sydney film base presentation: 'the art of perseverance' by nick bolton
Post on 15-Jul-2015
69 Views
Preview:
TRANSCRIPT
APS Slides 3 – slide 78 1. Producer
Profiles
2. Motivationsand Needs
3. Sentimentrn0ex
. Appendix
Film producers face difficulties maintaining sustainablebusiness models and have issues with government support
Many people in thegovernment agencies havebeen there too long and are
difficult to deal withThe regulatory and tax incentive
environment tor private investment infilms has become so prohibitive and
difficult that it is almost impossible toattract reasonable amounts of private
investment to sustain itAustralian film industry vs.overseas industry (distance,
distributor deals, locallyThe barriers to entry
make it seem ... easy tocall yourself a
producer, all you needis a couple of film
projects...
The biggest problem is businesssustainability working on low budget tilmswith low fees and overheads and how time-consuming it is to apply for developmentfunds when trying to keep the momentum
going on the projects
QSb Please ljst any other problems or issues you have encountered in lhe Film industry? W2 n=407 TV=153, Film=109, commercial =89, Digitat tvtedia =s6
Screen Australia
Number of credits per producers, directors and writers of Australian feature films 1970-‐2013
WHO # 1 2 3 4 5
Producers 973 68% 14% 7% 4% 7%
Directors 674 66% 15% 9% 4% 6%
Writers 1003 74% 14% 6% 3% 3%
TOTAL 2650 69% 14.3% 7.3% 3.6% 5.3%
So can we define Perseverance?
Grit in psychology is a posi-ve, non-‐cogni-ve trait based on an individual’s passion for a par-cular long-‐term goal or end state coupled with a powerful mo-va-on to achieve their respec-ve objec-ve.
Source: Wikipedia
But can we measure it? 12- Item G rit Scale
Directions for taking the Grit Scale: Please respond to the following 12 items. Be honest � there are no right or wrong answers!
1. I have overcome setbacks to conquer an important challenge.
� Very much like me � Mostly like me � Somewhat like me � Not much like me � Not like me at all
2. New ideas and projects sometimes distract me from previous ones.*
� Very much like me � Mostly like me � Somewhat like me � Not much like me � Not like me at all
3. My interests change from year to year.*
� Very much like me � Mostly like me � Somewhat like me � Not much like me � Not like me at all
4. ����������� ���������������
� Very much like me � Mostly like me � Somewhat like me � Not much like me � Not like me at all
5. I have been obsessed with a certain idea or project for a short time but later lost interest.*
� Very much like me � Mostly like me � Somewhat like me � Not much like me � Not like me at all
6. I am a hard worker.
� Very much like me � Mostly like me � Somewhat like me � Not much like me � Not like me at all
Types of perseverance in filmmaking
PERSONAL PERSEVERANCE
Physical Perseverance
Mental Perseverance
RelaAonship Perseverance
Types of perseverance in filmmaking
PERSONAL PERSEVERANCE PROFESSIONAL PERSEVERANCE
Physical Perseverance Intellectual Perseverance
Mental Perseverance Technical Perseverance
RelaAonship Perseverance CollaboraAve Perseverance
Leadership Perseverance
Types of perseverance in filmmaking PERSONAL PERSEVERANCE PROFESSIONAL PERSEVERANCE
Physical Perseverance Intellectual Perseverance
Mental Perseverance Technical Perseverance
RelaAonship Perseverance CollaboraAve Perseverance
Leadership Perseverance
FINANCIAL PERSEVERANCE
Opportunity Cost Perseverance
Personal Investment Perseverance
The Funding Search Perseverance
Payback Perseverance
Types of perseverance in filmmaking PERSONAL PERSEVERANCE PROFESSIONAL PERSEVERANCE
Physical Perseverance Intellectual Perseverance
Mental Perseverance Technical Perseverance
RelaAonship Perseverance CollaboraAve Perseverance
Leadership Perseverance
FINANCIAL PERSEVERANCE CREATIVE PERSEVERANCE
Opportunity Cost Perseverance Clear Vision Perseverance
Personal Investment Perseverance ExpectaAons Perseverance
The Funding Search Perseverance
Payback Perseverance
The weaving matrix Perseverance DEV FUND PRE PROD POST MKTNG DIST
Personal
Professional
Financial
CreaAve
The selecAon policy
By region Australia only By format Feature & documentary only
By role The Originator
By credit Film in ProducAon or distribuAon
Industry Expert
40 x 1 hour interviews, most filmed
Amin Palangi – Love Marriage in Kabul
I/ufrr loost--l-P"t/ze?z2ah"zztary
az'rz:@ffi;2'-e?t/tuie"'"ffi
the N'ffi'S or PgffiBtvetflnfiB
IN AUSTRATIAN FILM'MAKINE
www,tr$x mm r&mff p m w"$ffi wffi ff ffi $$ w$$-$$$$ $M$ -ffi w$ o G)
Andrea Buck – The Jammed
\t rr,ff o .i.i* .,',t a tl3 t fu^rf\JJ
f f i%tr f f i " 'Y_
rhe sz4'fr,tof Pe me ruetance
IN AUSTRALIAN FItM']VIAKING
www.th eartof Pe r "' "*5 rlio n
6'lA&:a 60cr1
Augusta Supple – ArAsAc Director
$obhvrrRtsilentpl{'."3[*,%%A'2""Y<
rnu sz4't toF Pe tse rue ta nce
3$$IN AUSTRATIAN FItM-MAKING
www.thear!0fjElseverance'co1'au @
Chris Houghton -‐ Touch
bli,.lG-h*ze%ffi*"Y>
- tnu sz4rz'tof Peruerue tance
IN AUSTRALIAN FItM-MAKING
www.theartofPert'n"unt{'\t'uu O O
Damian Trewhella – CEO, AFI / AACTA
rhe sz4'ttoF Pe tserue tanc e
IN AUSTRATIAN FIIM-MAKING
www.theartof Perseverance'eo
q''Sllq4 ):
Daniel Krige – West and Redd Inc
KeE? oN -r",Y+rNK!%%trf f i ' *Y><
rnu s4't toF Pe rserue tance
IN AUSTRATIAN FILM-MAKING.--rrryzp
David Court -‐ AFTRS
ffi6hwrt"ffrtq.l%%%""Y
-
the
IN AUSTRALNN TII-M-MAKING
www.tbeartofperseverance'c0m'au 0 O
gou) ia Cour- i
6r Petseruetance
David Parker – Cascade Films
S(u' T,rE Ftrn.Doh( Sute lD ilNtA Frcn l l l"'%%ffi'ry,"YP
_
rhe cz4tz,tof PemerveranceIN AUSTRALIAN FILM-MAKING
www-theartofperseveranc-e'c0m'at O ()
)erl@&,
Deb Verhoeven
-ta =
9Sr
-E
X',
Z
9=YG(g(l)
(Jc!O)
.Q
O)
LUl|
c)-
o(JOE
=(\l6luE
RE
=a-ln9tdE
(J(J=
U'E
E9
.g o-(Eanct)E(Eo(l,ED
--qotd9.6s-se -lD1-,1
\,tvJ4d:?
(,
Gabiann Marin -‐ AFTRS
lJ dnsn'I wllv hqut ofieni";-glAMM,&,r*q.l-P $or' *r', rnu sr4't'tor Petseruetance
IN AUSTRATIAN FItM-MAKING
www.theartofperseveranGe'com'at O€.s,*
Isobel Kirk – Actor / Coach
Fc-t€ €J-\x.ra-b\<-Q. C,-o.t ^
_
rhe sz4htof PerseruBranceIN AUSTRATIAN FILM-MAKING
www.theartofperseverance'c0m'au O Q)
S.^U.A K:'t'-
Jess Milne -‐ ACMA
*%dH ts a ^a/a' dA"m;w*rrnu cXrztoi Perservetance \JIN AUSTRALIAN TItM-MAKING
www-theart0fperseverance'c0m'at O ()
,r16rr,"i",:i"-io' -ba ot''!,!'-u:lt',2ss n;lne
Jin Rong -‐ Telstra
?€rSecrre rovr.(2 -' O79ot+-^.'"1 .fr;;t*WW:,^"wrt t E{'']c r.t firYau' Ain Rnnt
rne g4,tt of Pe tserue tanue
IN AUSTRATIAN FItM-MAKINS
www'theartofperseveranGe'c0m'at (l I
John L Simpson – Titan View
hftlt4 NoT t{ou (%%%*"y>
_
rnu s{'t'td Petserue tance
IN AUSTRALIAN FttM-MAKING
Jonathan Adams – Rough Stuff
n'Y-M222M"t:ra#\?ffiJ#ur.'%&zz;a-"-'-;* """y
rnu sr4rz,t ot Pe rse ru e ta nce
IN AUSTRALIAN FItM-MAKING
www.theartofperseverance'c0m'au (f Q)
Jo^"Ardnns
Joost den Hartog -‐ AIDC
|A6c. tile*5 lni^ ft't??\t '\'Gcv|'*WMW- ;1"f 'l ' '- tbts'lrnu U'tt ot Pe tserue tance
IN AUSTRATIAN FILM-MAKINS
www.theartofperseverance'com'a' O $)
Julie Byrne -‐ Touch
rtsr;n- + dok*ith-|%%q*'ry,i2
- rnu s4'ttor Peruerue rance
IN AUSTRALIAN TItM-MAKING
www"theartofperseverance'c0m'at 0 ()
Kasimir Burgess -‐ Fell
! ffi '*ffiilto
B the -dryor
Pet$Btveronre
L rN A''TRA'AN FILM-MAK'.,G
A ureru+-th eevtwf sl mrsffi ir ffi i'ffi fril t#-f; * r?:'it t$ O G)
Kate Armstrong-‐Smith
4t$W\6"'@6IFf\F'Fnct- oD.%%tr%*"*y<
rnu s4'otot Pe rseruetanceIN AUSTRATIAN FILM'MAKING
.www.theartofperseverance'c0m''u (l ()
/i)\// \_=__-=*.".-rent.
KaAe Pollock -‐ Playwright
I triel t" fup q,"1 (^lnl-}%%:g*"ry* "'Yi><
rnu sr4rztof Perserue tance
IN AUSTRALIAN FItM-MAKINC
www.theartof oo
Kath Shelper Samson and Delilah, Tender
T^olmo,hc,'#-H -'-ffi
in nusTRALlAl{ Fl IM-MAKI'Ic
www.theartofpnrssvnrnnns-c0nn'arN O Q
ufuof Pnf$Btvntnnrn; PEtaioho
Kingston Anderson, CEO, ADG 1ov har'r- rb lort U|4ffi,e -*ffi:Yov do ad e"rha - 4{'.nfrof Pgrs.BtvBtflnGB
''ill#-oJFJ,*{fliliKrNcwwwthe**,mrryfn
Ian Gardiner, Tech Start Up Entrepreneur
-{,k hardot dltiia> rJu
f f ithe
IN AUSTRATI
www.theartofperseverance'c0m'au 0 G)
Leeanna Walsman – Actress, Touch
ffi.e%trffi"'-y- rnu s4'nt of PemeruetanceIN AUSTRATIAN FItM-MAKING
www.theartofperseverance"c0m'au O Q)
It ' ,hr;5 uuosl, 66t t&
Marcus Gillezeau – StormSurfers 3D //;/*i".'"'.' /-'-; Z- "^"''.'-"t* ffi**"Y
_
rhe sz4x'tof PerserueranceIil AUSTRALIAN FILM-MAKING
Mark Grentell – Backyard Ashes
Pcrs. [oranc( ir bft'e legenh u? b6'ol'
f f i -1pI
rhe ffi* Pers*ru'erfln**N INU$IRAUNN H LM-MAKING
www.thcf,rtofp.b
Thmlts
Mac Day -‐ Actor, Rake, Touch
ffi.e%tr%"*y-<
rne s4t tot Pe rseruetanceIN AUSTRATIAN FItM-MAKING
www-theartofperseverance'com'au 0 ()
#ttt fbouryl IAe /"$l
Monica Davidson NSW CreaAve Business Advisor
De,r-lgrta>aacr- ;s, .rbda- accJa^PLL<-tu%,ffiw"s-'o
lPur crnu sr4rz'tot P e tse rue ta nc e
IN AUSTRATIAN FILM'MAKINS
www.theartofperseverance'G0m-a' 0 G)
Mon@
Randall Wood, Documentary Lecturer, AFTRS
I \r^rf / 4i\^ t.Losc yorf r--/zavz> cazrr*az %', 0rson weres *
zzd,.z;@ aPdZZzz &2"* Wrys@'*-NW
the NffiS or Pgr$Brtlgtnnrg
IN AUSTRATIAN FILM.TYIAKINO
wwwwxw*{$x wm r*w$p m m"$wwffi trffi $$ s w- ffi w$ $$$ -ffi e$ O G)
Rebecca Barry, I am a Girl
"t1,ilrlt oiltide $€ bolx,aK^{*nl:
4j fr;Jpto,*,,u,i"IN AUSTRATIAN FILM-MAKING
www.th eartofp e rsevera n c e' c0 m'a t O I
&*.^ 6*bv
Sue Maslin – The Dressmaker
H"ll', o.l f- a" ra6olflr8a-%%A*"ry*""Y
-
rnu sz4'tt of P e tse rue ta n t e
IN AUSTRATIAN FItM-MAKING
www.theartofperseverance'G0m'at 0 G)
AIt-L.
Nick Bolton
6,X+ }ct/(4 g,'r,An"l 6%K^K,.otrnu s4'ntor Peruervetance Y
IN AUSTRALIAN FltM'MAKIl'lG''"*.'"'tTu;lffitr
The Amelines
Stage DEV FUND PRE PROD POST MKTNG DIST
Time 2-‐4 2-‐4 1 0.5-‐1 0.5-‐2 .5 1-‐2
Minimum period 7.5 Maximum period 14
Excludes overlapping
The easiest and the hardest Perseverance DEV FUND PRE PROD POST MKTNG DIST
Easiest 0 0 2 23 6 0 0
Hardest 12 15 0 0 4 2 2
top related