steidl fall highlights 2010
Post on 08-Apr-2015
185 Views
Preview:
TRANSCRIPT
s Highlights Fall 2010
iPads make beautiful book-ends
Cover and frontispiece by Koto Bolofo
It is a little misleading to refer to the books contained in this small catalogue as season highlights.
We do not mean to suggest that all the other books this season are somehow, well, less... good. Every
book we make, we make as well as we possibly can but this catalogue brings together a few projects
which we are incredibly proud of and which we feel represent a particular moment in our history.
Every one has been a huge challenge to produce, stretching our creative skills and resources and
involving the work of a group of highly skilled people and the highest levels of craftmanship. Every
book has allowed us the pleasure to explore something unique in the process of collaborating with
extraordinary artists in making books. Most are limited editions which will be rare before the year is
out (or at least they will be traded on the secondary market for ridiculous sums). So please have a
look and enjoy our little round up of the highest of the highlights in our Fall season.
Steidl
Göttingen, London, Paris
5
This much anticipated edition is one of the publishing phenomena of the year, encompassing the oeuvre of one of
the most significant artists working with photography in the twentieth century.
Limited to 1,100 copies each signed and numbered by Lewis Baltz, this edition contains ten hardback, linen bound
volumes, housed in an embossed slipcase.
WORKS celebrates Lewis Baltz’s indelible influence on the development of contemporary photography and
contains reissues of Baltz’s most significant books, many of which are now collectible rarities, as well as four as
yet unpublished projects. Each of the books has been crafted in close collaboration with Baltz, who oversaw each
stage of production with Gerhard Steidl. From scanning of the vintage prints, to book design, selection of paper
and binding materials, pre-press and printing, Baltz has shaped the form and aesthetic of these publications.
Printed in luminous quadratone, WORKS is a testament to the importance of the book as a primary medium in
Baltz’s practice.
“Baltz’s work exemplifies the ways in which photography, beginning some four decades ago, started to loose the
bonds of its isolation within its own segregated history and aesthetics and began to take its place as an equal
among other media.” Adam D. Weinberg, Alice Pratt Brown Director, Whitney Museum of American Art.
Lewis Baltz’s works have been the subject of over fi fty one person exhibitions. Seventeen monographs have been pub-
lished on his work. He came to prominence as a part of the ‘New Topography’ movement of the 1970s. Baltz studied at
the San Francisco Art Institute and received a Master of Fine Arts from Claremont Graduate School in 1971. He is cur-
rently based in Paris and Venice
Lewis Baltz
WORKS
A limited Edition of 1,100 copies,
including a numbered certifi cate, signed by Lewis Baltz
The Prototype Works 1967–76. Text by Matthew S. Witkovsky. 188 pages
The Tract Houses 1971. Foreword by Adam D. Weinberg. Text by Sheryl Conkelton. 60 pages
The new Industrial Parks near Irvine, California 1974. 108 pages
Maryland 1976. Text by Jane Livingston. 56 pages
Nevada 1977. Text by Robert Sobieszek. 44 pages
Park City 1980. Text by Hubertus von Amelunxen. 216 pages
San Quentin Point 1986. 120 pages
Near Reno 1986. 32 pages
Continuous Fire Polar Circle 1986. 20 pages
Sites of Technology 1989–91. Text by Antonello Frongia. 120 pages
10 volumes
27.9 cm x 26.8 cm
Quadratone
Sites of Technology printed quadratone and four colour process
Ten clothbound hardcover books
housed in a clothbound slipcase
€ 500.00 / £ 400.00 / US$ 600.00
ISBN: 978-3-86930-114-3
Lewis Baltz
WORKS
Lewis Baltz, Nevada, 1977; From The Prototype Works
9
John Cohen is a photographer, musician and filmmaker who has cultivated a fifty-year long fascination with the
people, cultures and landscape of Peru. Cohen took his first photographs in Peru in 1956 and has returned many
times since to continue documenting, adding musical and film recordings to his still images. Cohen’s photographs,
stored for years in boxes in a barn near his home, and the music, today archived at the Smithsonian Institute, have
not been published in their entirety until now.
Past Present Peru combines photographs, textiles, music and film in an ambitious book object. The photographs
are for Cohen a “fragmented collection of visual insights, a record of deepening awareness” that depicts the diver-
sity of Peruvian life including religious festivals, potato farming, and the recent introduction of hydroelectricity. The
textiles, reproduced in luscious colour, embody pre-Columbian craft traditions more than 5,000 years old. Cohen
began recording music in Peru in 1964, using a portable tape recorder to capture performances wherever he
could: at festivals, in villagers’ homes, even waiting at a bus stop. Cohen’s films are about “a sense of things that
weren’t expressed in words”, and are themselves a unique historical record.
The unifying thread between the different media of Past Present Peru is Cohen’s own writing – anecdotal, precise,
historically informed – words that capture the past and present of Peru, and anticipate its future.
John Cohen, born in 1932 in New York, is a photographer, filmmaker, and founding member of the New Lost City
Ramblers. A masters graduate from Yale University, Cohen participated in the artistic circles of late 1950s and
early 1960s New York, and worked with Robert Frank on his film Pull My Daisy (1959). He has made numerous
books and films, and produced recordings of traditional American musicians, including Dillard Chandler and Ros-
coe Holcomb.
This project would not have been possible without the support of François-Marie Banier and Martin d’Orgeval.
John Cohen
Past Present Peru
Book design by Gerhard Steidl,
Katharina Staal, and Sarah Winter
Vol. 1: 200 pages (Photos)
Vol. 2: 84 pages (Weaving)
10.8 x 11 in. / 27.5 x 28 cm
Tritone and four colour process
Two clothbound hardcover books,
one album with 3 music CDs and a text booklet,
and another album with 5 fi lm DVDs (PAL /NTC)
housed in a slipcase
€ 125.00 / £ 110.00 / US$ 175.00
ISBN 978-3-86930-103-7
Album 1
Album 2
Book 2Book 1
John Cohen
Past Present Peru
John Cohen, Past Present Peru, Book 2
13
François-Marie Banier
Autocar Volumes 1-5
Boîte de dessins — Volume 1
“Laughter lies within a line or form – every drawing is a trap. It defi es convention and the hardship of life. Every drawing
plays with the obstacles of graveness, fi ghts the hypocrisy of reality, and refl ects far-away impressions. These drawings
possess their own reality.” François-Marie Banier
Brioche Lait Pot Poire — Volume 2
“For the first time in twenty years, these painted photographs have finally been published. These pictures of
creatures, overwhelmed by colours and forms, seem to be printed from a negative stored in my mind. You can see
the fear of their disappearance, the desire to fix their spirit. Spilled colours? How often have I cleaned them of a
prejudice with one single shot? Every work of art is about fixing something.” François-Marie Banier
To have fun at home — Volume 3
“Two birthday parties: one on each side of this accordion-style booklet, on which a boy, nine years old, is drawing
himself as a piano, as a chimera and as a whale. He walks with birds, with his teachers and parents. He has invited
his sister Capucine, who, on the back of these pages, is drawing her so-called friends, observing them with merci-
less eyes. She opens the wardrobes where her brother is hiding – until a lamp transforms into human form under
the gaze of the grumpy parents. These hallucinations took place in the times of General de Gaulle, contemporary
of Edith Piaf.” François-Marie Banier
On n’est jamais tranquile — Volume 4
“‘The most important thing is to find a beginning and an end’, says Martin d’Orgeval, who is gathering all these
crimes. ‘Not really alone on this planet, but all of them are losers’, is written on one of these paintings, no wiser
than another one, where a star is drawing my heart, two zeros my wife, a single one my toy. Everything becomes
complicated, when a canary falls in love with a caged woman. When I start painting, just as when I am writing a
novel, I do not know where it will lead me.” François-Marie Banier
I am fascinated — Volume 5
“Women, dogs, men, children – they all like to play up. This accordion-style booklet shows how a line takes on a
personality. What if – after having looked at these pages – everybody took some paper, folded it like an accordion
and started drawing the figures as they emerge from his or her unconscious self, the unconscious always being
able to draw better than the conscious the ease and graveness of being and not being.” François-Marie Banier
François-Marie Banier
Boîte de dessins
96 pages
15.5 cm x 29.3 cm
Four colour process
Clothbound hardcover
€ 75.00 / £ 65.00 / US$ 85.00
ISBN 978-3-86930-066-5
François-Marie Banier
Brioche Lait Pot Poire
48 pages
30 cm x 40 cm
Four colour process
Clothbound hardcover
€ 75.00 / £ 65.00 / US$ 85.00
ISBN 978-3-86930-067-2
François-Marie Banier
To have fun at home
48 pages
7.5 cm x 14 cm
Printed with two blacks
Accordion fold attached to a cardboard cover
€ 24.00 / £ 20.00 / US$ 32.00
ISBN: 978-3-86930-068-9
François-Marie Banier
On n’est jamais tranquile
64 pages
33 cm x 19 cm
Four colour process
Clothbound hardcover
€ 58.00 / £ 48.00 / US$ 68.00
ISBN: 978-3-86930-073-3
François-Marie Banier
I am fascinated
24 pages
15.5 cm x 29.3 cm
Printed with two blacks
Accordion fold attached to a cardboard cover
€ 48.00 / £ 38.00 / US$ 58.00
ISBN: 978-3-86930-074-0
AUTOCAR is the French word denoting a bus or coach collecting and transporting people from place to place on
their travels. Francois Marie-Banier’s AUTOCAR collects books, volumes he creates as visual diaries of an artist’s
life as he travels the world. Using and combining a variety of languages and media, including drawing, writing and
photography, AUTOCAR is an ongoing series of highly individual books, each with its own distinctive format, paper,
finish and binding.
Hop on the Steidl AUTOCAR to explore the labyrinthine modes of expression of this extraordinary artist.
François-Marie Banier, Boîte de dessins François-Marie Banier, Brioche Lait Pot Poire
17
Yul Brynner: A Photographic Journey
Yul Brynner’s reputation as one of the twentieth century’s most charismatic and versatile actors is irrefutable. But his
talent as a photographer has been relatively unknown and unacknowledged. YUL will change that, presenting Brynner’s
photographic oeuvre for the fi rst time in a comprehensive and lavish way in book form.
Brynner’s subjects are some of the pivotal fi gures of cinematic and stage history, and his talent lies in capturing these
people and particularly actors (those best at disguising their true selves) at ease, both on and off set: Charlton Heston as
Moses in The Ten Commandments, Audrey Hepburn in a gondola in Venice, Elizabeth Taylor relaxing poolside. YUL also
contains candid shots of Brynner’s family.
Comprising a selection made from 8,000 images and press cuttings edited by Brynner’s daughter Victoria Brynner, YUL
is divided into four volumes: “Lifestyle”, “Life on Set”, “1956” (the pivotal year of The King and I, The Ten Commandments
and Anastasia), and “Man of Style” which contains portraits of Brynner by photographers such as Richard Avedon, Henri
Cartier-Bresson and Inge Morath. Published on the twenty-fi fth anniversary of Brynner’s death, YUL is a celebration of
Brynner’s photographic legacy and a complex portrait of the man himself.
Yul Brynner (1920–1985) was an actor, director, musician and photographer. One of Hollywood’s most respected
performers, Brynner is best known for his depiction on stage and screen of King Mongkut in The King and I, for which
he won both Academy and Tony Awards. Brynner’s other fi lms include The Buccaneer (1958), The Magnifi cent Seven
(1960) and Westworld (1973).
Yul Brynner
A Photographic Journey
Four volumes
Vol. 1: Life Style, 200 pages
Vol. 2: Life on Set, 184 pages
Vol. 3: 1956, 152 pages
Vol. 4: Man on Style, 248 pages
Four colour plates throughout
21.6 cm x 28.2 cm
Four OTAbind softcover books
housed in a slipcase
€ 98.00 / £ 88.00 / US$ 150.00
ISBN: 978-3-86930-131-0
Yul Brynner: A Photographic Jounrey
21
William Eggleston
Before Color
A few years ago in the archives of the William Eggleston Artistic Trust in Memphis, a box was found containing Egg-
leston’s earliest photography – remarkably in black and white. The photos were subsequently exhibited at Cheim & Read
gallery in New York and sold. This book reunites these photographs in their entirety, and shows the artistic beginnings of
a pioneer of contemporary photography.
In the late 1950s Eggleston began photographing suburban Memphis using high-speed 35 mm black and white fi lm,
developing the style and motifs that would come to shape his pivotal colour work including diners, supermarkets, domes-
tic interiors and people engaged in seemingly trivial and banal situations. Now, fi fty years later, all the plates in Before
Color have been scanned from vintage prints developed by Eggleston in his own darkroom. In the mid 1960s Eggleston
discovered colour fi lm and was quickly satisfi ed with the results: “And by God, it worked. Just overnight.” Eggleston then
abandoned black and white photography, but its fundamental infl uence on his practice is undeniable.
Bound in a Kodak-yellow leather-plastic cover this is a seminal volume of the work of the great American photographic
master.
William Eggleston, born in 1939 in Memphis, is one of the most important contemporary American photographers.
From the 1970s onwards, his work has signifi cantly contributed to the recognition of colour photography as an artistic
medium. Eggleston has published his work extensively, and it has been shown in many major exhibitions around the
world. He continues to live and work in Memphis, and travels considerably for photographic projects.
William Eggleston
Before Color
Edited by Chris Burnside, John Cheim, Howard Read,
Thomas Weski together with the Eggleston Artistic Trust
With an Essay by Dave Hickey
Book design by Thomas Weski and Gerhard Steidl
216 pages
8.9 x 10.1 in. / 22.5 x 25.5 cm
152 Quadratone plates
Hardcover, with a kodakyellow imitation leather,
with a tipped-in photo
€ 48.00 / £ 40.00 / US$ 65.00
ISBN 978-3-86930-122-8
William Eggleston, Before Color
25
Cynthia Young (ed.)
The Mexican Suitcase
The Legendary Spanish Civil War Negatives of
Robert Capa, Gerda Taro, and David Seymour
In late December 2007, three small cardboard boxes arrived at the International Center of Photography from Mexico City
after a long and mysterious journey. These tattered boxes – the so-called Mexican Suitcase – contained the legendary
Spanish Civil War negatives of Robert Capa, Gerda Taro, and David Seymour (known as “Chim”). Rumors had circulated
for years of the survival of the negatives, which had disappeared from Capa’s Paris studio at the beginning of World War II.
Together, these roles of fi lm constitute an inestimable record of photographic innovation and war photography, but also of
the great political struggle to determine the course of Spanish history and to turn back the expansion of global fascism.
The two-volume publication The Mexican Suitcase accompanies a major exhibition at the International Center of Pho-
tography opening in September 2010. The catalogue features essays by Paul Preston, Simon Dell, David Balsells i Solé,
Michel Lefebvre, Bernard Lebrun, Brian Wallis, Cynthia Young, and Kristen Lubben, as well as a complete reproduction of
the 4,500 negatives in the suitcase.
Cynthia Young (ed.)
The Mexican Suitcase
Two volumes
With essays by David Balsells, Simon Dell, Kristen Lubben, Mi-
chel Lefebvre and Bernard Lebrun, Paul Preston, Brian Wallis,
and Cynthia Young
Vol 1: History 192 pages
Vol 2: The Films 400 pages
592 pages
25.4 cm x 30.9 cm
Two OTAbind softcover books
housed in a sleeve
€ 85.00 / £70.00 / US$ 98.00
ISBN: 978-3-86930-141-9
Volume 1: History
Volume 2: The Films
Gerda Taro
[Crowd at the gate of the morgue after the air raid, Valencia], May 1937
Fred Stein
Gerda Taro and Robert Capa on the terrace of Café du Dôme in Montparnasse, Paris], early 1936
Robert Capa
[Exiled Republicans being marched down the beach to an internment camp, Le Barcarès, France], March 1939
29
Ernest Cole (1940–1990) believed passionately in his mission to tell the world in photographs what it was like
and what it meant to be black under Apartheid. He identified intimately with his own people in photographs of
unsurpassed strength, gravitas, courage and compassion, and he portrayed the full range of experience of black
people as they negotiated their lives through the insanity of apartheid and its racist laws and oppression. In order
to publish his book, House of Bondage, Cole went into exile. Immediately after it came out in 1967, it was banned
in South Africa and this major critique of apartheid has hardly been seen in his own country since.
Cole died in New York after more than 23 years of painful exile, never having returned to South Africa and leaving
no known negatives and few prints of his monumental work. Tio fotografer, an agency which worked with him from
1969 to 1975 when his place of residence was Stockholm, received a collection of his prints and these were later
donated to the Hasselblad Foundation. These extremely rare prints, most of them made by Cole himself and most
never previously exhibited, form the core of this exhibition and book. This book tells the story of Ernest Cole’s life,
both in his own words and through the reminiscences and writings of those people who knew him personally and
professionally.
Co-published with Hasselblad Foundation, Gothenburg.
Ernest Cole
The Photographer
With texts written by Ernest Cole, Gunilla Knape,
Struan Robertson, Keorapetse Kgositsile, and Ivor Powell
Book design by Gunilla Knape, Gerhard Steidl, Duncan Whyte
256 pages
10.6 x 11.4 in. / 27 x 29 cm
120 tritone plates
Clothbound hardcover with a dustjacket
€ 45.00 / £ 38.00 / US$ 56.00
ISBN 978-3-86930-137-2
Ernest Cole
The Photographer
Ernest Cole, Photographer
33
Bruce Davidson
Outside Inside
Three volumes
Book design by Bruce Davidson and Gerhard Steidl
Volume I, 1954 - 1961, 300 pages, 264 photographs
Volume II, 1961 - 1966, 272 pages, 228 photographs
Volume III, 1966 - 2009, 372 pages, 342 photographs
23 cm x 30 cm
834 tritone plates
Three clothbound hardcover books
housed in a clothbound slipcase
€ 185.00 / £ 158.00 / US$ 195.00
ISBN: 978-3-86521-908-4
Over the course of his long career Bruce Davidson has travelled the world making reportage stories both on as-
signment as a member of the Magnum agency and on subjects of personal interest. A few years ago he returned
to his archive of negatives housed in a room in his Manhattan apartment and began a ritual of revisiting each and
every one of the stories he had made, from his work as a student in 1954 to his urban landscapes in Los Angeles
in 2009. Printing in his darkroom alongside the archive, he began to elaborate a very personal selection, discover-
ing forgotten images and throwing new light onto some of his most famous series. Outside Inside is the result of
this work, a sumptuous three volume box set with fifty-three chapters over 800 pages. Each chapter is introduced
by a short text written by Davidson himself. The result is a celebration of the development of a master of the me-
dium and an autobiography, a photographer’s life seen through his work.
This is the second edition of this momentous publication, the first having sold out within 3 months. Gerhard Steidl
archived the original plates and has used these to reprint on the same paper and to the same standards of the
first, celebrated, edition.
Bruce Davidson
Outside Inside
Bruce Davidson, Outside Inside
37
Koto Bolofo
Grande Complication
Three volumes
Book design by Gerhard Steidl, Sarah Winter
and Katharina Staal
Volume 1: Bookbinding Leipzig / Zwenkau 114 pages
Volume 2: Bookbinding Leipzig / Baalsdorf 74 pages
Volume 3: Bookbinding Sahline / Tunesien 86 pages
29 cm x 37 cm
Tritone
Three hardcover books housed in a slipcase
98.00 / £ 80.00 / US$ 118.00
ISBN: 978-3-86930-055-9
Koto Bolofo loves to look behind the curtain, to unravel the mysteries of seemingly complex processes and uses
his photography to lay bare the details of some of the most intricate production houses working today. He photo-
graphed at the Dutton workshops in England where they have reclaimed the history of making the refined Bugatti
racing cars (Vroom! Vroom!) and he spent seven years visiting and re-visiting all the workshops of the Maison
Hermès in order to build an extraordinary eleven volume collection about the French fashion house (La Maison).
During this time his ongoing relationship with Gerhard Steidl has given him the opportunity to build a picture of the
Steidl publishing house, its processes and partners. In the face of the digital onslaught this trilogy of books marks
a moment in the history of publishing at the beginning of the twenty-first century. These objects epitomise the very
antithesis of the current focus for most publishers and celebrate real books.
The first book, I Spy With My Little Eye Something Beginning With S, was an insight into the people and working
procedures at Steidl’s premises in Göttingen.
more details...
The second element of the story is now available, Grande Complication, a gorgeous three volume set in a slip-
case which explore the bindery processes at the three factories of the Offizin Andersen Nexö complex in Leipzig,
Gerhard Steidl’s preferred bindery partners. Each bindery has a different area of specialty and together they offer
unique possibilities for producing books. Koto Bolofo’s photographs tell the story of paper as it becomes a book,
and thereby give insight into each branch of the company in Leipzig, Zwenkau and Tunisia.
more details...
The final volume of the trilogy, to be published in 2011, will focus on the substance of Steidl books, the paper.
Koto Bolofo will be photographing the factories of Gerhard Steidl’s favourite paper manufacturer, Hahnemühle
Fine Art in Dassel, not far from Göttingen, in 2011.
Koto Bolofo
Grande Complication
Volume 1: Bookbinding Leipzig / Zwenkau
Umschlaganleger KlebebinderCover feeder of per fec t b inder
Volume 2: Bookbinding Leipzig / Baalsdorf
Handhef tung mi t Hef t ladeHand sewing wi th sewing f rame
Volume 3: Bookbinding Sahline / Tunesien
Ausführung e iner Schni t tz ise l ierungChise l engrav ing
Monte Packham
Concentric Circles
A chronicle of Steidl Publishers
Cover art by Jim Dine
Book design by Sarah Winter and Monte Packham
156 pages
6.7 x 9.5 in. / 17 x 24 cm
Flexible clothbound hardcover
with a red bookmark
€ 22.00 / £ 17.00 / US$ 29.50
ISBN 978-3-86930-024-5
“Gerhard’s like a Communist. You have to go into the salt mines with him. If you’re willing to go there then you’re
like brothers in arms and he’ll do what needs be.” Robert Polidori
Concentric Circles chronicles the time between 26 August 2008 and 27 January 2009 at Steidl Publishers. The
book is the first to document the printing and publishing house, and is a window into the processes, experiences
and bustle of Düstere Strasse 4, Göttingen.
Comprising a log of hundreds of entries, Concentric Circles retells and records events as they unfolded in their un-
predictability and urgency – Günter Grass tapping tobacco into his pipe while refining the typography of his book
Die Box, Gerhard Steidl deciphering the arabesque faxes of Karl Lagerfeld, the sudden breakdown of the printing
press. These daily entries are enriched by interviews with, and original texts by, some of Steidl’s most important
collaborators including Lewis Baltz, Jim Dine, David Bailey, Roni Horn, Karl Lagerfeld, Juergen Teller, Tacita Dean,
and Joel Sternfeld.
A circle owes its symmetry to its centre, from which every point on the circumference is equidistant. What, then,
is the centre of Steidl’s concentric circles, in all their different guises? Perhaps the initial idea from which a book
grows; Göttingen, where every Steidl book is crafted; or Gerhard Steidl himself, who founded the company 41
years ago and continues to determine the substance of its creations – the nature of its circles?
Steidl’s concentric circles are in flux: new circles of progress and difficulty constantly emerge, while others dis-
solve. Look closely and the seemingly empty rings of space between circles are actually imbued with traces of
past activities – the memory of circles that once were.
Monte Packham was born in 1981 in Sydney. He has bachelor degrees with honours in art history and law from
the University of Sydney, and has worked as an editor at Steidl since 2007.
Monte Packham
Concentric Circles
SAVE THE DATE
Vernisage 8 November, 2010. Paris
Steidl . Quand la photo devient l ivreDe Robert Frank à Karl Lagerfeld
Exposit ion: Monnaie de Par is11, Quai de Cont i
9 novembre au 19 décembre 2010Dans la cadre de Mois de la photo á Paris novembre 2010
DistributionGermany, Austria and Switzerland
Publisher:
Gerhard Steidl
Druckerei und Verlag
GmbH & Co. OHG
Düstere Straße 4
37073 Göttingen
Tel. +49 551 49 60 60
Fax +49 551 49 60 649
mail@steidl.de
www.steidl.de
Sales Management:
Matthias Wegener
Tel. +49 551 49 60 616
Fax +49 551 49 60 649
m.wegener@steidl.de
DistributionUSA and Canada
Innovative Logistics, LLC575 Prospect Street, Suite 301 • Lakewood, NJ 08701
Phone (U.S.): 866-289-2088
Toll Free (U.S.): 877-318-6990
Phone (Outside U.S.): 732-534-4366
Fax orders (U.S.): 877-372-8892
Fax orders (Outside U.S.): 732-363-0338
E-Mail orders: orders@innlog.net
DistributionFrance
For Publications in English:
INTERART SARL1, rue de l’Est
75020 Paris
Tel. +33 1 43 49 36 60
Fax +33 1 43 49 41 22
info@interart.fr
DistributionAll other territories
Head Office / Export Sales Department: Thames & Hudson Ltd 181a High Holborn
London WC1V 7QX
Tel. +44 20 7845 5000
Fax +44 20 7845 5050
Sales and Marketing Department
Fax +44 20 7845 5055
sales@thameshudson.co.uk
export@thameshudson.co.uk
Trade:Thames & Hudson (Distributors) Ltd(distribution and accounts)Littlehampton Book Services
Faraday Close
Durrington, Worthing
West Sussex
BN13 3RB
United Kingdom
Tel. +44 1903 828501
This catalogue is not for sale / Scans: Steidl’s digital darkroom / Production and printing: Steidl, Göttingen / © 2011 the artists for the images / © 2011
the authors for the texts / © 2011 Steidl Publishers for this edition / All rights reserved. No part of this publication may be reproduced or transmitted in
any form or by any means electronic or mechanical, including photocopy, recording or any other storage and retrieval system, without prior permission
in writing from the publisher. / Steidl / Düstere Str. 4 37073 Göttingen / Germany / Phone +49 551-49 60 60 / Fax +49 551-49 60 649 / mail@
steidl.de / www.steidlville.com / www.steidl.de / ISBN 978-3-86930-216-4 / Printed in Germany
For Publications in French:
SODIS128, avenue du Maréchal-de-Lattre-de-
Tassigny
BP 142
77400 Lagny
Tel. 01 60 07 95 54
top related