on mirrors, tables and walls (and yes, girls too), now in context

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In a way, a sequel to the previous slides (http://www.slideshare.net/art-mirrors-art/gerard-ter-borch-an-elective-affinity-of-mirrors-and-brothels), about the mirrors of Gerard ter Borch. This time I try to show how mirrors had been depicted by many other Dutch painters of the Golden Age (including Pieter Codde, Caspar Netscher, Gabriël Metsu, Frans van Mieris, Pieter de Hooch, Cornelis de Man & Pieter Janssens Elinga). It is not a complete list by any means, but representative enough to also see the major changes with both 'mirror technology' and its perception and use by the society. You can also read the posting in my blog about this painters, and their mirrors: http://artmirrorsart.wordpress.com/2013/09/12/1212/

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art  mirrors  art    2014  © ©

On mirrors, tables and walls (and yes, the girls too); but now in the context(s)

art  mirrors  art    2014  © ©

The broader (European) context

art  mirrors  art    2014  © ©

And more narrow Dutch context

Mirrors in the works by:

Frans Hals

Pieter Codde

Caspar Netscher

Gabriël Metsu

Frans van Mieris

Pieter de Hooch

Cornelis de Man

&

Pieter Janssens Elinga

art  mirrors  art    2014  © ©

The siege (and fall) of Antwerp in 1585

art  mirrors  art    2014  © ©

Frans Hals (1582 – 1666)

Self-portrait (c.1630)

art  mirrors  art    2014  © ©

Portrait of a Dutch Family (1630)

No mirrors !

art  mirrors  art    2014  © ©

Pieter Codde (1599 – 1678)

Self-portrait (c.1630)

art  mirrors  art    2014  © ©

Cavaliers and Ladies (1633)

Table mirror set

art  mirrors  art    2014  © ©

Sebastien Stoskopff - Vanity (c.1630s)

A beauty set?

art  mirrors  art    2014  © ©

Woman combing her hair in front of a mirror (с.1625)

art  mirrors  art    2014  © ©

Woman at her toilet (1630)

art  mirrors  art    2014  © ©

Woman holding a mirror (1625)

art  mirrors  art    2014  © ©

What is the meaning of that mirror?

She holds the mirror, not look at it

art  mirrors  art    2014  © ©

(presumably) Self-portrait (c.1675)

Caspar Netscher (1639 – 1684)

art  mirrors  art    2014  © ©

The visit (c. 1658) (after Gerard ter Borch’s Paternal Admonition)

art  mirrors  art    2014  © ©

Lady at her toilette (c.1670)

art  mirrors  art    2014  © ©

Young woman with a magnifying glass (?) (1667)

A magnifying glass – or a medallion of her future husband?

art  mirrors  art    2014  © ©

Venus with Cupid (??)(c.1660s)

art  mirrors  art    2014  © ©

Girl Standing before a Mirror (1668)

Mirror is a symbol of virginity – or a readiness to part with it?

art  mirrors  art    2014  © ©

Rembrandt - Young woman trying earrings (1654)

art  mirrors  art    2014  © ©

Portrait of a lady at her toilette, attended by a negro page with a dish of fruit

Or a bride with large dowry?

art  mirrors  art    2014  © ©

A lady washing her hands (1657) … or preparing to be ‘consumed’ ?

art  mirrors  art    2014  © ©

What is the meaning of this whole scene?

art  mirrors  art    2014  © ©

Mother combing her son (1669)

Does she play with a mirror? Or with the symbol of her future marriage?

art  mirrors  art    2014  © ©

Gabriël Metsu (1629-1667)

(presumably) Self-portrait (c.1652)

art  mirrors  art    2014  © ©

Lady at the mirror (1667)

art  mirrors  art    2014  © ©

Not one, but two mirrors!

art  mirrors  art    2014  © ©

A Man Visiting a Woman Washing Her Hands (c. 1662)

…but the mirror is turned away.

art  mirrors  art    2014  © ©

The Intruder (c. 1660)

…she actually doesn't’t mind to see (and to show him her ‘ mirror’)

art  mirrors  art    2014  © ©

Woman reading a letter (1662)

Wall mirror, decorated with a ribbon

art  mirrors  art    2014  © ©

A Hunter Visiting a Woman at her Toilet ( c. 1661)

Is her mirror ready to be shown?

art  mirrors  art    2014  © ©

A Woman at her Mirror (1657)

One of a very few mirrors in these paintings that is actually ‘used‘

art  mirrors  art    2014  © ©

Lady at a Virginal

Why would they cover the mirror? Only to protect from the sun?

art  mirrors  art    2014  © ©

Frans van Mieris (1635-1681)

Self-portrait (c.1667)

art  mirrors  art    2014  © ©

Woman in her bedroom with a dog (1670)

Mirror migrates from a table…

art  mirrors  art    2014  © ©

Woman before the mirror (c.1670)

… to a wall – creating an entirely different way to look at herself!

art  mirrors  art    2014  © ©

Pieter de Hooch (1629-1684)

Self-portrait (c.1655)

art  mirrors  art    2014  © ©

Woman with a Water Pitcher, and a Man by a Bed (or The Maidservant) (1667)

Mirror firmly occupies the wall

art  mirrors  art    2014  © ©

Leisure Time in an Elegant Setting (1663)

Mirror shrinks to a beam of light

art  mirrors  art    2014  © ©

The bedroom (1658)

art  mirrors  art    2014  © ©

One mirror, or two?

art  mirrors  art    2014  © ©

And is the right one actually the mirror? Jan de Beer - The Birth of the Virgin (1520)

art  mirrors  art    2014  © ©

Cornelis de Man (1621-1704)

Self-portrait (c.1670s)

art  mirrors  art    2014  © ©

The Music Lesson (c.1670)

Mirror on a wall allows more interesting situations

art  mirrors  art    2014  © ©

Geographers at Work (c.1675)

Liberating mirrors from a ‘female-only’ status

art  mirrors  art    2014  © ©

Pieter Janssens Elinga (1623-1684)

Perspective boxes

art  mirrors  art    2014  © ©

3D models of the Dutch houses of Golden Age

art  mirrors  art    2014  © ©

Interior with a painter, his wife, and a maid (1676)

Still two different mirrors in a living room

art  mirrors  art    2014  © ©

Interior with seated husband, his wife, and a maid (1670)

Gradually a table mirror migrates to another place

art  mirrors  art    2014  © ©

Reading woman (1668) Maid in a Dutch house (1655) Wall mirrors will

lose the tables underneath

art  mirrors  art    2014  © ©

One simple conclusion is that during the Golden Age the mirrors transformed from ‘ table gadgets only’ to hybrid formats, including wall mirrors, with different patterns of use.

art  mirrors  art    2014  © ©

The second transformation is more elusive: mirrors seemingly lost their symbolic connotation of a sexual (matrimonial) marker, digressing to a merely functional gadget.

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