mary had a cneat bis eland
Post on 04-Nov-2021
5 Views
Preview:
TRANSCRIPT
Teaching Children to Play Jazz on the Soprano RecorderPresented by Jim Tinter (jimtinter@gmail.com)
I. Musical People - TBA - Tuneful, Beatful, Artful (may not be literate)...John FeierabendII. Flea trainers place limits and restrict opportunities. Fleaberators take the lid off the jar and liberate the fleas! III. Jazz Recorder - Innovation or heresy? Jazz — America’s unique art form. Recorder — Best bang for music ed. buck
A. Technique1. Warm air, flat fingers, “doo or dah” for legato, “dut” or “duh” for staccato, mouthpiece on dry part of lip.
B. Jazz recorder literature1. Specifically written for young players — easy melodies, simple harmonies, easy solos to imitate, solo/echo patterns.2. Combination of swing and straight eighth note styles.
IV. E I E A GO! — Equip Inspire Excite Achieve Go!A. Equip kids (notes, rhythms, articulations, etc.), inspire each other, get excited, achieve and GO! (Leave the jar)
V. Pieces to be presented:A. “Hot Cross Buns” and “Hot Cross/Merrily Mambo” — Legato and staccato articulations. Mastering staccato
articulation is essential for playing jazz on the recorder! From Big Mouth Blues and B-A-G Bossa Nova.B. “Swing Along” — Swing version of “Merrily We Roll Along.” “Doo, dut dut” articulation. Transcribed B,A,G solo to
emulate. From B-A-G Bossa Nova.C. “Mary Had a Great Big Band” — Embellished “Mary Had a Little Lamb” w/ B section. 32 bar song form. From B-A-G
Bossa Nova.D. “Jazz Waltz,” in the style of “All Blues” by Miles Davis, and “5/4 Swing,” in the style of “Take Five” by Dave Brubeck.
From Jingle Bells in 10 Flavors.E. “Shuffle Me” — Hard swinging! Legato/staccato (“dut dut dah doo dut”). Three tempos. Left hand melody. From VFX.
22
f " ,la
Evfa
gCo(a
*f n:: *:,'
lit - t le lamb.mi so .to
lit - t le lamb.so do do
where
.fa
white as snow.mi do re do
was white -- asre mi do re
wasre
26
Traditional melodyArr. by Jim Tinter
4 . ,do re
To Coda
reldo)
) = l D S w i n e ! ̂
4 ' 8 ,
- vre
haddo
l 8
M a r - ymi do
d
re dohaddo
e r y -fa
thatfa
e r y -fa
where
fa
M a r - ymi re
thatfa
M a r - ymi do
l tsmi do
l i rre
fleecere
tlere
tle lambre re
wentdo
went,do
L-')
thedo
thedo
go.re
gomi
21
sureSO
S R
tofa
div.
Fleece was wso ft mi
YeahAS
re
l i rmi Jo
- y h a d
f" mi
f u ,la
e r y -la
wherela
M a r - y.ro fa
thatla
lambmt
sureso
2 0 .
Evla
gCoda
fiLf f1""r" *u,J'a fa
M a r - yso mi
l 8
M a r - yso mi
was
.Ia
todo
sure toti la
ery -la
wherela
went,m i
- tlefi
AR or
lamb was
fi fiional SR2
white - as snowto mi fa mi
FleeceS O
AStire
was whitela te
.fa mi
w
Mary Had A Cneat BiS ElandTR play 2nd & 3rd time
,!f Y:
are do
1 5I t 4
; l it - t le tu-u was sure to go.
Traditional melodyAn. by Jim Tinter
a _ _mi fa
To Coda
go."?.s. al Coda o
Mary Had A Great Big Eland) = l l 2 S w i n e ! ^
4 -
I t P l a Y 2 n d & 3 r d t i m e
mf vu,So
afa
l 0
a- l i t - t le lamb,
fa mi so so .to
them i
them i
t 2 5
i tsso mi
1 5
l irfidiv.
f leece was white - as snow.
fct fa so mi .fa mit 6 :
tle lamb,fa fa
go,to
21
go.fa
References:
recorderman.comjazzbooks.com
Nurtured by Love, Shinichi Suzuki
Books by Jim Tinter:
A Minor MelodyB-A-G Bossa NovaBig Mouth BluesJingle Bells in 10 FlavorsVFX
t2
Demo Tracks: 4-6*Performance Tracks: 11-138SS(A) Swine!
- f l " , = 1 6 5 4Part I
Part 2
Part 1
Part 1
Part 2
Part 2
Part 1
,?f ;" ,; soPlay 2nd time
mfm
26G7
mt
la lct la
a a
.fa .fa .fa
- l ' ) ' )/-
do la
la fa
F
so so so fa
c"?f mi faIa
c 1 .27 -28 2
la ti do
O 2005 Jim Tinter
f ,o do
A
mt mr mt
Shuffle Me
fa mi
G7
so Ja mi
mI mt Ja mi
f ' n m i** This chord is technically a C#I3b5 /C but it goesby so fast, play the C# chord - no one will know :)The bass plays a C for both chords.
Jim Tinter
Part 2
* Slow. medium and fast
wThis session partially sponsored by:
top related