the art of chinese and japanese sumi-e painting westwood regional highschool painting i-iv mrs....
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The Art of Chinese and
Japanese Sumi-e Painting
Westwood Regional Highschool Painting I-IV Mrs. Duffus 2009-2010
6 principles of Sumi Painting1. Capture Chi- vital energy2. Create natural forms and structure with brush
technique3. Color can differ from object4. Depict object according to nature5. Composition
• 2/3 space, 1/3 form• No parallel lines• Overlap and create variations in stroke• Oblong paper
6. Develop own style
Subject matter of Sumi Painting
1. Poultry2. Birds3. Fish4. Shrimp5. Bamboo6. Butterflies 7. Bees8. Seasonal landscapes
Su Dongpo (1036-1101)
•Influential during Song Dynasty•Talents and abilities were displayed in tightly composed images, but they lacked sincerity•Literati- Scholars , but amateur painters•Paintings were religious and philosophical •Changed aesthetics of Chinese Painting•Interesting story
Su Dongpo in Straw Hat and Wooden Shoes, Muromachi period (1392–1573), second half of 15th century, Japan, Artist UnknownHanging scroll; ink on paper 42 3/4 x 13 1/8 in. (108.6 x 33.3 cm)
http://www.metmuseum.org/toah/ho/08/eaj/ho_1975.268.39.htm
Wu Zhen (1280-1354)
Bamboo in the Winds Yuan DynastyHanging scroll; ink on paper 109.0 x 32.6 cm (43 x 13 in.) Collection of Freer Gallery
http://www.chinapage.com/painting/wuzhen01.html
Xia Chang (Chinese, 1388–1470)
Bamboo in Wind, Ming dynasty, ca. 1460ChinaHanging scroll; ink on paper 80 1/4 x 23 1/2 in. (203.8 x 59.7 cm)
•Use of calligraphy established by Zhao Mengfu (1254–1322)•Bamboo is a symbol of integrity and strength
http://www.metmuseum.org/toah/hd/ming/ho_1989.235.1.htm
Attributed to Tosa Mitsunobu (Japanese, 1434–1535)
http://www.metmuseum.org/toah/hd/seim/ho_1975.268.44,45.htm
Bamboo in the Four Seasons, Muromachi period (1392–1573)Pair of six-panel folding screens; color, ink, and gold on paper 68 5/8 x 150 1/4 in. (174.3 x 381.6 cm)
Dong Qichang (Chinese, 1555–1636)
Landscapes, dated 1630Album of eight paintings; ink on paper 9 5/8 x 6 5/16 in. (24.4 x 16 cm)
http://www.metmuseum.org/toah/hd/ming/ho_1986.266.5.htm
Landscape and Chinese FiguresPair of six-panel folding screens; ink on gilded paper Each 67 3/8 x 146 3/4 in. (171.1 x 372.7 cm)
http://www.metmuseum.org/toah/ho/09/eaj/ho_1975.268.75%2C76.htm
http://www.metmuseum.org/toah/ht/?period=09®ion=eaj
JAPAN 1600-1800 - Timeline
Nagasawa Rosetsu (Japanese, 1754–1799)
Huang Binhong (Chinese, 1864 - 1955)
Landscape at Madangshan, ca. 1940sHanging scroll, ink and colors on paper39 x 13 1/4 in. (99.1 x 33.7 cm)R. T. Miller, Jr. Fund, 1994AMAM 1994.10
http://www.oberlin.edu/amam/Huang_Madangshang.htm#
Shibata Zeshin (Japanese, 1807–1891)
Autumn Grasses in Moonlight, Meiji period (1868–1912), ca. 1872–91Two-panel folding screen; ink, lacquer, and silver leaf on paper 26 1/8 x 69 in. (66.4 x 175.3 cm)
http://www.metmuseum.org/toah/ho/10/eaj/ho_1975.268.137.htm
Shibata Zeshin (Japanese, 1807–1891)
Autumn Grasses in Moonlight, Meiji period (1868–1912), ca. 1872–91Two-panel folding screen; ink, lacquer, and silver leaf on paper 26 1/8 x 69 in. (66.4 x 175.3 cm)
http://www.metmuseum.org/toah/ho/10/eaj/ho_1975.268.137.htm
Shibata Zeshin (Japanese, 1807–1891)
http://www.metmuseum.org/toah/ho/10/eaj/ho_1975.268.137.htm
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