an analysis of sarah orne jewett’s excerpt from a white heron

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An Analysis of Sarah Orne Jewett’s excerpt from A White Heron “Forget not that the earth delights to feel your bare feet and the winds long to play with your hair” -Khalil Gibran

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An Analysis of Sarah Orne Jewett’s excerpt from A White Heron. “Forget not that the earth delights to feel your bare feet and the winds long to play with your hair” -Khalil Gibran. Theme Statement . - PowerPoint PPT Presentation

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Page 1: An Analysis of Sarah  Orne  Jewett’s excerpt from  A  White Heron

An Analysis of Sarah Orne Jewett’s excerpt from A

White Heron

“Forget not that the earth delights to feel your bare feet and the winds long

to play with your hair”-Khalil Gibran

Page 2: An Analysis of Sarah  Orne  Jewett’s excerpt from  A  White Heron

Man and nature have a

symbiotic relationship that allows them to experience struggles that lead them to an internal and external triumph.

Theme Statement

Page 3: An Analysis of Sarah  Orne  Jewett’s excerpt from  A  White Heron

Tone Personification Animal Imagery Narrative Pace Point of View Nature Imagery Syntax Simile

Literary Elements

Page 4: An Analysis of Sarah  Orne  Jewett’s excerpt from  A  White Heron

Line 7-10: “the stately head of this

old pine towered above them all and made a landmark for sea and shore miles and miles away.”

A lyrical and majestic tone prove that the tree is just as important as

the girl

Page 5: An Analysis of Sarah  Orne  Jewett’s excerpt from  A  White Heron

Line 16: “There was the huge

tree asleep yet in the paling moonlight.”

Personification equalizes man and

nature.

Page 6: An Analysis of Sarah  Orne  Jewett’s excerpt from  A  White Heron

Line 21: “her bare feet and

fingers, that pinched and held like a bird’s claw.”

Animal imagery shows the shared qualities between man

and nature.

Page 7: An Analysis of Sarah  Orne  Jewett’s excerpt from  A  White Heron

Line 21: “the monstrous

ladder”

Metaphor highlights the struggle ahead.

Page 8: An Analysis of Sarah  Orne  Jewett’s excerpt from  A  White Heron

Lines 23-27: “ .. where she was

almost lost among the dark branches and the green leaves heavy and wet with dew; a bird fluttered off its pest, a red squirrel ran to and fro and scolded pettishly at the harmless housebreaker.”

Effusive tone- as the author describes the happenings with

such detail

Page 9: An Analysis of Sarah  Orne  Jewett’s excerpt from  A  White Heron

Line 27: “ First she must mount the

white oak tree that grew alongside, where she was almost lost among the dark branches and the green leaves heavy and wet with dew; a bird fluttered off its nest, and a red squirrel ran to and fro and scolded pettishly at the harmless housebreaker.”

Didactic tone- as if the forest is ordering all of the steps of the

animals around Sylvia, as well as her steps.

Page 10: An Analysis of Sarah  Orne  Jewett’s excerpt from  A  White Heron

Line 35-38: “ .. the way was

harder than she thought; she must reach far and hold fast, the sharp twigs caught and held her and scratched her like angry talons ..”

Encouraging tone- showing the struggle of climbing the tree and the struggle

shaping you and pushing you forward.

Page 11: An Analysis of Sarah  Orne  Jewett’s excerpt from  A  White Heron

Line 25: “... where she was almost

lost among the dark branches and the green leaves heavy and wet with dew; a bird fluttered off its pest, a red squirrel ran to and fro and scolded pettishly at the harmless housebreaker.”

Vivid imagery gives the reader a sense of how evasive and captivating the forest was.

Page 12: An Analysis of Sarah  Orne  Jewett’s excerpt from  A  White Heron

Line 23-37: “First, she must mount the

white oak tree that grew alongside .. she crept out along the swaying oak limb at last, and took the daring step across into the old pine tree.. the way was harder than she thought; she must reach far and hold fast, the sharp twigs caught and held her and scratched her like angry talons.”

The narrative pace increases to show the sense of adventure.

Page 13: An Analysis of Sarah  Orne  Jewett’s excerpt from  A  White Heron

Line 35-38: “... the way was

harder than she thought; she must reach far and hold fast, the sharp twigs caught and held her and scratched her like angry talons...”

Personification makes their relationship more

realistic.

Page 14: An Analysis of Sarah  Orne  Jewett’s excerpt from  A  White Heron

Line 41: “Lengthen itself.” Line 49: “The old pine must

have loved his new dependent.”

Point of view changes the focus to the tree to show it’s

significance.

Page 15: An Analysis of Sarah  Orne  Jewett’s excerpt from  A  White Heron

Line 45: “ponderous frame.” Line 47: “least twigs” Line 53: “held away winds”

Nature imagery relates itself to the struggle by showing danger.

Page 16: An Analysis of Sarah  Orne  Jewett’s excerpt from  A  White Heron

Line 59: “golden dazzle” Line 63: “blue sky” Line 66: “among the clouds”

Nature imagery with positive connotations in the end which

contrasts with the earlier images.

Page 17: An Analysis of Sarah  Orne  Jewett’s excerpt from  A  White Heron

Line 55: “Sylvia’s face is

like a pale star, if one had seen it from the ground…”

Simile is used to reinforce the idea that Sylvia is one with

nature.

Page 18: An Analysis of Sarah  Orne  Jewett’s excerpt from  A  White Heron

Line 63: “Their gray feathers were as

soft as moths; they seemed only a little way from the tree, and Sylvia felt as if she too could go flying away among the clouds.”

Line 66: “Westward the woodlands and farms reached miles and miles into the distance; here and there were church steeples, and white villages; truly it was a vast and awesome world.”

Long compound sentences to show how man and nature are

intertwined.

Page 19: An Analysis of Sarah  Orne  Jewett’s excerpt from  A  White Heron

The children from a Bridge to

Terabithia were able to experience nature to it’s fullest extent because they appreciated it. Nature inspired a different world for them where they could overcome struggles through imaginary adventures.

How I can relate