net art (today)_famu cas

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https://www.youtube.com/playlist?list=PL4pC197K4IjmanIRbVT9a2VlZ5UmXmeSo

https://www.youtube.com/playlist?list=PL4pC197K4Ijka02YukA9otCNxhRKuD53R

https://www.youtube.com/playlist?list=PL4pC197K4IjmanIRbVT9a2VlZ5UmXmeSo

FAMU CAS

Net Art –

(today) 02/04/14

FAMU CAS – NET ART (today)

02.04.2014

BROWSER-BASED

FLASH ANIMATIONS

INTERACTIVE BOOKS

CONCEPTUAL

TUMBLR-BASED

FACEBOOK–BASED

YOUTUBE-BASED

TWITTER-BASED

INSTAGRAM, VINE?

GOOGLE!

NETWORKED

PERFORMANCES

NET AESTHETICS

STUFF IN PHYSICAL SPACE –

NET ART?

MORE & MORE

....

/Collective Exhibition Print Fiction

TELL - TALE

https://www.youtube.com/watch?v=9doOI5x2m8w

http://www.netpioneers.info/node/4

Early net-based art (also known as Internet art, net art, net.art or webbased art) is presented in this

book as evidence of a pivotal moment in digital culture. As document of a paradigm shift in media

society in general, its importance goes far beyond art history. Yet the framework of art history alone

can provide the basis for understanding the context, ideas, and concepts behind the works. They

were created in response to a specific setting in the art world of the early 1990s. A historical view

must therefore maintain this context, although the works are also significant in that they

simultaneously testify to the development of the socio-technical media:

Theory of the Avantgarde in the Age of the Internet

Contextualisation of net-based Art

Digital Source Criticism and Archive-Theory

Methodological Analysis.

Contributions by Anna Bentkofska-Kafel, Dieter Daniels, Wolfgang Ernst, Verena Kuni, Barbara

London, Christiane Paul, Gunther Reisinger, Marc Ries, Robert Sakrowski and Julian Stallabrass.

Dieter Daniels / Gunther Reisinger (eds.), netpioneers 1.0 - contextualising early net-based art,

Berlin-New York: Sternberg Press 2010

rozhovory: http://www.netpioneers.info/node/45

Martin Kohout: Moonwalk (youtube generated video with soundtrack, 2008)

Speed Show

Watch Me Watching - http://curatingyoutube.net/WMW/

GallerySurfing S01E02 Facebook Galleries

https://www.youtube.com/watch?v=9doOI5x2

m8w

LAIMONAS ZAKAS aka Glitchr

(since 2011)

https://www.facebook.com/glitchr

http://glitchr.tumblr.com/

https://twitter.com/glitchr_

social media interventionist

Horse, Gallery On-line: http://gallery0nline.wordpress.com/

Doc: https://www.youtube.com/watch?feature=player_embedded&v=ohfbmLmq1ag

http://laimonaszakas.com/

My first impression while visiting the exhibition is quite pessimistic. I feel that the show has distorted the

project completely, not adding to it any additional meaning but, on the contrary, reducing it to cheap internet

graphics. That's because Glitchr activates its meaning only on the web, as it is tied both ideologically and

aesthetically to the very same platforms whose interfaces it distorts – Facebook, Twitter, Google and so on.

Juste Kostikovaite, 29/08/2012

http://www.arterritory.com/en/texts/reviews/1456-who_plays_with_facebook/

Jonas Mekas visual arts center in Vilnius, 2012

1) Net art – today. Is there such a thing? Martin suggested in the annotation to this lecture terms like

Post internet art or Internet Aware Art or whatever. How does this differ from what we were talking

about since 3 o’clock?

Let’s suggest for those complicated, unclear and argued about questions some simple answer.

INTERNET OF OUR DREAMS

http://anthonyantonellis.com/iood/

Jeremy Bailey: 01:26-01:48

7:11-08:00 (contacts interactions changed – anybody’s using internet right now)

not individual piece, everything I do on the internet is a performance

WHAT

CHANGED

?

Peter Steiner: “On the Internet, nobody knows you’re a dog” (The New Yorker)

WEB ARTISTS 2.0, WEB 2.0 GENERATION

1997:(Doccumenta in Kasel) ?: How many hours do you spend online per day?

Dirk Paesmans: Not many. Maybe half an hour.

2010: I usually say that we never disconnect. (Kohout)

We, the web kids

Piotr Czerski: „We, The Web Kids“ (2012)

http://pastebin.com/0xXV8k7k

http://translate.google.cz/#auto/cs/We%20grew%20up%20with%20the%20Internet%20and%20on%

20the%20Internet.%20This%20is%20what%20makes%20us%20different%3B%20this%20is%20wh

at%20makes%20the%20crucial%2C%20although%20surprising%20from%20your%20point%20of%

20view%2C%20difference%3A%20we%20do%20not%20%E2%80%98surf%E2%80%99%20and%

20the%20internet%20to%20us%20is%20not%20a%20%E2%80%98place%E2%80%99%20or%20

%E2%80%98virtual%20space%E2%80%99.%20The%20Internet%20to%20us%20is%20not%20so

mething%20external%20to%20reality%20but%20a%20part%20of%20it%3A%20an%20invisible%2

0yet%20constantly%20present%20layer%20intertwined%20with%20the%20physical%20environme

nt.%20We%20do%20not%20use%20the%20Internet%2C%20we%20live%20on%20the%20Internet

%20and%20along%20it.%20If%20we%20were%20to%20tell%20our%20bildnungsroman%20to%2

0you%2C%20the%20analog%2C%20we%20could%20say%20there%20was%20a%20natural%20In

ternet%20aspect%20to%20every%20single%20experience%20that%20has%20shaped%20us.%0A%

0A...%0A%0ATechnologies%20appear%20and%20then%20dissolve%20in%20the%20peripheries%

2C%20websites%20are%20built%2C%20they%20bloom%20and%20then%20pass%20away%2C%

20but%20the%20Web%20continues%2C%20because%20we%20are%20the%20Web%3B%20we%

2C%20communicating%20with%20one%20another%20in%20a%20way%20that%20comes%20natu

rally%20to%20us%2C%20more%20intense%20and%20more%20efficient%20than%20ever%20bef

ore%20in%20the%20history%20of%20mankind.

1)

We grew up with the Internet and on the Internet. This is what makes us different; this

is what makes the crucial, although surprising from your point of view, difference: we

do not ‘surf’ and the internet to us is not a ‘place’ or ‘virtual space’. The Internet

to us is not something external to reality but a part of it: an invisible yet constantly

present layer intertwined with the physical environment. We do not use the Internet, we

live on the Internet and along it. If we were to tell our buildings roman to you, the

analogue, we could say there was a natural Internet aspect to every single experience

that has shaped us.

...

Technologies appear and then dissolve in the peripheries, websites are built, they bloom

and then pass away, but the Web continues, because we are the Web; we, communicating

with one another in a way that comes naturally to us, more intense and more efficient

than ever before in the history of mankind.

...

Brought up on the Web we think differently.

McLUHAN, Marshall. Gutenberg Gallaxy. The Making of Typographic Man. Routledge & Kegan

Paul, London 1967.

Harold Innis: The Bias of Communication. University of Toronto Press, Toronto 1951.

BRIGGS, Asa – BURKE, Peter. A Social History of the Media. From Gutenberg to the Internet.

Polity Press, 2005.

New Media Lecture Series – Martin Kohout. (YouTube video). 28. 11. 2011 [online]. [qvt. 2012-

07-06]. Accessible from z WWW:

<http://www.youtube.com/watch?feature=player_embedded&v=jkktjMCo84E>

ONG, Walter J., Orality and Literacy: the Technologizing of the Word. Methuen, London 1982.

Global Internet User Survey 2012: Key 2012 foundings

http://www.internetsociety.org/surveyexplorer/key_findings

What

changed?

EVERYTHI

NG

POST INTERNET / INTERNET AWARE ART / Net Art

https://www.facebook.com/events/631019380269721/

POST INTERNET

POST INTERNET

- all art that engages with the Internet // not only internet-based art

-

C gallery

Future Gallery, Berlin ► http://futuregallery.org/ // exh. Dullaart

Headquarters, Zurich ► http://theheadquarters.org/ Karem Lofty

Prague: (Post-Internet):

Futura

AM Collective

Polansky Gallery: Driving Fast Nowhere, http://www.ceskatelevize.cz/ivysilani/10123096165-

artmix/213562229000010/titulky/#t=48m17s (48:17 – in Czech only :(

PLEVEL

THE HEADQUARTERS: http://theheadquarters.org/

Zurich, Adam Cruces [specific exhibition format; just opening + on-line, budget]

„DUAL SITES“

Brad Troemel: Free Art (https://vimeo.com/21538426; 14:00 )

- run usually by art school graduates, their places, small attendance IRL, huge following on-line, not

for profit

- physical & digital co-mingling

Net Art

ANTHONY ANTONELIS

http://anthonyantonellis.com/works

Anthony Antonellis: Put it on a pedestal

IRL = In Real Life

= physical space

Anthony Antonellis – [video] – Net Art Implant, autumn 2013 –

http://anthonyantonellis.com/works

Net Artist RFID Implant

Anthony Antonellis has an RFID implanted in his hand to distribute his artwork via NFC (Near

Field Communication)

http://www.anthonyantonellis.com/news-post/item/670-net-art-implant

http://animalnewyork.com/2013/watch-artist-implant-a-net-art-rfid-chip-into-his-hand/

https://soundcloud.com/bbc-world-service/bodyart

Arjun Ram Srivatsa Anthony Antonellis

Internet of Our Dreams – IRL solo show, Transfer Gallery NYC

http://transfergallery.com/exhibitions/2014/03/anthony-antonellis/

Internet of my dreams is an exhibition that deals in collapsed dichotomies: digital and physical, conscious and unconscious. It is an exhibition of paintings rooted in digital wanderlust, of movement dreamed and quantified.

Using an EEG neuroheadset, Antonellis has produced a new series of digital images based on brainwave recordings of spatial movements experienced within a dream. These source images — the result of data captured and communicated by a brain–computer interface — serve as the basis for a series of paintings and moving images.

Internet of my dreams is Anthony Antonellis’ first solo exhibition in the United States. This new body of work locates Antonellis’ practice squarely within the intersection of ubiquitous data and the ineffably human.

digital discussion: http://anthonyantonellis.com/iood/

“Famous New Media Artist Jeremy Bailey” http://jeremybailey.net/

http://netartnet.net/

http://netartnet.net/

http://netartistdaily.com/

http://netartistdaily.com/item/112-oxford-english-dictionary-adds-net-art-deletes-all-other-

words

Creators of the Net Aritst Daily revelaed ►

http://dismagazine.com/discussion/54073/creators-of-net-artist-daily-revealed/

Anthony Antonellis + Arjun Srivatsa

source: Net Artists Daily

Net Art –

(today)

Martin Kohout: Moonwalk (youtube generated video with soundtrack, 2008)

installation at 7a Bienal do Mercosul, Porto Alegre (Brazil), 2009

Martin Kohout: Untitled, 2011

Gallery Installation

Constant Dullaart: Youtube As Sculpture, 2010 (Styrofoam balls, black fabric, dmx controller, and

lights, Dimensions Variable)

Constant Dullaart: YouTube as a Sculpture (moulding), 2013

8 moulding patterns, paint. Dimensions variable

[installation view, Future Gallery, Berlin]

What We Call Sculpture. Group show at CERMÂ

CERMÂ offers a platform for both virtual and real art, and analyzes

the relationships and differences between these two poles. It uses

architecture visualizations to give us an impression of what abstract

algorithms can create. The line between real and virtual becomes more

and more blurred; one cannot tell anymore whether a piece of art was

shaped by the hands of a human or computer software.

diagramy: http://www.remixthebook.com/the-course/net-art-2-0

DOMENICO QUARANTA

http://domenicoquaranta.com/

QUARANTA, Domenico. In Your Computer. Link Editions.

- Net art = The art of the netizens

- definition by the medium

Landscape studies

BRIAN O’NEIL

TRICIA WANG

Rafael Rozendaal: http://youtu.be/5j_HeQpJE6c

New Media Lecture given by Martin Kohout // Czech ((post)internet) artist (50 min):

https://www.youtube.com/watch?v=jkktjMCo84E&list=FLYvNW7dGMauEE7uXHIKxeTg&index=

15

http://www.newrafael.com/

March 2013

This project, which is part discussion and part exhibition, explores the fast evolving artistic

landscape of Tumblr, one of the world’s leading social media and blogging platforms.

The event livestream has been archived

at https://new.livestream.com/tumblr/tumblrarthyperallergic

info + essays -> http://hyperallergic.com/tumblrart/

The Wrong – New Digital Art Biennale, Sao Paolo, Brazil (Guilhelme Brandao)

New Digital Art Biennale.

Born in São Paulo.

Made & exhibited worldwide.

Opens November 1st, 2013 – 30. 1. 2014 // again in 2015

http://thewrong.org/the-wrong

info, doccumentation: https://www.facebook.com/thewrongbiennale

https://www.facebook.com/events/671928036158994/

The Wrong Curators leading pavilions: Jodi, Yoshi Sodeoka, Anthony Antonellis, Rollin Leonard, Lorna Mills, Curt Cloninger, Emilio Gomariz, Eric Mast, Chiara Passa, Max Hattler, A.Bill Miller, Helena Acosta, Peter Rahul, Miyö Van

Stenis, Andrew Benson, Emilie Gervais, Rick Silva, Michaël Borras, Sara Ludy, Ellectra Radikal, Giselle Zatonyl, Protey Temen, Johann Velit, Michael Staniak, Gerhardt Rubio Swaneck, Cristina Ghetti, Rosa Menkman, Joseph Yølk

Chiocchi, Julia Borges Araña, Guilherme Brandão e David Quiles Guilló.

THE COMMODIFICATION OF NET ART

Jennifer Chan: „From Browser to Gallery (and Back): The Commodification of Net Art, 1990–

2011.“

Salon 1 "The Art of Success" with co-presenters Jeff Stark and Zach Blas, Abandon Normal

Devices Festival in Manchester, UK on August 30, 2012.

Slides for a short lecture presentation Jennifer Chan gave on selling internet art (both

commercial and alternative economies).

http://www.slideshare.net/jenninat0r/the-commodification-of-net-art

FIRST DIGITAL ART AUCTION

Auction house Phillips, together with Tumblr [social media

blog website]

10. October 2013

text by Jennifer Maloney

„Lindsay Howard, the auction's curator, used a broad

definition of digital art to include works by artists inspired by

the inner workings of computers or the Internet, as well as

those who use the web as a distribution platform. Some of the

works are static images, while others morph on their own, or

change in response to input from the viewer. Still others are

physical objects created or inspired by technology.“

...

An untitled inkjet-printer painting by Wade Guyton fetched $1.1 million at Christie's in February

2013.

”Art Auctions Enter Digital Age” – zprávy - http://live.wsj.com/video/how-do-you-invest-in-digital-

art/9BF2A6BB-55E4-4BEB-AFB8-DC04EE560590.html#!9BF2A6BB-55E4-4BEB-AFB8-

DC04EE560590 (4:35 min)

What happened at the first Phillips digital art auction?

https://www.youtube.com/watch?v=C0ZXqXE8rzo

DANKE

Marie Meixnerová

(c) merry

www.pifpaf.cz

www.25fps.cz

screensaver.metazoa.org

crazymerry.tumblr.com

facebook.com/netarty

youtube/esomary

Facebook Sculpture

esomary@gmail.com

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