tim parry mod3
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Student No: 555727 Semester 2/2012 Group 6
Tim Parry
1. Representing harmonic waves in Rhino
2. Representing the fundamental, first and second harmonic waves
3. Combining all three harmonics in same location
MODULE ONE IDEATION
Movement Harmonics Reflection
... as Velocity
Three-dimensional illustratiion of the correllation between density and velocity:- Increased density = decreased movement- Decreased density = increased movement
Translating movement to visual form:i) Density represented by spread of movement linesii) Velocity expressed as electromagnetic spectrum (i.e. red = slow movement; purple = fast movement)
MOVEMENT................................................................................................... DESIGN EXPLORATION #1
... as Crowd Flow
How built forms, population densities and topographical changes influence population densities and movement.
... as Sculptural Form
Design inspriation for expressing mapped movement as a physical sculptural form.
... modelled in Rhino
1) REPRESENTING HARMONIC WAVES IN RHINO
2) REPRESENTING THE FUNDAMENTAL, FIRST + SECOND HARMONIC WAVES
3) COMBINING ALL THREE HARMONICS IN SAME LOCATION
HARMONICS................................................................................................. DESIGN EXPLORATION #2
... as Wave Forms
[INSERT CAPTION]
1. Representing harmonic waves in Rhino
2. Representing the fundamental, first and second harmonic waves
3. Combining all three harmonics in same location
1. Representing harmonic waves in Rhino
2. Representing the fundamental, first and second harmonic waves
3. Combining all three harmonics in same location
1. Representing harmonic waves in Rhino
2. Representing the fundamental, first and second harmonic waves
3. Combining all three harmonics in same location
LIGHT REFLECTION........................................................................................ DESIGN EXPLORATION #3
... in Materiality
[insert caption]
... in Nature
[insert caption]
... in Architecture
Surface relfection
Light shelves (optimising passive natural light)
DIF
FUSE
D R
EFLE
CTI
ON
SPEC
ULA
R RE
FLEC
TIO
N
...Design Exploration
[insert caption]
LIGHT REFLECTION........................................................................................ OPTIGAMI: CHOSEN DESIGN CONCEPT
... Optigami Theory
[insert caption]
LIGHT REFLECTION........................................................................................ OPTIGAMI: DESIGN DEVELOPMENT
... Internal Reflection
[INSERT CAPTION]
[INSERT CAPTION]
... Clay Modelling
[INSERT CAPTION]
... Contextual Sketches
LEFT VIEW: FRONT VIEW: RIGHT VIEW:
MODULE TWO DESIGN
Physical Digital Refining
LIGHT REFLECTION........................................................................................ REFINING PHYSICAL MODEL
... Contouring Method
[INSERT CAPTION]
... Final Prototype
[INSERT CAPTION]
LIGHT REFLECTION........................................................................................ DIGITIZING PHYSICAL MODEL
... Exploration #1
[INSERT CAPTION]
... Exploration #2
LIGHT REFLECTION........................................................................................ REFINING THE FORM
... Chosen Design
[INSERT CAPTION]
... Exploration of Form
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... Spiral Output of Light
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LIGHT REFLECTION........................................................................................ REFINING SURFACE DETAILS
LIGHT REFLECTION........................................................................................ [INSERT CAPTION]
MODULE THREE FABRICATION
FABLAB PREPARATION................................................................................. LABELLING SEGMENTS
FABLAB PREPARATION................................................................................. UNROLLING MODEL
...1) Cutting out the segments
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...2) Assembling the segments
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PROTOTYPE................................................................................................... MODEL FABRICATION BY HAND
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