pennsylvania musician magazine april 2015
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April, 2015 PENNSYLVANIA MUSICIAN MAGAZINE 3
4 PENNSYLVANIA MUSICIAN MAGAZINE April, 2015
6 PENNSYLVANIA MUSICIAN MAGAZINE April, 2015
8 PENNSYLVANIA MUSICIAN MAGAZINE April, 2015
ACROSS THE DESKBy Whitey & Robin Noll
It seems that the saying, “In like a lion out like a lamb”
is proving true as it is slowly warming up. This girl is
going to be happy to sit out in the sun in April. I would
say that the music scene in PA is warming up but it’s
been “hot” and happening all winter long and it isn’t
slowing down and in fact, the choices we have coming
up are are making the music scene hotter than ever. I use
to think the music scene wasn’t that vibrant in
Pennsylvania with the limited amount of advertisers in
the magazine but now with the internet you see how
much music is out there. Just in our magazine in all the
schedules that are listed there’s over 200 DIFFERENT
bands and musicians listed. In the articles this month our
writers write about numerous bands and clubs, and
events that don’t even advertise. We are truly blessed
with the choices we have to treat our ears and senses to
music of all genres throughout Pennsylvania. The only
reason to be bored and say “nothing is happening” in PA
is because one chooses to stay put and not venture out.
SLP Concerts are bringing national acts to various
venues throughout PA including Godsmack with special
guest Hellyeah at the Reading Eagle Theater, also known
as the Santander Arena, on May 2nd. The show is at
7:30pm. For tickets contact www.santander-arena.com.
Check out this month’s ad on page 2 for more SLP
concerts coming up.
There are more MMC 19 photos and Jim Price’s
review of his adventures at February’s conference.
Cancer has been making it’s rounds in the music
community and the lastest struggle we learned about is
Randy Robertson, “Rockin’ Randy” from Triple R fame
is fighting the battle and hopefully with the help of all of
us he will be successful to donate go to:
http://www.gofundme.com/qc3ubbsRandy does have
insurance through his employer, but Randy has not been
able to work for the past few weeks. So, without income,
it can prove to be very stressful hindering the healing
process. Every dollar counts. Thank you for your
generosity and to help win this fight.
I know you all helped us with Whitey and he’s doing
great. I love you Whitey to the moon & back and more!
Live in the Love & Light of Jesus Christ our Savior.
10 PENNSYLVANIA MUSICIAN MAGAZINE April, 2015
OUT & ABOUTby RACHEL ROCKS!
Yippeee!! Back to a “normal” month, or as normal as
it can possibly be. March’s weather was absolutely
insane, but I guess it’s supposed to come in like a lion
and go out like a lamb. I am definitely ready for the
lamb, that’s for sure. The snow wasn’t the worst we’ve
seen, but it just seemed like the ground was covered in
ice FOREVER. I’m so glad it’s all melted, and I can’t
wait to hear the roar of the lawn mowers, even if it’s
before 8am on a Saturday. I was lucky and through the
strange weather, I was still able to catch a few bands.
The first band I went to see this month was Sterling
Koch. He was playing right down the road at St.
Thomas Roasters Coffeehouse. This night it was
Sterling on guitar and Gene Babula on bass. Just the
two of them were filling the room with amazing music.
Sterling plays regularly at St. Thomas Roasters and he
has the fans to prove it. The tables were filled with
people sitting back enjoying the music and drinking the
delicious coffee, tea, and smoothies. Sterling plays a
great mix of roots, blues and rock music, mainly from
one of his five solo albums. Sterling played three
different guitars during the set I saw. He’s most well
known for his slide guitar, but it was great getting the
chance to hear him play his 12 string too. It was a great
getting the chance to sit down and listen to these guys
play. Check out Sterling’s ad in this issue and head on
out to listen to some great original music.
After Sterling’s show I headed down the road to The
Blue Moose for some more blues music by the Erica
Lyn Everest Trio. My friend Terri texted me and let me
know she was there, so I decided to stop in and check it
out for myself. Erica Lyn has a great voice. She sings
blues and jazz songs that everyone loves. She was
fighting a nasty cold, but if she didn’t tell me herself, I
would’ve never noticed. She knows that the show must
go on and she just kept on singing through the pain. I
hope my path crosses again with Erica Lyn, because if
that was a bad night, I’d love even more to hear her on a
good one.
The next night, after a long day of delivering, I headed
over to Chick’s in Hummelstown to see The Rockets.
My good friend, Ricky Weitzel, is their drummer and
every chance he gets he’s telling me about his shows, so
I was glad I got a chance to check these guys out again.
These guys are currently playing as a 3 piece. Their
guitar player, Ken, sometimes plays the keys too. All
three of the guys sing, so there are great back-up vocals
and harmonies in a lot of their songs. The Rockets are
focusing on true “Classic” rock and roll from the 50’s
and 60’s. They had the crowd at Chick’s up dancing and
having a great time. Jeff from Element 22 was also in
the house so he came up to sing a song with the band. It’s
always nice hearing Jeff. Hopefully I’ll get out and catch
Element 22 again soon. These guys would do great at
the local VFW’s and Legions. They do a great job
covering all of your favorite one hit wonders that
introduced us to Rock N’ Roll! Keep an eye out for The
Rockets, they’ll come soaring your way soon!
The night wasn’t over yet, I still had time to swing into
Double K for Smokin Gunnz. These guys are going to
be super busy playing at many different biker events
throughout April and May, but they will be back at
Double K on May 2nd! The Double K crowd always
packs the house when Smokin’ Gunnz are on the stage.
I really should do a head count at one of their shows to
see how many people squeeze themselves onto that tiny
dance floor! Smokin’ Gunnz shows are always tons of
fun with plenty of people watching to do. Double K is so
convenient and close to home, and super easy to stop in
for the last show of the night. I love all of their staff, it’s
definitely my “home” bar, where everyone knows my
name, and I know them too! It’s always good to feel safe
when I’m “Out and About” by myself, and I definitely
feel safe at the Double K.
My next night of listening to “live” music was an odd
one. I met two musicians, Susan Ruth and Matt Vrba at
the MMC this year. They are both touring musicians
from Nashville. Susan sent me an invite about a special
concert they were doing online through a website called
Concert Window. I don’t know how much it cost them to
perform on Concert Window, but it was set up like
Kickstarter. It was a live, sort of podcast of them playing
in Susan’s living room. They both took turns picking
songs and playing us some of their favorites. The fans or
viewers can then “Tip” them in exchange of seeing them
play. They had bigger catergories you could “Tip” for
cool rewards like a song written for you, or free
downloads of their music, or all kinds of crazy stuff like
artwork they painted, etc.. It’s also a live chat, so the
viewers were able to comment on the songs they were
playing, or whatever. At one point Susan asked where all
continued on next page...
Amber of Take 147 w/ The Takers
April, 2015 PENNSYLVANIA MUSICIAN MAGAZINE 11
the viewers were from, all over the US: CA, TX, WA,
PA, MD, FL, etc.. it was a super cool way for musicians
to make a few extra bucks, especially when they have so
many fans widespread throughout the country. If you’re
looking for a fun new experience for your band you
should really check out “Concert Window” for yourself.
The next night I headed back to Chick’s for Frayed
Nott’s Chick’s debut. Frayed Nott is from
Hummelstown, so this is a venue they’ve wanted to play
since they began. All of their friends and family were
able to come out to the show, and Frayed Nott had
Chick’s more packed then I have ever seen it. Saying
they had “Standing Room Only” doesn’t give them
justice. It’s more like elbows to hineys! I loved seeing
and hearing these guys get the recognition they so well
deserve. When I looked around the crowd I saw quite a
few other bands members came out to support them too.
It just goes to show you how awesome these guys are
when other bands come out and support them on their
night off. I saw parts of Badd Seed, Take 147, Nacho
Daddy, and Override. Who knows who else was there,
like I said that place was packed! I do believe we’ll be
seeing Frayed Nott back at Chick’s soon! Keep an eye
on their schedule in this issue and get out there and
support these guys, you won’t be disappointed.
The night still wasn’t over! To finish off my night I
zoomed up to Tubby’s to see Back in Black. When
these guys get a chance to get back in the area it’s
always a special treat. Congrats to Back in Black for
rockin’ our faces off with their AC/DC madness for over
25 years!! That is an absolutely amazing
accomplishment. Obviously they’ve had some member
changes over the years, but they’ve continued to rock,
no matter who is in the line-up! They all have a great
stage presence and rock the night away til the last
possible second. It’s been a while since I’ve gotten the
chance to come out and see them. I’m so glad I squeezed
out my last ounce of energy to get up there and rock out
with Back in Black!
The next night was another trip up to Tubby’s for
Take 147. I got there a little late, and I missed their
opener, the Colt Wilbur Band, but I heard a lot of great
things about their new line-up. Hopefully I’ll get to see
their new band soon. Jason and Colt did come up on the
stage with Take 147. I saw them help with Take 147’s
original “Caravan Court,” Gretta had some assistance
from Jason while playing the beer bottles for that song.
Every Take 147 show is a blast with plenty of
shenanigans from both the stage and their “Takers”.
This was St. Patrick’s Day weekend, so people were
even a little extra festive! Take 147 was just given the
opportunity to play the Whitaker Center, opening for
Mary Lambert on March 31st. It’s awesome to see
them getting the recognition they deserve! They only
have a few more shows before they are taking a break
for the Summer. Check out their schedule in this issue
and get “Taken!”
The next night I bopped back down to Chick’s for
Nacho Daddy. Since they started advertising they’ve
been getting a lot more gigs. It’s amazing what just a
$30 ad can do for a band! If you are struggling to find
places to play, maybe you should try advertising in the
PA Musician Magazine! Let people know you are out
there. If you show a club owner that you are willing to
put money into promoting your shows, it helps them
realize that you are taking your “job” seriously.
Sometimes it “Takes Tickets to Make Tickets.” Nacho
Daddy had a decent crowd there enjoying the show. I
like to describe these guys as a Classic Party Band. They
are playing your classic rock favorites that everyone
likes to party with. Their set was filled with songs that
Out & About continued....
continued on page14....
12 PENNSYLVANIA MUSICIAN MAGAZINE April, 2015
NATIONALS By Eric Hoffman
Greetings Rockers ‘N’ Rollers! Former
Harrisburg native and Fuel frontman,
Brett Scallions, brought his solo
unplugged tour to the Keswick Theater
in Glenside, PA. His tour titled “Roots to
Rock and Whiskey Talk,” included songs
from his band Fuel as well as his time
while singing for The Doors. Scallions
was extremely impressive in this stripped
down style, telling fabulous stories of his
music career. He also covered songs by
Johnny Cash, Elvis Presley, Rolling
Stones, Nirvana, Hank Williams Jr. and
Kenny Loggins. It was great to catch up
with Brett and really see his talent
exposed solo as an artist.
The legendary Kix band returned to the
mid-state with a sold-out show at
Lancaster’s Chameleon. A tour
promoting their latest seventh studio
album, “Rock Your Face Off”, released
last August. Kix continue to deliver one
of the best live shows out there and have
proved it after three decades as a band.
Steve Whiteman, Brian “Damage”
Forsythe, Ronnie “10/10” Younkins,
Jimmy “Chocolate” Chalfant and Mark
Schenker will have a busy summer with
Kix shows booked in Gettysburg, Dewey
Beach, Ocean City and Columbia, MD
and they will be back in PA in May when
they come to Tubby’s in Duncannon.
Highlight concert of this past month
was that of new band BRONCHO at
Baltimore’s Ottobar on April 3rd. The
Oklahoma based band just wrapped up a
tour opening for Billy Idol and are
currently touring with The Growlers.
BRONCHO are simply incredible –
bringing infectious grooves reminiscent
of Velvet Underground and Sisters Of
Mercy. The band is breaking huge ground
with their sophomore album, “Just
Enough Hip to Be Woman”, with a
recent 7 performances in 3 days at the
famous SXSW Music Festival in Austin,
Texas. BRONCHO return to Johnny
Brenda’s in Philadelphia on May 15th.
NATIONAL NEWS:
continued on next page..
Eric & Brett Scallions
14 PENNSYLVANIA MUSICIAN MAGAZINE April, 2015
Out & About continued....
people definitely recognized.
My last night of the month I headed back up to
Tubby’s for Penntera. When I got there Thousand
Pound Destruction was rocking the stage! Everyone
was rockin’ out to their great mix of thrash metal. There
is no moshing at Tubby’s, but you can tell this crowd
really wanted to! They definitely did a great job of
getting this crowd pumped up for Penntera.
When Penntera took the stage the crowd was already
hugging the stage ready for some serious kick you in the
face kind of music! I haven’t seen these guys in forever,
so it was my first time seeing Johnny Thompson on
lead vocals. He is an amazing vocalist and his stage
presence is insane! They also recently got a new bass
player, Dave Garry. I’ve seen Dave in a few other
bands in the area. He looked like he was having a blast
up there on stage rockin’ with these guys! Altogether the
band sounded amazing, it’s hard to believe they recently
underwent those changes. People didn’t want the music
to stop at the end of the night, all night long the dance
floor was packed with people rockin’ out and having a
great time! Penntera is planning a huge bus trip to NYC
on September 25th. They are playing with Schism on a
Statue of Liberty Boat Cruise. I saw pictures from last
year, and I’m not missing it this year. This boat can hold
something like 500 people, but the space is limited on
the bus. The bus is leaving Harrisburg at 7am, you will
have half the day on your own in NYC, and then at 7pm
it’s time to load up on the boat for the Sunset Cruise
from 8pm to 11pm!! Then we’ll be back in Harrisburg
around 2 or 3am. Talk about AMAZING!! I totally can’t
wait. The tickets for the bus are already selling like hot
cakes. They are only $65!! That includes the bus pass
and your ticket for the boat cruise. You can’t go to New
York for any cheaper than that!!! Come and join us!!
You can e-mail Space (Eric Dengler) for more ticket
info at skapegot@yahoo.com. You can also check out
their ad in this issue and see where they will be rockin’
next!
Well that’s all for this month. It’s so short and sweet
compared to my novel last month!! I hope you all have a
very Happy Easter with your family and friends. I’m so
glad Spring is FINALLY here!!!! Get those decks open,
I’m ready for some fresh air!!! If you see me “Out &
About” please stop me and say Hi! Any questions or
comments e-mail me at RachelRocks@pamusician.net.
Remember Support Local Music and check out our
website, www.pamusician.net for even more Hot Shots,
Shot Hot by me and Jim Price.
Penntera fans at Tubby’s
April, 2015 PENNSYLVANIA MUSICIAN MAGAZINE 17
18 PENNSYLVANIA MUSICIAN MAGAZINE April, 2015
THEPROFESSOR’S“LIVE REVIEWS”
By Jim Price
We have just turned the corner into Spring 2015, and
already I have learned of a number of events that are
quickly making me anxious for the warm weather
season to fully arrive! Concerts, festivals, special events
are coming soon - bring them on!
As I alluded to last month, winter didn’t seem to
achieve its full fury until after the groundhog saw its
shadow in early February; then all hell broke loose!
Wintry weather even impacted February’s 19th annual
Millennium Music Conference (MMC) at the Best
Western Premier Central Hotel in Harrisburg,
shattering much of the Saturday night showcase
schedule around the Harrisburg area but enabling other
fun possibilities to take place. When the all-day snow
event made roads slick and difficult to navigate, several
venues cancelled evening showcases, and some bands,
musicians and even daytime panelists had to cancel out
of their appearances. During the daytime business
conference, this resulted in the cancellation of the
popular “Blind Demo Derby” panel. But when
conference director John Harris sent word that the
panel would be replaced by a day-ending jam session on
the PA Musician Open Mic Stage, it didn’t take long for
a number of musicians to grab their instruments and
make it happen. Soon, multiple musicians were striking
up an unplugged jam session in front of the stage;
including members of New York’s The Rusty Guns,
New Jersey’s The Coteries and other bands, even
renowned harmonica virtuoso and manufacturer Lee
Oskar jumped in on the jam! (Also some “Professor”
guy with a djembe.)
With some showcases cancelled, and musicians and
conference attendees stranded at the host hotel due to the
bad roads, the hotel’s O’Reilly’s Taproom by default
became the Saturday night showcase destination for
many. The PA Musician contingent of Robin, Deb
Whitcomb, Rachel Rocks, Meredith Kaminek and
yours truly (plus Christine Kearns) arrived at
O’Reilly’s during the showcase set by Ian Mellencamp
and his band. The New York-based nephew of the
renowned John Mellencamp, Ian and his band
introduced a spacey, psychedelic jam-rock flavor on a
number of original compositions and a version of Elvis
Costello’s “Pump It Up.” Learning that Brooklyn’s J
and the 9s’ showcase elsewhere in town had been
cancelled by the weather, Ian and his band cut their set
short to allow J and the 9s to set up and perform two
songs. Costumed frontlady and performance artist J9
and her bandmates made it count, delivering full fury
and spectacle on their blistering punk-driven rock.
Albany, NY’s Myron James Band then performed a
melody-driven brand of modern rock/pop original songs,
followed by Boston’s Tom Flash and their punk/surf-
driven brand of rock. Next was another band snowed out
of their scheduled showcase, as New York’s Glaser
Drive took the stage for a three-song set. Featuring the
four Glaser sisters - Faige, Chaya, Eden and Doren -
this group displayed bright and lush vocal harmonies on
their selection of folk-flavored original songs.
Johnstown representatives Lucky Lad Green then
closed out the showcase with their spirited brand of
Irish-flavored punk rock. Singer Eric Smay, guitarist
Steve Boyle, multi-instrumentalist Ryan McDonald,
bassist Jim Berkin and drummer Bret Berk fired off
tunes from their EP such as “Irish Pride” and “Tale of a
Sailor,” plus newer songs like “Family” and “Chase the
Snakes.” The music wasn’t over yet, as the hotel
graciously allowed a multitude of restless conference
musicians one last opportunity to jam and network
together in Conference Room A; the resulting after-
hours jam session lasted until nearly 4 a.m.
O’Reilly’s Taproom was also where my 2015
Millennium Music Conference experience began,
during their Thursday night opening party. WithinAlex Hilton Band
continued on next page...
MMC 19 Trade Show Jam
April, 2015 PENNSYLVANIA MUSICIAN MAGAZINE 19
minutes of checking into my hotel room, I arrived at
O’Reilly’s to catch local Harrisburg modern rockers
Observe the 93rd in acoustic form. The group sounded
strong as they mixed original songs with select favorites
from Third Eye Blind, Ben E. King, the Offspring,
Wheatus and more. Arriving as an alternate showcase
act to fill in last-minute showcase vacancies at MMC,
New York City’s Metorana was a late add to close out
this night’s kickoff party. Singer/guitarist Ian Keller,
bassist Sam Allen and drummer Alex Hernandez
immediately captured my attention by opening with a
Primus cover; they sounded good, doing hard-driving
original garage-flavored rock and punk with a slight
Nirvana twist. Metorana made the most of their first
MMC experience; they also were added to O’Reilly’s
Friday showcase and performed on Saturday night as
well.
My Friday night MMC showcase journey began at
Carley’s Ristorante in downtown Harrisburg, where
solo keyboard performers took the spotlight. First up
was State College’s Elizabeth Findley, a.k.a. The
Syncopated Keys. Elizabeth displayed her hearty
singing style on a number of her original songs,
including numbers aired on my radio program such as
“Broken” and “Let Loose Tonight.” Intrigued by her
brief performance earlier in the day at the MMC Trade
Show PA Musician Open Mic stage, I stuck around to
watch Buffalo, NY’s Christina Custode, who displayed
a dazzling, classically-geared piano style as she sang
catchy pop-geared original songs. And I caught a few
songs from Nashville’s Susan Ruth, accompanied by
Matt Vrba on guitar. Susan displayed a great voice and
personable style on the songs I witnessed.
After meeting Springfield, MO’s Paralandra earlier in
the day at the MMC Trade Show, I decided to catch
them in action at Gullifty’s Underground in Camp Hill,
where they performed as part of a special showcase for
producer David Ivory’s indie record label, Flexitone
Records. Hitting the stage moments after my arrival,
Paralandra offered a powerful, classic-rooted hard rock
sound not far removed from Halestorm; singer/guitarist
Casandra Carson demonstrated a hearty voice up front;
flanked by her father Paul Carson on lead guitar, bassist
Josh Pool and drummer Nick Gray. Paralandra gave a
charged performance on songs off their Rise Up EP such
as “Alive,” “Weightless” and the title track; I also liked
their powerful anthem “Heroes.” Next was Baltimore’s
Silvertung, riding a wave of recent rising national
notoriety. They exhibited their driving brand of modern
heavy rock, and did their latest charting single, “Never
Too Late.” Another band I saw earlier at the MMC
Trade Show, Philadelphia’s Beyond Eden then
delivered uptempo and darker modern rock, led by
singer Jennifer Eden’s potent voice. Their style
suggested the more technical leanings of Evanescence
and Tool. Finishing up the night was another
Philadelphia group, Rausch, who fought technical
issues but still dazzled on two compositions. They
channeled progressive, theatric, piano-laced heavy rock
reminiscent of classic Queen and Yes, but infused with
m o d e r n r o c k a g g r e s s i o n . L e a d
singer/keyboardist/namesake Doug Rausch displayed
mastery on the ivories and a dramatic singing style,
totally investing heart and soul into his performance and
leaving all on the stage.
The aforementioned Lee Oskar provided another
highlight of my Millennium experience this year, as I sat
in on his workshop entitled “Discover a World of Music
Possibilities.” Lee discussed and demonstrated some of
the nuances and theory of playing harmonica, shared
tips, answered audience questions, and then capped the
session with a mini-concert where he showed his
harmonica prowess along blues, jazz, funk and other
backdrops.
The Professor continued...
continued on page 20...
20 PENNSYLVANIA MUSICIAN MAGAZINE April, 2015
I spent most of the remainder of the two-day daytime
business conference staffing my section of the PA
Musician corridor of the Trade Show, and enjoying the
steady stream of musicians who graced the PA Musician
Open Mic Stage. I witnessed incredible talent during
both days; among my favorite highlights during Friday’s
Open Mic performers was Ontario, Canada’s Ed
Roman, who brandished a bass and performed two
distinctively different numbers - the first, “Kids R Like
Vegetables,” featured Ed playing a funky bassline
topped by some original beat poetry that brought the
house to attention, and he followed with an instrumental
inspired by Nikola Tesla. I also liked the brassy sounds
of New Jersey’s Running Late, the bluegrass and
Americana flavorings of New York’s Rusty Guns, and
conference frequent flyer, Joey Welz hammering the
ivories with some early-flavored rock’n’roll to close the
day. My favorite Saturday Open Mic highlights included
the sharp-sounding R&B of Harrisburg’s D-Bo, the
acoustic punk rock of New York’s Jackknife Stiletto,
the spirited soul-toned rock of Philadelphia’s Kelley
Plante, boisterous rock from Philadelphia’s The
Terribles, the rollicking keyboard work of Ohio’s Bill
Kurzenburger and the aforementioned day-ending jam
session. All of the Open Mic stage talent was excellent; I
also saw performances from Maddison Binkley, Susan
Ruth, Matt Vrba, Deb Guy, Justin Angelo, Chuck
Schaeffer, Beyond Eden, Senorita Awesome,
Elizabeth Findley (The Syncopated Keys), the Alex
Hilton Band, Michi, Terry Gayhart of Shift Seven, Eli
Bridges, Catalina Gonzalez, Paul Saint John, The
Coteries, Dylan Moore, Seiichi Daimo, Matt Tarka,
Liz de Lise, Aubreylyn, Tom Flash, Jenna Marotta,
Ryan Alan Band, Bret Alexander, Christine Custode,
the Whiskey Shambles, Sole Pursuit, Abby Lappen,
Montgomery Streets, Linda Gambino, Music Mike,
Chad Bruce and Chris Whitmer.
Fortunately, following Saturday’s snow, travel
conditions had improved substantially by Sunday
morning, enabling me to depart from Harrisburg and
return directly to the second Benefit for Brian Cupples
event at Altoona’s Family Pizza & Pub. A popular area
musician, Brian has continued to battle health
complications stemming from long-term mercury
poisoning, including recent developments that have
lengthened his road to recovery; proceeds from this
acoustic-geared show helped Brian with his mounting
medical bills. I arrived in time to join my Backyard
Rockers bandmates for the latter part of their set to open
the afternoon. Backed by Randy “Jackson”
Rutherford on bass and The Hurricanes’ Bob Watters
on drums, Pat McGinnis strummed and sang a selection
of his own original songs and select covers. He
performed songs from his self-titled CD such as
“Walking My Dog” and “Feels Like She’s Gone,” as
well as numbers from John Prine, The Band, Neil Young
and Fabulous Thunderbirds. Then joined by Rick Wertz
on guitar, Eric Wertz on bass, Bob Scholl on sax and
Wil Jones on drums, Randy “Jackson” performed a
mixture of classics from B.B. King, Dobie Gray, Elton
John, the Eagles, Crosby Stills & Nash and more. Along
the way, Kathy Niedenthal joined in to help with
backing vocals. Although not able to be physically
present at the event, show beneficiary Brian Cupples
phoned in and spoke to the musicians and audience
Casandra Carson of Paralandra
continued on next page...
Ian Mellencamp
The Professor continued...
April, 2015 PENNSYLVANIA MUSICIAN MAGAZINE 21
through the P-A, thanking them for their support and
explaining the extent of the health issues he has been
dealing with. With Beau Saller helping out on drums,
Dreadnot - Bobby Gates and John McKelvey -
continued the music with mostly British rock favorites
from the Rolling Stones, Emerson Lake & Palmer, The
Fixx, the Beatles, Led Zeppelin and more. Next was
Stormy, who set the tone to their set with an excellent
rendition of Traffic’s “Low Spark of High Heeled Boys.”
From there, the roster of singer Mark Montrella,
keyboardist Charlie Leiden, guitarist Brandon Stewart
and drummer Bill Hocherl performed classics from
America, Steely Dan, the Byrds, Phil Collins, Tracy
Chapman, the Beatles and more. I had to depart before
Triple Threat’s set closed out the event. Hats off to
show organizer Bill Hocherl, who with Don Osborn
coordinated production for the afternoon, Polly and
Family Pizza for providing the venue, and to everybody
who came and showed their support; more than $1,000
was raised.
The weekend leading up to St. Patrick’s Day provided
the setting for a number of parties and special
performances. Although not a note of Irish music was to
be heard, McGarvey’s three-band St. Patty’s bash did at
least provide some punk-flavored rock. When a last-
minute injury sidelined scheduled show openers
Pennsylvania Mike and the Bedlam Boys,
Huntingdon’s Strait & Miller answered the call and
opened up the night with acoustic blues and original
songs, joined by banjo man Bob and Naildriver’s Kevin
Siegel behind the drum kit. The Railroad City Murder
Machines then pounded out fast-firing, punk-fueled
rock, featuring blistering originals plus their hammering
take on Phil Collins’ “In The Air Tonight.” Xs For Eyes
then closed the party with their pedal-to-the-metal punk
rock sounds, firing off multiple original songs plus
select amped-up remakes from the Ramones, Rancid,
and their popular slamming take on “Folsom Prison
Blues” to end the night.
Penn State Altoona’s Office of Institutional Equity,
Diversity, and International Student Services presented a
performance by Philadelphia’s Barleyjuice trio on St.
Patty’s eve in the Slep Student Center. Playing a variety
of instruments, Kyf Brewer, Keith Swanson and Alice
O’Quirke performed original Celtic-flavored folk, pop
and rock songs from throughout their discography, along
with select Celtic-flavored covers. Their original song
selection included such numbers as “Nancy Whiskey,”
“Pretty Wild Bride,” “Nancy Drinks Tequila,” “Hard
Life of Ivan MacRae” and more. They displayed crisp
vocals and harmonies, as well as dazzling instrumental
execution; I especially liked Alice’s fiddle work during
their instrumental spin on the Who’s “Baba O’Riley.”
The Barleyjuice trio’s Penn State Altoona stop was
their second performance of the day following an earlier
matinee show at Penn State Mont Alto; the group
celebrated St. Patrick’s Day performing at Philadelphia’s
World Café Live.
On St. Patrick’s night, Flashpoint entertained at
Pellegrine’s, but didn’t exactly have the ‘luck of the
Irish’ on their side. The group battled some health issues
this night, as regularly-scheduled bassist Bill Hunter
was sidelined by pending surgery the following day;
former R2B2 bass man Bill Smith filled in for him. And
a bout of laryngitis impacted frontman Don Osborn’s
singing voice. But Don, Bill, keyboardist Ken Civils
and drummer Bill Hocherl soldiered on, and provided
the largely green-clad audience with a mixture of
classics from the Hollies, Santana, Van Morrison, Cars,
Rolling Stones, Procol Harum, Dire Straits, Van Halen,
Grand Funk Railroad and more. They also mixed in Irish
toasts and humor along the way.
I then ended my St. Patrick’s festivus 2015 by joining
my Backyard Rockers brethren for their weekly
Tuesday Open Mic Night at D’Ottavio’s Gran Sasso in
Hollidaysburg, where some of the musical guests
provided Irish musical flavors. Phil Baskin was in the St.
Patty’s spirit, and mixed a few Irish favorites in with his
selection of classics from Pure Prairie League, James
The Professor continued...
The Ryan Alan Band
Joey Welz
continued on page 22...
22 PENNSYLVANIA MUSICIAN MAGAZINE April, 2015
Taylor, John Prine and more. Other performers during
this edition of Open Mic Night included
singer/songwriter James Lee, Ron Balestino, Raining
Blue and the duo of Tami Hinish and Jeremy
Schimansky.
Webster’s Bookstore and Café in State College
hosted a unique showcase early last month. “Women &
Words” offered a variation on the ‘guitar pull’ format.
Two singer/songwriters - Erin Condo and Hannah
Bingman - shared the stage with two poets, Rebecca
Gafron and Greta Haney. The performers cycled
through the group in varying orders, each singing a song
or reading one of their poetic creations. This was fun
and interesting, as the four women often took cues from
the previous performer’s creation in selecting what they
would do next, and gave insight on their creations as
they performed them. Erin did several songs from her
latest CD, Love and Lightning, such as “Find My
Home,” Odessa,” “Best Laid Plans” and more.
Hannah likewise did several selections from her latest
CD, Loam, such as “Hard Times, Our Times,” “Deep
Water,” “Farmer’s Prayer,” “Hard-Hearted Woman”
and “Mustard Seed.” The mixture of music and spoken
word art was intriguing and well-received, and enabled
the four women to step outside their familiar
performance avenues and into a more interactive setting.
Longtime York-based groove-rockers Hexbelt paid
their first visit to the stage at Pellegrine’s in Altoona last
month. This show had been relocated to Pellegrine’s
last minute from another local venue, but still managed
to draw an audience as loyal Hexbelt fans from nearby
counties made the roadtrip to join curious local fans.
Hexbelt sounded strong as they did jam-styled, groove-
driven original rock with touches of reggae, funk,
Americana and more. Singer/guitarist Dann Ottemiller,
guitarist Mike Couch, bassist Neal Kreider and
drummer/singer Tony Agguire provided tight and
tasteful musicianship; their sound was clean and precise,
but relaxed. Beyond their range of original song
material, an added highlight during Hexbelt’s latter set
was a spirited edition of James Brown’s “Cold Sweat.”
Rich Edmundson opened the night and performed
between Hexbelt’s sets.
The Elk Creek Cafe in Millheim hosts live music
every Thursday night during their “Pub Hang,” and I
was able to see The Strayers during one such Thursday
last month. Singer/guitarist Bill Strayer, wife Denise
Strayer on accordion and vocals, and drummer Josh
Troup performed two strong sets of their unique brand
of acoustic-geared folk and rock, mixing original songs
with select covers. I liked this group’s unique set-up and
distinctive sound; Bill handled most singing duties, with
Denise providing the accordion underscore and solos,
while Josh gently powers the songs with his brush
rhythms. The Strayers did songs off their self-titled CD
such as “Nothing’s Gonna Change,” “Remind Me I’m
Kind,” “I’m Not Running” and “Sometimes the
Sometimes.” They also pulled out some intriguing
remakes, such as Denise singing John Lennon’s
“Watching the Wheels,” versions of Van Morrison’s
“And It Stoned Me,” Tom Petty’s “You Got Lucky,” the
Stones’ “Mother’s Little Helper,” Bob Dylan’s “The
Mighty Quinn,” Oasis’ “Don’t Look Back in Anger,” and
Denise’s popular rendition of the Divinyls’ “I Touch
Myself.” The Strayers received nice response from the
audience, who demanded and received an encore at
show’s end. The Strayers return for another “Pub
Hang” at Elk Creek Café on April 9.
I caught my first look at Johnstown rockers 1 Over 8
in late February at Crousey’s in Windber. Featuring
former Day Well Spent singer/guitarist Mike
McCloskey and drummer Jason Nagy, along with
continued on page 23...
The Professor continued...
April, 2015 PENNSYLVANIA MUSICIAN MAGAZINE 23
bassist Josh and frontman Justin; 1 Over 8 did solid
work on a mix of modern and classic rock favorites,
injecting their hearty punch into tunes from Third Eye
Blind, Tom Petty, Blink 182, Smashing Pumpkins, Rage,
Black Sabbath, ZZ Top and more. This group pulled out
a few surprises I wasn’t expecting, such as James
Gang’s “Funk #49,” Bob Seger System’s “Ramblin’
Gamblin’ Man” and a powerful read on Black Sabbath’s
“War Pigs.” The decent-sized crowd enjoyed 1 Over
8’s enthusiastic performance and kept the dance floor
busy through much of the night. A rising name, watch
for 1 Over 8’s arrival on stages across west-central PA
in the months ahead.
Providing rock’n’roll ear candy to area dance floors is
Rokkandy, who I saw in action in late February at
Davey’s in Hastings. Jim Ricotta recently took over
Rokkandy’s bass duties, joining singer/keyboardist Pat
McConnell, singer/guitarist Bob DeArmitt
and drummer Paul Turner. Rokkandy brought
the party to Davey’s with a wide mixture of
song material, spanning classic and modern
rock and pop favorites, dance hits, slow dance
numbers and more. Jim, Bob and Pat all
handled lead singing duties throughout the
night. Their set list included versions of Donna
Summer’s “Hot Stuff,” War’s “Low Rider,” the
Rolling Stones’ “She’s So Cold,” the GoGos’
“We Got the Beat,” Pharrell Williams’
“Happy,” and numbers from Jimmy Eat World,
Tom Petty, Strangeloves, Ramones, Kid Rock,
Pat Benatar, Theory Of A Deadman, Black
Crowes and more. Mostly quiet during the first
two sets, the Davey’s audience awakened
midway through the nightcap set, and then didn’t want
the band to stop, prompting four encore tunes! Since this
show, Mark Panek has replaced Paul on drums.
Rokkandy is spreading their sweet sounds throughout
the region; they return to Davey’s on April 25.
Harrisburg headbanging force Leadfoot brought
classic ‘80s and ‘90s-era heavy rock back to State
College’s Arena early last month. Leadfoot has a new
guitar player since the last time I saw them, as former
Rhymes With Orange guitar man Bernie Alonge
replaces Shane Burger in the lineup. Bernie, guitarist
Patrick Laubscher, singer Russ Weikel, bassist Kip
Forbes and drummer Anthony Blauch quickly
triggered dance floor action with hard-hitting ‘80s fare
from Guns N’Roses, Ratt, Def Leppard, Motley Crue,
Metallica, AC/DC, Poison and more. The group also
threw in a few original tunes, plus some ‘90s and more
recent numbers from Bush, White Zombie, Drowning
Pool and Rage Against the Machine, plus dropped a
House Of Pain “Jump Around” midsection into Quiet
Riot’s “Metal Health.” Leadfoot pulled out a few
pleasant surprises, such as a take on Megadeth’s
“Sweating Bullets,” Slade’s “Run Runaway,”
Motorhead’s “Ace of Spades” and Accept’s
“Balls to the Wall.”
Wary of unpredictable travel conditions
along I-80 during the snowy season, the
Giants of Science decided to take a short
hiatus from long-distance road journeys
beyond their northeastern PA home base
during the winter season. This set up for the
group’s glorious return last month to Altoona’s
Four Dees Lounge after more than a two-
month absence. Their hardcore legion of area
fans were eagerly awaiting them, and even
presented a cake to welcome them back! Sans
their popular labcoats and facepaint décor this
night, the current Giants roster of
s i n g e r / g u i t a r i s t / r i n g l e a d e r Mick,
keyboardist/singer Scotty B, bassist/singer Johnny 5
and drummer Steve provided their trademark ‘80s-
themed party, focusing on new wave and
pop hit favorites from the “Decade of
Decadence.” Tunes from R.E.M., The
Cure, Simple Minds, Soft Cell, Violent
Femmes, Men Without Hats, Modern
English, Outfield, Bangles, Dexy’s
Midnight Runners, Chumbawumba and
more soon filled the room and dance floor.
Approaching two decades of providing
dance floor fun to audiences far and wide,
the Giants Of Science showed no signs of
slowing down this night, and they remain
one of the state’s reliable crowd-pleasing
band attractions.
Sadly, the area music scene lost a
longtime member on March 7th with the
passing of Paul Mishock at age 65 after a
lengthy illness. Paul played in a variety of bands and
projects over the years; among them The Hallmarks,
The Rattlers, The Untouchables, Mario Crocetti Trio
and more. He was also a member of the Cresson
Volunteer Fire Company. The area music scene also
mourned the loss Johnstown natives Barry
Himes and Jackie McCann, who both lost
their lives in a South Carolina vehicle
accident on March 21st. Barry was 52 and
Jackie was 51. Barry was vocalist for
popular 1980s Johnstown rock band The
Kick, and also became a freelance
videographer and photojournalist whose
work appeared on Pittsburgh television
stations, ESPN, MTV, the History Channel,
CBS Sports and others. Our sincere
condolences are with the families, friends
and colleagues of all three.
News and notes… After a ten-year run
on area stages, Huntingdon County-based
rockers Force Of Habit have parted ways.
Johnstown’s Inside Out has found their
new drummer, and he is a familiar name; former Stept
On and Bad Daze drummer Jim Bagrosky replaces
Mark Gindlesperger behind the kit. Naildriver has
reunited with singer Matt Watson, and will be officially
announcing their new rhythm guitarist shortly. Guitarist
Kayla Feaster has parted ways with Root & the Fifths
to reform her blues project with Bethany Helsel, the
Rhythm Sharks; Ryan Weaver will replace Kayla as
Root & the Fifths’ new guitarist. Citing personal
reasons, singer Tyler Hull is stepping down as the
frontman for area rockers Emberstitch; the group is
working with a new singer and will announce that name
shortly. The Red Letter Band has added new singer
Tami Hinish. Philadelphia’s Modern Colour has added
new guitar player Nate Ridge.
Happy Birthdays to Arejay Hale (Halestorm), Ron
Dalansky (Half Tempted), Jim Ricotta and Pat
McConnell (Rokkandy), Ron Brode (Lies, Inc.), Kelly
Montgomery, Ashley Thompson and Brendon Burns
(7th Gear), Bill Hocherl (Triple Threat), Chuck Lavera
(Hate Grenade), Rob Hampton (Gas Station Disco),
Todd Giornesto (Giornesto), John Homerski (Flood City
Brass), Matt Harnett (Tree), Glenn Walstrom (Kyx), Ben
Bower (Born and the Beanstalk), Chris Hescox (Spider
Kelly), Justin Fair (Xs for Eyes), Dave Nott (Gypsy
Caravan), Steve Spack (Red Alert), Tony Feighner
(Never Enough) Chuck Mason (Chuck Mason & Blue
Reality), Chip Castello (One Brick Shy), Dave Buzard
(We Came From Space), Drew Jackson (Atlas
Soundtrack), Mark Hill (Biscuit Jam), Bob Gironda
(Who’s Your Daddy), Marge Bubner (Orange Fire), Pat
McGinnis, Ryan Matthew, Dennie Huber, Lauren
Johnson, Mark Oswald, Kenny Karlheim, Rob Carolus,
Ricky Lee, Ron Gallucci, Frank Ciccarella, Mike Reigh
and Shel Hoachlander.
Please send correspondence and recordings to: Jim
Price, 1104 S. Catherine St., Altoona, PA 16602. You
can also e-mail me at jptheprofessor@gmailcom. And if
you’re into social networking, look me up on Facebook
or Google+. SUPPORT LOCAL MUSIC!
The Professor continued...
Hexbelt
The Strayers
1 Over 8
LeadFoot
April, 2015 PENNSYLVANIA MUSICIAN MAGAZINE 25
LIZ DE LISE - “TO & FRO” EP (no label)
Philadelphia-based singer and songwriter Liz de Lise
turns the stories of nomadic street kids into an engaging,
imaginative musical journey on her EP, “To & Fro”.
After spending a
summer interviewing
and observing street
kids that passed
through Portland,
Oregon, de Lise
crafted the six songs
of “To & Fro”, in the
process weaving
together a colorful
musical tapestry that
blends elements of
Americana, indie pop and folk, jazz and ethnic flavors.
The overall sound recalls classic folk artists like Joni
Mitchell and Melanie, but also suggests a theatrical edge
with frequent asides and side journeys. Additional
musicians help flesh out and color the arrangements;
including de Lise’s father, Louis, on accordion,
marimba, keys and percussion, Allan Slutsky on
mandolin, Jess Molan and Steve Beskrone on double
bass, Bruce McFarland on banjo, Azeel Bhatti on
table, Mirjam Ingolfsson on cello, plus several backing
singers. Opening with a gypsy folk flavor, “Ode”
recounts the story of a traveling dreamer content with
his freedom. The gentle, string-toned “Homeless” offers
a loose poetic observation of a street traveler, while the
multi-tiered “Pan” relates one traveler’s dreams of
someday settling down. With its irresistible chorus hook,
“Strangers” finds commonality and community with
fellow vagabonds, while the minimalist folk of “Star
Fire” juxtaposes street life survival and freedom.
Bringing the journey to its close, the multi-flavored
“The End” offers a dramatic arrangement with frequent
twists and turns, highs and lows, Queen-like choral
moments and more. Liz de Lise’s clear, pleasant voice
and imaginative songcraft provide strong threads
throughout this set, and her captivating arrangements
and wordplays keep the listening experience fresh from
start to end. Produced and recorded by both de Lise and
her father, “To & Fro” sounds clear, balanced and
smooth, with all vocal and instrumental components
shining through. Liz de Lise’s imagination and artistry
rise to the forefront on “To & Fro”, an adventurous set
sure to open ears and minds for this rising talent. (The
EP can be obtained through Liz de Lise’s website,
www.lizdelise.com. A portion of the proceeds from EP
sales goes to Outside In, an organization that helps
homeless youth.) – Reviewed by Jim Price
TAKE 147 - “NOTHIN’ TO LOSE” (no label)
Harrisburg’s Take 147 first formed in 2005, and arrived
at their current all-female roster in 2010. Singer/guitarist
Gretta Zechman, lead guitarist/singer Rochelle Smith,
bassist/singer Amber
Grunden a n d
drummer/singer Patty
Wilson demonstrate
hard-rocking punch,
swagger and wit on their
first full-length album,
“Nothin’ to Lose”. The
group’s base sound is
largely rooted in the
hard-rocking traditions
of classic Lita Ford and Girlschool; blending the
melodic edge of the former with the grit and spit of the
latter. The disc’s dozen tracks run the gamut from
throttling rockers to power ballads, with one novelty
curio and a remake thrown in for good measure. Several
songs vent the scorn of relationships turned sour; such
as the stern disc-opener “You” and the rowdy “Tired
Of,” the latter highlighted by gang-shout choruses and
Grunden’s fast-firing mid-song rap. Take 147 throws
caution to the wind on the uptempo “Hideaway,” and
weathers the nine-to-five for their right to party on the
crunchy title track “Nothin’ to Lose.” The group turns
introspective on the dark-toned “Salvation Ends,” and
showcases Zechman’s piano talents on both full group
and solo takes of the heart-ripping ballad “Goodbye.”
Take 147 fends off amorous advances on the Smith-
fronted “Lonely Girl,” and celebrates a booze-laced
girls’ night in with “House Party.” The group also
lightens up the mood with the Grunden-fronted tongue-
in-cheek redneck ode “Caravan Court,” and they give
hard-rocking muscle to a version of Alanis Morisette’s
mega-hit “You Oughta Know.” The performances here
are strong; Zechman sinks emotional capital into her
vocal delivery and convincingly sells her range of
moods throughout the disc, and the group’s instrumental
execution is tight and fearless. Produced by the group
and Jason Shaffer, “Nothin’ to Lose” sounds
appropriately full, balanced and edgy. Take 147 states
their credentials on “Nothin’ to Lose”, blending
intriguing melodies and hard-edged chops into a loud
and proud set. (The CD can be purchased through the
group’s website, www.take147.com and at live shows.)
– Reviewed by Jim Price
BASTARD BEARDED IRISHMEN - “RISE OF
THE BASTARD” (no label) Originally formed as a
side-project in 2008, Pittsburgh’s Bastard Bearded
Irishmen have become a regional favorite with their
brand of amped-up Celtic
rock and punk sounds, and
have even captured the
attention of Rolling Stone
Magazine as a band to
watch for. Their latest CD,
“Rise of the Bastard”, gets
its Irish up with raucous
music perfect for lifting
pints and shot glasses to
over 15 tracks. Most of the
songs are originals, and
most are rowdy odes to drinking, rebellion, drinking,
fighting, drinking, devious women, and did we say
drinking? Fast and furious fare like “Switchblade
Molly,” “Paddy O’Shea,” “Heidi Ho,” “Bastard
Blarney,” “Bartender’s Friend” and “Whiskey, Rum,
Bourbon, Beer” should trigger plentiful moshpit jigging,
while “Tomorrow” and “Land of the Free” slam with
socially-conscious themes. Although Irish and Celtic are
the prominent flavors, Gypsy music informs the frenzied
disc-opener “Mama” while surf flavors drive the dark-
themed “Red.” Bastard Bearded Irishmen show that
they can slow it down with the somber liver damage
lament “Last Drink.” The group also honors pub and
folk song tradition with updates of “All for Me Grog,”
“Tell Me Ma” and “Three Drunken Maidens.” These
Bastard Bearded Irishmen - singer/guitarist/banjoist
Jimmy Bastard, guitarist/tin whistler Jon Pitcher,
mandolinist/pianist Danny Rectenwald, fiddler Paul
Dvorchak, bassist Ben Jaber and drummer Dan
Stocker - go for broke on much of the album, quickly
accelerating their material to a feverish pitch while
keeping the execution tight and the melodies intact.
Jimmy sings and howls with adrenaline and enthusiasm,
delivering the balance of range, rage and edge. Recorded
and mixed by Alex Herd, and produced by both Herd
and the band, “Rise of the Bastard” sounds clean, full
and sharp, allowing the group to deliver its full Celtic-
flavored sting. “Rise of the Bastard” provides a feverish
joyride from start to end, and provides clear testimony
as to why Bastard Bearded Irishmen indeed are on the
rise. (The CD can be obtained through the group’s
website, www.bastardbeardedirishmen.com. ) –
Reviewed by Jim Price
SHANE SPEAL’S SNAKE OIL BAND -
“HOLLER!” (C.B. Gitty Records) York’s “King of the
Cigar Box Guitar,” Shane Speal, envisioned his dream
band when he formed his Snake Oil Band two years
ago, once describing the project as a “heavy-metal jug
band.” The group’s debut CD, “Holler!”, offers rip-
roaring roots and delta-styled blues with a heavy-hitting
twist, created with mostly homemade and handmade
instruments. Speal’s full-throated growl, grungy cigar
box guitar chords, slide work and stomp box rhythms
anchor the sound; assisted and supported by harmonica
player and guitarist Aaron Lewis, washboard scratcher
and percussionist Ronn Benway and washtub bassist
Farmer Jon Sprenkle. Speal and his Snake Oil Band
blend original compositions, amped-up traditional blues
and prison yard shouts over “Holler!’s” 17 tracks.
Opening the disc, “49 Years” boisterously plots revenge
from within four walls, highlighted by Speal’s sinister
snarl, guest guitarist Don Belch’s scorching midsong
solo and some well-placed gunshots. Also criminally
catchy is the excellently-titled “Strung Out, Drunk and
Busted (and There’s a Body in the Trunk),” a dark ode to
a nocturnal burial run that
slowly builds with
Lewis’ s l i n k y
harmonica flourishes,
intensifying
percussion echoes
and more. Lust
inspires several tunes
such as “Big Leg
Woman/Swing the
Hammer,” t h e
rockabilly-ish “Judy
Got a Booty,” the
playful “When She Gets Drunk, She Gets Horny,” the
testimonial “A Fat Man Will Love You (Like No Skinny
Boy Can)” and an ode to surgically-enhanced beauty
“Simulated Sadie.” The group gets lowdown with “How
Long Will You Make Me Suffer,” condemns demon
alcohol on “Whiskey Blues” and promises more revenge
on “Six Feet in the Hole.” Speal’s Snake Oil Band
honors traditional blues with the rousing “Holler!”
medley, and gives a subdued blues makeover to the King
of Pop’s popular hit “Billie Jean.” The performances are
inspired and spirited, and it quickly becomes clear that
these musicians had a blast recording this set. Speal
growls for keeps here; his blend of raw emotion and wit
sells each song. The band is rowdy and jubilant, and the
production is full and appropriately jagged, allowing the
rawness of this back-to-basics instrumentation to fully
shine, warts and all. Shane Speal’s Snake Oil Band
doesn’t just revisit raw roots blues on “Holler!” - they
drop a big rig engine into them and make the blues roar
in their own refreshingly distinctive way. (The CD can
be obtained through Shane Speal’s website,
www.shanespeal.com.) – Reviewed by Jim Price
PA Musician Magazine Reviews
Send your CDs and Recordings forReview to: JIM PRICE,
1104 S. CATHERINE ST.ALTOONA, PA 16602
www.pamusician.net
26 PENNSYLVANIA MUSICIAN MAGAZINE April, 2015
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April, 2015 PENNSYLVANIA MUSICIAN MAGAZINE 27
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track recording board with
V.U. meters, $500 717-627-
4800.
FOR SALE: Mastering
cassette recorders like new,
$35 each. 717-627-4800.
Looking for Musicians or want to joina band? Check the classifieds in the
hard copy and on line at
www.pamusician.net
Deadline to place a FREE Classified for Musicians Wanted & Musicians Available is the 20th of
each preceding month. Email your classified today...
Rnoll@pamusician.net
CLASSIFIED NOTES
BUSINESSCLASSFIEDS
28 PENNSYLVANIA MUSICIAN MAGAZINE April, 2015
CLASSIFIED NOTES
FOR SALE: Acoustic foam.
Great for studio, control
rooms, stages, rehearsal
space. (4)sheets 2-3” thick,
54” square. $50 takes all.
610-488-0914
F O R S A L E :
Studio/apartment refrigerator.
Keep your drinks cold while
you rehearse! Small Sanyo
refrigerator. $50. 610-488-
0914
F O R S A L E :
Compressor/limiters. Aphex
720 Dominator II, DBX
266XL,Drawmer 241L.
Leave message. 610-488-
0914.
FOR SALE: Microphones.
(2 ) AKG C-391 B
condensers.
Excellentcondition, low
price. Bass roll off and-10db
attenuation. Includes clips,
foam windscreen, cables and
protectivecases. 610-488-
0914.
FOR SALE: Multitrack
recorders. Tascam. (3) DA-
88’s, (1) DA-38 and (1)RC-
848. Includes sync cables
w/balanced snakes, rack
cases and custom oakremote
control s tand. Leave
message. 610-488-0914.
FOR SALE: Multi effects
processors: t.c. electronics
M5000 w/digital options..
Lexicon LXP-5 w/MRC.
Leave message 610-488-0914
FOR SALE: DI box. ProCo
CB-1. $20 Leave message
610-488-0914
FOR SALE: Record video of
your band from the stage or
Front of Housesound board.
Attach any camera to these
unique CAMERA MOUNTS.
Leave message 610-488-
0914
FOR SALE: DAT Recorder.
Panasonic SV-3500 in very
good working andcosmetic
condition. Includes power
cable, wired remote and
or ig ina l sh ipp ingbox .
Records at 44.1 khz. 610-
488-0914
FOR SALE: Mic stands and
tons of cabling. Mic cables,
instrumentcables, snakes
(RCA, ?”, XLR etc),,monster
speaker cables, balanced
EDCO to multi-pin etc.
Leave message. 610-488-
0914
FOR SALE: Hammond
Proline 860 Leslie, With foot
pre-amp and leslie 11 pin
cable, All in great condition!
$600.00 Phone 717-248-
8739 Email: superstarr@hot-
shot.com
FOR SALE: Peavey LB1200
par 64 midi and dmx
controled lights with gels, 2
bars with 4 lights each. work
great $250 Ph. 717-248-8739
email: superstarr@hot-
shot.com
FOR SALE: 1 Pair of JBL
TR Series Tower speakers,
dual 15” subwoofers and
horn speakers $500.00 570-
765-2227 Don.
MUSICIANSWANTED
WANTED: Lead Guitarist.
Drummer and Bass player
looking for Lead Guitarist
with some vocal ability for
classic, modern rock band.
Must have equipment,
transportation. Reading,
Berks County area. 610-451-
3824.
WANTED: Bass player for
Hardrock band. Influences;
Led Zeppelin, Metallica,
Motley Crue. 570-274-6582.
April, 2015 PENNSYLVANIA MUSICIAN MAGAZINE 29
WANTED MUSICIANS:
Forming original heavy metal
group. I don’t care if I have
to wear a damn dress on
s t a g e ! M a l e / F e m a l e
Dedication, image and work
ethic. 717-770-9621 Doug
WANTED: Singer and
drummer for all original
band. Practice in Duncannon.
Must have experience,
equipment and transportation.
717-712-2008 or 717-418-
0020.
WANTED: Lancaster-based
r o c k b a n d s e e k i n g
frontman/vocalist.
proficiency with rhythm
guitar and / or harp a plus.
Larry after 5pm 717-252-
2616.
WANTED: Solid drummer
for modern rock cover
band.Everything else is in
place,we just need you.
PLEASE no beginners. 570-
412-7614.
S I N G E R WANTED:
Wilkes-Barre area male
vocalist for established party
band (covers). Please email a
link to some vocal samples
ostrichhat@hotmail.com
WANTED: Looking for
players to jam with Lehigh
Valley blues rockabilly call
johnny suede 484-862-6513.
WANTED: Band based in
NEPA with published original
material and signed with a
major promoter; is currently
seeking a Keyboardist,
Vocalist and Guitarist with
vocal ability for recording
and concert venues. (Serious
inquiries, please) Dennis 570-
704-8131.
WANTED: Keyboardist with
vocals for classic / original
rock-n-roll band: Full size
Hammond B-3 with 147
Leslie cabinet provided.
Rehearsal Space located in
Milton, PA for $20 per hour.
leave name, number, brief
message; We will return your
call 570-412-4312.
WANTED: M u s i c i a n s .
Forming all original black
metal group. Seeking like
m i n d e d p r o f e s s i o n a l
members. Musical abilities,
image conscience. Drums,
bass and lead. Interested
gouls feel free to email, or
717-770-9621
DRUMMER WANTED: for
originals studio project. hard-
edged, melodic, progressive
rock. Electronic set a big
plus. Newer stuff is waiting.
guitarmandan@comcast.net
WA N T E D : LYRICIST
searching for an imaginative
lyrics writer to put his/her
words to my original music
compositions for studio
recordings. Dark, deep,
passionate.
guitarmandan@comcast.net
WANTED: Drummer for all
original band.We play rock to
hard rock. Must have
equipment, transportation, and
experience. Craig 717-418-
0020 or Matt 717-712-2008
WANTED: F r o n t m a n /
Vocalist Lancaster-based rock
band seeking frontman/
vocalist. proficiency with
rhythm guitar and / or harp a
plus. Larry after 5pm 717 252
2616.
WANTED: Bassist needed
for central pa 80s rock cover
band. Call or write for details
7 1 7 - 4 2 1 - 3 8 6 8 o r
realrockisback77@yahoo.com
WANTED: M u s i c i a n s .
Autumns Golden Oldies a
Working 50’s & 60’s Band.
Looking For Keyboard/
Possibly lead Guitar
Player. Vocals a Plus. Please
Call Randy 570-898-6888.
WANTED: Piano Player/
Keyboardist for original rock/
folk/ blues project. Singing
and songwriting a plus.
C o n t a c t N e l s o n c l 3 6
@hotmail.com or 717-813-
5158 for details.
CLASSIFIED NOTES
DEADLINEfor the MAY 2015 Issue..
MONDAY, APRIL 20thDon’t Delay, Call TODAY
to reserve your space...
717.444.2423
30 PENNSYLVANIA MUSICIAN MAGAZINE April, 2015
WANTED: Musicians. All
f e m a l e r o c k b a n d
Streetwalker is reforming in
Pittsburgh , seeks female
bass , drums. over 21. Must
have talent. Your equipment.
We have agents and
promoters waiting 717-364-
5660.
WANTED: M u s i c i a n s .
Seeking lead guitar, drums,
bassist, keyboards. All
original black metal group.
Prefer experience, will deal if
none. Male or female
Image attitude dedication a
m u s t . 7 1 7 - 7 7 0 - 9 6 2 1
dsadler131@gmail.
WANTED: M u s i c i a n s .
Original goth metal band
seeks male or female Drums,
keyboard, lead guitar, bass.
Dedication and image a must.
Type O Nightwish Moonspell
D i m m u B o r gir.
dsadler131@gmail. 717-770-
9621.
WANTED: Lead guitarist
wanted for working Central
Pa rock band Disorderly
Conduct wanna make some
money and have some fun
dcscotty666@yahoo.com or
call Scott 717-318-1725
WANTED: Lyricist seeks
composer: Many songs, many
genres, rock, rap, country.
Need set to music. E-mail me
at dunlap8631@aol.com. Bob
D
MUSICIANSAVAILABLE
AVAILABLE: Keyboard -
Piano player, Danville area,
well seasoned can also sing
some lead. Can sing
harmony. Also can play left
handed bass . Working
situation only, any style
Joe 570-356-2390.
AVAILABLE: Guitarist
between York and Lancaster
Counties. Primarily into hard
r o c k t o m e t a l .
1986Stratocaster@GMail.Co
m
AVAILABLE: Guitarist
playing old out-dated
material but doing it
extremely well. Looking for
same playing out, heavy
rehearsal time. I’m not
i n t e r e s t e d i n t h a t
arrangement. 717-303-4211.
AVAILABLE: M a l e
vocalist, excellent range.
Some rhythm guitar skills.
Best at singing 50s-60s oldies
rock and roll or 80s-90s
country songs. Carlisle-
Harrisburg area. 717-533-
5263
AVAILABLE: R o c k
Vocalist. Kevin Dubrow,
Robert Plant, Bon Scott,
Layne Staley type voice.
Rhythm guitar skills also.
Prefer established original or
cover. HBG area. Reply:
planithe@comcast.net.
AVAILABLE MUSICIAN:
Playing 35 years lead, slide,
and acoustic guitars. Solid
lead or back up vocals if
needed. Solid personal stage
e q u i p m e n t . S o l i d
transportation and D.L.
Playing Married, clean cut,
semi retired with lots of time.
Please no heavy, punk or hard
rock. West York, Haover and
Gettysburg areas. Please call
Dave Lanich. 717-817-2165.
AVAILABLE: Guitarist from
Harrisburg area looking to
put together band at my
location or yours. Weekend
rehearsals only. Covering
70’s I0’s material. Easy stuff
to start. 717-303-4211.
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