
And the whole double set costs only 43s. 9d . Unbelievable value. - BOB OAWBARN.
HIGHLY RECOMMENDED
BLIND FAITH (Polydor). A beau• tllul set from Messrs Clap&on,
Wlnwood, Crech and Baker which end1 any doubts as to whether Faith was a good ldu. They work t.h1 thing out In • much leu prtsu1rlsed ruhlon than Cream did, but 1till generate e•clt1ment. The LP Im• provt1 with 1v1ry he;arlng
HUMBLE PIE : " As Safe As Yester-day 15" (Immediate) Pie's
debut 11 mostly heavy rock wllh a few brief excursions tllo country and rag• Whlle It doesn't ••plore the full potential of the group there
JEFF O~it~~~o;:;i~) .Nl~~;r: s~=~k; Jelf 's groups don't sLay together longer. They tend to produce nn11
~~e "'s':,C:gs th
•~~ ';;::~::~roll Mo0r11~1~! .,.
~r::;m:~p~~a~rck~l~op5k~~~ ~~•n;:~
Stewart on hiind, Hopkin', piano fe.tur1 on " Glrl From M II Valle)' " Is particul,1rly outstanding , ~' " JOHNNY ALMOND MUSIC MACH
INE : "Patent Pending " (Deram). Johnny 11 the mu1tlln1trument.1ll1t currently working wllh John M• yall and he hH come
JOHNNY CASH: "At San Quintin" (CBS} , Performing before an
a11dlenct or prlnners, Cuh exhibits a dC9ru or humlllt.)' that rings ablOlutely lrue. His antl-prl1an song 11 powerful with the terrible truth or Its 'llll'Ords 11ndcrscor1d by lhe unpre• tentlous sln9lng, Also here : " Folsom Prison • lucs," " I walk Th• Linc " and " A Boy N;amcd S11e ."
ELVIS PRESLEY : "From Elvis In
nnc m~::'fnh1;:;.\:~: o~c':';~le~
1J!~ or good songs, th• King I/vu up lo the legend, A set to convcrl cynics and delight Presley regulars,
~rbu~~h He m~!~::sh~fs J.•l~z.r:: States wllh fin • American b11cklng mu1lcl11ns.
THE FRIENDS OF DIS·
~!;:~1i~d "a~~~~~• ~u\R~:/; Fifth Dimension type group is sadd led with some pretty hackneyed material
RAYMOND FROGGA TT: " The Voice And Writings Of •.. " (Polydor). Froggatl is a talented songwriter who's written hit.s for Ch ff Richard and Dave Clark. This inter-
:~~~f or a~~~':1a1e~iv:~d ~~~~h~( h1S group.
DON GIBSON: " I Love You So Much It Hurts " (RCA lntemallonal). Don Gibson is a noted performer in the country musk genre an_d makes easy listening with th is set of songs
Esifoi~;ci00!~" r\~t~la~
Godz ARE the worst rock band in the world This set Is ao trite, banal , and boring that It defies d escriptJon
JOE GRIFFITHS: "Out Ot The Head Of Joe Griffiths" (Phillps). A curfous m,sh-mash of original material written and performed by Mr Griffiths
who is an actor and s ings like one . It sounds like a pasUche or the pop scene or a coupl e or years back
'IGGlNBOTTOJ\1 (Decca). Excellent debut album Good origi nal material, pleasant singing and really fine guitar work
CHUCK JACKSON: "Goin' Back To Chuck Jackson " (T1mla Motown). A superb sou l smger who has lost a htUe of his bite smce Joining Motown. Not up to his earlier recordings, but still very Interesting
AL JONES: "Alun Ash• wonh-Jones" (Parlophone). Debut album rrom singersongwriter Al Jones. Pleasant but unrema rk ab le Some Interesting guitar work but the vocals Me a bit weak.
GEORGE JONES: " My Counby" (St.lteslde). One of the top artists In the American country field, George Jones Is heard on a mixed bag ot songs Nice one for country rans
THE LETTERMEN: " l Have Dreamed " (Capitol). Smoolh and thoughtful versions or tuneful songs
LOVE AND POETRY: "AndweUas Dream " (CBS). Dave Lewis wrote all the material as well IS applying guitar, piano and organ, and singing. The result is moa£ly very pleasant though there are pretentious moments which don't ~ally come off
JOHN McNALLY: "Mary In The MornJna" (CBS). St rong, masculin e fr lsh voice on top class ballads Should get the housewive11' toes cu rling
MAGNA CARTA (Mercury). Excellent debut album from this trio on song, written by group member Chris Simpson Some mature aounds.
SUSAN MAUGHAN: " Hey Look Me Over" (Fontana). An excellent cabaret s inging di se~~!n'ho'!... lot of professional
But seriously, this is a fine
~faayi:~e Jn°f19~~w -8 ~~ic:1~"j!
to say pretty good
BILLY PRESTON: "That's The Way God Planned It" (Apple). Pres ton's Apple debut is highly successful . Easily hi s bes t yei and a nice, well• plnnned selection of materlnl
PUZZLE (Stateside). A comp~tent, blues-b::i:sed group occasionally spoi led by the lead guitarists precxcupati on with odd sounds. Average
!~~~~tio~a~sl~ffe~~h nothing
OTIS REDDING: "Love Man " (Alco). The 1reat Olis with groovy backing charging through such songs as " I'm A Changed Man," " That's A Good Idea " and " Look At That Girl"
OTIS REDOING: " In Europe'' (Atco). Reissue of one or his most excitina albums recorded during a trip round Europe
ELIS REGINA: " In Lond_on " (PhUlps), A brilliant Braz.11ian girl who slnas with tremendous technique and remarkahle verve
WE'VE CREATED A SENSATION THE BIG BEAUTIFUL SOUND OF THE
JUST A LITTLE BIT OF SOUL (RCA lntemallonal). Sam Cooke, Johnny Nash and ten lesser-known artists Nothing remarkably original but pl enty of excitemenl
LITTLE MILTON: "Grlla Ain't Groceries" (Chess). Mixture or good soul and blues includes his old hit " Just A Little Bit" Varied material showcases his e,c• citing vocal talent CLIFF RICIIARD: "Sln
ctrely" (Columbia). C liff laves up to the album's title w11h this collection of nice'n'nsy pop tunes P~7B
., ., .. ,. .. .. .. .
, .. ,. ,,~ ' .. , ~
-------
ll d i'11 ) ,1,11,·.
SOLOMON KING: " Kin~ Of Son11 " (Columbia). Varied album rrom the- l,Ja vniced sfnaer
TIIE KINGLY BAND-MALCOLM'S ALL STARS: "Rock Stead)' " (Decca). Two of Jamaica'\ lop aroup, ,hnw wha1 they ta n dn with pnp hit m.ilt-r1al
JERRY LEF Lt..WIS: ·• I'm On Flrt" (Mercur)')- He11ut1ful album or rc,ckintc Jetr) havin,r. 1 b,1/1. rrppln• r,tf m11Jnificrnt piano rift\ :md t{l'nf'ritll\ t<tl'lkln,t
LO\ INDIOS lABAJARAS· •• ~ona or Th\' blind\ .. (RC A lnlernath>nal). Pleu,.rnt iu1tari. 11nd v.-rv lf, ,lly""'ood · ounJmJ ch1111 1dlr a~ntly through a tJ, ,,rn H-1wx1um d11 11
NICE (Immediate). Half wu recorded llvt at New York's Fillmore East The group are free. with bags of technique. yet are no1 very adventurous rhy thmi cally and often fall Into heavy repetition A good buf nnt wholly sa11dy1n,:, LP '
ce~,::Qw(~~5
~a~d85~~•)t~ \~~~
Ameriun quintet cove rs a very "'1de rangt of material from bluts 1<1 Sun Ra via Edd1 t Coc hran Tht: rrl\ulh add up le• a ,:•,od album
CARL PLRKINS; "Grealffl Hit, •• (CBS) One- t•f the allum• 1ru1, He 11 1mmt'he-d In 1hr mu!liil" he r,alp•blv lnvr- 11 ht- 11 It
Bill\' PJU\TOl'ltl "the Appl~ or lb.Jr ht'" (Prni• dH11) Olw:ih ,., v1 • •uty !Ille~
PADDY ROBERTS: "The World Or Paddy Roberts" (Dttca). These Roberts ditties sounded witty when r~leased a rew years back Secnnd time round 1hey don·t
CLODAGH RODGt.RS (RCA Vlccor). fine album with l h>daah prov1n,c liht' can handle diver:r.ifi• d l'TU1fl!'T1al wuh c-,1,e
LINDA RON!,IAOT •· Hand Sown Home Grown -~ (Capl-lol) . Dc-!ipm, an ,,bvinu prt"d~lu tlnn for l ,untr)" 1num lhc &nl Jnunds IQ ltke JO•n Ha,., tl'A lfnwn,1iht di turh1n,i:
moves nea rer rflck and _rur , ther from fo lk A uniqu e artist on a n mter~sll n~ .11nd varied se:t of me tenal A very good album
ROTARY CONNECTION; "Songs " (Chess). An odd, but highly effe,t1ve mixture nf materia l ra nging fr11m R&R lo progressive
DAVID RUFFIN: " My Whole World Ended" (Tamla Motown). The fonner lead s inger with the Templauons on an album of not loo inspired material but the tllle 1rnck, a big hit for him 1n the States, IS good
BRIDG~I ST JOHN: "Ask Me No Quu1lons" (Dan· d ellon). An impor111nt new singer-songwriier - or a load of pretentious crap . It all depends on whether ynu ar a rollower of John Peel
SAM AND DAVE: "Soul Men " (Atlantic). A re.issue of a previous album frnm the sou l duo
HARRY SECOMBE: " Showcase" (Phillps). Why can't Harry Secombe be conient with being one nf the funniest men a live?
GEORGE BEVERLY SHEA: "Take My Hand Precious Lord" (RCA lnternatlonal). Re ligious songs like "Go Down Moses " and the title tune are sung stralaht by Shea wilh orchest ra and sometimes choir In i-,uppor1
TOMMY STEELE: "The Happy World Ot Tommy Steel" (Decca). The Jolly cockney bit on new ver&.iom1 of his o ld hits
STONEPILLOW: " Eleazar's Circus" _ (Decca). Average be.it mus,c with the obligato•
~ ·~~~hifictiull~ ii;~: ~~:~ written by a reasonably bright ten -year-old. And all in Decca's Phase 4 stereo
WILLIAM P. STRICK-LAND: " Is Only A Name •• (De.ram). He makes the whole thing up, lyrics and melody , as he goes along which must mak~ H tough on the backing mus1c111ns
ArT1~1~). 5~e~ss~~~~ of~:~~
mg music by a n assortment or soulful artists inc:lud1n,:
~~c;,~rr~ 1~~"~~~ ~~:: · i~r:'nrr:r CONWAY TWITTY: " Dar
ling, You Know I Wouldn't Lie" (M~A). Good, solid country 1n the modern manner
HONKY VON TONK AND HIS FRJENDS (Fontana Speclal). Corn at lls corni est with honky tonk piano. ac• cordlon, vocal cho rus, etc
MARTY WILDE: •• Wilde About Marty " (Fontana). Marty presents revamped vtr• s lons o r his old rock hita He's a better s inger now bul his o ld fans may mlss Some of the roughness or the orlg!nals
THE WORLD OF HITS VOL. 2 (Decca). A wide mixture or former hit 'Jingles 111c:ludlnp: Lulu 's "Shout ;· Amen Corne:r·s " Bend Me Shape Me," Small Faces· •· AU Or Nothln1." Cat S1even1' .. O Love . My Doa ·· and 1he Move 1 " I C«n Hear ThtGrus Grov. "
TH[ WORLD Of" Pao4 GRESSI\'£ MUSIC (Otte.a) Odd mu:ture ran,,nir tr, M blues 10 J8U with I rad, , b\s.uch at11"t a!li John ~ayall. S1v11y Rruv. n. Ea"I o, fdt-n MooJy Blues kf"cl Harllt\ T,,uch, Gtne:sls .
THI-: "°HITt. "'Ol~t. .. An Utctronlr Storm•• thland) Mixture cil •l"«tU 1,utru mel'lt.,11\su t nd lt-ctuin sounds t.bAl van • bet• e n tht- • < ,tin~ a NI 1nr 1d1nt11
J. I. WOIITHINGTON: .. If I Should 1 ouch YCJu .. (Df«•J A ple-uan1 1rntk \l'-110 and
•n • ol t..,_ bnt I r•nnt hall.ad phu ht-.itt.111h1I •rtari,:I' n,t'nl•
BRIAN 80Rll CEILIDH BAN D: "Ceilidh Time
In lr t' IAnd " (Emt'rald Gen, Gl S IOl 9) Lf'ad 1n1t lric;h band ltatuttd on II bunch or dan ce tun that Y..111 shake therahf'r" m ('a mdr-n Town '
~ -{', -
FOLK -LP OF THE MONTH ••,i.,L t
LEX CAMPBELL: "Alex Ca.mpM IJ Sampler .. (TRA fiA\1 6) .\lt'C IS ht'ard Wi th a varit-l\ of ,nn5t,; and they m • elude ·· Bern On Tht' Road So Lo 1n1t." "Tht Overga lt," " M}Old G1h'icin Gu itar," "Love Is Teasing · and " S1n1mi Bi rd ·• ln1~rt">t1nit cro,;s.,;ec11nn or All'x'r. wr1rk
CORAL MEXICANO: "La Mlsa En Mt'~ko.. (CBS s• 762930) A vari et)' of Mexi ca n rt'll1tious son1t" presented 1n II modt'rn 1nd way tha t lt"nd~ it se lf to th ~ (olk idmm
TIii:.. CROFTERS; (Deltona LBS63) Tw n boys, . one girl make up this Scottish group '. The) smg plea!l'antly o n a v• ri t'd St' t o r trad1t1onal .-ind rontempnrary folksongs 1n cludm1t " Bo ttle or Wine" "Wh1skt-)· In The Jar," " wi'n Ye Go Lassie Go," •· Johnny Copt " and " We Sha ll No t Bf' Movt'd ·• Nol nut,.tanding an •n~ v.a)
BRIDIE GALLAGHER: " In The Heu1 or Donegal .. (Emt>rald Gem GE..~1017) One of lrt'land'.s mos1 popular voohsts with her own pleasanl style on • st'li!!:ctlon of ln'lh S('lnR'-
"CISCO HOUSTON AND WOODY GUTHRIE" (Ember CWl35). Song" of America , mos1ly trad1t1anals like "Take A Whiff On Me," "Golden Vanity" anti "Fog,.y o,w," art given honesl , earthy rt'nder1n,t,; by lht' two late lamt'nted U.S . folk artists S1,nn\· Terry ', harp ht"lp, OUl , Lon
IIAMISH JMLACH : " Hamish lmlac.h Sampler " (TraMatlantic TRA SAM9) A c rnu sect ion of sonas takt'n lrnm Ham1,.h's previous rt'C"Ord mas Al 15s 5d this is very good va lue and fa ir sampling from one or the best en tertainen; on the fr,lk scene "" •th sting.,;. "UCh as .. It 's Better In The Dark, " ·• Twa Corbie• ... " The Oyster Girl ," "The Copper'11 Song;· " Cod Li ver 011 And Or-an1tt' Jul(:e " and "Th,• Sfnl t1s h Break av.ay
U>NDON BALALAIKA EN• SEM8LF..: "Songs And Dances or Ru ss ia " (Fontana LPSJ6263) A!> lh l' l1tle 1'llpliH th ,.. i 'I II se t of Rus,; ,an tum•,; a nd songs pl.iyt-d m 1he authent ic manni- r hy a L<md<,n-but"d ,rrnup
MA TI McGINN: "The M• tt McGinn Sampler " (Transatl2ntic TRA SAMS) A selecuon of rt'cordina,, ta ken frum four pre- vious ly issued a lbums or Ma ll 's sln11n,i: nf h1~ uwn -;on1,;. Included on th1, .r lbum are " Thf' Dundee Ghc,411." "The Pill ." .. Tht> Red Yc,Yn," ·• Moan in,: ." " The Ht 1l&n Ma n •· a nd " Wllht M•r-Namara " Plf' nty or hum1>u r r,n 1h1s rf' r-ord, wh ich II V,l h lt' lur mnnf>\ a l I Sti 5d
BURT 8 AC ti A R AC II / e RO AO WAY CASl .
'' PT01nlsu, Proml'it'I" (Unlled \rtl1t, ). W11h lh~ sho w npe-n'"lt ,n Lund nn ~hnrt\y. lhl~ ,t lhum h,1 uld J'H ffVl· ptipular Su, 8a< hardc h "1 wa 1,na h1~ llf1lt> wf 1iln" lh1 1,luff - hf'"s helll!'t 111! rumpo 1n,i: mHlt'r• pie H f I UI ,nnl' War,,, lt"k 1n l<l•ad f• I hormnir: fl Ut lh~t' r,11h_,, I raen b l" tun"
JACK ELLIOTT OF BIRTlEY •• fhe
~oiig~~;! s1:;1•::, 9,( li n le Charice Bro!.' ~•" T•iiner. Jatlr. , Cho,cc. The U nluck y Duclr. Broom ·s Roi Ra lr.es Of Mallo w Cau1• Would v9 Lo'•Mo7 The Silent Budgie. Goldan S h p '""'· Poor Bleck Joe Th• Bhud Fool. Th e M en w ,1h No W au;h The Ham n s Head Rap Her To Bank Jowl, Jowl And Lt~t• n. F• rew ell Te Th o Co1o,, The Ro wan Tree. The Ben k. 1 Of The Dee. The Pareble 01 The LOIi S helr.el , Tho Irish Wuher woma n , nd hlh111 O 'Flynn Th e Old Me n. On Yon Bou le Bani.. . Jusl Bel or11 The Bettle. M athe, . My Old M an. Sunley M11 k.et Padd"r Mc
~'n"JY • W~,~lr H~~e
~:,t'!r11. '\h:"~reac~~ And The Alh• 1a1 In The Bu . Roo m (LNd• 1 LEA 4001)
JACK ELLIOTT died in 1966 rrom cancer and at that time plans were In hand to record him.
Jack and his famlly, from the mining com. rnunity or Blrtley, County Durham, had already been ncorded for Folkwnys but there was no complt" te album of Jack's si nging, playing and 1tory•lelllng.
Fonul\&te-ly there are a number of tapes availabl e or various performances
f;~~n t~!seJ~h~1 athfs 1:e:O;~
wai5. ;:~f11:!~I was not just
• folk singer, Indeed a ce r• taln amount or what ht! sang wasn'I pure folk but owed more to the music hall , but a complele enlertainer a ble to play 1he mouthorgan, jev.·s harp and banjo, and to tell • good story.
Naturally • lot of his songs and stories dull whh mining and ~ere associated w I t h h I m. "' Li1tle Chance,"' "Rap Her To Bank," "Jowl and Listen," "Banh Of Tht
THE NEW DEAL STRING BAND: ""Down In The willow" (Argo DAJ04) An interes l1ng album going bn ck to the roo ts o f country music whic::h !'i hould appe-a l In folk and coun t ry fans allke H the-re ii. a fault it 1s that thert" 1.s a lack of warmth and it's a ll a little clinical
IVAN REBROFF: ""Sin,cs More Songs From Old Russia.. (CBS63233) Former member c,f the Don Cossacks cho ir, Iva n Rebrntr a pplit,; hts ba!ts vmCf' to a sf'lecuon of Ru u ra n melnd1ts hacked by th!" Troi ka Balalaika En emb/,-
'iAB ICA'li: "Soul Of Fl•
U• rry ha" wrltrcn a typically e.1re.llc-nt .ICtJrt' for tht' n~w Du'illn Ho ttman J ohn Sc.hie ,;1neer mt.1v1e. and dn111:d ahnut nn th1!1 a ll>uin ar/ other number. by H.-irr} Nll<t!mn (n<: dlent ) and Flephunl", \1tmri1 )- {r ur,ou.)
JOHN BARRY: "The Hts t 0, Bond •• (llnitNt Artists). Slip nn )Our sh{Ju/der hobter. lt,:ht ._,our Chesterfit"ld wnh a ,c, Id Ounhlll I heck th•· t1m, by )-t'!Ur Ro1n o .. , -,ttr 51P
RECORD SUPERMARKET NOW OHN AT 201 o x.,O10 STH n , W.1
(n+~• to Ltfll.-wcwd,. O d1xd C,,cu,)
Hi, .. •tocln ef cwt priM Jeu -,.d Pepulal' De6ettona
% ' ~ ..
:(i
1,1, -· , }}/11,,, /'
:$//11
: /fl/// I
Dee•• and "In The Bar Room," .heard on this reco rd , among the Mst known.
Olhers, li ke Tommy Armurong's ••Stan I ey Market" • nd "The Blind Fool," taken from other sources, were .songs that took his fancy.
Likewise the tunes he
~1~h!: anc:':.1th!~~he ~:;t field.
Bui what the album cannot put over Is the pres• ence of the man. He com• minded respect from all who knew him and was loved and admired by many people not only In the North East but wher• ever he went.
This album Is a tribute to a man who will Ion& be remembered In fo lk music ci rcles a nd the slnal n& of the sonas associated with him will 'help to keep mt-mori~ of him alive. This Is a valuable recorded document of Jack EIJlot~ of Blrtley • nd timely reminder of • &reat man.TONY WUSON.
menco " (RCA - Inte r• nation•! INTS 1016) Guitaris1 Sa b1cas with s ingers Ramon de Cadl7 and Simon Serrano ca ptu re the fire and spirit of Flamco music.
VARIOUS SINGERS: "The Falt' O' Charil• " (Trailer
Ta~~!?1~l) R!~;1ffonsfr0::} ~~!
1740'!1 sung by Archie Fisher, Barbnra D1ckin'Kln, and John MacK,nnr,n . A noteworthy album rtaturlng three fine 11ngen, on such sinp u "The Whitt' Cockade," "Preston• p • n !I , '' "K1lhekrankie,"
:;.,~;:~!~~~dH~rft~· ;~i?~~rrsTgf Th,- FMts l "
your Vodka Martini, and s it
7i!;~ %(' enl6~r t~~n~tle;n::;; <irenl !Huff for c'icnpist fantn'-it-
CHE: (Polydor}. Lalo Schlfrin·, dr1tmat1c music for tht-20th C t'ntury Fnx film or Ch, Guevara . 1.unni Omar Sharif Thf' n1u'-1<. natur,1Jly enouih (ub1111-1nsp1red. ,tands on ,ts n..., n "" 11 rln, in .. 1ru111 ental album
RON GRA INl R. " Themtli. Like " (RCA lnternatlnnal). BudJ[t-t a lt;u m nf lavnur,lt' ll'h:vl 1110 thcmt lUnt'" from Run C.ral ner It int lud t"-. lht' M•tar"l I hunt and ,. Olr1 N,•d Imm \lcplot'
fRANCI\ LA l "The 8tal or • ranclt I.al " (United Artltts) Mr I ul't 11cc1re. art Ulll Ullllv ht'llt-r th.J11 tht ~Im, che-y •\ rnmpan)' and this 1lh1.1m I nl/11!1•!!, t'XIIIH"II fr ,,m h1~ evnra1 1ve rnusll for f, ,ur J1lm1 "A Man Anti A Wnman .' " I 1ltt Lnve .l\nd
MFLO DY MAK ER, September 6, 1969-Paa~ 2 1
- ' INSTRUMENTAL _
( ~mcg u :'!.Ni~ AN~RA~~ ""Chico" (Columbl1). Fan-1astlcally well played LatinAmerican 1ounds with some of the best musicians tn the country tak in g wild solos
KENNY BAKER: " The Spectacular Trumpet Ot Kenny Baker" (Dec.ca). At this sort of commercial game, Kenny is undoubtedly among the world's top plnyers. The sound or the Phase 4 stereo is breathtakingly effective
BILL BLACK'S COMBO:
~~!!~~tin':ltliu!~,~; "ve\~ro~; or ot her people'• hits.
RAY CONNIFF: " Greatest ~lt!i~g (~l!~~ ~ursslble nol
CORn:z ANO HIS NEW LATIN (Fontana). Night club Lat in music m Living Presence stereo.
KING CURTIS: "The Best Of . King Curtis " (Alco). Excrling at limes, but con• trived He's on a sou l-pop kick and the squea ls are just 3 bit too much.
D IM IT R I DOURAK INE: "C• satschok " (Columbia). Pleasant Russian-sounding music evocative of kicking legs and shouts of "' Heyl"
KOOKI E FREEMAN AND HIS VELVET BAND: "More Love In Velvet " (Ace Of Clubs). Average big band dance music. The a rrange-
~~~:-S o~rfh;o~hai~e~i=r~~l~r:t~i hackneyed
JOHNNY HOWARD OR· CHESTRA: •• Moonllghl Sere• nades" (Oer• m). Johnny always manages to make his band sound complett'ly con-
GLENN MILLER KENNY BAKER
~1~~~~~iafven when using cussion, moog synthesizer and ,ver, on a selection or balJads fewer petrol bombs other assorted instruments from way back
(F:~~~~ :~?~1)." ~:•~1~-: ~:,~e •0J/h~h:~:nti a~~l a t: TONY OSBORNE ORCHES· ~iow?o~~)~F A ri;:::1e~
piano and strmg1 ripple their much here for 1969 pop [F~~~an~/•~~~~gs ~~;n~~;: from Decca·s Phase ,t senes
~=~da:~;0~l,hdon
8e i~e~~s ~r H
steners .smoothl y orchestrated as ever m~';k~ing F:!~ks aac~~~i'l.
possible taste TRJ:C~ M:~T~l:r ~!~~l:; so!~:;.. PI~~~A~). ""jgjJ: Ronnie Aldrich and Edmundo
SO~NYO:M~Y~!'S J!I,G l~uY~ i rri:~~~>·li~elt1m:~ed, but not :e~~;a;.i~~:n~n~~a::mmiscenl Ra_;~E WINTER CONSORT
~~b;~•n\f 5S1~~t
1t 'equ:udag:J PETER NERO: " If Eller I JIMMY STOREY AND HIS ~!~~· 1C:~o an s~~l u!'oar~!
soul hns from the London Would Leave You " (~CA ACCORD ION SOUNDS (Rex). ment of 1uitars. lutt- , flute band Good background mum· International). Nero's piano, A breath of Ould Ireland . cello, . and the rest through a for o rave-up . as computerised and florid as They need more of this and selecuon or baroque mu,H.'
on10~1f. (A~:n~~~bas"i~::r~~ r-------- ------- ---- --- ---_: ___ _
mental album from th, man who produces Aretha Mardln lakes all so rts of orchestral combinatmns and lurns a selection of rock hit.$ into somt' ~eally a reot music. Best track 1s a knockout "Sympa• thy For The Devil."
GLEN MILLER: " The Near• ness Of You .. (RCA Inter• nation• !), The origina l Miller tracks have been given a ster~ effect and the resuh is
Bt~:11eH~a:e~~NS ,!"f~r,e ;~~
In " and "Alice Blue Gown."
MYSTIC MOODS ORCHESTRA: "Extensions " (Phlllps). Cunning arrangements fo r • trtnis , trumpet. flute- pr r•
Death," "Hanmbal Hrook.s," nnd "Vlvrt Pnur V1vre."
ENNIO MORRICON•.: " he Hu t Ot Ennlo Moorlcon f' •· (United Artlso), R1dt' 1hr range J.-. your very own home to the music ur M11rrknnt. whn pmvtd,d tht' unorthodox acoru fnr the •· Dollar,·• fllmi. lncludrd arc: l':lflraca from "The Good. The Utd And Tht Uglv" and "'Thi Hip; Gund11\oltn ··
OH, WHAT A UJVE.LY WAR (D,cca). Or1,:lna l cast rt'cord1n)I or 1h,- rlt•ver mu sic from s liU Pl'rb him
THt. T ILSlV ORC HJ::.~TtlA· " Top TV Thf'mf'I " (f<ontana Spc:rlal). lf you'rt a telev,aiun
~~d
1
t~1
m1W!~ ~~~"'' :::<;~ ~~1! theme, in, lud,•d art " Thr' Ratrau ht-r · and "Thi" v,r ,11:murn"
T H• WORI.O Of, 1,,1l1Vt.R ll>fCU.. MUJI( fr 11m tht mau1vtly IU(~tt rul L11ontl R• rl •hnw
NEXT WEEK
MELODY MAKER'S LEONARD FEATHER
SPEAKS TO
RAY CHARLES
ON THE EVE OF HIS BRITISH TOUR
, , \T ~llfltRU,: ''Callln~ l ., llu1 Loud " (A&M \ \\L'-9• ':'J. lntn1umi "t'I 1•f
• ~flt .loc- Zav, 1nul nil r,.1II F ,~\·heor, all ~rtdat«I
f.UJt'lhC'f h RI\C" C: C:,.)RIJ)lt'I(' J)('ffl man\ Ftr-au:iful bl<-nd hla Cit Fr .. n<h t,,,rn, bu.soon. t- nEI•" h"rn and bh, dar,ntt M'I 'h• am,"' """n1,
l,l:ORC.t nt,"0'-: "'Sha~
~i,{J;~ft r:,_ ,~'',';:-~ .. ~~',fn~ ,n ,.~ II.\ ~ •r111n,:l'mf'nts
• 11d an ,ri,s.,:,t1m1"nt nf dilfrrt-nt baitk1na llnf'-up, produc-C' an "'"Jt'} ablt' all'lum Hrrb1t' Han• enc-lit Richard 0.1v1,, "il.u,•in Summ alld R,,n I artl"r Ar~ amon.1 th ,,t1,r, mu.llo11;1ano; ,n h
--.RT 81AKI: l "Orum Thund\'r •· lPt'll~ dor). Re,~suf' ()f "' IQ!'i7 ,et .,, s1, all-~tar b11; hand and IWCI QUtnlt'l trad,;•. Tht> b1a band .. ..,. ing,. mrrrih .ind b,.,th iH't"lups indudfo i-llPt"rb pla) ina b, Jl'lhn f ,•It rant" \\ ho WU. Al that umc- during. hl3 J>"fi\,d ",th \t1lr<. Dav, Tht- Lr hu v,im \\t'II
Kt..l\N\ BURRt..LL "Night Sons .. (\ i:-nt' SVLP9246). Bufl'f'JI I prr,.t>ntt'd m se-vcral d,ffnitnt st"II 1nss. unac-compa rut"d c.•n - .luJ.1 A~1ttm' " and work ms ...,.,th quutt"t or one (If t\\ o bis b:lnds on lhc rt'mJ11111in1 tracks A well -
~:~~~ ~~1 ~•;~~~.bl~tr~~~ NAT ADDERLEY
to ligh1 any great depth in 1he music
Watkins (bass), and Louis Hay~ (dn) provide neat •>ti,i:1nal mstrumen1al 1au all
th" v.a, JOHN COL TRANE: "On supp()rl.
CHARLII BYRO: •• Blues Wu1 42nd Street" (CBS STEPHANE GRAPPELLY: for /\laht hople" (CBS Realm S2157). Originally "L" Toh De Parl.5 " (RCA Rulm Jau S2150), A B)'rd IS.$Ued under nuerlhomisl lnternatlonal INTSI0J7). The rt1SSUP rrom 1957. ll 's 1yp1cal Wi lbur Harden's name, this Is French fiddle master lmpro• ,tuft' "1th B)·rd's Spanish a mellow 1957 blowing ses. vises frecl)' and 0uently on 1u1tar plu~ K~tt'r Bett~ (bass) sion with Trane al his most his latest release , on album
::~, G~~ 1o:;,~s"nra~~"\h~;;~ =~r~~~•~r ~~rde:ct:s ~~~ f~~:1rpr:i:r~llrn~~on ~~~~~ -~~
rt-peattd pla,·tn&" don·1 brm,. Tommy Flanagan (pno), Doug orll(ma l malerial wtlh h1!i
---------------------, ~:~~~:~ta~s~~ss•:~d fid::~es
N/iW liUPPort Stcph
JOHNNY "HAMMOND " SMITH: "Rurus Toorus" (RI-
/
nrsldc 673017). Fairly con-
.~S' ~-., vm;onal o, gnn-,hythm-teno, _ mu'lic on fou r 1rocks ':enorist
Seldon Powell silS out ror the ~ W • ~!,~~~ three. Good tunes, n1C1!
I ~YWEE~ * Mor{} colour pictur{}SJ
portraitSJ or th{} !;tarSJ, foam groupSJ and tip top action SJhotSJ
j. B{}SJt SJtori{}SJ or th{} !;i.qrSJ
't P{}n{}trating SJtori{}SJ by Goalf top r{}port{}rSJ
t PluSJ Bobby Charlton~ Diary, {}XduSJiV{} to Goal
Ordtr -.,our cop~ by filling in tho coupon ,rid handing 1t 10 your ne\lll'lagent
FLETCHER HENDERSON: " 1023- 1924 " (VJM VLP24). Henderson aesslons recorded !or Colu mbia in New York in 1923 and 1924 Hardly the music on which his reputation ~lands, but they have h1Storic-al importance and fair musi cal merit w11h such sidemen ;is Louis Armstrong. Joe Smith, Cnlcman Howkins. D<ln Redman, C'h.1rhe Green and tht' r~t
EARL HINES: "Hines And Eldridge, Vol I ," (Mercury SMWL21031). This reissue or a Limelight a lbum presents lh e Hi nes Trio on bombasti c venlon'i of " Honeysuckle " ond "Tea Fc,r Two,'' a nd some pretty Waller lunes like "Jfll,rl>ug Walt7," a lso ,cu~ll Eldridgf' and Co leman Hawkins on threl!' lracks far fmm oUL'ilandina but plenty exc1t1ne at 11m~•
JOHNNY HODGES: "Rippin' And Runnln'" (Venc SVLP924'1). The aaeless nllo masler perform~ upe rlly, sty lishly though. nut wHh maximum fe-ellng m a contt:mporar y orann-gu11arrhy1hm 1nul setlina Not lh e eQU!\I of eu rlicr llodgu-..., 1th. 1lr£&n LPI, but prctly
HE:RBII:. MANN: ,, Glory or Love " (A&:M AMLS94•). Grady Ta!t"'1 1uperla11ve
iru:;~t1i,u~n~ufu,!efro~91hr~~
Ga lt arr !he onl)· lhmgs to make th1r; du ll mish-rnash of an a lbum worthwhile . Mann is hL~ u ... u11I nac,1d aelf on 11 few 'loul tune, and u couple of hallad~
C It AR LI f. PARKER " Memorial - Volume, I lo 6 '' (CBS Realm Jan 52120-5) Tht" fo\Jrth releue lnr thu, tUc•vnlume ,t1 that lracr~ thto rt"rnrihnse lllt' nl lh" rmmortal Parke-r II you don'I havr n. then u Ii, ~l"nl1a l IN all JM:t.7 C<1 llet11nn, and !hi• lime- 1hr prnt 1, • mert: 25!11 I Id per album The) wntam 11,nu• of th~ (ffPltnl ,an tve1 record• ,d
CHARL If. PARKER. •1 Penal"• Bird•· (tmbu CJS821) A aet nf 14~0 tulll half takf'n frum l,,ruadcHh r,,,m the
Royal Roost and the rest done
~~: Po;~~~}: 1·c:fem•t~i~t~'.
Brilliant Bird on titles like "Move," " White Ch ristmas," " Round Midnight" and 1wo d1fferenl versions of " Orni-1hology." Miles Davis, Fats Navorro, Bud Powell and Tadd Dameron ore among the supporting cast.I
BUD POWELL: " Bouncing With Dud" (Polydor 545102). A 1962 Powell 11e t recorded 1n Copenhagen with Williams Schlopffe (dr&) and the then 15 • year - old Nie ls• Henning Orsied Pedersen (bass). Like a ll Powell's la ler work 1t
~=~;~/~~s•,~~h~;~~I 1:r~11i:i:; of his recordings nl 20 years
before but there 15 still 8 lot of ver)' fine piano Jan here
DON SHINN: " Depar-turca " (Columbi• SCX6355), An nllempt, apparent ly, to "free" thr organ. IL JU.!lt goes to show ja7 7 organ can be dull In any context Stan Traceh (pno, celeste, v1bt's,
:J/clf. o~eBrr;ar1;:;~:P,a~loc(~~~: cuiision) and Trevor Tomk1ns (drs) are also involved
STUFF SM ITH, STEPHANt; G RA pp ELL V , J F..AN-LUC
r.i7o1~· siuE~~II ~SM(~:ii~~: Special s•s 103). A supple rh th)'m team supports lhe fiddle f1>ursome _on this s~intilla un g st rmg-J877 session Vaned lineups - violin solois t, duos, lno and a quart et - help lo ring th e change!'!
BJLLV TAYLOR: "The More I See You " (World Stereo ST881). PianHSl Billy Taylor. bassist Earl May a.nd drummer Ed Thigpen combme to make highl y liste!)ablc, sw ingful mo music w ith a d1scree1 kmd o r charm. Pre• viously available on HMV
JACK TEAGARDEN ANO HIS FRIENDS: "Mls'r)' And The Blues" (Polydor 5•5104). Despi te the till e, a cheerful, buoyant LP with Tea's trom-
~r~~~ b~;~~~~d t~~o~\~4 e~~f~ Jimmy McPartlanl, Edmon Holl , Walter Page and J o Jones among 1he personnels
BEN WEBSTER: " Big
~:~~di~· ~~hW~:r r!~!~6!>· :~n presented Wilh rhylhm lriO (on three tracks) and a Dnnish sextel on this 1965 set from Copenhagen. Good Webster
PAT WILLIAMS: "Think" (VervP SVLP9245). Some fine Zoot Sims and noshes of Clark Terry lift this· out of lhe general run of mood music. Arranger Williams has as/iembled a 25-plece a rches• tra to play largely pop mat"rlal
A delight to all but extremists
AS ANYONE who caught them at Ronnie Scotl's, with one or two personnel changes, wt.LI know, this 1s one or the great bands.
Odd i}' enough the arran~e-menlS <,ound more Impres-sive on this record than I remember them In the nesh.
The band plays wllh nice relaxation wllh· out sacrlndna attack an d add to lh a t the remarkable solo stren,tth 11vallable and you have somethlna prettv special. Th ad Jone, was rcsPon slble for all the charts with lhe e,i:.
ceptlon or Bob Brookmeyer's " St Louis Blues."
Tenorlst Eddie Daniels~ who Impressed a t Ronnie's confirms his talen t here on his own feature track, " Reverend," which build s up an almost gospel excltp,. ment.
Jimmy Knepper lakes a beauty on " Kids" and there Is some e fTectlv t Richardson soprano on "Waltz." Dod,tlon has never sou nd ed bell•r on rf'cnrd than on
"Softly," with Thad (urning In one o f his own besl on 1he same track.
Seldon Powell - repl:ricW In London by Joe Hender• son - doe5 nice thlng5 on " Second ·• which also has some beautifully muled trumpet by Richard Williams. And underneath everything ls the superb bus of Richard Davis.
An LP which should d~ IIRht all but the very extrcmu In jaz.z tastes. -BOB Ot\\VBARN
HIGHLY RECOMMENDED. ~
QSCAA PETERSON · "Vol IV - My
Favourite lr,r.tru• ment •· (Polydor 51)721). Privat«ly rrcordod LP . and one of th e b.sl piano records cv•r made . Ost.lr, play Ing alone , seems utter ly fr ee and re• lautl The ballad• are Hnsltlvc and dy. nam1ully Sllrfrct . Ch• Mp-tempo thing, are brealh •tllkln9 One or those 11nlq1,11 record Inti when evorythlng cam• out rlghl
A L~e.!'e: ~~~:SR,;, (lmp1,1lso SIPL SU) The contro11,r1lal Albert add, fuel lo the fir• by playing rotk •n• roll lf•nor throu11ho1,1t moit of this Ht, ac:ct>mp;anl1d by U,• Soul S1n9or1 and a mrdlum-iltod lu1 nd Not •ec:omm<?nried to lhos: e flf a nervo1.11 disposition
o••~M COLLIIH Stf:XT•T. •·oewn
An•ther Ro.al .. (Fonta•a !'FJUll) a.111, colt1•r'1 ~• .. dale ...... M••··••o.•n <-.,, .... Ka,I Jenlllns (el,e•) ...... , ...... ,..,.. a ..... h•th ., ..... ,b
JO~~ Gl~~LT:c::.E (Allantlc SN lU) Certainty one of th tdelinlllve Tran e HS· slons, lhl:li IJ a n,os t welcome riunue In thl' . Coltrane- Let•• ;:,~I :r:rl:!· • ~:c!~n-mended te anyone h'lterej ted 1n one or tha DUolt tc:nor men playing a t h11 craattwe peak T•m· my Flanaaan (pno) Paul Chafflbe0'11 (IH), and Art Tayler (d") give uhd 1u11po.-1 to the ar1at man
G•o•c.• •• , •. , N•WPORl IAZI
11-UTIYAL AL L STARS· • MNlllllthl Ce"Cert. 1111 P&ua • (Mc,c--.r, 11111er-.u-..•1 SNWUlM1) ••rtlri tu,r,1111 ,.r ~ .......... 11·1 ... ... . .... , ................... .. , •• e.- •n• IOflle ·•••••Uc ••'r era• Wtcll Dlllie• ... 1• 111,.. .. , ........ cal JiNM •1114 tin• -., .... , o....u• ....... , ......... ...
81G .. 8~~';~ er!!~oN;:J :;;~;S~. f~~orra~~le Jn~!r~:1 6111 was captu red in a 1yp1ca, bluts. folk and ballad rf'ctta l
!~6 c.~~ .. h•:;~ ~~;~~l.~!-•Y -~~ l"('lrfd hf'rt' as "An l::ven1ng With n,. 8111 " nn Ttmpo lahtl
JIMM\' COTTON: "Cut
;:~Ll90~~"e•;ues a(~J' nb,~:!~ song., of e,..ery \Ort Are dont' 1n the contf'mporar) woy by s1nger•harmnn1c1tman . James Cmlfin Waynf' Talbert',- Mtl• ung Pot Rr0Up provide modt"m, )ouv occom-panlment Nm too e,t'iling (or lovers nf C. hie-ago blur!':
C HAMPION JA CK DLIPREE: "Scooby Oooby [)oo •· (Blue ltor i:r.o n 7-63214). The Champ'll Nf'w Orlean5 blues piJno and singing 1s 1,wen updated treatment -
~:~~"~J~1t~, ~~rc~~ftT:~ Nuonan-arrangt'd Britt.sh sessi<"m Even fiddlt'.'1 enter 1he fu1y Not a knocknut but poss1bl)· commercia l
GROUNDHOGS: "Blues Oblluary " (Libert) 83253). From the LIiie and tht slteve one may deduct' that the Groundhogs believe that Brit• 1~h Blues 1!11 dud and burlNI :,,;evt'rthtless the)' manage to pla~· some fair. old 12-bar sluff. with gu1tansl Tony McPhee easil)' tht standout musician Be mterest1ng to .St'e where tht'}' go from here.
SAM LIGHTNIN' HOPKINS: "That's My S1or)'" (Polydor Special 545019). L,ghtnm·s fine blues voice and txpresslve guitar are heard m the company of Jimmy Bond (bass), Earl Palmer (drS) and sometimes John Ewmg (tmb) on 1h1s '65
r~~tu/~mr:i~ls~~<'1u'!fe~es Two
"MISSISSIPPI JOHN HURT " (Vanguard SVRL19032). A reissue of TFL6079, releued here m '67, this ca1ches the thoughHul, soft-voiced songster in grea1 form on such items as "Candy Man." •• Spike Driver's,·• the attractive "Coffee Blues •• and his opt1m1suc " I'm Sallsf1ed " First-rate guitar pick mg, natch
DAV£ KELLY: " Keeps II In The Family " (Mercury SMCL 20151). One or lht' long standing bluesman on the Brn,sh ~<'ene. Dave Kelly on 1h1s album reveal!! various influences that have hrlped him formulate his 51\"le. With Dave on thlS album art' his
! 1}ti~rger J<p7,~~• Bl~~r1 a~~
"Whtrr'• My Good Man At." Putty Rner ,s heard on "Money And Farnt'," and on various other tracks, b1ss1sl Keath Tillman and Bob Hall on piano
8. 8 . KINfr "Born In Itta ~na, Mluluippl " (Blue Horizon 7-63216). The Blut's Boy, 1n this first n( thrt'i ·• Slory" sets. 1s featured wuh various band:11 on track-. datmg fmm ·52 1n arnund 'G~ s,1ect1un include!, h1i. first big hit ., J O'C.:lock Blut's" Somt' grea1 :11tuff
e REL0'1MENDED
H U O D I L LEDO£TIE.R: ·Leadbelly" <• mbcr c.;w 132).
A rtast,nably priced reissue album m Ember'.s Archive Of fnlk Mus1e st-rlt'!i, this coin • b1ne, ,r,na, from Mu,lc rart's 51nful Sones at-t 11:id nlhen from ,. '•4 A!ICh ,;et ftatunng Leadbf'lly , •n p1.1nt1 ind ~C"· c1,rd1on u well H ,l{uilar
H lJ D O 11:.. LlDBETTE.R: " Goc>dnight Irene " (Story• •Ill• Special 81600•). An11tht'r
~bl,~ u;,,~ck~r,::;· 'w~: i1:~1, tmd foli,.aonl rrwrd~ l UI t->y LC!ai1bt'lly m !he 3:J to urh fOrlles p"r,,;d Jk ,on,tS IO • I'll.stork I'!
LO U I ~ I A ~ A BLUt.'1 .. ,c,1,,ry"illt- Spttlal 1Hl005), C.ulf C oa t rr.u,tc,an... mtludn1 Wtldvn Juh J'.loy 8.,nnn, k1~ t hl'n1,., and Hor W1l11t,n m,kn up a fHt m•11na •nth•,l11ty r, I hlur1 1nd rtlatfd ~but' rrrOldf'd 1n t.,,i.,,.
h rl , I, u,uan1 • nr O\tM l ,N C,Frl
Jou~ MA YA U ... Lookh'lr llatk · ff)f,~ \K l ~JO> A I k l,.,i I, ., C .. "' lhC'
BLUES LP OF THE MONTH
A must album for blues beginners
A double-record album of hlues Rnd a llled types of music in a nicely designed packet with copiou s no te!> a nd D number of mature photogrnphs is bo und lo be an attractive bu y at 43s 9d.
When, In addition, Its 32 tracks Include perrormances by Charley Pa llon, Bllnd Lemon, Texas Alc-x• ander, ~roy Carr, Rober! John son, Bukka While, Elmore James a nd other blues masters past and present, the record prac• tJcally picks Itself as album of the month.
As you might a uess rrom the title, and subtitle: "A documentary history of the blues on record," this c:ollt'ctlon Is meant to Illus trate Paul Oliver's exceptional book, the Stor) Of The Bluu.
Thal lt does, as well as you could upecl 32 culs 10 do, a nd I must say that any novice In the subject who has got hold of Oliver's book 1,hO uld
~fsard h!~:l' ac~~:.sut:~ o! nccessily.
But the album Is enlltled to • healthy life of 11s own because the lltlcs in It have been well chosen, they don't duplicate much that Is •lready avail,ble, and in the m1tln, they enlirtaln or enlighten or otherwise move the llslener on their own account.
Side One, " The Origins," begins ra.r out with a voca l-ratllt'•andflddle effo rt from the extreme north of (,hana. Then Into a ln11ad blues wllh John Hurt 11nd his
~o,';~"ik~tt:!c~~~~~ls 1s
WIiiie McTe11 (J!l29), Pallon (1934)1 Lemon f 1927) and Lud Belly (1935) all make exclllng music, as-In a different manner - do Bessie Smith, Lllllan Glinn •nd Chippie HIii with their various Instrumenta l •c• compantments. Chippie, on the '26 "Prall City," has A rm • t r on g's thrilling cornet 10 support her.
Much else la of Interest on "Blues And Entertain• mcnt " on th e second side; notably the rough dance :11 tutr scraped, shaken and blov.n out by the Jook and Jug bands. Side Three offers rural and urban blues rrom the Thirties ranging from the ud· voiced, melodic blue, or Carr and 1ultarist Scrapper Blackwell lo the more counlrlfitd outpourings of Robert J ohnson and Bu~• While. Yancey':11 piano with Faber Smith aod the voice
many ~roups w11h which Mayall has Jed lht' British blue!. ,;cene The d1tferent line:up<; include what . loQ~!I: llke a ro ll call or Britain s b/uP-.ml'n . includ1n~ Eric Clapton, Ja<'k Bruce, Pelt-r
S~~t~tAti!s~~~h. ~~~r1HarB~~~ Mil.k Flf'elwrind and JC1hn MtVtt'
one; RUSH; "Mournlna In Thf l't1o rnlnA" (All.anll<: 5HRJ88). Rush',_ firs1 y,.hole l .P _ he has previously appeared on ,;mlle• a nd 1n anthoh•Jlf'~ _ and noL a bad onr, thouat'> ll p w b.ah1)_ J11es I~" than Ju,li<'t to his fterct 1alrnt Sn or1jlinab mcluded by Mike Rl,,,uml'lt' ld and N1dt Gravrn,ir wh , prOdUlrd 1h11" a lou1n
ST LOUl'i JIMMY. 'iUNN Y-1..ANU t;LIM, LITrLt BRO· T H ER MONlOOM l RY: .. After Hou~rt 81uo .. (Bluaraph BLP ll0I0) A collcct(J r'1 n 1 .,f pia,io .nd piano VCK'I I
~Iv~: k~~~l~t~fu!~!t~-;,r~• ,:~::: Pllln" ~r,lu ven1on 100.
" THE STORY OF THE BWES:• compiled by P1ul Olwet Two lP1 ,n 1lbum CBS ..,,.
Record On1 F11-Fr1 TnbHmen 'r'11um P1111e Song,. M1151e11ppl John Hurl . Steck 0 Loe Atufll Blind WIiiie MeTell; Tr1ve11n· 81UH . C1'11tley Pillon : Ston1 Pony BluH. Bhnd lemon J1ff111on Blick Sn1ke M01n. Lt11d Be lly Pig Mell P1p1 T•••• Al•••nder Brokon 'fo•Yo Peg Leg Howell Broke And Hungry Bluu Barbecue Bob . It Won·1 Be Long Now. Henry W,lharns Georg,, Crewl M1111,11ppl Jook Ba nd D1ng111111u, Woman. Memphis Jug Bind G1101 Wobble. BHlil Sm•th In The HouH Blues . LIIU1n Gllnn Shike It Down. B1rthe Chippie H,11• Prett C,\y Blu111. Butt1tbeen1 ind Su,ie· Whll 11 T1kes To Bnng You Bick 1~6.3c5o~J Two leroy Cur M1dn1ght Hour Blue• . Fiber Smith . Eu1 St Lou11 Blues P .. tle Whe1tst11w Good Wh1\kly BluH. C1uy Bill WPA Blues . Bo C1rt1r. Sorry F1et,ng BluH, Robert John• eon. l.Jnle Queen 01 Sp1du. 8ukk11 White P1tch1u1n Farm Btu••· Memphi1 M1nn11 . Me And My Ch1uNeu1 Blues Blind Boy Fuller I Wint Some 0 1 Your Pi•. Brownle Mf.Ghee M1l1 1on Lonuome Women JH W1lh, m1 Wild Cow Mo•n
!~?, ~~! l:,~:~r R:.:1 Ee;:. p~:~,~o,:P•~~m.~'00d1u~:1:"l!d· Johnny Shines I Don· l Know (M63573)
and aultar on Memphis Minnie's track are fine, too.
And so to Side four,
;~orl: o/oj~ 2 n~~~u~ft![l;; evident in the work of Blind Boy Fuller, Joe Wllllam'J and a few more, and the jan innucnce bolling all over Joe Turner's and Pete John son'5 terrific " Roll ·Em Pete."
There'• a Jot more shouting, moaning, s lappln& and picking In this ,i;et, for which Oliver • nd the men of CBS deserv~ run marks.
Buy It, l>or row ii. or otherwise hea r It Ir yo u' re keen on traditional blues s tyles . It Ii about the best thlna Paul has assembltd yet. - M.J .
SONNY TERRY, WOODY GUTHRIE, ALEC STEWART: " Blind Sonn)' Te rry" (Ember CW 136). Guthrie, Terry a nd
~11~:arl
5J~fner-r:r~::
116n ~~~~ or the blue• and rolk '.'.ongs hert, but Woody has on, una ccompa n ied nurnhctr to h1mstlf Fair and rare
MUDDY W ATFRS: "After The Rain " (Chess CRl.54553)
;;:,u~~r~ J!i;~!rv a.i~h~~'tta~~f:t mcludu " Rollin' And Tum• blm'.'' "Hnnty Bee" ar~ .. Scream,n' And Cry,n Muddy lt"ads nn fuur tracks; nlhers ,n tht: heaV) t' lect r1( aroup If(' Phil Upt:hUrlh, Ot1~ Spann, Lt1u1.s SallNlirld. Pete
fha~rt11 ~~r:!~, -~~nn i.;a~, lh1rhc r
DAVID WYLIE.. FRANK E.DWAROS, PU:. WEE
~1~~"!~8~!;.~~ 5;f P1:.0~ Fivt blu h 1r t1ns nun, very wf-' 11 knr,wn. s in1 and play a ulta r (a nd 1n 1omf' <'HN harmonica) tn th1J 1nterea t1na roll,., 110 n o f •• ~ r,rnrdin•
• MHOMMENDED
MFI.OOV MAKfR, Sep1~Mr 6 1969--Paa~ 23
VOCAt JAZZ: AND GOSPEL
BEN~i,E cg~iA~ANvot~i ISTS (RCA International). Tracks made by the Goodman band between 1935 and 1938 featuring 1lngers like Buddy Clark Ella Fitzgerald, John ny Mercer, Jimmy Rushing, Martha TIit on and Helen Ward The arrangements sound heavy and dated as do
!~~eEI~! ~~~:i~~e~,st~ushina
MA RA INEY: "Oh My Babe Blues" (Blo.-raph
~f Ptt2e01
~te:h:o~::t o~tt~~ songs 1n a huge contralto with warm Jazz fee li ng for the time (the earliest tracks arc from 192•) , supported by all sorts from Louis Arm· sLrong to Papa Charlie Ja ckson Recording 11 Rrim but these are rare, importa nl items
ETHEL WATERS: "Miss Ethel Waters " (World Stereo ST949). An in-person perform· nnce by the ta lented actress-
~ii~~T:t Re:f~~l~ptnei!~e w1~h whom ~he sings a few duets The old favourites here arc inferior to her orlRinal ver• sions. bul tans will dli them.
MARION WILLIAMS: "The New Message" (Atlantic 588195). The message in this case Is gospel ,ong alongside Bob Dy lnn, sung by one or the world cham pions in a pop-type seuln~- Williams with wa-wa guitar In fact.
JIMMY WITHERSPOON MARION WILLIAMS JIMMY WITHERSPOON:
" Wlthe.rspoon, Mulllgan, Webster Al The Renaissance" (Ember CJS820). Ember here reissue one of Spoon's very best - recorded on location
in '59 with the big singer splendidly supported by the two sa:unen and a Mel LewisLeroy V1nnegar-Jimmy Rowles rhylhm trio. Creal va.lue.
JIMMY WITHERSPOON, JAY McSHANN: "Spoon Calls Hootle" (Polyd or Special 545105). Excellent early Spoon slngmg with
Superb front-page colour picture of Bob at the Isle of Wight . . . PLUS three-page
special report and pictures of the great
Festival of Music
Another special in Britain's best-selling colour pop weekly/
GET
DISC and MUSIC ECHO
various McShonn groups dating rrom l9•7-8. Two or Lhe tracks are 1nat rument11I This has been ava,ilable before on lnternational Polydor
OUT NOW
l•a 14-Mtl OJ)Y \Mf.:l R, liit"Jlh•mht'r 6, l!lfN
MELODY MAKER'S LAURIE HENSHAW INVESTIGATES THE ...
STRANGE CASE OF THE SACKED DRUMMER
COLIN PETERSEN
f the Bee Gees is beginning to THE SAG! 0fablc of the Ten Little Indians. resemble t e re five then there were four, First there we ow' there are only two. then three - n Maurice and Barry.
. ·st Vince Melouney left about a To recap. Guitan m a blues group. Robin was the
year ago tohfo~ carving a highly successful solo next. Now, e is career.
Latest spin-off frombl/~: sta rry Bee Gees or drummer Colin Peter!en. Reason for hls goingi according to a slll temen from the Robert Stlgwood
ffice quoting Barry: ~ This Is a natural pro-
ressfon in our mu~ic. S.,e (Barry and Maurice) have been spendinJ{ rr.rre and more time wor,.; ng together, and Colin ha: been spending ~or! an more time working. '".~Is agency and producing.
Letter All of which would seem
quite innocuous, friendly kiss-in-the-ring stuff.
Until Colin speaks up. ·• 1 did not leave. J was sacked so to speak," he says bluntly.
.. I got a letter saying they dkl not want to work wtth me any more. I was quite happy to continue with the Bee Gees. It
BARRY GIBB
would be siJly to leave such a successfu l group. We were working quite amicably together.
" J got a short letter - noc even a phone call. The letter was delivered by a driver. It was four lines and signed by Maurice, Barry and Hugh Gibb -their father.
"The letter said they no longer wished to be associated with me, therefore my association with them was termi• nated."
THE FREE concert in London's Hyde Park this Saturday (September 6) has hatl to be postponed. It was to have star• red Crosby, Stills and Nash, Joni Mitchell, Jefferson Airplane, Grateful Dead, Quicksilver Messenger Service and the all-girl group Ace Of Cups.
AMERICAN HYDE PARK FREE CONCERT IS POSTPONED
The Bee Gee spokesman added chat Maurice and Barry wouLd carry on as a duo. "They are workIng on the film Cucumber Castle for a TV spectacular which Is likely to tum into a 13-week series."
Format On ii question about the
diminution of the grouD from its original format, it was pointed out that the Bee Gees had always hnd an orchestral back.Ing on their records, so "There wouldn't be that much difference.' '
JANE AND SERGE
'EROTIC' DISC SEIZED IN ITALY ITALIAN POLICE have st.-11ed all unsold copies of •· Je T'A1me - Moi Non Plus ... lhe controversial hit b)' Jane B1rkin and Serge
Gu~~~b~~:ih,hp!I compan} in lt1ly, who relel!:">ed the record , hive bun banned from prNI· 1ng • ny mor~
Thu folklws the Vatican·• ren•nl dennuncement of the rcrord H unsuit.1hle hstenin,i: for Cathnlic'1
Fmm her Paris tlat. Ml& 81rk1n 1r,Jd the MYJ · "I Wa5 quite sumn1l'd aN>ut It. Some ~1r'l" from Italy told me about the p,olice actlnn durin& a dinner parly we had to c-elt'brat, sellin,: 700.000 rorut11 ni the record "
The reco rd ~litl has not l;l:en playt'd on BBC radio, dt p1te its !ffeady rhart rlimb
A 1pokt1man tor the BBC ••d .. We \\Ouldn't pl•>· this r,pcnrd on Top or Th, Pops e\·en 1f u Jot tn number one Wh.-n 4 recurd is banned. it's h• tmNi Wt- do show a picture rJI Lhe singers et tht beam ~ ,oni of tht pm&rammc, how· "~ er
A!lkrd why M1MI 81rk1n \\ 1U all ,wf"d t,J mime 10 the re('Ord Otl BBt"s Quiz Of The Wet'k rt'ctntly tht ~pokc!lmln com• mc-ntiti.l •· Wt 1m• t:1ne thal WH a •light f'ftfll "
The ruc,rd Ill rurrtnrly at N,o I 1n P,Jr1U,:.il. and i. !oldl h1a:h in the f're-11cJ1 .and Be-I& an charts, af1e-r Mins re ea t'd ,n r bnury
.. I RI rn'll worr,.-d •houl .. I )llt1W•"P' HLd hnt 'Jt'5 1urh a un1qut r~tmd H1at 11
.. INOUI 1 br • •m ti~(' (11 do MWChPI' ff Ii( recr,rd tn foll< "' 1 llP, and Serie ha,n·1 '¥1rltlrn an,1hm& eJse )Ct
U w d" m.11k• 1 f 11,·, ? will h• • to h
rw~IIO&ts I 1 hVf' 11p t,1 ' Jt' l A11y ·,uv I m n1)t ttll I w rrh.•d b~ 1111i: I d J1't wanl t krvr..,n u a •mrtt
1 ht :l~ !batl~ h.1:::n~~1~~
Blackhill Enterprises, who staged all the successful Hyde Park concerts including those by the Rolling Stones and Blind Faith. stated· on Tuesday:
" Because of problems in America which are com• pletely beyond our control, we have bad to postpon~ the concert.''
FAIRPORT DATES ADDfTIONAL dates have nov. been fixed for tht' Fairport Convention, who - as •I rtod}' announctd In the MM - star at London's Royal Festival Hall on September 24
JONI: free concert postponed
The group pla}'S a "warm• up " gig at the Van Dyke Club. Plymouth, on September 20 Dates then follow al Lancauer Uni\'ersity (October _.), Fairfield Halls. Croydon
~~)~m::'st~u~f~~~Ji~!Y ~:~t Green·s Playhouse , Glasgow (IG) and Manchester Un,ver• Sil}' (25)
STATUS QUO LP STATUS QUO have a new single released by Pye on Stplember 19 The A .,de Is an Everly Brothc,ors' number. " Price Of Love "
The mp, " Lillie Miu Nothing,•· WH v.- ntten b}' rouo members Mikt Ros"'
and Rick Parfill The group llav,e tompltted their second LP, "Spare Parts," which will hf' reltased on September 26
FREE POP PLAN l!IRMINGHAM Park, Con,. m1t1t1:" has re•cons1dtr~ its dt'c,slon nnt to all,,w free: pop u nc.erts in the nty rarks. lollow1ng an apprr,.tch by \tlr D ms Hr ell, M1nu.1t"r fur
Sport and M.P. for Small
H'-t~~- ~~:1::.f1~!~ original ly turned down an offer to organise free pop concerts In the city park& by Jim Simpson. manager or Locomo• live, Bokerlno. Tea and Sym• phony and Black Sabbath (formerly know n as Earth)
Now they hnve decided to ci rcularise agencies in the area ask ing 1f th,ir groups would lik e to take part in 11 trial show al Handsworth Puk on September 20
BALDRY SINGLE LONG JOHN BALDRY's new alngle, " Wail ror Mt," wlll be rclrased m 18 countries on September 19 and in Britain on Septt"mber 26
His album of the aa me 11ame, which ind udc!I five new Jackie Trent•T0n>· Halch ,onas. has betn put bOf.k until Dectmber. On Stp11•mbet 15. John sta rt.5 a wet'k or TV
g:!:en '"anf'~~n~ . 11H~b~~i,i
1110 be ,:oing 10 M1lta urly In O<!llber fnr twr, wc,of'l,.-1 of rabarcl
Dave Goldberg funeral U)1'i00N":\ lil.U and .1c"don mu,lclam lurntd out In rorct 1n pa} th ,lr l.1.t real)t'cH • I lht funnal or 1eulcaritl Davt Goldbc,x rm Thursda" (28) al thl' Jewish c .. mt"t• r), Bu,htt .
<..11ldbt!ra dltd tht prnlout Thur.Id•~• (21) and the ,uble· qurnf inqu,,t ho" btt'n adJOUml'd.
In our rtP"r1 la•I wNtk wt' •1altd lh• t D,ne (,oldbrr• died \.\hll, vl,oltlnJ lht. ht>,n( rif drummt'r Rr-nnl• S1t:phe011rin Thh wa, 1nc.orr•tl
POP PROMS SET FOR HARROGATE
YORKSHIRE's Harrogate Theatre is to stage a series of concerts under the title of Sunday Pop Proms.
The fir,;t Prom, an September 28, will stnr the N"1ce ond Yes in two performances. one In the aflr.rnoon nnd rhr other in lhl• cveninp,
In o 1ta1emcnt !!!sued this v.-eck, a spoknman ror the theatre Hid It will be " pre• ent lng pop music a!I • cultu re
and utform, stiowcasinc the more musicianly croups of to• d• y. Group!! that are f.'X p~r1• mentinl! ll nd cn:tltini- the ir own md,vldual sly lt's ..
Th" theat rt 11e:11 , f'.00 pt-oplt
JUDITH SIGNS JUDITH DURHAM formtr !lin,trr \\llh lht Seektr,. was dur to d~n ft rcrnrdinK c•,nturt wuh an iodepcnden1 Amt-rlran rompflny thl ~ Wt"tk
N,111 week Judllh nu,-. 10 Los An11:rles for fnu , or five wetks, t, , rt>1:ord an album 11rid twr, 1Jngl1e
~hr 1h1 n plans l1> ,ptnd Jhnut a munth In Auttr•lla wh d , lht tar,,· , ar, od1tt"d ,rniJ muttJ after v,hid, ah, will (1'1111 n I• Arnf'ri1 • fnr J'>fl
motional appearances The album will be released in Britain • round Novc,omber and Judith will come to this country to promott' thtm
TAPE PRICES CUT ALL POPULAR and clu,kal mus1casset1es distributed by Phillps Records Ltd were ~educed in price on September
Pc,pu lar muslcas!'it-lll", are rtduced frum 55" I Id 10 47s Gd, and the clo1ssica l rusettes :~~
1 ~~m1 the aamt: pr1ce tn
These reduction~ wtll npp)) lo Cl!'.'i(!tlt·s on tht P)'t' Repn!lit, w .. rnN Bmthtr 5 ~&M. l<am11 Sutra, then: CB~, L1bt'rl)·, . Po1ge One h,land lmmtdJ,:att:. Philip": Fontana, Mtrcur} incl Van• auard labels, •II uf whkh arc d11t11bu1ed by Ph11tp1
SEARCHERS DATE Tur Sf o\RCIH'M~ hil\'C' bllt"n tn11aar-d tn play al lhe 1,nl ar1mv,n1• ry 1,1,1.in al \\'nl verhamp11,n'1 t luh l.• f1vtttf' ·,n -;,..ptembt-r 19 l>u-j1}1 And} Ar, he, • nJ 8army Barr, wlll t1I ptl!orm
"PPt.111n1 thf'rf' 1n S Plt'm
ber will be Bakerloo and John Peel (4), Bonzo Dog Band (5). Fat Maureu (11), Eclection (14). Taste (18), Bob Ktrr'!I Whoopee Band (2 1), Keith Relf's Renaissance (25), Al3n Bown (26), Cathedra l (27) and Timebox (28)
OPRY CLUB OPENS ON SUNDAY (Seplember 7) Britain's Hrsl Opry Club opens al Manchester Sports Guild with Cou ntry Fever the star auraction
On lhe fo llowing ni(th l David H. Lee's Big Country Show plays a ont•nighter al the Cluh Poco-a-Poco. Stockport, featuring Countr} Fever
:ro•~; !'ifh ~=vi~otgy L~e';~~ the Leemen.
SKA BANDS DUE COMM ERCIAL Entertain• ments are bringing lO Britain two top Jamaican ~ka and blue beat bands
Pat Kelly will open al London"s Four Aces Club on September 6 which will includ e nn appearance on the Caribbean Festival at the Empire Pool. Wembley. on Stpttmbu 21
Tht Ethiopians wi ll be fly i.ng in for their second tour which starts o n Novtmber 3
PEPPERMINT SIGN A&M , RECORDS, Htrb Alpert s l~bel , ha ve added 8 :~~~e~d Bnt1sh ~roup to the.tr
th:011:Mi"fo,t!rc,ost~!;::r~~~~ Circus, a Leamingt<m Spa quintet who have recn rtltd in tht past for the Olga and Polydor labels The aroup ~ave 1he1r_ first A&"',1 ~ingle.
One ThinR Can Lead To :-,nuther," out on St'plember
BERYL IN THE MED !:,INCEk Bf'ryl B11·dcn. ba1 k I~ L<ind(.tn la~t '-\ eek, ltft "n Saturday un O fr,rtnlsht's cru1si.n,t (1tbarf't rn.aaa ... m,•nt
After that. Uc-nl d,,.," • fu·nch 1V ,how In Pari1o on September Jf1 and Dutc.h rv (14:,) befon: n:turn111i hi•n,e ltir d«te-\ wuh th~ A,J,., Wt'ls:h band .i.t Nott1n11:h.an1 t20J and Lond.,n·, 100 <.:lub C1-4I
DAVE DEE IS DJ
Added the spokesman: "Since Robin left, 1\-taur• ice has been writing more and more. And Barry ls a prolific writer anyway. They have enough material for a dozen Bee Gees.''
To \\hlch Colin counters; "I only did the first 100 stage appearances with Chem. And I appe.tred on every one of their records. And I've aJways done their backing tracks even when an otthestra has been added at a later dale ...
"The public knows me as ~~:s foli'::.e Bee Gees,"
Handles " As for my work with our
agency - I've ne\:Cr allowed lhat to interfere with my commitments with the Bee Gees. I've always been on call first with the Bee Gees -whether it's a photo SC'Ssion or whaL I've never falled co turn up for a Bee Gees comm ltmenL
" My business work Is merel:)- producing records. My wU, (Jo.nno) handles tho management agenC"y. We also ha\.e a cheatrlcal agency, but thal i~ run b\· Slim Miller. ·
Earned .. Being a Bff Gee WIS I
ve:ry lu~rativt buslntts. I Clillmaled I Nrned aboul C2.000 a week "ith tht Ott Gtt$. But nut '4-ttk m) pa)- packet d0ttn't tome In. The bu,tness thlnjt, I an, '4-orklna nn ire In their mranty _
:~e b~,!~~.:~' hau ) ~,
~:,I ~c:!!::1 ;; '•11~~1 "ff)
Such ~rlodlcal dlsn,ption 1ttm In Inn-Habit part of tbt> pap \Cftl•. Th~ fHJ>«lh• partlea wtll doubtleu w .. th.,. o.. llorm. Rllt. al Pl'....,_t. t.hw• lfffll1 lo IN • tourh ::,. dhha""°"y In t1w
FOCUS ON FOLK
The worries of a changing image FROM October Peter Bellamy of the Young Tradi
tion begins a solo singing career. It wm mean a number of changes for Peter and one which is obviously worrying him is a change of image. ·
onin~,~~t) ':r~1f~t: •g::u~:e:e~!r 0~~e~~~~~ h nsidttln,a halr c:urs and mo~ sombre dress in order to itie I.ht- ~ rt,.. in the nM>n .. traditional" clubs that he I&
king .. rm , N) much afraid
l"ln g:ainc to hll,e to altt.r
lh<- """l I
look becau I BY TONY WILSON l was onl) able to ,et av.~ with dresslng the wa) I l ·e becau I was pan or • wid,-.appeal group. But I won·, as a solo singer -..bid! ls r,atho,- d, - san ""'"'· It ls too.. T1w Tradition ~ • " lcome touch or tlambo)--aM:• to a SCt>ne QOl ~UCll.) noted for Its sartoriaJ splendour.
Others 'Jbt. splitting up meens • om of • hlghly
mluN1tlal g:roup and one wbo did m.ndt for the !map and broader accept• uce of tr,adillonaJ English soag. But such splits are l"Dlr'ibble.
recorded two albums on Transallanllc XTRA label, .. Mahtly Norfolk " and i. Fair England's Shore;• which he describes as insurance p0llcles against his going solo.
Currently he ls recordJng a thlrd for Topic. " It Is ~ng to be more Interesting than the other two," says Peter. "There will be ele,ht tracks unaccompanied, of English ballads and songs., two with concertina. hrn with Barry Dransfleld on fiddle. two tracks with Copper Family songs with the bass line sung by my brother-in-law Ouis Birch. It's being produced by Bert Lloyd and released, I sus-~ early In <he New Year."
BELLAMY: I'm very much aware that what I'll be doing will be for a more limited
audience.
THURSDAY
AT FOX, ISLINGTON GRN , Nl .
CAREY
• LACK BULL, Higb Road . N20
MALCOLM PRICE KEVIN SHEIL$ and CLIVE WOOLF. Host : DENNIS O'BRIEN.
FOLK CENTRE, HAMMERSMITK
YOUNG TRADITION Prince or Wales. Dailing Road. 2 mlns R•venscourt Part tube
Next week NOEL MURPHY • SHAGGIS
RAILWAY HOTEL, DARTFORD
SOUTHERN RAMBLERS Residents CRAYFOLK .
WHITE BEAR, Kingsley Road , Houn,low,
LYN &. GRAHAM McCARTHY
FRIDAY
AT COUSINS, 4t Greek Str•el, 7.10-11
JO-ANN KELLY AND FRIENDS
Adm 5/-
FISHMONGERS ARMS, High Road, Wood Gr•en. N.12
aAtlRY SKINNER and residents
FRYDIFOLK RAILWAY HOTEL , noOINCTON
OPENING SEPT. 12 WITH
MARTIN WINDSOR
.. It had beet, on all our minds for sometime and I aenall) initiated. If I hadn·t. lhf: olhe.rs would ha:, e don~.. up la ins Peter. .. Tbtte ere 5e'\-eral contributor-1 l"MSOns. One was that v."e \\-ere starling to go in dlffeR.Dt muslcal dlrecdo.ns. I sa;..., out album • GaU.ries · as boln& an In: ting side thi!lg rather than a fouDdaliol'I for • wholf. ~ · mu.sic.
Did Peter foresee any difficulties facing hbn as solo singer? .. I can foresee difficulties, but I do think embarking as a sololst I have a firmer h>undatlon than most and a lot of people seem to have done so ~Uy and done So ralrly satisfac:tortJy.
FOLK NEWS HASLENERE FOLK CLUB WEST STREET, HASLEMEaE
.. Royston \l~s g:elUng m.usic:alty ambitious and \V'OU.ld liked to haH~ seen ii a.s the start of bund.rl'Cis ol ~ things. Whi lir I enjoyed d<ling 'Gall-s.' I saw It as fun thln,1 aod still see my future- in English tradllloaal folk songs.
.. A.notbu Ch.Ing v. -as the trips to the t. nlted States, an of w-hich ,. ue-, audience-wise. tr~eodously .successful but mone,'-" ise disastrous. I dtdn'( \\.&nl 10 go back and do It a filch tirn~ U tho group had sta) ed c.o,:ether "" \ltould .ba,e _, on tr)ing."
\\-1,Jlt- stiU wflh <he Young TraditiOn, Peter
Aspects •• l'm going to miss an
awful lot that was part of being the YT e~•entu.ally. I WII miss aspects of iL Just being an intrinsic part of a unit that has been goi.-.g for a long time, I shall miss a lot that has been successful and tre mendously satisfying.
.. Howe\ler, ln tenns of my own style, Lt has been limiting in freedom. rm \:en. much aware that what ru ·be doing "'UI be for a more 1imJled audience than the YT had, and that was limited in it.self."
A NATIONAL songwriting contest o.n the tbffl:le
v.'Onl. 11 beln.g spon50red by Club Folk rnaguJne, the orpn published by the Engllsh Folk Dance and Song Society. The entries wlU be judged by Ian Cllll)bell. The prb.e for the winning song wlU be • collec.Uon of folk sonabook.s or records and the winner will have his song published and receive royalties on any recordings or broadcasu made or 1he song.
There will also be an expenses paid trip to the Jug o· Punch club. Birmingham to hear tl\e song performed More than one song can be submmed and closing date is December 3 I Send them to Club Folk. EFDSS, Cecil Sharp House, 2 Regent's Park Road, London N.W I
Tim Hnrt and Maddy Prior guest at I.ht Fulham Folk
CAMPBELL entry judge
Centre on September 9 and are followed by Shel11:gh McDonald (16), Keith Clark and John Townsend (October 7), Noel Murphy and Shaggis (14) and the Orange Blossom Sound (21).
At the Hammersmith Folk Centre Murphy and Shaggis headline on September 11, Shirley Collins (18) follows and then on October 2 the Grehan Sisters play the club with Johnny Silvo (16) and John Belmead (23) on the weeks after Scottish singer Hamish Jmlach makes a special appearance there on October 30.
Apologies to Jeff Oucane whose name was mis-spelt in this column recently . Jeff Is recording seven songs by Magna Ca rta's Chris Simpson. Magna·s first album has jus1 betn released by Mercury and 1s well wor1h a llslen
In the Old Crown Bar. Loth1,1n Stree1, Edinburgh, the Edinburgh University Folk Song Society present Lluie Higgins from September 8 to 13. Recent guest at the club was Fred Jordan. Dave Goul-
:~rr:.n:p;~!r ~~=;~ ~~~ W~~tS· At !he ln.r.lilute of Contem
porary Aris, London on Monday Leon R~selson and Marun Cuthy Join forces in e show titled John Barleycorn Meets Jumbo The ldephant
GAS WORKS THE UPPER ROOM FOLK
CLUB. Goodwill lo •II Headstone Drive. North Harrow WtZZ JONES
SATURDAY
" ANGLERS, " TEODINCTON : ,,,. KEITH CLARK &
JOHN TOWNSEND Laugh-In
CLUB FOLK September 1s,ue of 1he Int hll1ng Folk Song M1g• z,ne now eva1t1bl1 M• ke sure ol )'OUr copy by aend,ng 1/lO<f or b.Uer s1,11 11 /- for one year·• 111ues.
pOlt 1r .. Th• lltlSt ISIUU ,nclud•• art1cl11 on Tom and Smitty. Derek S1r111nt. Colm W,Jlu1 ch11p ,ong collec11on,. Ke•le Folk Fest1v1I. Folk cu,tom, end lour 1ongs plus record reviews read• r,· letuns end club news Club org•111sers can ob1a,n cop••• for r••s• le (12 or more 113d per copy SO or mor• 1 par copy. pos1 free) CLUB FOLK. Cecil Sharp Houa•. 2 flag•nt'a Park Road. London.
NW1
FOLK SINGERS ·----... --...... ,_IOU!-~, .... 111. -,. --.-------tkl l.-,0 fOUC. DIHCTOIT .... ,...__., ... ,_ ___ __ _....,,._ ___ o,1,._,.._ "-.,:_-v..:;-i..:...f"T'..r--.-...:---1
,._.-,---.1.--.,•w.1
JUGULAR VEIN ......_ Avtumn .,_ aHU avalloltle Write - , ... Tume.-5 Auatln laoct, Hoyea Miclcb,, or 'phone 1..-,y MYr"hit llchmond (Ol~MO) IS47
Bacup fol~ dub opens on Septemher 6 al the Roy;LJ. Hnlel, Wattrfoot. with RoRer and Chm: Wutbrook and Jan
inned ~lr.ud:~~ ,d~~~!!'uJ.;htali~:: rr:=: __ ::::~-=•=,~IO::J~an~•(I(~~ ner, fmrn Blackpool are the ..-..-nu"""' __,. 1uests on the opt'ning night ...,.•-•• Cen'lwell
Al~x\ S~~~/:,~~· Jh~:;mf!~t:, SIPT. 1 .. 13 (Incl.)
John James Chn Aungler a nd PETE RYDER Jo• S1ead like pa" ,n I lolk
t~•nc:~~ •tofL•n~eeld ( ~l ,:r:~~~ wtlfare rtind "-tlaW-•W.lllalitll
SATURDAY cont
AT THE CELLAR, Ctt1I Sbu;> Houn•, Camdr-n To•n 8 pm TERRY MASTE.SON ..-Jth Too)' Sha-.
COUSINS, 0 Grttt Street. 7 .. II
MIKE CHAPMAN and • newly-fonnl'd Duo
MICHAEL CLARE All night Rn10n 12-7
MIKE COOPER JOHN JAMES ICON AVAILABLE
P&ANUTS, Kine• Arms. !U Bl!Jhop1 G•le
JILL SMITH NICK HAR.RISON
THE FOC' STE al the •· CHUC'. Falrffeld WHt. Kings-ton
STAN ARNOLD
THE CR.EENWICN THEATa.E FOLK CLUB
The Gloucester Ktn1 Wtlllam Walt SEJO
JOHN JAMES 8 pm Ple-ase ~me rarly
MUNDAY
AT CATFORD ltfSIJU; S.UJI JOHN llEJTH
TOWNSEND & CLARK PAESEMT
tAN RUSSEU.
vt~1y~'i:t1~NO~ .-TW
JO-ANN KElLY B.AJCE.tS OOZDf
C S lltt Cftltr'e' l SlVJ
JOHNNY SILVO
ENFIELD FDl.K ct.ua Tbe ti ~es aa&r.r EnAeid
ALEX CAMPBELL THE FOLK COURIERS
MINOTAUR , Strttt. Cbplu•
THE LCS Plll!SENTS THE OWL HOOTS t1: 1':.':5;.\L•".8.i, '::•~lo~:&;.';.!; •""•dnn S,;.- Tn r s1ree1. London. w.c I 7 •S p.m
THE PEELl• S, Kmgs Store-a. Wtdegate Street, orf lhddlesu Street. nur Ll'ferpool StTN!l Station
THE PEELERS lntroduC'e
THE YOUNG TRADITION Also MIKE DEA.VIN, MUAY and T"IEV• COLIN GRANT and many MORE
TROU•A DOR, 10.30. 215 Old Brompton Road DAVE & TONI ARTHUR
SUNDAY
CHINCFORD NORAISNEN Tower Hotel. opposlle Waltha.rn slow Central.
NAC"S HEAD. 205 York Jtoad. 8111ttrsea
JON !SHERWOOD Host JOHN TIMPANY.
TROUaADOU •, •. 30
JOHN ROSS & JERRY SHORE
WHITE • EA• , HOUNSLOW. I FOLK WORkSHO.P
S1n1er welcvmf'
OPEN IEYDIINC lh·rc• Oak Weal~
., WALTDN-ON-ntAMES.
Church Slrf"l'I
JEREMY TAYLOR
T U ESDAY
FOLK t.Ewnt E. F1J L HAN TIN N.AR.T a NADDT PatOt
Tbe S..n Falha B~.1.
HOUNSLOW AJrTS Q..UII
TUCKER ZIMMERMAH Wb!IP !k'U l:Ut- It Hounslow
TUNC. ao. aad Cr St. Xl7 S•erJ T'ltft
W ll> N l',U A Y
IIALTAURJN DOWNMA.N AY Downham 8.r(lim. y t STf.PHEN CHAJtt.lE$
KINC'S HEAD \."'fl,er Mrwt.. tsunsJon. n-opren1
THE HAPPY WANDERERS
Don't miss the all star
FARNHAM FOLK AND BLUES FESTIVAL
in beautiful FARNHAM PARK. SURRE'Y FRIDAY . SEPTEMBER 12
Bar -
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72jc ~
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s1n11ng. will lldV ISt' and lraln )'tJU lh'c moblle dlscothequH and
~~~r%~n'":."r;pt•r'a" F::P·u<·:~~1("~ :~:.
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MACK4 Y-MONSON DISCOTHEQUES
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01•1 01 437 UOl/02-934 S)IO
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from page 17 Thoropjorfs l\ne bass solos. but 1t wasn't a happy
•P~~~~m~orJ~t~ •F~I~~ who 'GREAT TO BE
ELECTRONIC ORGAN lessons from ISs Prlvatt/11:roups, R&B, modern ortan/ plano, H3mmrnd/ l,owrey Organ Studlo5. 7/6 hOurly COLLECTORS wanll'I' service 1'"0lk guitar, !lute, clarinet and LN us search ror all lhnsl' h,ud ~;~p:1~n~37s.° 211 Arden Roiad, ~~:,ndc:i:~~~tf.~u ~e~e~/~,;~{le:~
ERIC GILDER SCHOOL OF 01.sc Dtltl,on,:, Ill Leighton Road. MUSIC fo r all voes\ and ln1trt1• Linsl11dr. Lelghlnn Runard. Bcd5 menial tul!lon Wt1t•End Studlo1, GUARANTEED USED LPs. CataR,.g. Offlct'· 48 The Glade, Croy• IOJJUt'S II - Cob Rrcord!'i (Cala~~r
4.g.:o 7QD, Surrey. Tri. 01· ~t.~~•), Purtm•dot. CHrnarvun•
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0218 THE GEST MOIIILE DIS•
COTHEQUE EQUIPMENT lor hlr<' or purrhnt from NIEWHAN AUDIO. - 534 4064
HOTELS 1/4 per word sana sweetly on • sele(U()n
that lndud~ " I Want To Be Alone,'· by Jack1on C, Funk, LN>n• rd t:ohe-n's "Bird On A Wirt" and her own "On A Wind) Mom,ns" She a:so sans the first D) Ian sona.s of thf' da}'. '"(h1mH or F~~ dom " and " \1asters Oi War." at the audle.ncc·s
HERE, SURE IS' sty~~slTrldRM .:~~~~•111:;~:45'1n::1 LITTLE HANK , Aml"rlcan Port~ - Fred Gearon, 01-743 8127. and many uthl"rs ro, suction -
GUITAR LESSONS. - Cl1ph11m For hsb H·nd large 5 a.c. to J,I 622-81111. C.a~wt<II. Ma Carrs Road. Todmllr
GUITAR TUITION , pro lf'&Cht•r df.'n, Lint"\ - 9t7 3250 OVERSEAS CUllOmf'rl supplied
dr~~Ckt~1t1or!:R~EV1~i 21U.f'clallst ~~d:ra0~ve~r~\'Jhar:~~~~
11:~eeT~~j
s!:1°~~~~ ;lu1:i~o~~~7'8~::r - ~1~!~-:r:~~~c'St~~f'f1!,
01J1:::f'er
STONEHALL HOUSE HOTEL (70 minutes West End). F1rst-<'IIH room and breaklas1 hotel Terms from 22s ad dally. Hot and cold, fully cenlnlly heated all room. Showers.1 bath 1nc1u1lve. TV/ Radio
~ju'i!St~b~Aia~r~~~~ni!:~k-healh. Loodon , SE3 01-1158 1595
rcquHt Thi• brought her a b11 round of cheers and applause and Julie encored with .. Going To The Zoo," With audience 9in1ln1 •long.
With dusk ,ettlin1 in on the vast OJ)('n air arena, Richie Havens, a truly dynam • 1c sm1er. came on
AccC1mP1ni~ by Paul Wil • hams {glr) and Dan1tlle Benubulon (conaas), Richie worked out bet:ul1fully on •• Wtndow Of Ell:J)('rience," Dylan·• ·· Mas,te's Farm," "I ~t Too Low," his own soulful arran1ement of I.he Beatles' " Strawbfrry Fields forever." wllh I bit of the .. Hey Jude·• chorus thrown m, • nd won huge apprec1atkm for his intense. powerful stn11nB or ·• Freedom·· •nd .. Run Shaker Life"
B>· now the aono1tphtrt was bccomm1 e\eclnc ~ the :,ud,ence •pproached Jts exptcttd 200.000 and the StlU• 11.til'ln tn the press area Mc:arnc- alm01L intolerable Albtrt Groum• n. Dylan's manager end memMrs or the Fiery Creation or1amsat1on hid SNI.J: set up for them in the- middle uf ttie press arH
and only Rikki Farr's energy and t.aOl prevented any nuty .scenes from those In the press am who wanted to see Dylan, and there were well over the 500 mark, and from the audience some of whose members were worried lhat their view might be ob. suucted
When Dylan eventually took the stage a few missiles were hur1ed but not, u alle1ed, •t him, but 11 photo• 1raphers and othtrs who were Mockin& somebody's view somewhe~
There was an hour's wait while the stage was being set and amplilkation was tested A blue curtain had been pulled 11cross t.he •t.age
Fa~in~~:~d ~!'n ~~~'. The musicians from Bic Pink took the st.age t,o t ~rm welcome and 1mmed1ately swun1 inlo "We Can Talk," Their sound is very clear, v.arm and heavy wllhoulbein& cru shinC, and tempertd
~~~/ s~thg ~~:nt;rai~e\~J
TANGERINE PEEL Reprnented by·
p.,,., R1ce Agency1
101 Wardour St., W.I, 01-437 7061
THE OPEN MIND f!epres.nt-.d by.
~•' a R Ag•ncy , 101 Wardour SI., W 1 QJ.~37 7061
MAGNA CARTA DEREK BRIMSTONE • COLIN SCOTT • JON !ETMEAD
aep,•s.n• d by JACKIE CHALLINOR P•I•' R•c• Ag•ncy, IOI Wardou, St. W 1, 01 .~37 J061
organ line-up, they were sUl(htly reminls~nt of the Procol Harum.
Most of their numbers were taken from 11heir first album ~~I," i~~~:::l ~e~~~• ·.~~~ Weight." '' I Shall Be Released," plus their own country-rock verskln or the Four Tops' " Loving You " and a couple or sl-raight country sones, "Ain't No More Cane On The Brazos " and "Don't Tell Henry," with drummer Levon Helm switching to mandolin .
The Band produce their music surprislngly close to their f"K'Ording1. They are muslcally ti&ht and Robbie Roberuon stood out partku• larly on guitar.
SMILING A huae cheer - and Dylan
In loose white suit, with drape jacket ,Idled up 10 • bank of microphones -and we were hearina "She Belongs To Me."
He was smiling shy ly at the audience and at the fla,hma cameras and was seeming ly happy to have finally an-ived
Al 1he end of the number he told the audience, "Great to be here. areal 10 ~ here, ture is"
It wu a pro,t1'mme of mainly fam1h11r O)'lan co,nposi1ion1 bul in new vocal and lnslrlolmentsl stlllflf.' Hl5 voice •oundtd confidenl, well 1n tune and free uf lhl' old h3tshnt-s.s, The b.lC'king.~ '-'tre hrmly 1ympathtollC bul w1lh a n1re dcgrt'c of funk mess, wt heard fln " I Thrtw It All Away·• and "M1n1e's farm ., H" pns1t1lll!'IY l'OC"kNl on "H1,ihway til ·•
'
I
'
Ht wa Qbv1ou1ly cuni1c1ou.., ,f tM need IIJ plCl'lf.' !host who like their 0)-lan acoustic The 8111d then t lepped uidr for 13nh 1n ""' to ht:1 own Jtlllllr Jlit! l'ir,l uC lhe5tt w• he Briti,h folk scme·• n• lfm1I anthtm "w,11 Y" r.n
RECOMMENDED TllUM,ET Markel. llford LanP. IUord, Eun Lassie, Go." foUowed by "JI ~~~T~0S~~d~ie~~a.i':::od. - Bell RECORD BAZAAR, 50,000 from Ain't Me Babe," "To TllUMPET / TUITION. _ Tele• ls. Write lor lists - 1142•6 Ramona, " -and "Mr Tambou r- phone Ot-4511 2543. Instruments Arnie st
Clas1ow lne Man ." 1upplled, SEND ls, plus lar~e SA& ror
As The BHd returned, you 1,-,,,,H"°[~SC'"H~DO~l~D=,~c~o=Nr=,M=,=ott=•~-- ~"~nt ta~:l ~:~tl~r;;rrlri:1u~~~ could sec Dylan's stra ngely AHANGING ttCHNIQUU RlrB. R .. R. ('IC . - Moore 16
f:~e!~~: ~~~u~~~~~~! ~~~ ~1=~S,~~= ~0e~g;~izilr~oai,rd~ln•lade. Ltlgh-•11 was going well. His smile ,1ws.c.,;11;~,s,,,.,..01eo..,po,110011 ,.,..... 145&-19119 Past Hits ror salt' and The Band's, cOnft rmed Ted111,q11., , .. ~ght,.odl .. 9 , P'tocMal Thuu111nds or rare dl'ktlons avail• that It wns. Mu,k10~,1np Al,o olb""'' ond ,.,.otd1.,. 11blt', both 45's and LP's Send Is
11.-45 pm and we were into '°;.~~ .;:;:!;: :;: l'.::r."'~.f plus lilrge ME to Woort' 16
:tkThcAB•n:011!~:ing s!~?;~; 11=' ... =· ·=~"="":=,.=·~=-:;::'"='=.:.,=•~= .. =-=aae l ~oc~1~~~~.:!t~ai,rd~1n,;l,1dt", Le11h· happily to lhe chOrus. Before the fl~I encore we heard "I'll Be Your Baby Tonlghl," " I Dreamed I Saw St Augustine," "Lay Lady Lay," "One Too Many Mornings," "I Pity The Poor Immigrant," given a folk sound with Garth Hudson playln1 accordlan
" We're going to do one more for you here," Bob told
~~: •~~!~nc~,;~ Th~; ~~a~r~!~ Mann, a great group, a great group."
Needless to say we guessed right. It was "MIRhly Quinn."
M the ,ong flnished the
~r~:~. ~~re.~ s::m:~~;:3 and waved goodbye. However 111 the Insistence of the audience he returned.
Fnr the first time that even1n1 we heard • new Dylan aonx, unannounced, but guessed as btina "Who'• Gonna Throw Toot Nex1 Throw," a slow paced bal~d
A 1ood cnntr•sl to his final anng. "R1iny Wnmen 12 And J5 .•
" Thank you, 1hank you, Rf'Catl " And Dylan was ~nf'
ln<\pit, plea 10 rtturn, 1l w. all ovtr
Said R1kk1 Hur, " I'm sorry, Dtlan h• innt Ht came and he did whal hr, had to do··
AFTt-RMA1 II : lnc-Yllably
JOCK CREE'S RECORDED DRUM TUITION
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!JI( .. ~,., ·flNGH MAGK" I, nu COWLING IN)llf\111
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thf're w~rt lhnse who wtrrdl\\olt,,l'i,d kt>mark wt•rf:' heard ltl !ht rffcr l that ·• It WH • hum lflP.. s,,m, thuu&hl hi\ 'IIOin• had l•(kt-d rul tmotwn hut fnr lhtoverwh1•hy11ng maJtmly, u ..,1,n hMI , ,vcn thtrn a 11,,hc tu rt'l•lemh'lr l flNY Wtl StJN
~ lv"d ,,.•••Muoi ,.,.. ill~to••>oll S••io t., "'-t,
,_.....,..,c.ti ... Ot ..... ,0110,(,..~1 o-i,,o,. M,. ... JO, . ... , ......... ,....., .. ..
MO hOilCAI (UUU .. IUNAU /0. I Mt172l lOlltl•"·l ....... W MJo:.
IODGl MAYNARD o..t- MM.112 ........... ---,.,._..,_.., .. ,..._..., .................
FELICIANO FOR PALLADIUM JOS E FEL ICIANO t lllrs at the L.ondon Palladium on October ~ It w1II be Ms o nly st11ge appearance during his British vis it and there will be no support ing acts on the twohfl ur s how.
He is coming primaril y to tape gu6t appearances in the Tom Jones a nd Enge-lbe-rt Hu mpe-rd inck TV shows
MOlHERS FOLK JOHN MARTYN and Ron GeHin will be the stan of t he week ly folk .s es s Io n at Mothers. Birmingham, on Se-ptember 9, fo llowed by Jo-A nn Kelly and Ralph McTell (16); Shirley Coll ins and Al Jones
~~~:Mt,t: [h~C::::n tl~. Band October folk visitors to
Mothers include Dave Van Ronk (7); Tom Ru sh ( 1-4) ; Stefan Grossma n (2 1), a nd Dr St rangely Strange (28).
McCARTHY DEAL LYN and Graham McCarthy are to s1a n a ftve-year cont ract with the Festiva l label, the
:!5~r~~i•onpe~~~~n")lrh~~- ~~
Saturday (6) they begin thrn mon!hs or crui sin g in the ~o~?J~~~nean on "a working
t.STHER ON TV ESTHER OFA RI M gue-sts in the Rolf Harris spectac ular on BBC-TV on October -4 , She also gues ts on a BBC-2 co lour TV show starring Peter Sa rsted t early in October.
DYLAN FILM " OON'T look Back," the 90-min ute Bob Dyla n documenl• ary film , Is to be shown at Middlesb rough Town Ha ll Crypt on Fr iday next (September 12) at 8 pm.
KORNER SHOW ALEX IS Korne r conlinues In his fif th year as compere of the BBC's Worldwide Service rhythm a nd blues show which is broadcast to the Far East, Sout h East Asia Aus-
~r: ~iaA~ ! ri~;~dt;a9t9tr~~~ be stepping up the programme's broadcasts from
Stereo singles plan CBS rele-asc their fi rst stereo sin& le- on Se-ptember 12 It 's a traC'k call ed " Ice, " taken from the third a lbum by the American group Spi rit
The second s tereo s ingle, released the fol\owl ng week , will be " Ell 's Coming," by the Don Ellis Orchestra , taken from the " Don Elli s Goes Underground " a lbum, to be r~leased In late September
Also li ned up fo r release on CBS are a new albu m from Janis Joplin ca lled " I Got Dem 01' Coz.mlc Bl ues Agai n Mama " on October 24 , an d 1.n a lbu m lilied " Mi les DavJs's Greatest Hits " on September 11 , whi ch includes tracks such as "ESP," "Seven Steps To Hea ven,"
;,~~~?-d and ~l{tr~f:i~::.. "All
three to four times a week enabling th e show to reach a~ even wider overseas aud ience.
BAKERLOO LP BIRMI NG HAM group Bakerloo have their Rrst album out on the Harvest label thi s week
On the al bum guitarist Dave
~ 1: ;ryso~w~~j' b; i~i;a~~~~~ ~f:eh;, w1~~ri;:n
5 g~~ft~rl~~
Thorne! Schwartz, The album was prod uced by Gus Dudgon.
~EW LABEL MOHAM ED Zackariya, Managi ng Director of Zel Records hut week announ ced the "re: activa tion •· of hi s Evolution label with th e release on September 19 of three singles by
~~~s J~~~~int,a; ~! rd:•~~~; singles and ten albums are planned ror Evolution over the next year,
WHO PLANS WH O drummer Keith Moon still has his leg In plaster following his accident a for tnigh t ago.
The group play In Dunfermli ne this Sa tu rday (6) and in Carlisle the fo llow ing day , and if Kei th Is not flt enough to play a deputy will be fo und.
MIGHTY BABY LP MIGHTY BABY'S fi rst a lbum, held up by legal complications, has been rere• corded and will be out on the Head labe l on October 24. Cover consists of paintings by RrBphic designer Marlin Sharp , who did Cream's albums .
A MICKIE MOST PRODUCTION
t38ck Ola
Columbio SX / SCX 6351
MELODY MAKER, September 6, 1969-Paee 27
The balloon goes up at the Isle of Wight - unwatched by most of the audience, who were more interested in happenings on stage. For full story and pictures, see centre pages.
in brief
MARMALADE have cancelled a t our of Israel this month . A spokesman fo r Starlite Artists said: " It w ould be foolish fo r the Ma rmal ade to be in Israel in view of the bord er trouble."
The group now visit Ireland fo r four days from S e-ptembcr 11 and tour Sweden from October 1.
Keith Potger e nd llhe New Seekers have s igned for a colour serle-s for ITV to be screened next Janu ary.
J lmf Hendrb: ho bee n
approached by a major German film company to star in a colour 1V spectacular for world-wide .ffiOWin-g. It wou ld be filmed early in the New Yea r.
Blind F.aUh,, who made thei r world debut at a free concert in Hyde .Puk, are l<ikely to make a European tou r soon.
P,P. Arnold re-turns to America t his week to promot.e her new single, "Bury Me Down By The- River," written and produced by Bee Gee Barry Gibb.
Zoot Money returned to
rnru~~e:r~. H~kpl=~t:ri: lo~~ a new band.
thf e;:it~-~~:~ ~~~e!~~~! next month, is likely t o head a pack'age ,show in Gibra ltar, Majorca and Malta , He has
completed a new album wi th a 30-piece orchetra tentatively tiUed " Georgie- ~ His Thi ng With Strings."
Desmond Dekker and the Acu, Mu Romeo, Jadde Edwa.rd.s, Joyce Bond, Derrick Morp.n, Blad e Velvet and other blue-beat stars headline a n aJl-njghter at London·s Alexandra Palnce on Friday, September 12 - tint night of a ihree--day Caribbean Festival at -the Palace.
Sammy Daris Jar was due to &pend two days this week cutUng an album live at the Revolution Club in London.
Ze-1 Records -are re-ac-tlvatin& their Evolutio n label and among the first three lingln - out on Sept 19 -is a ten•ynr-old Otis Reddl.ng n.ck "She's All RighL"
Chlcken Shack may have to
ra::r~~e~ (~~r,ea.d: th~T; new si ngle ha.s yet to be released in the Statn
Former Spencer Davis oraanist EddJe Hardin •nd dru mmer Pecer York •re now working tocether in a duo known as Hardin-York. They made their London debut at the Marquee on Sunday.
Beatie Paul McCartney"s American-born wtre Linda
fa8s~e :~~ Jie a w1i'1b t!°~ff::-~ Mary, after Paul'• mother,
The Roy Budd Trio ls at the Opposite Lock Club, •Birmingh1m, toni&ht (Thursday). Other 3LUS booked:-~=~~ey cli%t1te~m ~ Cfllyn~~ Ferauson Big Band wh.h Salena Jones -and Mark Murphy (Nov 10).
COSA NOSTRA
BECK-OLA
THE JEFF BECK GROUP
Today, with all the hard competition in the music business, it's almost impossible to come up with anything totallx. original. So we haven't -However, at the time this album was made, the accent was on heavx. music. So sit bock and listen and try and decide if you can find a small place in your heads for it.
E.M.I. Records (The Gramophone Co. Ltd,), E.M.I. Hou1B, 20 Manchester Square, London Wl A 1 ES m ----·--
Pall" 2~MELODY MAKER, S,pl mber 6, 1969
RESURRECTION FIIOAY, 5rh SEPT
fH( WAIWICII'. PUI, IASt • AINE'I' 10.t.0 NfW IAIHET (NE,\I AlEltAHDI.A PUii
..... , 107, J.4, 261 Tv~ Hit!- ........ , II. ~ ... aa.-,
WHITE TRASH Of'fN /;V(l'I' f'::OAY Ip... HlAvY sotmos flOM Ill.IE m - ll:AfRC UGKt SHOW
NEXT WEEK - SAM GOPAL
F Rx fHI NOITHCOTI AtMS NOHHCOTI AVENUI O" SOUT'HAU IIOADWAY IUlOIIDOi IOAOI SOUYHAU.. M10DUSU I 11111$H •Allz $0U1HAU IUHS, 2'2 120, 207, 105 01 IH
SUNDAY, SEPT. 7th, 7.30 p .m .
MARSHA HUNT • =~ D,J. ANDY DUNKLEY
Next Sund~y: HARD MEAT + MIGHTY BABY
MUSIC EVERY NIGHT and Sunday Lunchhm o, 12-2 p m
Adm,u,on fr•• eacepl Sotvrdoy ot Adm,ulon Ir•• all 111110M ol
THE KENSINGTON THE TALLY HO! •ussm GA~OE!'-15, HOU.AND ROAD fORTESS ROAD KENTISH iOWN
KENSINGTON, W 1, NW 5 6u11'1 2 7, 73 JI 9 (Olyrnp,o) 6v1C'\ 63, 13•. 131 21• or
Thun 1-11, ...
STAN GRllG QUARID with DA Vf SHEPHERD
... ..,, '. no WOOD JAZZBAND W\>tdarl ·ll11,.._.....,_.,...,,1
JOHN CHILTON s-.to,w ... ,,,-n.21>,111
Bill Nlll'S GOODTIME BAND s-da--,r,9'11-10.JO, ...
FATJOHN COX BOSSA 4 WITH GUEST SINGERS
Mondar o..d l-00,, 1-11 ,..,
JOHN WILUAMS TRIO T- ~ ""
ALAN HAVEN W..t JUDO NOCTOl (C,uuo,l IIIAN llMON l'-1. lllNNY NAJl't>D !li:ml Hill SIAMlN tO.-J 111 p.,
IC1'nl ,1h To wn Tu f lot ~ Tlwodoy 811 pm
BRIAN GREIN NEW ORLEANS STOMPERS
frdoy SoMdoy. 1· 11 pm HIAN LEMON (r,l)t!o)
JOHNNY RICHARDSON (Onim1) COLIN PUHOOK (lou)
Slll'IO(l,y Luocl1t,ll'II, 11 '2 p rn and Wfldny N,qht, 8 10 JO pm
TAUYHO!BIGBAND Mondor 111 pm
DAVE SHEPHERD '~"M' 111.t.N LIMON ""' ''°IIO
JOHNNY IICKAIOSON o,, 0n,,,.., TUl\doy. 811 l'.l-"'
DENNY OGDEN OCTET W'®l'ldoy 811 pm
A1AN IITTIUOHN/ TONY MIUINER SIPID
To P RECORDING, RADIO & TELEVISION STARS
THE ART MOVEMENT
Lctest Releose: YES SIR, NO SIR Columbic DB 8602
Enquiries:
ACUFF ROSE MUSIC LTD. 15 ST. GEORGE ST., LONDON, W.1, 01-629 0392
LIVE! AT THE FAIRFIELD FAIRFIELD HAU CROYDON
Mana .. '* Thoma• J, ,,.,..., M.IM,Ent.
SUNDAY, 21st SEPTEMBER at 7.30 p.m.
TONY SMITH PRESENTS The last concert appearance in this country
until 1970 of THE
WHO In a two-hour
NON-STOP SOLO CONCERT Including 75% of "TOMMY"
$it1f ~l\~ Th• Progressive Rock Organl1atlon
pre1ent at the
FRIARS AUDITORIUM MARKET SQUARI, AYLESBURY
FRIDAY, SEPTEMBER 5th, 8 p.m. Na.I Redding'•
FAT MATTRESS AND
EAST OF EDEN MossiYII l ights by Optic NerYe. Heod Sounds by Andy Dunkley Po,ler, & Mogozine, by United Frog Beer & Spirits by Third Sun
Nice People by Nice People
Caribbean Music Festival ROYAL FESTIVAL HALL
Gen, Mon. : John Dennison
FAIRPORT CONVENTION
"IN REGGAE TIME"
EMPIRE POOL, WEMBLEY SUNDAY, 21st SEPTEMBER, 1969
6 p.m. - 10.30 p.m. • STAR APPEARANCES BY *
JOHNNY NASH~~. ..... . . AND FRIENDS
WEDNESDAY 24th SEPTEMBER
8-1 Jl' • m . DRINK Till LATE Drinkl at pub pricu Snacks or full mNls
Grat N1ghtdub Atmosphere Fnday, September 5th
CHERRY BLOSSOM CLINIC
Saturday. Sep1ember bth
VIRGIN HEARSE 1..,.ry Sunffy, &0 Mkln'8ht:- ~ tUI ,nldnipt. A.dmlNI- ...... ~p rorty N ,ght w,th the lond1 Room 0 11t0 Show, plu1 Ii"' ~tall of O.J. Comp No 2 (ope:rt ro oll - anh pnn1) c_,,.,•ncln9 n•llt Thu,-. (S-,.t, 11th) and every Thu"day nlahti The Ilg L Dhco Stu ,w. I to fllW• night. Drink ta mklnlpt. Admk-1kin ffN ,
!IA ,u10 lftln, PADDINOTo'N, w .2 ULltAD 5274
COUNT SUCKLE SOUND SYSTEM
WITH IAND
,,1.aoy, s., .. '" ... , Jth PIOM JAMAICA
THE FABULOUS PAUL KELLY
Saturd•Y, Septeml,•r 6tt-
THE GLOBE SHOW BAND
··········· ···· ·· ······ ·· ·· Sunday, S•t•mber 7th
PINGWINGS BAND
La41H' free "lg:ht T"-• • & Thu",
Gent'• fre e ~--• WH • . . .. . . . . u;;,;.~. ;:;·· .... . .
(Pr• R•cord1og Artntul Thur, , S.pt A SCOTCH Of
ST JAMES Fr, .. s~pl 5 SR.VER BLADES
S~TH.A.M Sor , S•pt 6 IASTON Sun ., Sepl . 7 PAVIUON
BOURNEMOUTH Mon S•pt. 8 SCOTCH Of
ST JAMES Tu•,, Sept, 9 lONOON Wed., S.pt. 10 KlNGSWINFORO
Sole ReprH•l'IIOti1:1n ,Jol\n Edward Enter1oh11,,.nt Agen<"y
01·106 4645/ 6494
/" All ffllllllritttolrllllA,-yUt
ff.]J Orf- Srr.tl, l..._, '#1 GEIS0'3
MELODY MAKER ADS (MlU.DS)
S••k flxtu ... s for Socc•r Matches
Contacti DAVID NIALi • TONY WAlD lty ~, Cit .-.Cedy M.kar, 161-166 ft ... ,..,,._.,
London, LC.4 DESMOND DEKKER MAX ROMEO
JACKIE EDWARDS JIMMY JAMES
Tickets: 25/-, 21 /-, 17 /-, 13/-,. 10 /- ond S/
Box Office: (01) 928 3191 JOHNNY HOWARD
COUNT PRINCE MILLER JOYCE BOND ROOT & JENNY JACKSON
BLACK VELVET DEREK MORGAN MOHAWKS PAT KELLY SKATALITES
Compered by (Mr. 8.8.C. himself DWIGHT WHYLIE ond ( Cori bbeon" s No. 1 Enterloi ner)
COUNT PRINCE MILLER Doors open at 5 o 'clock Fes11val starts at 6 o clock Licensed Bars • Res taurants Fun S1alls · Ca feteria
Snacks Record Stalls
Underground to Wem bley Park or appropriate Buses
TICKETS: 10/-, 16/-, 20/-, 24/-, 30/-T1cke1s rn advance purchased fr om THE 80)( OFFICE EMPIRE POOL 11\ EMBLH
RECORDS & MUSIC S2 S1oko Nlll'IW1ngt<Jn Road N 16 HARRlNGAY RECORDS LTD 73 G1ond Par• de N 4
DEREK S RECORDS 5 Turnpike Ulne N 8 AERO ELECTRICS 108 Ac1or, L• n• NW 10
PADDINGTON TRANSPORT S Grt<a l WH!l!rn Ro.cl W 9 JOE S RECORD SHOP 93 Gr• nville Ara de A1la111,c ROlld S W 9
HARVEYS 276 Grffr< Street Foreil G111e E 7
Send stc,m ped, oddrMsed enve lope ond .P. 0 . to: CLATMAN AGENCY_ LTD., 7-1 Aldgate High Str-t, E.C.3 -------------------------~ I I I NA~, I
I ,oom> I
f ,0~1oMd£, d I l------------------------~
OPEN EVERY NIGHT
WHISKY A' GO GO Thursday Septtmber 4th
Saturday September 61h
Sunday September 7th
Tuetd1y September 9th
DEMON FUZZ RAW MATERIAL FRONT LINE BAND BLACK VELVET
BAND LAURA LEE • DANNY STREn • TONY STEVEN
'•bin • ....,, 21 GiMtltl:llr IIMM1t11,, (l'fflbridt• Cim\ lHdoft, W t2 01436 ,m
Sole Agency
RED BUS COMPANY 01-734 9466
ROUNDH O USE KING ' S HALL LODGE AVE , DAGENHAM ROMFORD MARKET
Saturday, 6th Sept, Mondoy, ltti Sept
SAM APPLE PIE FAMILY ·l·Md·id&U Hii Oi·lii
LITTLE FREE ROCK Management: 659 0048
II y ep1'1 4th
SANDY BROWN AND HIS BAND
•••••••••••••••• 1f1diV S91>1 61h 730pm 2•m -+c
• MAYNARD FERGUSON t ! AND HIS ORCHESTRA t * ..... ic
t THE ALAN SKIDMORE t • QUARTET • • .... .. ,,. .. Jl,.. .. J/,-J/,-¥'1-¥-¥.¥,¥-¥-"fit
saiuni•v Sept s;h 30 p m 10 m,dmgh1
ALEX WELSH & HIS BAND Bill NILE'S GOODTIME
lwl ... •tl""-Cloiltft---.S.C•-l' lOQO,,ti IOOOJit~S,,- WI
(Ill~ 1.!9t>llle,_ N ._. MUS.1t., 01!33
STUDIO 51 KIN COL YU CLUI
10 /11 OT, NlWP'OIU .)1•tn HIAI lllCUTl• SQUAU .....,., s..--- .... 7 .)0 .. - .
IWY MARTYN'S RAGTIME BAND ·••y .... ,.,. , ..,._,,,3.4,,._..,. JO..ANN KEil Y
BRETT MARVIN & THI lHUNDfRBOlTS
iMON PRAGER STEVIRYI s-•ylv ...... 7.)0,-.-
KIN COi YIR JAZZMEN
THAMES HOTEL H•""P'•" C•w•t, MlthtleH•
""-Y, s-. .. ~.stt.
llN IWDWIN'S DAUPHIN STREET 6
s .. ~,.. hp,.,.._.,.. MAX COllU'S RHYTHM ACES
Swt4.,, hp"91MW 7th
AIAN WDON'S JAIZIAND
WOOD GREEN '"":;.:f ,.• ..... ,1 ,,. ... a..- ~
SAMMY RIMINGTON'S CARDINAL JASS BANDII .... , .... w--.....- ,.,..,._, ·-GLASS MENAGERIEII ·ltl• btt ,t ... u.,.t•••
THE KENSINGTON IUSSW. OAIDfNS, W 14
hm .tf, 9, 73 IArul.DAY, SEPT 6rtl
JOHN CHILTON SWING K~GS
COUNTRY CLUB 21 0. HAYUSlOC IC HILL, NW 3
l .. e lelllle Pant Otl•en )
n. ... ~~ · INYTMM 'N ' IOOIJ NIOH'T
GWS MENAGERIE STR ,."'p SHOW
IAlnoN
ATOMIC ROOSTER ,.,. J.AH DUIUI DI oarT
Nqt h"-'.,-• M.Alt.S"A t'UNT ...
CLUBS
THE GREYHOUND Jlntl'l. H!i;h Ro.1d Chadv..t•II Hl'lllh
SUNDAY BEXLEY, Kl!NT. Black Prin«
llot('I
AMBOY DUKES
BILL BRUNSKILLS J~:u.mcn t'IJl'.hllnR Cock,; K1n1r~ton
Boe HAM•SDlxit"landl'ts Th<" .<-wnn Fulhotn Rroad~ a,
IOTTLENECK BLUES CLUB Raihu,y Tnn•r n, An1rl I ant' , E 15
FISHOOK PLUS PALE GREEN LIM OUSINE ,
COOKS, CHINGF0 RD ROYAL FOREST HOTEL
EAr plu11:11 :.old •In 1hc pr<'mhu BILL NILE GOODTINE JAZZ
DENNIS FIELD, lunch llme. Cirorm M•n. Plum1t ca a
EXCITING ATMOSPHERE In t he o lCll' wo rl de Bnrn Ou at Cam· bndJ!.f' Hote l Cambcrky IA 30) Jttu fur lbknln~ and d1nr1ni b pm TIA JUANA IIANO.
GROOVESVILLE WAKE ARMS , EP PING (All)
SAM APPLE I PIE
0 Two Bars , Garden , Hems. ,,.
N<"XI Su nda)' Graha m Bond
NEW ERA JAZZBAND Elm Pair!.. IIOl<'I Lunch tlmt• J a m Suslnn
NEW ERA JAZZBAND Ship Acround, Lubrldl t' Ro1d ,
MONDAY ANCHOR HOUSE ,
Town Applc.>s
AT PLOUCiH , STOCKWELL , SW9
RONNIE ROSS BEXLEY , KENT. Black i') l ll<"t'
Hntel A lan E ls d nn
COOKS FERRY INN ANGEL RD, EOHONTON
BAKERLOO LINE RESURRECTION CLUB SEE DISPLAY ON OPP PACiE
THE ORIGINAL EAST STOMPERS , Gr l't'n Man, k fll d , Ley1u n ~ton11
TUESD A Y
SI DE Hig h
" GEORGE," NORD EN, KEH COLYER
HOUN SLOW ART S CLU B. TUCKE R ZI MMER MAN WH IT E BEAR, Klngll ll'Y Road , ll oun ~IOW.
WEDNESDAY
BLACKB OTTON STOHPERS, Crccnman, Blat'khra l h
TOLWO RTH , SURREY . Toby
'"• TASTE Clap tun ----------
SKIN PIED BULL,
ANGEL ISLINGTON
THE ORIGINAL £AST STOMPERS, GrC'l'n Man. hl'illh
SI DE Blat·k
FAN CLUBS J/4 per word
BLOSSOM TOES FA NS t'0nlact P:a m t' la a nd Linda f°05tN at 383 Wuhwood ll l'a l h Roa d , BlrmlnK ham K
<'ICK~.N~Y S~a~!:\/~~c~~o~1~r der,. I ll rarllslc Street. W 1.
COLLUSION •• ,, •• LlµIH, ·'"' o.... TORRINGTON LICHT SHOWS
THREE TUNS , 8\•t:lwnhum. HIGH ROAD , NORTH FINCHLEY l/4 per word FRANK RICOTTI QUARTET N l•XI ALAN SKIDMORE MIDWINTER EVE Ang lo•A m t rl•
~~~1~;,~,•) 8.itblH~ Thnmp,,in ___ ..::QC:U'-'A-'-R-'-T_E=.T ___ _;_;;::c:•:c:•~-•-•>·_io_,._ .. _"'_''_'"_w_-_'_1·_87
'
TORRINGTON HICH ROAD, NORTH FINCHLEY
TUBBY HAYES QUARTET
NEXT WEEK ; HAROLD NcNAIR
" WHITTIHC.TON ," KEN COLYER
FRIDAY
PINNER
ILACKBOTTOM STONPERS Blm· C:roun~rh\ll'I
BLUES LOFT NAG 5 HEAD , HIGH WYCOMBE
BRETT MARVIN AND TH£ THUNDERBOLTS
1 COME ALL YEE ! TO THE
" WAKE ARMS " Eppm~ No:• Rd Eppl n ~ E~H•:r
KEN COLYER 1 Bar~ ADMISSION 6/-
~i:!" r~.,:~1:t,dbt· ~tJ~li'hl'b~nd\~~~ Arm c.-\rr) >'rid.,)" Hld:I) ERIC SILK
OSTE~ CLUB
ALEX WELSH l.adlt• ln'~~·
•DYAL OAK , ~JS Club,
I~~';,,. ~~-Ills s~1~~ TlRH~~ SHANNON , REG PETTIT
TERR:,.~,: ; n\1~";n 1::L~,=°,'l(g !trvEAN, 1(1'<'1 nrH·nfurd Road Gr ,•n l urd ~•~,. _
THIE FABULOUS
NEW ERA JAZZBAND El~el
SATURDAY
RONNIE SCOTT'S •7 FRITH ST., W.1. GIR •752/4239
EiViNtll JON E's TRIO JOE FARRELL and WILBUR UTTLE P'"' AFFINITY with LINDA HOYLE
Upsta irs: Ope n e ve ry night 8 .30 till 3 a.m. Unti l Thursday, September 11th
TUBBY HA YES QUARTET Fri. & Sat., Se pt, 5 / 6 , Latest Re cords & Dancing From September 15th
IKE WE TB
A FEW '69 DAnS LEFT FOR
COCONUT MUSHROOM OVER 50 GROUPS ALWAYS AVAILABLE
COLLEGE SHOWS A SPECIALITY
MIDAS MANAGEMENTS LONGCROSS 429
ASTRA AGIN CY ASSO CIATtS LTD. ,,.Mnt In con lunctlon with CLUI LAFA Yffll
FRIDAY, SEPTEMBER 12th
CIVIC HALL, WOLVERHAMPTON IN CONCH T
NICE HARD MEAT
GALLIARD Compe , e d by ANDY ARCHER
Ad'"'u1on ti . 17/6 1216 or'ld IOI• T•tk.ih on 10la ol th• Civic. Holl looh ng Off1m ond Alfn:i J,g9ncy Auociot• ltd Criterion S11119 ,,-,l'IC .. Squore WGl..,homplon
COHCH T COMMINCIS 7 .30 ,.m
DEVIANTS BOB DOWNES OPEN MUSIC
FAMILY PU YER SION SHOW pl•• KHLY J AMES
...... ....,..._ ... 1-,,..
RECORDING STUDIOS J 4 per wort.I
t1.::Nmot1 ABSOLUTLLY ,nut • r h ru~ , t>c111•r , ,., ,nil , n• 1
ind rirh(' <;rulh 4 lridt - lht .,. , . Tn1; r•t•• :tu•I 1.r •t l l••m• ·r -:'ht' T('Pl'f r.·rnrd l:1 b<' I
·1 11« PttT 4Cl'.!:JI A LL A N•CO IIOOH STUDIOS,
R1n1 fnr 1nhirm11Unn and bru t'hurr - 01-520 3708. 01,527 5221!,
AQUAR IU S - Lt'! lh• SOUND \hlfl<' tn --- 1.ondnn 1 ll mAIII• I BRIGHTE ST ,1udtu -01 IU.S 4??5 o r {ll !H7 lrill7
A YA IL A 8 LE NOW, FOUII TRACK , Studln II rnr fflHltr rt'COrdl n ir,;, SONGWRITEIIS' Dl!MOS bJ sesslnn mrn, 115, 2" hnur !IMYI~ - I ll C:r-rn r d Slrt'll l , London . WI , Gurud 1559
DEMO STUDIO , [3 pr-r hour St'" Inn m rn and dt'mn dis<"~ ru l - 01·99" 7290
EDEN STUDIOS Top Qua li ty rl!co rd1n1• F•!it tapr 10 dllc: !lt"tvlce Sc.>n1Jbl, rain - 11 Ed<"n St r ert Kingston. Surrey 0l ·S41 5577
STUDIO SOUND (HITCHIN) , Reco rdln 1 Studios. Demo'•· Ad· vr rt1 1tnc Productions T1pe 10 disc - 0"82 "537
MFlOOY ttAKFR, September 6, 1969-Page 29
IJl~RUUBB London W.1
Tlwnda1 S.pt -'lh ( Ii 01 Mondor Sept ,,., {7 30-11 01
* STEAMHAMMER * CLOUDS * GIAIL ~ BABYLON fodo1. 5.pl Sth f7 JHI 0)
WflCOMl IACK flOM THE US It.
*THE TASTE *MAN Sot~, S.pl "'" 110-1130)
*THE VILLAGE it THE MOOCHE Swndor. s.pt 71ti I/ IJ· 10 lOJ
AN EVENING W'ITH
* JO ANN KELLY .. IHff MAI.VIN and the *THUNDHIOLT5
~ DEEP PURPLE * SAMSON
W~S.p110th(7)) 1l01
* NEW PATHS
*CIRCUS * KEITH TIPPETT
-------- --.Ill.AND HER SPECI AL OUlSTS GRO UP
ee Sludlos 4 J,M> • ''"'" • M~o • IM ... , .. , TANGERINE RECORDING STUDIOS
8-trock £1 0 an hour
Tel. 93S/4244 or 4562
JOHN WILSON'S QUB CUBANA LTD.
LEE KONITZ SUNDAY 7th SEPT.
1969 Harry Stone ham Every
Tues. Hear him on PYE TPR5106
45 Grosvono.- Road, llfo,d Es:se•
Tel : 01-478 1836 New Mambat"I Welcome
CAUFORNIA BALLROOM Whl....,..ta •-- , ~,-~I• 62•o4
' SAJUIDAY, SO'TtMIH 6ffl
JIMMY JAMES & THE VAGABONDS
c .. ~ft S..p,e,tt.1 Gt..,.,·- • .,"
TANGERINE AGENCY
representing
RAY KING SOUL BAND
THE MOHAWKS WISHFUL
THINKING lbroo,kcuh o,,d o_...o,,
ONYX (bt'oocko1h and - -tl
THHUR RAW MATERIAL
74 Wlgmor• str .. t , w .1 (01) 935 42U/ 3195 & 2043
All •nquiriu VICTOR SUTCLIFfl!
BULL 'S HEAD SAi.•~(':, 8'110(,l r'1("1 ~J~1
···' "'"'' l fte TONY LU TONY MANN TONY AICMII
t~w.......,,. _ n,., ~ aNIMflt lth.,,..1t1'-"-"1
IIU Lt SAGI' TI IO ,,, s.., , .., 1., ... ~,,,,.,...,r .... ...
,.,., ~• si1, IONNII IOSS
Sol ..... , ~"" i.-~1-TONY LR 1110 with GUNtt
,-,.. DANNY MOH ... 711, •• _, , .......
DICK MORIIHIY _.41 nuv SMITH
""' .... ,~-I ·••••
LEE KONITZ AMaric•n Al"9 1 .. .l'lw TONT L• l ~ O
,_ • • DANN Y MO SS
.,_,.._ 1, -.. • UW HOOPII
......., '-• • •• "11 KING
maR u • 101teh.-ndMeW1, WI 0 1~376731
SAVOY ( ~•,~:;~'/,'o, ) (ATfORD SATURDAY, SEPRMHII 6th
DAVE AMBOY EVERY SUNDAY THE
STEVE MAXTED SHOW Sunday . Sept 7th 12 / 8
FAT MATTRESS
Tuesday, S.pl 9th
RON GEESIN & JOHN MARTYN
WedMld1y, Sept 10th
THIRD EAR BAND
THE STAR HOTEL * CROYDON
STEAMHAMMER ALEXIS KORNER Neat. f rl.1 llACIC VllvtT Nea t M.n.1 GLAU MINAGflll
11TH P&:MIIITON 2 ere~,
THE DUNSTABLE MUSIC FESTIVAL
CIVIC HALL, DUNSTABLE
SAT., 6th SEPT.
FLEETWOOD MAC ECLECTION
HARD MEAT EIRE APPARENT &OTHERS
Commencing 7 p.m. - 6 hours of Mu1ic
• ADMISSION >0/- • ncc:!::5',~,..
COUNTRY CLUB soyvrv ...... ~.•Tube NWJ
DISCOTHEQUE [very Saturday Night
* RAILWAY* WUlDSTONI * nm iu&
1 . !~-~--41.-,~:~~9:~: .. l.k ·- .,__ ..... , , ____ ,...,
..,_ , ..... 11 no 1u c., ~ ti.new & w-w•-• '"' c•• & LT 1
KLOOKS KLEEK IA I ... .&, .,_.Qtll n< Wl\l t .. (: ll."-1 ""B! ... .&,,O\lf,\(/ .. -,,, 6
THURSDAY, Sll'T 4th TUISOAT, Sll'T. 9th
SUPER SOUL Doublo Attn,ctt.,
RECORD SHOW JUNIORS EYES D.J . ALAN SW OIID MIGHTY BABY
, 1u, TAMA.IA, IUMk'• •wnJ..,~;,;,,;;~;,;..;_;;;,,;~~-s.uth s.. 0 • • 0.01,1 f --.. lept , •. TARI
D.J. ALAN S O O.J. PAT BOLAND
IILL
Lcwington l ttt 1, ro
1••~•--c:r t ... 01 i..oos...
...... ,o.,,o ........... 1
Al.TO 1A~ 11\MftMlo \i\,COUll'OtS,e_...,. CCNI--::,'~= .....
-··'"'''"""' C'OMt10Mr.•-saMn#,L V\,.. .. --P'AM .,,uu:AH. • ._._ ...... l'ON.,....,1106,-
a,o Ul• ... ... .,.
"""' 0tMa1HA1:o,...,"'-.•- t1 20 NOeln.- U • llOff, ....... i..ol) W TAMAHA.,_._....,. (4•, IIOOllHl.,..(..G,A ......... DI
fa. M Nn TIMI 1H ltffA .. -... ... ~-.. o.-.......... .......... _.....,._ ............... ......,__
s--,,-,-........,.
""'""" llM.ANCL1.i.-._.. &. & H..&Mlat4L..~ NOlln ..... "fAJlANA,. .. ,.,~'L & Hv.uaoa,,..._.
tll7 a, u, , ..
TtUMPffl M AnlAID l'U04JSOM. ,... CON,11-._......, TAMAl(A,•..., t-.,&.te ll'UOH I • IQ, ,-.t.<MUTT\t. • ••....,
'"
; ················ ···································· ··························································· · ······· ...................... ............. i
1 CLASSIFIED ADVERTISEMENT DEPARTMENT l : ""MELODY MAKER". 161·166 FLEET STREET. LONDON, E.C.4 j
Enquine~ FLEe l St reet 5011 h i 171 176 & 23A
PRESS DATES. E¥cry e ff o rt wd l be mode to incl ude clonified od .,. c rti semenll rece ived ofte r 1 O o.m. on the Fridoy previous to week of pub lic a tion :
CLASSIFIED ADVERTISEMENTS BROUGHT INTO THE OFFICE WI LL BE ACCEPTED UP TO AND NO LATER THAN 5 p .m. ON THE C MO NDAY PRE VIOUS TO DAY Of PUBLICATION I
: ALL CLASSIFIED ADVE RTISING MUST BE PRE·PAID ! : ,,,.,...,~ ....... """'- : • ,. • ., ' ,- o,willldn,w~holh,rd..--•Al!f,owph-,-.illoA.,,11,i,o,oc/ ........ •1,IMror.Mtft-,,_;b9btl«kolOlp,i,,'H',.,_. F. .. ......................................................................... - ............................................................................ ~· MUSICIANS WANTED 1/- per word Bd. per word
E.IIGAGEMENTS WANTED
LU. D GUITARI ST to take Minimum 2/8d. ;,r,u .. ;
7''. r:1,1!c-n~: ~~l•PJ:m~~~:r A .UL~ •ctompll1hed aw:i r d
ORGANIST. Proru~lonal for Tl" · ("(lrdlnit 1roup Equlpn1enl pl"n• Ylded If rC'qulred lmmC"dlalc (l:lgs and «u1n11nll't'd work Paa.sport No lit:~. - GIC'nn. DftTUl)rd 2Jfll~
ORCiANIST ft'QUlr\.'d to rorm pro trln. 554 24:57, II :am-S pm
ORGANI ST REQUIRED , 7 days pr ... Wl'C'k, 4 houn tach nhrh1 to .:it•('ompan)' Cllblr('I l"lt" - Pl~!i(' 11·rltt lo March Cabitrt'I Club. Marrh. C'aimb~ nr phnnr M::arch ?5115 filr full dt•lall~
P IANISTS •nd planl l t •VOC•l ll l duo,, and an typ es o r entl'T· ta lnpn an requir ed Only ft n t ~~;s•n fSr ror mcn nted • PPI)', _
PIANISTS FOR SOUTH LONDON Wtl'ken c,, lounae work. Top n.tt1 - Cl•yman '1, BTS 55.Jl {day).
PIANISTS. STAIIT wo,uir. THIS COMING wa•KllND. Wide ChOICI of lounae work, 1-.:i nl1 h11 weekly All UNI. Ne'II', tncrfllU('d r• tei - Cl•y man•,. Bl1hop11a1• 55'1 (d•JI
PIANIST 3 n1Rhh - POP fttl,11 l'ROGRES SIVE DRUMMER fl'·
quired t• 1th tranr;porl .;md equip ml"nll r1>r c,tabll~hcd ,=rnup 1n1h t'Ollr1t· work l1t1mmcn1 - Ttl 01· l<02 18.5tl. 01-19:? 3508
SINCER/ RHYTHH gu11arl1U, ,;tand:ird,- pop. work - Box 2.1814
lonl1t. - 1711••45'2 A A81.• ICC'Ompllthed plan!Jt •
- 171-4542 AL TO/TENO R t'lar - C'Ll 4fll I AMPLIFIED VIOLIN. - PUT
5141 BA55 . DOUBLE, 1mpllRed.
rt>ad 1 busk - 330 o:us GAS S CUITAR E.XPUUEN CED.
- 205 0414 BASS CU ITAAI ST dnub\lntc
siring ba-s, , Pro. rud bU!lk. ,\\'a1lablt' Sf'ph•mhrr 14 - 01-504 8JIJM
• ASS/CUITAlltlST, C'IPl!rLenctd - 873 7403.
USS GUITA ll lST, G1b,on Mar· 1hall. ltt'h proucn\ve proru-
~o~~1 o':1~h~I ~rn~r11~!frn~~rkJ~fi
D.AS S GUITARI ST, ft'.llt' Jll••~\lnm. ~ff,tMl!nttd. trirn~purl - .f211
BASS GUITARI ST ~c-ck, nq1nn pl~no llnt up. Sll5:"'-, t•I(" - Sll'n~ 01-38M 3907
0 A SS GUITARIST ¥0l"31il'I Fenth•r ,cear WJ1nh Ul Join or form pr0Rr1:,,l\'C , rot"k undct· ,(round ,trnup.-Tt'I 02791 2!021
COLOURED AL TO/ CLAR b:trl Gnnd «-adt-r rcqulrt'\ pro pou• uon - Bui 111115
DOUBLE BASS !"LAYER (27) AVAIL OCT 1ST FOR SEASON , hOme or •broad, ,ilnjl'.IC', pU\POTI - Srknr. C•rllrm llntrl J-"nlk• t',tnnt-
DRUMMER AVAILABLE. - JLF
"" DRUMMEllt, cxpcrlcnn:d - 1107 1778
DlltUMMEllt GltETSCH KIT . -01-72.0 1872
BANDS 1/· P"' word
A AILE accqmpll1htd b•nd uall•ble. - 871 •s•2
UOUT 100 top 1roups an<I dance bltldl lmmcdlatelJ nail• able. Tr•nl anJwh•re. Jtu •on•
;.i1fl Hr~c~ir;;l,c,:!rl" ::tn:7.~ 5:iSt (10 am•I! Jm)
ADAM KENT TRIO. VernUlr -01 -778 917g
AMBASSADORS. i):mct"'-, • ·t:d dlngit soctal,; amplltlC'111 inn. cnin• PNC.' - 847 t8D2
APOLLO SOUND , reaturln1t Bob Barler and Julie Stevt:M - 01 JH 1439
A VERSAT ILE BAND. JaU. lo Sylvcslcr WC'dd1n11. parllC'X, l'lc
THE NEW EUREKA JAZZ BAND, phone 804 2S85
A VERSATILE quarltl 11v111I • ahlt Loung,, clubs. put... ,•tr -Robcrl 878·8518
A ¥11.Y (NfU'fAINING TUO, P'IUS TWO IEA0 SINGDS ON£ 10'1 AN0 ONE GIil .. ~, bo a.,.1abl,o tfl co_.,._~ ....,,, Ito"' ,.,14.,......,..r. We ..., loolo "'9forr..W~a1Ho,,,,tc,,Abroad We --"'ll'-lhee...:lofo...,.wc .... lwt s-oon Gf c-bo w-. Haot"IJO w. p1o, ,_..,,..,.._ ,op.loo,! (.&W i...~....:1c;.,,. ra1o.,,_1aa-rll19h ..... il • ...,.... .. atw.y,, ...... •" ..,,.,,..,,_ - .TP.,~tio.-lled••1t"o,,..J7 i,i(~ ........ , .. ,...,f..,, ........ pl..,...,_al"'-r....-i.ot.!,oad,.,ahl dub. W• 4- _, - •--•Mt,._ ...... , ....... ..-. ................ ,
o-w,-• W- 11: ... ....,_ C-9
..... Vlloa,, ~ . W.14 -o,pho,,- 01..•.037SH
PUBUC NOTICES 1/4 per word
I EOWARD ROY FAULTL ESS, tradln,: as Modtrn J•n ProducllOn AIIOC:la1C$, lntc>nd ln apply to nu• counl'll or th<' 11>ndon sorough or Harrow ror a Ileen« to cury on •n cmploym<'nt agl'ncy for mus1c1ans In danCC' ban,t'I Ill 15 FranCl!t Road, Harrow. ~uc t, a,:<'ncy to be 11:nown as Ed Faulllcu Modc-rn Juz Production As,,;oclate• ALL OBJECTIONS and the ~rounds thNdOrl' muo bt> s ubm11tf'd In •rllina 10 the MC'dlcal Ol'flcer or Health Hanover H11u~r. Lyon Ro11d , 11.rrow within 11<'\·cn days or 1hr publlcaunn of lh11 ad\·t"r• 11.!IL'mtnl
SPECIAL NOTICES J/ 4 per wo rd
ACKNOWLEDGED H the but! IVOR NAIRANTS ' POSTAL COUA• S fo r l'LECTAUM 11nCI FINGERSTVLE GUITAR . Larg~n aclcl' l ion or cu ltan In s tock. -Par Ucul•rs. IYOA MAIRANTS MUSICENTRI!, 56 Ra th bone Place. l.ondon, w r P-lAB
GROUPS WANTED J/. per word
PERSONNEL AGENCY and m.1n111rment ToU r 'I. rec-ordmg for lht rl~hl i,!TOUP - 01·S2JI 5478.
RECORDING CO seeks
Al ENTERTAINMENTS . Croup!'. GROUPS, VOCALISTS
PERSONAL J/ 4 per worU
CONTEMPORARY LYRIC wru~r •;;~:. ~ m,f~';" ' 61~• pr,,du1 r,
DATEL INE COMl'UTER D4T1Nt, -THE NEW WAY TO MAK• NI.W FRIEN DS - .. lCr-HlnE datl', for t' Yf'r)'Ont' , l'Yt'rywhnt· - FREIi qu f'~ tlonna1r• Without ObllUliun from DATELINe CDtpl Mi t ::~:
3~oo~o:nad Londun Wit ' 1'"1
EUROPEA N F,ilENDS HIP SOC I-
:;:. :irR:o~~Yr,,:•n~~~~d'. :1 fol" fr~• details.
EXCITING NEW lrll'nlJ\ Ill oppo<IIC' ... lt, h)" M•l•·h1nic An,1\ylt'S M~l,\Od Find 111ur (ll't f('ct match• Pn,1.il lntrodu,11111'1 for cveryon\.". rrtl' t-ntry fnrn1>1, nn Clbll~~on"' - ,..,,., llf''lflls 31,r Crawford Slrt't'l, LondCln. WI
FRENCH penfrltnd.l, a.IL lltl from 12-21, Hnd S.a i:. lor tr.C detal111 - An&lo Frt'nch CorrH• pondence Club. Fakon IIOUN Burnley.
GI RLS WANTED! SAE lur dctafls - PttSUI Pt'nfrlf'nd , 52 Earls Court Road. ~ndon. WI.
INSTANT MUSIC rr-quirt la)f'nt ed younc !-Ona•rnt•r• wllh rnnd or1r1n•I matf'rlal ror pubhshlnr and rttnrdlnl? - Phnnr- 0HIOI 4845-HM
INTRODUCTIONS lO new frl ,ndl of the oppo1Ue 1cz arranced bJ pos1. Members art'd U upwards everywhere. Wri te tor det•lh, ~tatlng ll&C'. Mayfair Introduction, !Department 51), l!O Neal SttHI, London, WC2
JANE SCOTT for 1enu1ne trlt'nd .11, ln1roducllo11s opposltt' SC'S' wllh 1Jncerl l)' •nd lhou1htl ul n{'Sll Detl\Jb, fret. :id It.Imp lo Jane Scott 50/B4 lflddos Slre"t. London W. J
MARGARET' S SCOTTISH P1•n Club M:im· P<'OPII ... 1,h TO 11•1111· ynu s A.I· IJ!i I.Ink !i-i,r .. , K1rk,1ldy, flh·
PEN PALS !Btlt:iln, t;urup~ 0Vtl"SC'U) lllUltUIC'd bruchur(' frN' -Ht"rmtA Berlin 11 8<'1 171m, Gtrm,ln)'
ROMANCE 011 PIENFJUENOS England abro•d Tt1ou111nd ur mcmbe". - Drt:1II . World Frfon d sh lp Entuprlllf' ME74, Amhurst PMk. N.16.
UNOEII 21? Penpal.: ,ny•ntrt·. - DCtllll" frl'('. Teena1c Club. f.1IC'on Hnuae. Bu rnll'y.
UNUSUAL PEN·FAIENDS! £,:. ctllngly dUf~renl. Jntt'rnau onal mem bership, all Alt! Send •.•.t> -Dept. Ml. Bur eau Brna nnl .a, 1.1 Sycamnrl' CroYr. Ru aby War• w1caa. THREE TRUMPETS , • trom
l)onct: ~ 1nttd ror reforming North London Jui. Big Band MUST ~~: D. - R1n1 :t iler 7 30 pm 366
DRUMMER SEEKS LONDON RESIDENCY - 272. .5673
ORUMMER / VOCALIST, nldle~/ ;l;landiard" P.A l)'llhlm Tr;in,i-
015<:0lhC(tUC - 01 915 2M28/2991 f or::!~~Rl~~chl~~••c3j: " 11 mmond or mafor promotion plan TRANSPORT
HARRY LEWIS Trio With Phone 505 1864 J/4 per word
GLAMOROUS
FEMALE VOCAUST m .JI 1, 0-xvw-W~•ndP P
Am, ,4 u11 •n~ i,qu..., lo, 1141"' JIU I Lnu.oc.d Qh,Up rK~ ,g ,-co,d,ngc,,,np,TJ>f"
l :,n REGENT 3932
VOCALISTS 1/ - per word
MALE • LUES •uaz:rr ll'k , ni,: 1 mc-nt i...,ndon -ll•·· Lr1 · ,,,,,ulh ~111;:4 .1flrf II() II
Eric Delaney ORGANIST
ond
BASS GUITARIST ••ply. WI NTER GA RDENS, BOURNEMOUTH
GRAHAM BOND turther requi ,..,
ONE BRILLIANT PERCUSSIONIST PN>ri1· 1mm1Pd1otely
CAMHIDGl (0223) 63308
TRUMPET and trumbom• re !\_Ulrcd lmmC'dl11tcly tor llon11: Kon1. Six month~ contr.sc, with
i:ncn~~;a1f1"ldl1) -., -:t'rl\l~ II~~~~! Suitt. · Hott'! N1t11mar, Ko11•1uon·, llunr Kong
VERSATILE GUITAR· 1ST vocallc;I, drummtr·vnc11lls1 lnh-N"51Cd In llnl'fl London rtSI · dency Good rHd("ri. b1J11kf'r!, - l'°ln<"hlt•.v 4378
WANTEO, tt'hllbll' musician~.
t:,J~ll~ o(~ln(")' Pllfin11t;•r ar~~d,.1:i::d a:r11up~ - Rl•d,HIII '""
WELL PAID euntlncnlal t•1ur awllll• ,oung orx;mlsl , piano Writ~• Smith. 7 S:rndr1nf:ChoJm Orin•. LlvHpol'II 17
SITUATIONS VACANT
owt II .JO p an ,..,....,. t• ......... "'"""· ........ , _ ....... "_"' ..... ,-lklty lw H ... I h ..... "11 "-M,-• - t- hoa.wy '-4il~• wh+,tl_,N fl-"•MI • .... ._ /,1,-41 h-1,. 1k , r,e"o""'•IJ-6 ... l•l,lo
- ~ - ... -.-· QOOd ....., ...... c< ,:1,,, .. , """'~ "' _,,,,"9 ·~ , .... " ... ......... ... rfll,J.w" .....
SITUATIONS WANTED II- per word
FR ENCH dt\i JO\..'kt'} no• v.ork inf Ill lilltlllll' 1'o11r11lrn club. l'rk~ (W\lll•lfl In ,i 1.ondun flUh
- BITIII' JI I ~52 • flrt 1
AmNTION ALL DRUMMING ENTHUSIASTS
JOIN NOW THI BRITISH DRUMMERS'
ASSOCIATION , .,. ttia ~• .. alopmeru -'
~, rt~ .,,..,,r,,.,..._, • 1,1 ,..,,,5t .. ~1<1
r,urt 892 68S9 DRUMM Ell , YOUNG, GIGS ,
PERM . - 31!" /illlGM DRUMM•" - - Ol·AJ 1121. DRUMS, GIGS - Simon 61!0
HSI
: : Vo~::A~l~nNn TRlo ~~u~8.:' 01•571l l':::::::::::::::::::::::::::::1l ,ofi:t !~~hEba~~~~ r;:;:·.~;tl:t:11
r'1:~
ba~:l~~~:wh::e~E~ 1!:a8r:nw;o::i ;**\!!~*f.!ufr!**i i~:i;UJPn~~nl,:_ glx~wt·r~OO l'O/ld
lllon. Gard•ns. Uford. Ol·SSO • on . it. •xperienced and NUobl• JI, lllOAOIES, GOOD, rt.•llabl" .
EXPElltlENCEO YOUNG drum mt"r lc('kl prurc-ulonal wurk In Lundon - 1171 80ftl
LATIN -AMERICAN . PUPli. Trio• it p,o,.111,. la,,cko, .... .,) JI. chop - 01-1:15(1 n:m1 qulnlct - SSI! 8354 t GROUP~rog,e~! or )f- TRANSITS AND ROADIES -
GIBSON GUITA .. IST, rhythm, uprrltnC'l'd seeks 1rm1-pro
Tl~':.~. ::::scs:;: t.~:;~~:g it STEEL IANDS-... enolile : Mia re Nrwton Ill fir/4 7'2!111
fJ~::; RdESS~: :·· 0 :1:0::
1~:;: :DANCE ::.i::-.:~: •·P*~ rruup - Wclwy11 c:11rdcn 2.1•22
GUITAR bU\ JlUllar. J:111'1' rC':i;ldf:"nc~ Rt•.1d1:r - 3:19 0470
GUITAR , FREELANCE . - 01 :i27-:i221!
rl'qulre:,; lop n•sldcncy In Londan, • ••••• ........... ¥l \'~al. lns1rumtnt:al W~ baclt cabarcl loo Young - 11t1RlnAI -
GUITAR IST/BASS, (''Cpl'rlenc('d - 673 7403
GUITARI ST, READ, bu,k. J.iu., ,11tnd.ards. L, A _ pup!>, \IUCIIIS Atungc. rl',1u1rn work . Hlrmfngh.1m ;irra Sl·pl 20\h - John Sn11lh . PonlJni, Wall Park . Brix hllm lk\'On
GUITARI ST, rrnd . \t1Uh1. ,nail· a l.lie Sept 14lh - GIB 3267
HAHHON O ORGANI ST, full,· ex pt•ncnt:cd, m\·llt-, OffC'f\ t'rcc tnd
Scf~;•~bc~A-;;C~o:c ~:?o1r111 GLA 3722
LEAD GUITARI ST, OWN SONGS, ,w.... 11 llhnut i,:t•ar ICl'kll Wl•rk v;-Uh bluc~.prni:n•1,11,· 11ruup -Uu). 118111
LEAD GUITARI ST "l'l'h bt•ml pr" 111,•orllnJ: h,nmnny irroup -77-lllllfl3 I.Idun• 1 p m
LOWREY / HAMMOND ur,:anlst, Lc!llil', Snlo or Duo/Trm Diner, Jau, pnp London or ,l'unn -Flnchkv 4371!
0 R (;: AN I S T , HAMMOND , LESLI E, l" EOA LS Lon1i: U:· Pl"tltnl!t . Utkl n•sld~·ncy or POI libl)' Canada NII ;imall"Ur~. pkUl' - 01 942 05113
PIA.HIST, NORFOLK , s111urday1
- -PrAu~ ~.lt'~R4J~ a\J\luble frum
Stpll"mb,•r 21 - Stl'vcn,, GIC'n
dn'11~ ~ ~t;I T Nr::~:Iss10NAL , w\o d,rnn ;ic-tllmpanl!ot - IIP7 !IJII
PIANIST - RES IDEN CY/ GIGS . - 1:lli 21117
:~:~~!. Cu1"i!R~~ '"i.,c.:,1,,!1 ~t'~~.~~111~
1 1~?im ..!r~~!'.111,~:.
1~~r8Kj 2ns .Jr.hn RrJnni "
TRUMl'ET , \'U(',1 1•. pru - woo 21JO
'"!~,c";! ~:fr~:Dpro 1~,~~: A~!:d 1car - Phon,· UI 7NH 4116!1
YOUNC, DRUMMER , rud bulk e,ip >.lt'CU. cnb11rl'I pnp,,
s~~I r21~:ti. - 111i,ton~-1,r ~ D:i'1t~•~
orldwe 296 l · l"IEC E CROUP, SOUL ,
BALLADS , BLUE IEAT, MALE , ft'1mlllr \'l•C•llil c11lc,ur1,d -Ptu,m SLO 2H711
kC't>n - Box H616 REQUIRED FOR attr.scllYl' lun11
cni;:•~rmenl abroad b;,nd • -5 Joung mu!tlt>lans .,.llh <'Om prchcnsivt rC'hl•an,•d reprrtoln• of d:incC' muo;1t· E!o'll'nlially tt'adC'r~ cap;ibJc of ,l<'l'f'lmpanytn~ cnbart'l. Full drt,1lh phulo~ ,r posslblC'. to Sydney l,1ptun Or· che-.1r.is. Steinway llall 1-2 5t Gc:ori,i:c Sltt'c\ London Wt
ROGER SQUIRE AGENCV , speclall~tt /n obtalnlni reaMm· •blc prices nn nll m:iJor t•nh•r 1a1nmcnt for c lub11, co lleges and prlvJ.ll' funct ion• - 01-72:2·11111 !._d4Y)
SHOWY VOCAL/ INSTRUMENTAL QUARTET
ARTISTS WANTED II- p e r word
MANAC.ER REQUIRES t.lll~S snu l ~how 111th ucllon ror C:l• r inll ny .ind lla ly, good rront m un and ont" or ,.,.,o ftlr ls IO s\ntt:d o1nc1• PhOHH, .1pprt>t•lhl1•(1 • nd rl' lunwd - Box 8Glll
PROFESSIONAL ENC.LISH d tn Jcu-kcy rc11 u l rNI ror ~•iu: lu111n llli;h l clu b In Oenm,1rl. S»la r ... in r:ccc,,s o r i:1110 per mn 11 1h · ',1:c monlh contrurt &\.1Jlabk Appl y
~~1~ ~~~~~1~~1• d •,'.:~ 11~hn1;~l: l~fot· MP Mukr llng, ,..,,ni:l'll\l(.ldl l h l\,1lb11r1C. Ut· nm;,rk
Germon_ prod~ction of "Hair" starting shortly in Berlin and Hamburg require
GIRLS who con sing ernd move, from Commonwealth West Indian and African territories. Audition; 2 p.m.-4 p.m. Salurday, September 6th, at the Shaftesbury Theatre.
P,ease bring your own knitting
MUSICAL SERVICES 1/4 per word
Ad.,,.rtl umeatl under tbla hH dlns a re NOT atHpled
wl1h • ox ND'S.
RECORDING ARTIST ,equtrH
ORIGINAl SONGS Pl• ... send manuacnpl tape or
dose 10 •DENNIS CHAPPELL 23 Ashness Road Bau•~ London S w 11
01 .ne4a1-;,.·
REHEARSAL ROOMS 114 per word
AYAILA• LE FO,a .rri,11p YU('I I .;t nd ""lrurrw nl a l pnMlc, -l'ho11 1• '111\1 IIHlt
MND IIHUIISAL s tudio au.llabl" - !'lludht Iii 11111 01. ~o~':r.°rt llrotl, ti C.2 , ..
CNIAP IIIMIIAUAL pr, nu "-<"• ., ,-11 11 aM, ,.. ,, ,111> 11 flJII - T,I 01 40 •tlll
LA•GI • •MURIAL room .. , •• ~, ., .. und II.NII - .,, JIIII
IY~~t~u•m-::..~• Gvor1c
~r,:~-=,::.~4=-=-· -TNI CUttl Tl'lr c rut...,1 ,.
h"• ' •I f' • 4 • rm,nd l fl'Orlb ,nfh-t falt I N •M:r
FOR HIRE 17 /35-cwt. Vons and 12 / I 5-seo ter Buses
A ll new Tronsih
242 0496
FREEDOM TRANSPORT
TRANSITS & ROADIES
PHOTOGRAPHS 1/ - per word
INEXPEN SIVE GROUP ph"' p:raph~· - DHi4~ 7:•!t
I SPECIALISE IN PHOTO• C. RA I' H I N G GROUPS ,ni.l RECORDING ARTISTS. If \UU mu-.1 h-1\, th1• bl·M pt111nr r ,, Cruplt>l - DI ~111 7!!111
DOC HUNT 1o y1 ~ THE L. W N PEICUSSION HIRING SEIYIC! avo, lc.ble. J> • ro aH ,epulable pro, "'°" II"' av•" · ret arding ,t i.tdiOI al t Wnt• far parUt 11lor1
" DOC"
HUNT l&iii3 FO« IWJ- - -~
I Iii • JlT :aVICE ON •
All MAKES Of DIUIIS AND IQUIPIIINT THE DOC'S EASY TEIIMS
DIU.S AND OLD OIAI IOUGHT POI CAIN
) M tA•C..tJN• • ovo"'c, AU Q • Aotl Huf'fl I-QI HIAt'IS , ... ,
l lCH4NOU tt"11A f 1N6 la-. J,O, ,. I •'"' I, .,. .....
?ccle ~11J it! DRUMMERS!
Will your Kit see you through the Winter? Why not part-exchange all
or port for o New or Secondhand PREMIER?
Is your Boss ~rum or Hi-Hat Pedal os responsive - we can Re pair
or Port--exchange it for you.
Cymbals get tired so gra dually that you probably ha ven't noticed 11
Bring your Cymbc.ls a long a~d compare them with the New
Five-star Super Zyns
CIISON E.1 0 lou, uuoa- t, 10 GIUONft21au c-,-••tllO OtlSON OIICINAU.U ,_,. SIii t26S GIISON:. G J-o• ... , ... ,.1 c,s OIISON JJS, S/'-'t, tow,~ U6S GIISON ,.,,_od, Mob,, 2 p/u, -• t l JS GIISON I :u Flo! fop, IU"bonl tlS Gt1S0NIS120T, NOVIIM U S GtlSON JJS, ""'bu"'• co••• good tlSS
W!!UY INSTR UMENTS FOR CASH ~i~~~:~~~:=~·,:;_ .. ~,.... t~~ _..., 01oe.,c.__ s.,., ... _ °'--'"-"-.._• ::~~:~=~~;;,-;"!:~;::'.- t~
IAUC:Sl fDM.S - f',HT lllC"a1«,;H ffNOU Mv11...,., W..., • •«A.IOI UO
CHAS. E. FOOTE (TD. ~:.:~~f.t,;:;;.M,::::.:.~ •;;: 17 GOLDEN SQUARE, W.1 :~:~~&a~~ ~ :~
,-T••'•-•0•1-4,iii3i,7•1,ii8,i,11•-- GlfTSCH LH ,out ...... ..,.,1 ,.. £14-S
. Est. ~9 _ymrs---•So•••• •'•'11 1115~,I I ~~oN~'fC: ~::C'~T~ t~~ INSURANCE 1/4 per word
FRED ERIC KS I NS URANCE Brokers. Car5. Vans, lnstrument.s, Mor11a11:e1 l"I<'. - 0J·BS& llt33, 01 · MS 1345 557 Plnnt'r Road, 'l.nrth Harrow, lllddx
INSTRUMENTS FOR SALE 1/- per wcrd
DRUMS :!!~ ~:: ~ ~,:!.i:: ~~,.~ 1/- per word MUSHAU.M/C 100... """"•,.,PA tu
AL~ DllUMS and accruone5 =:~:~ ;~ p'.::°4 ~~.,.. ~~ g~~~1=•~i-;.P!::t fi'.~c{s
1 4f11~.d - ~!=: ~::=.;.>:'.!~:..:'r., ~ ac~!"s~r?:!
0: u r~~:!-~~ 1~~u~!stf vox l all 120w ' ·"-Col,, pol, t 90
W1. 1 call. - Orange, 01-m 0374 . ~g! :!~ ~-= TZr ~~ •,1,t_,•,L••~,~w••7•~r ~~~~c~ o'J'o~,.i~!~~ ,:mv ,.10 P.A. c ... i....-,,., us
., vox 2••onu_. C-ti,.•nk>I O,p tns A LUDWIG t.oa snare drum PAll'ISA Co..,pon Ora•"• p erfkt t 125
~2,r•:~:-',lale ('Ond1tlon 13!1. - 01: ~~:~~;!'::;•o~wd- tu
YAMAHA DRUMS AND GUITARS?
THEY'RE f ABULOUS -
COME AND PLAY THEM TODAY! REPAlltS AND OVU'HAUlS A S,£CIA1"Y FIWST-ClASS WOltlCSHOl'S
SIC lllfO c u nsMEN . HlltE l'lJRCHA$E - ,.,..., EXCHANGES
114-116 Cha,ing Cross Road, W.C.2, 01-240 3386
o,.n 9.J0.6 WHlickp All dey Sah (Tttuo. ofter T p.m, until 6 ,..,., hpaln and paym•"h •"ly)
FEN DER SASS MA N ampUftt>r a, ""•· '110 ono render pren~lon bau. m:tph• Ot't'k, VIC', .t8S on o Shu re Unidynl' microphone. ao ~und1men,;1nn K'hu unit , US - Walford •sut
do~bl: RE~ :ER c;~i::: co.'i:~~~t" ,.~US~•.:.: .. :!:i~ .~: .... · r;;; i:ff:1,/·~~ ::;,~•fr1~. ~co~~;f; 111111"' .. "'=Yo'"=·· .,,, ... =··,,,~=··=·-=·.,,,,,';;'°.i 11fflffl
FEN DER TELECASTER , m.tph~ nN'lr. Sunburst. ca.se. immaculate- llt-:5 o n o Vox AC50 P A tomplf'lf' VJC. hO O n.o. St'lmer Zl>d1at Twin SO. US Shure l'ntdynr on-on' n itch. •tand, nl - Enth S042~
GIBSON )30 blond('. 1mmacul1lt' . 1140 XC'h;an1e Gib on LH P111l - Phon" Tnm Brrkhamstrd ! ;aftt"r 5 10
ORIGINAL JOld plalt'd 8110n • p1c .. up surp r15rng !K>Und B;ar• ,um 1 fl - IT.? SIZI
su,ER CUSTOM D.anclt'Ctro, 11n1quf' dt'~11itn p('lwt·rh.11, US -U ! S&21
INSTRUMENTS WANTED 1/~ per word
A FENDER. Gibson suflar Ind bas ur1t-n Uy required for cuh -Top Cur, 01-2411 21Ut
ALL COOD quallty equ19m•"llt
g~~~~~'iti:lo~#:h- WIii call.-
CAIN PAID for P . .A. unu, and :.~•t 1ultar a1npllften - REG
CLAJtlNns, FLUTH, oao• s. UUMPITS and 100d Tl:N Oal ••ntld ur1enUy. - PAN !1/17 Wardour Street, W.1. GER 1178 or WOR otn, 111u 7 p m
C.IISON ES )35. nchan~,· Ul'IU \ ·d Tt'l•.c:ao;kr - Phonl SJO 'lSl •llrr 6 JU p m
GIHON, F• NDUt, lUnhaU.
::~11f~~"~•n=• tfru1~!:h •~
Phone RIV 2HI day, COP 7701 eunlnr
GOOD CUITARS, AMPLIF lalll
:::h ~~II ~~,u~nl~i'F.':I~~t o~0i
1571
GUITA•s •nd ampl1hrr• w.ultrd I ' 1n11ani c-a•h Will e1 llrc1 I. 11d , n un. - 11 BH 7tll
WANTED l"r u b Hofnn Cnn :{' - Rln,: Mr Ro s. at 01121
WANTED for t'Uh, fl, H f('ndt'r C1 b -n n typr irulta" ampllftt'r'I nr,.,u dnnn lua l'-·111 tall In 1t1aJ;and rf' -Kc-tlh lliln•nrld. .... ;.
WANTED SELMER b1l.1nc1 d ltn 1ct.n· Mk \I 11, ...
INSTRUMENT REPAIRS 1/4 per word
A IUUTIFUL JO•, ovrrbau11. ·~lac-qut'rlDf S-7 day by •P·
:1~~1::~t;, s~op;-~u T'ofi:t ~~.'•~:~s, ~'.fi Cot;:~e~~~ f.131 '
ALL GUITAR Repairs., rtfret ltnr DfW Q('C°.kl fl.DI rbGard•. ' tpol &bir,,f_ - CrJm t-.:aw Guitar•
1 c, .. , Poulleoe 1 1r "''· WJ 8[t,; .. nt Ji51 ·
EXPRESS SEIIVICI on all • ood•lrrd T•ip , 11 t ,vtrhault
r rw:u.'~ la~":[t-cd1:n.,~~-c~1~1 ~,;h
lu4 Lt:,tnn11nnr L1,nd ,n E 11 ., 1
A PRE MIER 201n. bai.~ drum ~f-~144313 :r Um tom tom . -
ASK FOR Drnni-. Chappell for iccnulne bUCdln1 Why pay rid\· culoui. prices" AH complete klls mclude cymbals, Stands, elC' Prt-m1cr Ludwtr,: double 11:11, !175 Sonor kit , [~. Premier k1l, l7!i, Olympic C;arllon kit . US ; Bro.ad .... , lot. 1:?8 101 Also ;all drummer · r('qutremcn11 Good sclcc1 inn of complt'll' klls from no Cymbah:, stands, odd drums. P<'dJIIL castt. etc Part exchange~ ac«plt'd - Phom.• ;any tlml' 01 2:?k 41:f13
A SONOA complcll' kit. !\lands. 1;:u pe-r z1n. fibrl• cases Par l ca;chan1t' ;acceptl'd llar1111n U5 - l•l ?Z.'1 4~13
• ASS DRUM , pedal~ a-ood 1el<"c lion - 01-22". l!Sl l
OR UM KITS. clear.nee prices, ;til~u t'ymbals. all m3kOS, &CCC$•
~:~:e~~~rie~C', ~"~,: ~l:,~c:_ 6JI N<>w Oxford Slrl'C'1, W.C.1 . 01· SMO RJHI.
O R UM K ITS, Ul:I 101 .ind 135 Raqe11n~ - OJ 2211 '813
OLY MP IC KI T, C;arllnn sn;)r(', • land~ cymbal,., cun·n. Bugaln 155 - 01·228 '41113
PRE MI ER. Ludwig or Slmllar drum kit wanted ror cash. -Keany (day} RIV HBJ. (even ings COP 7701
FOUR DRUMS ___ 11,,.,_11_,_... I• • 1, lUOWJO SID I• • S~ CNIITICH
•1-.i....ds-t. Ve,yfood c.-..6.._,
TONY OXLEY 01-267 1497
CAl:LSH0 100.. r.,.looat>.,.. 9' fM CAltlSlltO lOOw PA Nflpliw 100 (11'11..
CAtlSUO 00w oa,P"",-. ...... n 8.,. CAA1SUO 60w. P.A.,_....,_ n 8,,. CAILSU:O 170w. 4-•ll PA C-.1•9 .,_ CAILS&IO 70w. •alO , A. Co11- " g,,s CAltlSU O 120,,,, •al2 l-,I Col> 9S ... CAl1.Sll:OIOO... :h U ~ t • p CAltl.SIIO ,00,... • • IS ~ I Af I"' Wartl TOO,U FOi THI NIW CAIUNO HOCHUIU AND NICO AND DITAJU o, LOW DlPOffl nun. 01 CAll ...
fOI Df.MONmATION
TOP GEAR 5 OfNMAIK SHHT, WC 2
1.,11SON 17S. ~._. OdSON sos~
""""'"' O(ISON llO flNDf:I 11 . .,;,,. eMClric ffNOU I......,._ 1-RNOU ...... ,a,,1ou si...HNOfljo:a._.,,._ ,CNOHP,,-f(WOflt ,. ........
l"ntONl c:..-HIWATT !Oh & 2 100.. _,, MA1st11,u. :iOw _,,i,;.,c,1-MAISMAU lOl\w _p,......., ,.,,ACT 100.. w .... cea CIIO ¥OX,..,...._ -fM!e t50 FENDf:1 ._..., _,, -•- U5 S8Ml.l!l0w l2S LANO ,OW I s-.d C,I)< "" t100 A.ClOL "- U0 NM.SHAU ,0. .. ,. (SO
LUOWIG l:1!1, ,_ [160 CAlllON i:.,.-,.i... U0
Al l 9-4 ..... ..,..,-. for ~WI H P ,__,loble PUl 4630
SCARTH FOR CHOICE HOHN U PIANET. The reolly port• obi• elKtric p!OflO w,th true 5-octav. piono ton•, complete with omplifior.
t 14'.17,6 ,HILICOIOA O I GAN The reolly pone.bl• .a«tron1c organ Wono:t.rful torte ¥onel1H kteol for home Of fi),
lUOWfG '>u,.._,, Oon , '°"'plaM CUHtC W... a,,p,pl,-. GlrncN. 111,GfN I'.,! """'
11tgns.
,t(,MtOl '>'H«1.I,_ CHIO CAUTON ~, <O..,""•'• U,O &JAX. ,...,.,. ("9111"pt,+. U.O co1111,uu c,n ,,.,. us I MAISH.AU 100,., ~_.Celt LUO YOX II• ... , Co.111,-..1 UO YOX T60 ,_ ,.,., o"ll Ct.Ito"•' tts ,11.Mtl soa-o,..,_, ,..,, c.- us HlMII, J. A"'II .,4 Colw- UO UNIAl,O..,.,, • >•l?C..-.. UO MIOM l&J lot, - • (.110 """°"'c-.,.•• ll.S MMN' Y- ._ ISO COMrl...,._, .,.W~ u, $&MIii •-· ..,....._... UI IOlallAltaf,- 1,0
AllGUIFOIIRE ;,.,, .. • ...,, 11' t1 •
~ ' •• ;. ' Qt. • •
to, ...
'vox Actoo, ,._,.,. ...... ........, us VOJI 4al0 PA C-,.._JI( .... '1 U.0 SOUNO cm 100w. PA, -P•- u .. , OIJILO J J',U, ..W. u. hi 0..• . l7S tlC~kll 2 ,, ... IMfl ....
M.t,U,HAU. loo,-r 100 P.A. A-.. US MA.UHAU. .... ,2 ..,_ C-.. us SIMMJ..WAffJ •al2 0.... '-""·
,._ 141
............... Se-'--· .. -got .. _ 175 YOJI 0-1 Me__.,_......., &19, ..... ........ "°
NNDQT..__~ o/M,11 ,.u.nu, c-..-ct, i...., ...od.! ,,u vox 100w ...,.._.., i,,.. .,...,. LH °""' llZ
oanKM ,.,....., p6t,r, ,., • co,,,,piole , . Cl&S
YOX ,0. P.A . .,.._ -,,loll Ngilt! U2J MARMONY aedwt, ,_, .. ,. -, .. -,1.,, ~ '90
MAHHAU 11" C-MAet, ...,, .. ~ -.vo P-,. UJ
,..... . . "'° MAUHAU. 4-12 1/'f C... UJ
OIHON '-, C.-.t-. "-I ._., ... STAtlMAllD. JOw. ~ tu W_., w• ,... 9'1ClAL GnU,
ICAY l Plwr,. h\.o - IM,;t,.pat. U0 ... ~ ,o ...
Play safe you get t e REAL BARGAINSa5t Kl CHEN
OUltAU auo U.XONIONU We,kh\1 a....-, oolid, ...ii ,,..., l• o.--4, 0 L. 111 - ,_. US 11...__.,_k_ DH.SI,~•, ,_., c.,,._ ........,""'9- oo ,_. c:; L t. UO
, 120 o--,cL .,._,. us H•""""Y Ne, flKt ,._., '70 11HOII SAAOPMONU rvt,,,,...,. .. .._ 1..i .,. .., ua r .. " ,..,..,.., . L .. ~-"' 1•s ,..,.. ....... , blotdo t2S .......... , G L .. - I II U7 I KO ••1, -~ 130 ORUM KITJ CLUIMll1 ......... ,. °"-m IUt, l d,-W._. ...... m l1' ..,,.._ --' oc-- bt... pao,I l'U
:::• =:. :~ A(:. =...~•i.!c. "= ..,.....i. t4S
(IICHli,i 01 LUIIS IUllfOII ~t11U.SIU 11 JIOUHll .t(l011.1.5l Jt NOll"PAl.lOI 211lDllt'lACI TU um nm TH 11.1.DFOIO mn Tfl "1ffl:l~lll mil
SOUND CITY 124 SHAnESBURY AVE., LONDON, W .1 01 -437 7 486
o,..n,h 11-drelmotlc 175 ,_.,. ~~., Naw 3 PU lick.,_.._..... 11 SO AMJ\JftlU
... Haw Wll,.n S.lW 2 PU '23 lt.Jffla DovWe I IOw, 170 o,..fKh Country c..,1, l.220 Yo• so Tep u., Ha91h'om Demk Jumlioe Ut ,_,_,. ,,.. .. •n• 8-1 so 140 o.,a1.i Jou Gutt- ,1s s.,,_,. ,rwi. ••· aa14 100 u.s Yo• 3 PU S.lld '29 Vea s..,,,..,_ C ... ._. ,79 H-inoqy ltrllfet- 130 A,....... 40+ 540 Moton S.ml Acou,tk 179 Vea 1....- f~ Cob US ..__, 3 PU &,65 Vea AC100 T-, US Gl.ltl.i lt.rft,.. '60 Mllnh ... 100 Top [70 o,..tut, Singlo A.wllve.-.-,, 17 s S.Untl City •• 12 c.i. us lkkenltm:k- 3 PU UJ w- h12 ._. C.~ UJ by 1941 De-vf l-55 c-.,1e .. s-.., Oty 100. U.n 0.Chic 116 PA 11N 9w,. GIH US w- •• 1 > PA c.a--11 MS Kefrler ......W-t U.Ctrk H7 s.,1- a.-...... US ,_.., ltr..,._.., wtth '...-ct blJ (.alMlt 145
fvu 1105 hr• O..lt 3 tow. U,J v .. 0...-~ u.o ......... ,. uo 0.... a2... ffJ ----4• 1tPAC....... 161 .... , .. ....._ ,,. a-y_..,. u• .................... Ml ,.......PAIOlhip US .._. 1H IIM .._.0., .. 11:~ UI .._ .._ U9 ._.. , .. ••11C-. 1W ..... ....., Nn ... ..._ ,..... ... ........ Mt........ 1H
~ =. ,:: :--- ~- 1H
IU.. •ACUl'la-ONLY 1111 8"0lff-Mal' ..,.._ Al& 311 ID MIIHICl,_._,...IIONftll
ME.t()DV -..,AKfR C.f'pl,.mt,.r 8. I :a-...p•r• 11
-"""' l UO WIG,..,.,_.w.,., • dr-.~1 • .:. .. , LUDWIG . .,...j "-II. 4- ........ ....,. PlfMlfll _,,._.., . ,,_ ... ,. l"IOIJOl. bd GM-M,,. • ._.,_., P'lfMIO.. It.oil GM>.,, .--._, AJAX.teod'-' • ""-•,....,. IIOADWAT, &d Gl•t<ar, ,t M .... ~ OlVMl'K. wt. S..-. co,,,•i. SONOl, WhallaSl!lf'9 • .,_,...,. IIOGUS Whit,, ,...,1, • "'-1, on1, PlfMlfl,. U...Gli.,,.,, S.,_,-'r IOO£tS -.00-..... J._1 _.,, 'K.O'IIJfM,11.,. ,.-t 4, 4,u,.._ O,W,
""' .... llJO <100 ... """ "' ... u, ... .... .,, ...
...._, C,.......,--,. • • _. , --")-~W-_......,at __ _
cro.,_.·1ct.io:a SKONDHANO CYM&AU. ffl'TINOJ, Pl:OAU, 000 T0M--TOM$. I.ASS DIU,lr,U,
$HAU DltOlrol.S, n c. . .w AlWAVI 1H OOI VAST sroca ff PA'fi TO OIVI US A VISIT
AUOS SIGON0tfAHO IHfflUMIHT I.UOMNI GaASSI PO JIUlllll'fTS 5(lMO &,o Ml!IODY MA.Jtfl (16 lAb: CH ICI NG SUHI 70 ffG VITO C:100 I USON IKT'flMATIOt,IAI. UO ffNOlS TIONOHU AIJITfl UV COHN UO Sfu.wt tl20 NuUTIN COMMmU UO CONN C:110 IIVNO"f l1JO Dl.UMAN CIOS CU.IUNrTS Pf:NHSYlVANlA ao aoosu .. tv.WU.S QO •AlllONl S(LM,tl CONSOU t» .t.UITfll 1"1 IO tuNOV t11 Wf KA. VI THE LAIOUT SOECllOH 0, ttCOtl>O.S __, lONOON ,ws COMl'lfft ltANOf Of M Ol:S. Am ~t'mJMfN'T NO:~ 1'011.""'1\IICA.TIOH TO COMIUTI.
SOUWOfMOS Y
SERVICE & REPAIRS lo C.1 r,,ab!I af omplifoc:ol,on ~"'P"""'
Sf,aoWfepl_,,....a
N.B. AMPLIFICATION 30 MOU..OW"Y ROAD, N ,7
607 312.•
~~ __ , ____ ,,._,_ .,.-.. ~--~ ...
GUITA RS
GIISON SO Sto11dord ""' GIIISON Malody Mttli•• 0fiog [1'25 GtlSON le, ,0111 Junoo, Or-9 t l3J GIISON l•l ,alt! J11nior £110 GtBSON SG Jun<Of tlOO GllSON 5G Jun- £110 G IISON 335, Cherry £141' GIISON 335 Sunbuu• £1.50 GIISON 335. Cher,, £165 GIISOH J35, Cli.,rr CISO GIBSON 330 , no GIISON 1201 t70 GIISON (If Con.col _.,'>C £110 G IISON I.U 12-ur Aqiv11 £110 GtlSO N U.S I 2-1•0n1 "' FENOU St101~ou1, , .. FENOU Alhambto C.1111• l
•'· .... FE"4 0 U: T• l•c1nter c ,,.t_,
1T1opl• nee• .... FfNOEII T alka.l'ff o, ,..., £115 f-ENDU T,1eco,1.1e1 £75 FENOO T•l«:a1lef , .. ff.NOEi M,.. 110,.11 t7S ffN DU M,,,1tan1. flftder c., .. tlO SH.-.ns aun aa,~1 K....i ao ~E NDO Yillo ge, I J I IT""9
Acov1•,c .... lt1CICENIACICEI 2 '-'• VO I IClfNIAC"'fl C 1l<>1t1. 12
,n-,..., ""'•""•'" '140
S ·HAND SHUIU, IE1U, AK G
OIOANJ HAMMOHOllOl "30 VOX l•lfl Mo"wol P...-.-- 1.725 c,Jtt!S.n... '100 VOIC $,tigle '100 PAIHSA y,..,. ~wol &111
I .US GUIJAH
GIISON no [110
GIISON l" ,-o,,,4 kH <1 40
ftNOO Ouvwiol f-'eu»'-r ll?S
fE ND[ lf Ju• lou ll 45
fENDU: P1Kit1~ lcaH ., .. ffNDU Tei.c-..i,._, No• [Ill)
FENOfl Teleoctu'9r lou "'° A M l"Lm u.s
lttAl~~All $100 .-o"'---l,0111 '1 IO
MA•S.HAI L SQ ,1.: ~-, ..._ ttOO tiv.•S.MAll .,h12, f,_ ... iMAISHAU I • 10 ,.,_. t10 M.USHAlL 1•11 +.- w ""-'lfStlA.ll 4al2 ce&w- f/1' ... /rMISHAll 100 O'"'tN u s ~SHAU .SO 0"'P• u s VOX I OOlou-.tlll • Coli!• mo VOJl S.,pq.,...1. fro• " .. VOll f_nd.,._ uo VOl T60 , _ ua VO JI: , a 5Ck .. ;ttri 2 A• 0 uo ...-ox 1114,bs [IS W( M 100 o •p1 ,., Wf-M.S0 ~ m
MA.NV OT11fl: "4 .SfOC,C:
Lon Of 4#5"" sroc.:. MAU11All vo• SUAil.11 ,.._. ~ .. RAJ.IA...ofHfW
CAII.SUO
._
Pa,i r 17-MFLOD Y M AKfR, St1:pl r mher 6, 1969
Humble Pie has four Write to Melody Maker, 161 Fleet
Street, E.C.4. You could win your Javourite album.
members, remember? IS JOOLS DOOMED?
PLEASE DON'T let the same thing happen to Humble Pie as with Small Faces and the Herd. Every paper is writing about Humble Pie and that is of course okay because the group is a gas. But why are they only writing about Steve Marriott and Peter Frampton?
Let"s face it, Steve and Peter are not Humble Pie. Humble Pie is Jerry Shirley, Grey Ridley, Steve Marriott and Peter Frampton.
HAROLD DAVISON PRESENTS
AN EVENING WITH
TOM PAXTON LONDON· ROYALALBERTHALL FRI. , 26 SEPTEMBER at 7.30 p .m . Tickets: 3/6. 7 /6. 10/6. 13 /6. 16 / 6 . 21/-
HAROLD DAVISON & NORMAN GRANZ PRESENT
RAY CHARLES HIS ORCHESTRA & THE RAELETS
LONDON ROY AL FESTIVAL HALL SAT., 27 SEPTEMBER, 6.15 and 9 p.m.
HAMMERSMITH · ODEON SUN • 2B SEPTEMBER, 6 and 8.45 p .m .
Tickets 10/-. 13/6. 16/6. 21 /-. 25/-, 30/-
HAROLD DAVISON PRESENTS
"AMERICAN FOLK, BLUES FESTIVAL" (produced by Lippman & Rau)
featuring
All of them are super musicians and nobody should be put in fron t or the others. PETER D A H L E N • Hunosand, Sweden.
WHEN JIMMY Page formed
;i.~;s~~r:~~n, t~: ~h:t" t~lc~e rd available at the time Would he please note that now lhere are better musician,; available for regular work.
Jack Bruce 1s a vocalist and harpist of far higher s tandard than Robert Plant and he-'s an infinitely superior bassist to John Pau l Jones.
Mitch Mitchell or Jim Capaldi could replact: John
=~~~e~m ~i1ctre~rs o~•cl:~::n Page cou_ld realise his full pole n t I a I - RICK A J NS WORTH Grasmerc.. Westmorland.
SEVERAL TIMES since t.he second Blood, Sweat and Tears album appeared you
~:e :~m:;redrc~~~[i'in abtii! group's music received amongst the general public.
Yo~hen:r'i~ry i~is~::ct~1"ua~ double album by the Chicago Transit Aulhonty to see why B, S and T never really made it. - IAN MacCORMICK, London SE27,
• LP Winner
AS ANY disc jockey who plays Lhe halls and dis-
~I\re~:1~ ;~~~uSiheou~~~Tc I~~~
IT IS a shame Brian Auger and the Trinity and Julie Driscoll have split after producing such an excellent album which must put them on their way to the fame they deserve.
Brian and the Trinity will last without doubt as they are the only group to put such excitement into modern jazz, although I'm sorry to say Jools will die without the thumping organ of Brian which puts body behind her great voice. - KEITH WINCH, Cheshunt, Herts.
Bill Haley's
not to blame DURING THE recent 8111
~!1:fu11~ou~o I s~~e: :"1~~ concert in Hyde Park. To my amazement I found that 1 was refused permission, the excuse being that the dedicated followers of rock and roll would create havoc during the concert.
The behaviour of the fans at the Blind Faith concert was to say the least exceptional and I feel confident that the true fans of rock would have conducted themselves in the same manner
DE MONTFORT HALL -- LEICESTER SUNDAY, OCTOBER Sth-7.30 p.m. by orrot1gemenl w11h HAROl0 DAVISON - ARTHUR KIM811EU prei..-ih
THE OSCAR PETERSON TRIO lolcot1y 15/~ 13/ 6: Gollery 9 / 6; 5tolh T 5/6, 12/6, 10/6, 1 / 6
Arthur IC,.,,bt.n, 38 Rugby Rood, H,t1ckley. hl. 3563 ond <4786 Muruc,pol Ito• Office, Chari•• St, .. , , Le,cHler. T•I 27632
Po,t-ol bootmg1 endo,e ,e.,,itTonc:e, 1 o •·
IFYOU WANT LIGHTS for your d1J.Cotheqw, group. .how, C.C:I, •~ r•men,ber
ROTOSOUND IS THE NAME IN LIGHTS
See them in action ot the ROTOSOUND SHOWROOMS
22 Denmark Street, London, W.C.2 , 24'0 0636/7 MAGIC SAM & THE BLUES BAND CLIFTON & CLEVELAND CHENIER
JUKE BOY BONNER, EARL HOOKER ALEX 'WHISTLING' MOORE
LITnE JOHN JACKSON
kids want to hear at the moment is reggae, rock-steady or blue beal
Perhaps it is more than another passing mus_ic.al fad Could it be that th1s music reOecls an integraoon be· tween the different ra~ 1n Bril.ain? Now we have coloured and white Br1tains dancing and communicating lhrough the same music, they will find other things in common m other walks of life. - JOHNNY SENTOR, disc jockey, Gulldford, Surrey.
t should like to Inform lhe many thousands of Haley fans that the cancellation was In no way connected with Bill or myself but was due to the misapprchensionl or the Powers That Be. - PADDY MAL YNN, Bill Haley's mana• ger, London W9.
or send S.A.E. for deloils i.11----------:::======::::=::
LONDON· ROYALALBERTHALL FRI., 3 OCTOBER at 7 30 p.m.
Tickets 5/-. 8 /- 10/ 6 . 13 / 6. 16 / 6. 21 /-. 25 / -
HARO LO DAVISON & NORMAN GRANZ PRESENT
AN EVENING WITH THE
OSCAR PETERSON TRIO LONDON • QUEEN ELIZABETH HALL
SAT., 4 OCTOBER, 6 1 5 and 9 p.m. Tickets 10 / -, 15 /-. 20/ -. 25/-. 30/
Tickets for all the above Concerts available from
HAVING BEEN &reat Clouds fans for the past three years we bought their first alb1;1m
~::r d~~,J~~d t~:t ~::; ~~~~~~ on 1l are totally unrepresenta• tive of their stage acL
One of the sleeve notes says7 " Terry wu the first person to understand why we wanted to play our own thina." If thtJ album Is an example of It what have they been doing for the past three years? - JACKI and JENI, London NI.
SO RICHARD Sharp reckons a group with Jim1 Hendrix and Marsha Hunt would send the world off its axis? All I can say is what would be the consequences 1r Julie Driscoll joined the Nice? - GEOFF RANGE, Berkshire.
VARIOUS PEOPLE write to Melody Maker tC? express their diualisfact1on concerning the music Policy or lhe BBC, the fact lhnt they keep shifting John Peel about, cut Mike Raven's time and generally ignore the existence of blues and progressive music.
th!s;0
':i~~~elbufgrh~ww1~a~~
Harold Davison Ltd , Regent House. 235-241 IT WAS with deep shock that Regent Street. London, W .1 · or from. the Box 1 learned of Henry Vestine's
have done- as I have and wrillen 10 the BBC to express !heir likes and dislikes?
If every single ran of John Peel, Mikt' Raven and Pete Drummond wro1e to the BBC surely even dear old Aunlie wouldn't ignore our requests - JOHN KERMODI:.. Taplow, Rucki,
Offices at the Halls or from Ticket Agencies departure from canned Heat
• ....,....,....,_,~,..,_,_,,,..,:,,,.,,,..,,,..,,,...,..q-.q-.--""'l•j ~e~•~i~o~~n ~S::d ~::!t~!r.bi~
5.1.A. by arrangement with HAROLD DAVISON present
AN EVENING WITH
COUNTRY JOE AND THE FISH
LONDON ROYAL ALBERT HALL MONDAY, 22 SEPT., at 7.30 p.m.
TICKETS: 4/- (1tandlngJ, 1/-, 10/·, 14/-, 17/-, 21/Avollable from Royal Albert Hall lox Office
(KEN 8212) ond all usual ticket agenb
will be a Canned Heat-type outfit
Jf he quits the scene we should all mourn the loss of a great mus1c1an. - TONY CONNOLLY, Rlckmansworth,
Herts.
e LP WJnner
I WOULD ltke to know the logic behind the BBC's decision to switch Count ry Meets
PRESLEY FEARS TOM SO AFTER years o( abs,mcc Elvis Presley h,u decided 10 do live shows again. Could this be due Lo the fact thal Tom Jon~ and Engelbert are having such huge success in America and that Elvis must do somethinK be• fore Tom 1s nccla1med the King?. -J . BOYLI·., Swinton, Lanes.
HALEY not at fault
Folk to a Saturday evening spot . Do they not re l)se that many folk enthusiasu will be In the clubs at the time of broadcast DAVID FULLER, Whalley Range, Manchester.
I BUY Melody Maker for Chris Welch Do I Win an Lf>?
PETER HODGKINS, London NW6.
I SUGGEST Top Of The Pops should be renamed "The Lemonade TwentyU It's so weak it doe.s nothing for me - RODNEY JONES, Penrith, Cumberland.
THIS "SUPERGROUP" busi• ness is a load of rubbish. How cnn o.nyone call Humble Pie or Crosbv, Stills and Nash " super .. is beyond me.
Humble Pie sound like the Beatie,; on "Get Bark" who sounded like Chuck Berry And Crosby, Stills and N-ash sound like the Hollies always have Blind Faith and the Beatles are the only ones who are any good at all Some of their records aren't so super either - DAVID PEARSON, Harrow, J\ollddlesn.
IF Tl!E BBC han many more record!9, Alan Freeman will
~~l ~i~k ahgr tth~la~{l;;Y\1~~fi Just have to reatl through Lhe chart "1thnut mentwn,ng the hlRhly offtn,;1ve, song t1tlt.
All thl" record L-Ompanlu nt-ed to do nc1w is to record ,nmeone' htavy breathmg tn a blue beat b.ickmg ;,nd they 've got a sure.fire numhu nne - without BB( upo~urt - KEITH STl:' VENS, llnd, Ing, 8('rk1.
Morgan BARE WALLS? Distributors Cure your bluH by sending for our ILLUSTRATED CATALOGUE listing over 300
different way-out posters.
Send 1/6d. {stc,mps), to: Cauldron Promotion1
Dept. 0 , 31 Mill Lc1ntt LONDON, N.W.6
MALVERN-THE HOM£ Of MO"GAN WOftCESTER ROAO
MALVERN Phone• MAlVUN 3262
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