perfect submission part 2 - the synopsis (from nicola morgan's course at york fest of writing...

A totally gratuitous pic of shoes or something to do with a SYNOPSIS?

Boring Basics

• Length: convention is 1-3 pages, ideally <2

• May be single-line-spaced• Present tense• 3rd person

Why the boring rules/conventions?

• Because publishers/agents are sadists

Why the boring rules/conventions?

• Because publishers/agents are sadists• Not designed to be inspirational/wacky• A synopsis is a functional, mundane tool• Not the most exciting part of a publisher’s

day so rather 2 pages than 8• Meaning is clearer if not disguised in arty

wackiness• JUST DO IT, OK?

But don’t over-stress about the rules

2 Synopsis Situations

1. After you’ve written the book – in order to sell it

2. Before you’ve written the (whole) book – in order to sell it or in order to help you write it

LEAST important bitof your outfit/submission

• Pitch/letter = eye-catching coat + silk scarf

• Sample chapters = stunning outfit beneath coat

• The synopsis = the footwear

OMG – SHE JUST SAID WOT???

Why Ss are Like Shoes

• Not everyone cares about footwear• Outfit still great with plainer footwear• Might be better with plainer footwear

– don’t want footwear to be better than outfit

• No shoe is the only perfect one• Footwear should fit/match reasonably• If footwear is pants, outfit wrecked

Causes of Synopsophobia

• You think synopsis is too important

• Or must be perfect to get deal• You think there is one perfect

synopsis for your book• You don’t realise that it just needs

NOT TO BE PANTS

Some Ss ARE Pants

• Very confusing – no idea of structure, pace etc of book

• Extraordinary detail• Introduces element totally not in

keeping with the pitch/genre• Crappy story blatantly doesn’t

work

I know what you’re worried about:

• My book is wonderful / going to win the Man Booker Prize and no way can my synopsis do justice to it

Remember: it doesn’t matter. Just has to be “good enough”

• Synopsis = “together seeing”• Shows that story works• A sense of beginning, middle and ending• Sees story as journey and uses

Crappy Memory Tool

What is a good enough synopsis?

 1. Who and why? 2. Intended destination and why?3. Price of failure 4. What/who knocks travellers off course? 5. How do they get back on course? 6. What is actual end and how did the journey change them? 

Interesting things about the journey:

We do not need to know:1. Every little detour 2. Weather 3. Conversations4. Scenery5. Picnic in Ch5 even if it’s your

favourite bit6. Who they met, unless we need

them to understand the book

Suggested Method

• Switch on Crappy Memory Tool• Building up not cutting down– 25 words -> paragraph– Paragraph -> page– Page -> 2 pages if required– Polish (not the E European sort – the sort

you do to furniture)– Show a stranger

Remaining Questions

One answer:“What does the publisher

need to know in order to know

that you have writtena book that works?”

A Great Synopsis:

• Obeys instructions if they exist• Shows that your book works• Is a mere tool, not necessarily

beautiful • Like gorgeous boots: supportive

but neither necessary nor sufficient• Is appropriate for the book• Is nothing to fear or loathe

Ooh, the naughty womanhas undercut Amazon!

Only £2.60 on her website?

Presentation Copyright © Nicola Morgan 2014