recap of lecture 1 formal elements- line, space, light & value light: three sources of light?...
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Recap of Lecture 1
Formal elements- Line, Space, Light & Value
Light: Three Sources of Light?
Space-Negative Space (unoccupied areas left after the positive shapes have been laid down by the artist)
COLOR: The Language of Art and Architecture
Color-Four Properties
Hue-Pure State of Color (Red, Yellow, Blue)
Value-Lightness and Darkness within a Hue
Shade-When Black is added to Hue
Intensity-Brightness and fullness of a Hue
Color
Yves Klein, IKB 79, 1959, acrylic, fabric and wood
What are the cool colors? What are the warm colors?
THE COLOR WHEEL
Tom Wesselmann, Bedroom Painting #7, 1967-69 Oil on Canvas Philadelphia Museum of Art
Color: Value or Intensity?
Howard Hodgkin, Rain, 1985-89, Oil on wood, Tate Gallery, London
Color Contrasts and Synthetic Pigments
Henri Matisse, Portrait of Madame Matisse, 1905, Oil on Canvas
How does Matisse create Volume?
Shapes: An outline of a figure or object
Frank Stella, Hyena Stomp, 1962, Tate Gallery, London
Describe these shapes: zig zag, interlocking, arrows
How are they created here?
Frank Stella, Empress of India, 1965, Metallic powder in polymer emulson paint on canvas, MOMA, NY
Organic-Remind us of animal, human, or natural shapes
Robert Motherwell, The Voyage, 1949, Oil on tempera on paper mounted on
Composition board, Museum of Modern Art, New York
Time & Motion: Formal Elements Continued
Peter Paul Rubens, 1612-18, Oil on Canvas, Prometheus Bound
Rhythm and Pattern: Formal Element
Mondrian, Broadway Boogie-Woogie, Oil on Canvas, 1942-43
RHYTHM & PATTERN- DESCRIBE THE WAYS IN WHICH IT IS SHOWN
Lorna Simpson, Still from Easy to Remember, 2001 16mm film transferred to DVD,Sound, Video Art, Sean Kelly Gallery, New York
Texture: Last Formal ElementJean Dubuffet, Monsieur Plume plis au pantalon, Oil with
sand/grit on canvas, 1947, Tate Gallery, London
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