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WITH AN

Oil media or v e h i ~ l e s for outlining pensWater based media or vehicles

Fux utliningEnameled contours

G

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B A C K G R O U N O S ANO SUR F A C

Preparing apiece for backgroundsClassical backgrounds with transparencyCleaning small designs on backgrounds

8ackgrounds with gold base colors: pinkspurples, blues, violets and lilacs

Red backgroundsSprinkled or grounded backgrounds

Backgrounds with amat finish

Interpretation of The Escape. By the author. Classic background with transparency.Classical painting with light shading, raised gold and gold burnished with agate.

Marbled backgroundsFluid marbling

Marbling by immersionMarbling with plasti

Marbling with hair spraEnameled backgroundsTextured backgrounds

Drying process

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P R A C T IC A L A D V IC E FOR PAINTI

How to apply a light wash of gray color Drying process for retouching

Using semi-open or semi-drying oil The fisherman's family. Interpretation by the author.

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L E A

Knowing your materials Useful tips

Outlining with metals Backgrounds covered with gold or other

metals Using white or yellow mat gold in

backgrounds Backgrounds with gold or other metals with mat tinted surfaces

Backgrounds with gold or other metals over engraving

Backgrounds with cracked metals Uniform metal surface with base

Marbling metals by immersion \\ iMarbling by immersion with metal

Marbled metals over marbledMetals in classic decoratioGold burnishing with agat

Metals patinized with l u s t eOverlaid metals Metals patinized with porcelai

Raised metals Jewelry bead seats

Other uses Techniques described in this bool

metal applications

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M E L

Knowing your materials Useful tips Outlining with metals

Backgrounds covered with gold or other metals

Using white or yellow mat gold in backgrounds

Backgrounds with gold or other metals with mat tinted surfaces

Backgrounds with gold or other metals over engraving

Backgrounds with cracked metals Uniform metal surface with base

Marbling metals by immersion witMarbling by immersion with metalsMarbled metals over marbled l

Metals in classic decoratioGold burnishing with agat

Metals patinized with lusteOverlaid metals

Metals patinized with porcelainRaised metals

Jewelry bead seats Other uses

Techniques described in this book smetal applications

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L u s T E R

Technical references explained in other chapters:"Marbling rnetals by irnrnersion with lusters"

"Metals patinized with lusters""Hard white enarnel or base for raised gold as a base for lusters"

"Hard white enarnel or base for raised gold colored with lusters over an unfired surrSorne recornrnendations and practical advice

Blending with lustersMarbling by irnrnersion with lusters.

Landscape. Maricela L. Del Valle Prieto.Work with lusters and fluid enamel.

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M E T A L L c c o

Technical references explained in other chaptersIISprinkling or grounding"

IIGlossy backgrounds"l/Fluid marbling"

L

Metallic colors for highlighting over unfired surfaces

Mexican twilight. Original by the author. Metallic colors appliedover unfired enamel. Fluid marbling with porcelain painting mixedwith metallic colors.

o R

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G L A S S IN P O R C E L A IN D E C O R A T I O '

Vitrified enamelsImitating precious and semi-precious stones as ornaments in porcelain.

Play of colors on glass.

Transparencies and textures. Original by he author. Vitrifiedenamels over engraved porcelain. Texturized enamels.