an indie filmmaker’s core audio kit and tips... 255 an indie filmmaker’s core audio kit audio...

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AUDIO FOR VIDEO AN INDIE FILMMAKER’S CORE AUDIO KIT

An Indie Filmmaker’s Core Audio Kit and Tipsby Shawn C. Steiner

Among the biggest mistakes beginner and indie filmmakers make is not putting effort into audio. One-man bands are es-pecially susceptible, with audio being one more thing to worry about. Bad audio can break a film and make it practically unwatchable. People can forgive some errors in a video—there is that little thing called suspension of disbelief—but, they

absolutely will not forgive unintelligible dialogue, improperly mixed sounds, or distorted audio. With just a few key tools and a little bit of knowledge, you can upgrade your audio game

What’s in the Bag?Everyone wants to preach, “It’s not about

the gear.” Well, they are right—until it is about the gear. Just because you have a fancy new DSLR that shoots 4K video on its awesome full-frame sensor doesn’t mean you will instantly be recording amazing au-dio. Far from it. Internal microphones on cameras are notoriously bad; they don’t have great pre-amps, they can’t get that close to their subject, and they are gener-ally not spectacular to begin with. There’s no such thing as a free lunch and, with rel-atively affordable stills cameras with video capabilities, many compromises will need to be made. In most cases, these compro-mises come on the audio side.

The best practice would be to pick up some dedicated audio equipment. Starting off, the easiest recommendation is a shot-gun microphone. RØDE’s now classic Vid-eoMic series is among the best and most popular, with lightweight, compact designs that just work. Pop in a battery, connect it

to your camera’s audio input, and you now have vastly improved audio without much effort. Moving up from this you will want a serious shotgun microphone for use on a boompole—just like in the movies! A boom is used to get the mic closer to your subject and record cleaner audio. Shotgun mics are also known for a directional pickup pat-tern so that you can point it at your subject and hear just them. This makes them out-standing tools for filmmaking because you can keep them out of the frame and still record excellent audio.

The second mic to pick up would be a la-valier. This one should be obvious for any-one who shoots interviews or talking heads.

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AUDIO FOR VIDEOAN INDIE FILMMAKER’S CORE AUDIO KIT

It’s small omnidirectional mic that can be attached to a shirt or jacket for quick and easy pickup of voices without being a large, obnoxious thing to carry around or set up. It’s much more mobile and doesn’t require a second person to operate like a boom-pole would. Being so effective and compact makes it a no-brainer for an indie film-maker’s kit.

Optimal recording will require a dedi-cated audio recorder. With one, you gain professional-quality inputs, multiple mix-ing techniques, optimized physical con-trols, and better-quality audio components. Using one introduces you to dual-system sound, meaning you are going to be record-ing the audio and video separately. This is also the moment to get familiar with a slate with clapper sticks. Assuming many one-man-band filmmakers are also their own editors, this will do you so much good. It makes syncing up your footage and audio much easier because you can match up the clap with the spike in audio levels and the moment the sticks hit in the frame. Or you can do the same with the clean audio and the scratch audio recorded by the camera.

Recorders bring with them professional inputs, as we mentioned. Specifically, you should be looking for XLR inputs if you are getting serious with your audio equipment. This allows you to use high-end micro-phones that rely on this connector. It is also a much more secure option than your more common 3.5mm jack. If you are looking at some serious microphones, you will even-tually need to upgrade to XLR in part of your audio capture system.

Finally, perhaps the most important tool in your bag is a set of solid headphones. Just because you have good mics, a great recorder, and good technique, doesn’t mean the audio is perfect. You absolutely must put on a set of headphones and lis-ten for any issues before you start record-ing. Levels can be deceiving because they don’t tell you whether there is a low hum in the background or some handling noise interfering with your mic or recorder. And, if you have someone speaking in your video and the audio isn’t workable, then that take is unusable.

Core KnowledgeGetting gear won’t solve every issue,

which is why the phrase, “It’s not about the gear,” is very true. Capturing clean audio has a lot to do with technique, and you can do a lot with inexpensive equipment. It is also another technical area of filmmaking because there are numerous settings and numbers-based settings to track.

An example of this is simply setting the proper recording format. The most com-mon choices will be MP3 and WAV. Go with WAV because it is an uncompressed format, while MP3 will reduce your audio quality. Bit depth is the next option and you will be fine at 16, though bumping up to 24 won’t hurt. Finally, for sampling rate, I rec-ommend sticking with 48kHz. These are pretty much standard these days so there is no need to deviate all that much.

For recording, you should start by watch-ing your levels. You will generally want to keep your levels between -6 to -12 dB. Any-thing lower and you will have to amplify your signal in post and introduce noise; higher and you risk peaking and causing distortions by breaking the 0 dB limit of most recording systems. It’s a safe place to be, though if you are worried about loud noises, you can use functions such as a limiter to prevent losing audio when the volume rises unexpectedly.

Another setting you may find on your recorder is the low-cut filter. This is use-ful for reducing some background noises. Think the hum of a fridge or air conditioner. Ideally, you should turn these noisy devices off but, in some cases, you just can’t and the filter will help minimize their impact. You can also pick up a couple of blankets and they can be used to help silence prob-lematic devices in the background. In many cameras and certain mics, you may notice a wind filter setting. This can help prevent wind from destroying your audio, but it is far from ideal. When shooting outside, a wind-screen is highly recommended.

By using this basic set of guidelines and a few select tools that you can easily add to your bag, you can transform the audio quality of your productions. Good audio is a critical step in making your productions sound professional and increases gen-eral watchability of the videos themselves. Make sure you are thinking as much about sound as you are about video. ■

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AUDIO FOR VIDEO

TM-2XStereo XY Condenser DSLR Microphone

» Camera Mountable » Swivel by 180 Degrees » XY Stereo Pattern » Low-Cut Filter at 130 Hz » Plug-In Power

Requires No Batteries » 120dB Maximum SPL » Includes: Isolation Arm, Fur Windscreen

(TATM2X) ............................................................................................. 99.99

Stereo VideoMic X » Suitable as On-Camera Microphone » Cardioid Polar Pattern » 40 Hz to 20 kHz Frequency Response

» 9V or Phantom Power » Balanced XLR Output » Level Adjustment » High Frequency Boost » Includes Pop Shield and Wind Shield » Built-In Shockmount » Lightweight Aluminum Construction

(ROSVMX) ......................................................................................... 599.00

SMX-10Stereo Microphone

» Directional Stereo Shotgun Microphone

» Compatible with Consumer Video Cameras

» Includes Windscreen & Shoe Mount

(AZSMX10)........................................................................................... 85.00

SCS-98DSLR/Video Stereo Microphone

» For Video & DSLR Cameras » High-Pass Filter at 80 Hz » Durable Coiled Cable » XY Stereo Capsules

for Accurate Imaging » Runs on Single AAA Battery » Integrated Shockmount with Shoe Mount » 3.5mm Stereo Output Connector

(SESCS98) ......................................................................................... 149.95

ENG-18RLBroadcast Omni directional Mic

» Ideal for Critical Field Applications » Broadcast-Quality Dynamic Capsule » Kinetic Isolation Reduces Handling Noise » Advanced Multistage Wind Protection » Omnidirectional for 360° Pickup

Long (SEENG18RL) .................................................................99.00

MD 46Dynamic ENG Microphone

» Cardioid Polar Pattern » Excellent Sound Quality » Extremely Low Sensitivity to Handling Noise » Uniform Frequency Response » Double Layer Grille Basket » Designed for Low Handling Noise

MD 46 (SEMD46) ...............................................................199.95MD 42 (SEMD42) ...............................................................199.95

RE50BOmnidirectional Dynamic ENG Mic

» Designed Specifically for Interviews » Omnidirectional Polar Pattern » Dynamic Mic Element » Low Handling Noise » Built-In Shockmount » Withstands Extreme Temps & Humidity

Normal Handle (ELRE50B) ...................................................179.00with Neodymium Capsule (ELRE50NDB) ...............................199.00

HDR-10Omnidirectional

Handheld Dynamic ENG Mic

» Ideal for ENG & Interviews » Dynamic Microphone Capsule » Isolated Capsule Reduces Handling Noise » Integrated Metal Windscreen » Omnidirectional 360° Pickup Pattern

(POHDR10) ........................................................................69.99

SHVP64AHandheld Dynamic ENG

» Omnidirectional Polar Pattern » Longer Handle for Broadcast & Interviews » Neodymium Magnet » Water-Resistant Mesh Grille » Tailored Frequency Response for Speech

VP64A (SHVP64A) ................................................................. 78.75VP64AL (SHVP64AL) .............................................................. 91.25SM63LB (SHSM63LB) ..........................................................150.00

F112Omnidirectional Handheld ENG Microphone

» Designed for Electronic New Gathering (ENG) Application » Frequency Response and Sensitivity Are Optimized for

Accurate Reproduction of Vocals » Body Is Made of Metal, Offering a High Level of Durability » Flat-and-Wide Frequency Response (60 Hz to 17 kHz)

(SOF112) ..............................................................................165.00

4104BCommentator’s Ribbon Mic

» Ribbon Mic for Commentary and Speech » Directional Polar Pattern » Low-Cut Roll-Off at 16 Hz » For Close Positioning to Mouth » Reduced Noise in Ambient Environments » Stainless Steel Protective Breath Shield

(CO4104B) ......................................................................................... 766.00

VideoMic Pro-R Stereo Camera Mic

» Integrated Rycote Lyre Shockmount » Matched Pair, 1/2” Condenser Capsules

» XY Stereo Configuration » Level Switch: -10 / 0 / +20 dB » Kevlar-Reinforced Braided Cable » 1/8” (3.5mm) Output Connector » 9V Battery Powered » Includes Foam Windscreen

(ROSVMPR) ....................................................................................... 299.00

SMS-45AMini Shotgun

Stereo Condenser Mic

» Compact Lightweight Design » Durable Solid Aluminum » X-Y Cardioid Condenser Capsules » 5/8” & 1/4”-20 Socket for Boom Mount » Rubber Shock-Resistant Mic Holder » Can Operate on Battery or Plug-In Power » High-Pass Filter at 80 Hz » Desktop Stand for Tabletop

(POSMS45A)........................................................................................ 59.95

For Video & DSLR Cameras

Runs on Single AAA BatteryIntegrated Shockmount with Shoe Mount

5mm Stereo Output Connector

AT8004LHandheld Omnidirectional Dynamic Microphone (Long Handle)

» Ideal for ENG » Omnidirectional Polar Pattern » Frequency Response: 80 Hz to 16 kHz » Internal Shockmount » 9.43” Long Handle

(AUAT8004L) .........................................................................109.00AT8004 (AUAT8004) .................................................................99.00

ReporterOmnidirectional Handheld Interview Microphone

» Shock Mounted Capsule Reduces Noise » Internal Pop Screen Reduces Plosives » Frequency Response Optimized for Speech » Die-Cast Aluminum Body & Matte Finish » XLR Output » Microphone Flag

(ROREPORTER) .................................................................... 129.00

Directional StereoShotgun Microphone

HANDHELD MICROPHONES

STEREO MICROPHONES

HANDHELD STEREO MICROPHONES

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AUDIO FOR VIDEOLAVALIER MICROPHONES & ACCESSORIES

MZQ2EWClothing (Tie) Clip for ME2 Lavalier Microphone

» Replacement Mic Clip(SEMZQ2EW) ..........................................................................................9.99

SR-XLM1Omnidirectional Broadcast-Quality Lavalier Microphone with 3.5mm TRS Connector

» For DSLR Cameras, Camcorders & Recorders

» Omnidirectional Polar Pattern » 30 Hz to 18 kHz Frequency Range » Includes Lapel Clip » 20' Cable » Foam Windscreen

(SASRXLM1) ........................................................49.00

TR50Hardwired XLR

Connection

» Omnidirectional Polar Pattern » Minimum Sound Coloration » Frequency Response: 40 Hz-16 kHz » 3-Pin XLR Connection » 48V Phantom Powered

Black (TRTR50BPS) .......................................... 321.00Tan (TRTR50TPS) .............................................. 314.95White (TRTR50WPS) ......................................... 309.95

B3Lavalier Condenser Mic

» Omnidirectional Polar Pattern » Miniature Unobtrusive Capsule » Moisture Resistant » Optimized for Speech » 3-Pin XLR Connection

(COB3P4FF05B) ................................................ 173.99For Strong Vocals (COB3P5FF05B) ..................... 169.99

EMWLavalier Condenser Mic

» Omnidirectional Polar Pattern » Low Handling Noise » Moisture Resistant » Flat Frequency Response » 3-Pin XLR Connection

Flat Frequency (COMEMWP4F05B) .................... 185.00Shelved Frequency (COMEMWP4S05B) .............. 185.00

ECM-77BMiniature Condenser Lavalier Mic

» Omnidirectional Polar Pattern » For Theater, Live & Studio Use » Miniature Profile » Standard XLR Male Connector » Includes Windscreen & Holder Clips » Protective Carrying Case » Powers via 48V Phantom or AA Batteries

(SOECM77B) ..................................................... 264.98

ECM-44BOmnidirectional Lavalier Mic

» Electret Condenser » Wide Frequency Response » Battery Powered Only » Single AA Battery Provides 5000 Hours

» For Live Sound and Broadcast

» Includes Holder Clip, Windscreen, and Case(SOECM44B) ..................................................... 156.16

COS-11DMiniature Omnidirectional Lavalier Mic with XLR Output

» Omnidirectional Polar Pattern » Water Resistant » RFI Rejection » Frequency Response: 50Hz-20kHz » 3-Pin XLR Connection » 48V Phantom Powered

(SACOS11DB) ................................................... 469.00

PL-5Lavalier Mic with

1/8” Connector

» Omnidirectional Polar Pattern » Miniature 0.14” Head » Use with Wireless Systems with 1/8”

Input and Recorders with Plug-In Power

» Includes Tie Clip & Windscreen(POPL5) ...............................................................49.95Lavalier Mic w/ 1/8” Connector (POPL4) ...............39.95

OLM-10Electret Condenser

Lavalier Mic

» Self-Powered Electret Condenser Mic » Omnidirectional Polar Pattern » Lightweight, Discrete Design » In-Line Power Switch » 1/8” (3.5mm) Mini Connector » Includes Tie Clip, Windscreen & Battery

(POOLM10) ..........................................................22.95OLM-20 Dual Lavalier Mic (POOLM20) ..................44.95

PRO 70Cardioid Lavalier Microphone

» For Vocal & Acoustic Guitar Applications

» Cardioid Polar Pattern » Frequency Response: 100Hz-14kHz » Switchable Low-Frequency Roll-Off » Operates on Battery or Phantom Power » Includes 6’ Cable Hardwired to Mic » 3-Pin XLR Output Connection

(AUPRO70) ....................................................... 129.00

AT803BMini Clip-On Condenser Mic

» Clip-On Condenser Microphone » Accurate Yet Unobtrusive » Operates on Battery or Phantom Power » Ideal for Applications Requiring

Minimum Visibility » 6’ Cable Permanently

Attached between Microphone and Power Module

(AUAT803) ........................................................ 149.00

FR-355KLavalier Interview Mic Kit

» 1 FR-350 Omnidirectional Lavalier » 1 FR-351 Cardioid Lavalier » High-Quality FET Pre-Amps » Max SPL 120dB » Frequency Response:

40 Hz–15 kHz » Includes Windscreens and

Clothing Clips(MXFR355K) .......................................Call or Log-On

Microphone ClipSingle Microphone Holder

» Rotating Cable Clip(AUULC1MBL) ...............................................3.00Tie Clips for Lavalier Mics (5-Pack) (AUTCOLM25) ........................... 28.95

Fuzzy Windbusterfor Lavalier Microphones

» Fits Most Standard Lavalier Mics » Slips over Foam Windscreens

(AUWLW) ............................................................................................. 19.95

invisiLavDiscreet Lavalier Mounting System (3-Pack)

» For Concealing Lavalier Mics » Absorbs Noise & Vibration

(ROINVISI3PK) ......................................................18.00

Hush LavLavalier Mic Quieting Sleeves

» Sized to Fit Sanken COS-11Black (GAHLBK) ................................................................................... 12.25White (GAHL) ....................................................................................... 12.25

OvercoversLavalier Wind Covers and Adhesive Mounts

» 6 Overcover Fur Covers, 30 Stickies(RY65520)..........................................12.95

19.95

OLM-2Lavalier Mic for

Sennheiser ew Series

» Omnidirectional Polar Pattern » Locking 1/8” (3.5mm) Connector » Metal Windscreen Reduces Plosives » 16.3 x 6.5mm Head Size » Includes Metal Windscreen & Tie Clip

(SEOLM2) ......................................................... 109.95OLM-2 w/ TA4F Connector (SEOLM2TA4) ...............79.95OLM-2 w/ 3.5mm Connector (SEOLM2S) ...............79.95

CL6Lavalier Microphone

for Sennheiser ew Series

» Omnidirectional Polar Pattern » Optimized for Speech » Miniature 0.16” Diameter

Mic Head » Frequency Response: 20 Hz-20 kHz » Locking 1/8” (3.5mm) Connector

(SECL63.5H) ........................................................99.00

VT500Flat Frequency Lavalier

Microphone for Sennheiser ew Series

» Electret Condenser Microphone » Molding-Injection Microphone » Flat Frequency Response » Flexible Cable Isolates Rubbing Noise » 40 Hz to 20 kHz Frequency Response

(VOVT0015) ...................................................... 293.00For Sony UWP/WRT-805 (VOVT0057) .................. 293.00

Metal Windscreen Reduces Plosives

Lavalier Mic with XLR Output

Frequency Response: 20 Hz-20 kHz5mm) Connector

Powers via 48V Phantom or AA Batteries

SM11-CNLavalier Microphone

» Acoustically Matches Many Microphones

» Small, Lightweight, Unobtrusive Size » Dynamic Capsule » Omnidirectional Polar Pattern » Flexible Long-Life Cable » Two Mounting Options - Tie Clasp or Tack » Rugged Aluminum Case Construction

(SHSM11CN) .................................................... 102.99

Two Mounting Options - Tie Clasp or Tack

MZQ2EW

9.99

Omnidirectional Polar Pattern30 Hz to 18 kHz Frequency Range

20' Cable

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AUDIO FOR VIDEO WIRELESS MICROPHONES

SRcDual-Channel Slot-Mount ENG Receivers

» For Camera Slots and Various Adapters » Dual-Receiver Design for Two Channels » LCD with RF Spectrum Scanning » Tracking Front-End Filters » Tunes over a 75 MHz Range » SmartSquelch DSP Controlled » DSP-Based Pilot Tone » IR Sync Port for Quick Transmitter Setup » SmartTune Frequency Selection

A1: 470.100 to 537.575 MHz (LESRCA1) ............................................................................................................ 2,349.00B1: 537.600 to 614.375 MHz (LESRCB1) ............................................................................................................ 2,349.00

EW 112P G4 Camera-Mount Wireless Microphone System with ME 2-II Lavalier Mic G: (566 to 608 MHz) » EK 100 G4 Camera-Mountable Receiver » SK 100 G4 Bodypack Transmitter » ME 2-II Omnidirectional Clip-On Lav Mic » 1680 Tunable Frequencies across 42 MHz » Auto Frequency Scan Finds Open Bands » 3-Level Squelch to Block Interference » 20 Banks with 12-Channel Presets Each

(SEEW112PG4A1) .................................................................................................................................................599.00

AVX SeriesCamera-Mountable Pro Digital Wireless Set

» Designed for Plug-and-Record Operation » Excellent Choice for Videographers » Auto Frequency Management » Ultracompact Receiver » Aes 256 Encryption » Plugs Directly into XLR Audio Input » Switches On/Off by P48 Phantom Power » Metal Housing

Digital Wireless Set with ME2 Lavalier Microphone (SEAVXME2SET4) ....................................................................699.00Lavalier System with MKE 2 Microphone (SEAVXMKE2STS) ....................................................................................899.00Combo System with Lavalier and Handheld Microphones (SEAVXCOMBOS4) ...........................................................999.00

EW 500 G4 Wireless Plug-On System GW1 (558 to 608 MHz) » For Shotgun or Handheld Microphones » SKP 500 G4 Plug-On Transmitter with 48V » EK 500 G4 Portable Receiver » CL1 1/8" Output Cable » CL 500 1/8" to XLR Output Cable » CA2 Camera Mount » 2000 Selectable Frequencies » 50 MHz Bandwidth

(SEEW500BG4G1) ................................................................................................................................................899.00

XSW-D Portable ENG Set Camera-Mount Digital Wireless Microphone System » For Video, Podcast, Mobile Journalism » Easy to Use, Plug-and-

Record Operation » Bodypack Transmitter with ME2-II Lav Mic » Plug-On Transmitter with No Microphone » Camera-Mount Receiver » Lightweight Miniature Housing » USB-Rechargeable 5-Hour Batteries

(SEWXSPESTR) ....................................................................................................................................................449.95With Plug-On Transmitter (No Microphone, 2.4 GHz) (SEWXSPISTR) ......................................................................299.95With Bodypack Transmitter and ME2-II Lav Mic (2.4 GHz) (SEWXSPLSTR) ..............................................................349.95With Bodypack Transmitter (No Microphone, 2.4 GHz) (SEWXSPOBSTR) .................................................................349.95

System 10 Camera-Mount Digital Wireless Mic System

» Digital 24-Bit/48 kHz Wireless Operation » 2.4 Ghz Range – Completely Free from TV Interference » Ultracompact Receiver Size with Multiple Mounting Options » Automatic Frequency Selection » Instantaneous Channel Selection, Sync, and Setup » Three Levels of Diversity Assurance: Frequency, Time & Space » Selectable Balanced and Unbalanced Output Jacks » Internal Rechargeable 12-Hour Battery

Lavalier System with MT830cW Microphone (AUATW1701L) ..................................................................................449.95Handheld System with ATW-T1002 Microphone (AUATW1702)................................................................................399.95

Cam-2W SeriesCamera-Mountable VHF Wireless System

» Easy-to-Use Lavalier Wireless System » Compander-Free for High-Quality Audio » Two Switchable Frequency Bands » Available in 4 Different Frequency Bands » Camera & Belt Clip-Mountable Receiver » Easily Concealed Lightweight Transmitter » Includes Omnidirectional Lavalier Mic » 100’ Range (300’ in Optimal Conditions)

CAM-2W-G3 Lavalier System G3 Band (POCAM2WG3) .............................. 139.95

Camera-Mountable Pro Digital Wireless Set

Camera-Mountable VHF Wireless System

ULW-16 Series16-Channel UHF Wireless System

» Ideal for ENG/EFP, DSLR Video » 16 UHF Channels » Monitoring via Receiver Headphone Output » Line and Mic Inputs, Line Output » Operates in “Future Proof” 500 MHz Band » Included Camera Level Attenuation Cable » 8-Hour Continuous Operation » Includes XLR Line Output Cable, Omni Lavalier Mic and Camera-Level-Attenuation Cable

Wireless System with PL-4 Lavalier Microphone (POULW16PL4V2) ..............................................................229.95

Pro-88W SeriesCamera-Mountable VHF Lavalier Wireless System

» 2 Switchable Frequencies for Interference-Free Operation » High-Band VHF Operation for Superior Sound » Normal Operating Range: 100’; up to 300’ » Powered by a 9V Battery » Real-Time Monitoring Capability with Included Earphone » Rugged Design and Construction » Quick and Reliable Mounting System

Lavalier System with MT830mW Microphone (AUP88W83068) ...............................................................................189.00Lavalier System with ATR35 Microphone (AUPRO88WR35) .....................................................................................149.00Lavalier System with AT829mW Microphone (AUP88W829TVH) ..............................................................................169.00

16-Channel UHF Wireless System

Camera-Mount Digital Wireless Mic System

FP WirelessBodypack System

» Compatible with SLX Series » 960 Selectable Frequencies » 12 Multiple Channels per Band » 25 Maximum Compatible Channels » Infrared Sync to Receiver » 24 MHz Operation » Powered by 2 AA Batteries – No Power Cord Required

Lavalier System with WL 183 Microphone (SHFP1583H5) ......................................................................................499.00Handheld & Lavalier System (SHFP12568G4) ........................................................................................................849.95Plug-On Transmitter System (SHFP135J3) ............................................................................................................813.00

499.00

Camera-Mount Wireless Microphone Systemwith ME 2-II Lavalier Mic G: (566 to 608 MHz)

449.95

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AUDIO FOR VIDEOWIRELESS MICROPHONES & ACCESSORIES

WLX-PRO+i VHF Wireless Lavalier Microphone System for Cameras & Mobile Devices (F1/F2 Frequencies)

» Compatible with Smartphones and Tablets » 2 Selectable Operating Frequencies » Up to 250’ Range » Camera-Mountable Receiver » Bodypack Transmitter » Omnidirectional Lavalier Mic » Camera Shoe Mount » Mono to Stereo Adapter Cable

(AZWLXPROPI) ..................................................................Call or Log-OnWMS-PRO VHF Wireless Handheld & Lavalier System (AZWMSPRO) ......................................................................159.00

PRO-XD2.4 GHz Digital Wireless Lavalier System

» For Camcorders, Mobile Devices & DSLRs » 2.4 GHz Frequency Bandwidth » Auto Frequency Scan and Sync » Over 100’ Range » Transmitter with Line and Mix Inputs » Rechargeable Lithium-Ion Batteries » Includes USB Cable and Charger

(AZPROXD)...........................................................................................................................................................199.00

L SeriesBelt Pack System

» Compact Digital Hybrid Wireless » 3072 Selectable Frequencies » Smarttune Technology » Zippered Carrying Pouch » M152/5P Omni Lavalier Microphone » TA3F to XLRM Cable » TA3F to 1/8” TRS Cable » All-Metal Housing » Camera Shoe Mount Adapter

A1: 470.100 - 537.575 MHz (LEZSLRLTA1) ........2,725.00B1: 537.600 - 614.375 MHz (LEZSLRLTB1) ........2,725.00

UCR411 SeriesWireless Microphone Kit

» SmartSquelch & SmartDiversity » 256 Selectable UHF Frequencies » M152/SM5P Omnidirectional Lavalier Mic » Auto-Tracking Front-End Filters » DSP-Based Pilot Tone » Internal Batteries o External DC Powering Options » SMV Super Miniature Wireless Microphone Transmitter » Graphics Type Backlit LCD Display » Balanced XLR Audio Output

Bodypack System (LEUCR411A20K) .................................................................................................................. 3,124.00

HMaUHF Plug-On Wireless Transmitter

» Accepts Mic or Line-Level Signals » Up to 3072 Selectable Frequencies » Low-Frequency Roll-Off » Powered by Two AA Batteries » Solid Machined Aluminum Housing » Built-In Antenna » USB Port for Firmware Updates » IR (Infrared) Port for Fast Setup

A1: 470.100 to 537.575 MHz (LEHMAA1) ..................................................................................................... 1,179.00B1: 537.600 to 614.375 MHz (LEHMAB1) ..................................................................................................... 1,179.00

UWP-D11 Integrated Digital Wireless Bodypack Lavalier Microphone System (UHF Channels 14/25: 470 to 542 MHz) » UTX-B03 Bodypack Transmitter » URX-P03 Portable True Diversity Receiver » ECM-V1BMP Electret Condenser Lavalier » Digital Companding Circuitry » Selectable Mic/Line Input » USB Charging and Power » Tone Squelch Suppression Circuitry

UHF Channels 14/25: 470 to 542 MHz (SOUWPD1114) ............................................................................ Call or Log-OnUHF Channels 25/36: 536 to 608 MHz (SOUWPD1125) ............................................................................ Call or Log-OnBlock 90: 941 to 960 MHz (SOUWPD1190) ............................................................................................................599.99

URX-P03DTwo-Channel Portable Receiver (Channels 14-25)

» Two-Channel Portable Receiver » Digital Audio Processing & High Quality » External Mic Input for Wired Mic » Wide Frequency Coverage » Large Display and Small Size Receiver » Easy-to-Use Features » Can Access 2310 Frequencies

(SOURXP03D14) ........................................................................................................... 699.00URX-P03D Channels 25-36 (SOURXP03D25) ............................................................ 699.00

RODELink WirelessWireless Filmmaker Kit

» 128-Bit Encrypted Signal » 24-Bit/44.1 kHz Lossless Transmission » Up to 328’ Range » One-Touch Pairing » OLED Digital Display » 3-Level Gain Control » USB and AA Battery Powered » Use up to 8 Systems Simultaneously

(RORODLNKFM) ...................................................................................................................................................399.00

RODELink Newsshooter KitDigital Wireless System

» Includes Transmitter and Receiver » Series II, 2.4 GHz Digital Transmission » 128-Bit Encryption » Up to 328’ Range » OLED Display on Receiver » One-Button Pairing » 3-Level Gain Control » Powered by AA or Sony NP-F Batteries » Locking XLR Input » Headphone Output on Transmitter

(RONSH)..............................................................................................................................................................499.00

Wireless GOCompact Wireless Microphone System

» Series II 2.4GHz Digital Transmission » For Mobile Journalist, Videographer » Built-In Omni Mic & 3.5mm Mic Input » Miniature Clip-On Transmitter & Receiver » Easy Setup with No Menus » Three Adjustable Gain Settings » 7-Hr Rechargeable Batteries + USB Power » Up to 8 Mics On Set / 230' Range

(ROWG) ...............................................................................................................................................................199.00

VHF Wireless Lavalier Microphone

Call or Log-On

2.4 GHz Digital Wireless Lavalier System

199.00

RODELink WirelessWireless Filmmaker Kit

UHF Plug-On Wireless Transmitter

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AUDIO FOR VIDEO FIELD MIXERS, CAMCORDER XLR ADAPTERS & PRESS BOXES

633Compact Field Mixer & Digital Recorder

» Three High-Bandwidth XLR Preamplifiers

» +12, +48, and +10V Digital Phantom Power

» Records to SD and CompactFlash Cards » USB Computer Keyboard Metadata Entry

(SO633) ..........................................................................................3,328.00

PB12Passive Press Box

» For Use in Press Conference Situations » 1 x Line Input

» 12 x Mic Outputs » Transformer-Isolated Outputs » Ground-Lifted Outputs » Rugged, Cold-Rolled Steel Construction

(WHPB12) ......................................................................................... 526.00

FMX-42u 4-Channel Microphone Field Mixer

» 4 XLR Inputs » Phantom Power » Input Limiter » 2 Balanced Mic/Line XLR Outputs » Make Backup Recordings Using USB Output » Record to Smartphone, Tablet, or Computer

(AZFMX42U) ....................................................................................... 549.00

Press TrainPassive Audio

Distribution Box

» Designed for Audio Feeds for Press Conferences » 1 Input/12 Outputs » Transformer-Isolated Mic-Level Outs » Connect up to 8 Press Trains » Housed in a Waterproof Pelican 1120 Case

(PSPTZ)...............................................................523.25

302Portable 3-Channel Field Mixer

» Mic or Line Level Input and Output

» +48V, +12V & +12V-T Phantom

» Channels 1 & 2 Are Stereo Linkable » Input & Output Limiting » Low-Cut Filter Switches » Powered by 3 AA Batteries

(SO302) ......................................................................................... 1,698.00

302Portable 3-Channel Field Mixer and Porta Brace MXC-302B Case Kit

» 302 Portable Compact Production Field Mixer

» Porta Brace MXC-302B Audio Combination Case (Black)

» Senal SMH-1000 Professional Field and Studio Monitor Headphones(SO302K) ....................................................................................... 1,952.50

FMX-22 Portable Field Mixer

» 2 Dual-Stage Microphone Inputs

» Individually Switchable Phantom Power

» Independent Limiter per Channel » Left, Right, Center Selector Switches 1/8” TRS Stereo Output for Video Cameras

(AZFMX22) .........................................................................................309.00

DV PROMIX 3Portable 3-Channel

Field Production and ENG Mixer

» 3 XLR Inputs & 2 XLR Outputs

» Tape / Direct Input Monitoring

» Switchable Audio Limiting » Low-Cut Filters(PSDVPM3) ........................................................................................ 199.95

MX124 Portable 4-Channel Stereo Mixer

» 4-Channel Microphone Submixer » XLR I/O Connectors » Individual Level Control » Four Low-Cut Filter Switches » Individually Switched Phantom Power » Operates on Two 9V Alkaline Batteries » Compact & Portable

(ROMX124) ........................................................................................150.00

MX410 4-Channel Microphone Mixer

» Metal Housing » XLR I/O » Mic/Line Switchable Outputs » Phantom Power » Individual Level Controls » 3.5mm Headphone Jack » Accepts Batteries or External Power

(ROMX410) ........................................................................................269.00

MM-1Single-Channel Portable Mic Preamp

» Compact Design » XLR Input » Phantom Power » 1/4” Headphone Jack » Low-Cut Filter » Belt Clip » Uses Batteries or DC Wall Power

(SOMM1) ........................................................................................... 559.00

Exo-Pod Broadcast Splitter with XLR & 3.5mm Connections

» Splits Balanced Signal to 14 Outputs » 10 x Transformer-Isolated XLR

Outputs » 4 x 3.5mm Transformer-Isolated TRS Outs

» XLR Pass-Through Jack » 14-Gauge Steel Case Reduces RFI » Ground Lift Switch on Each XLR Channel Works across 14 Ch.

(RAR8008012) ................................................................................... 279.99

Uses Batteries or DC Wall Power

Portable 3-Channel Field Mixer

Portable Field Mixer

CAMCORDER XLR ADAPTERS

FIELD MIXERS

PRESS BOXES

Three High-Bandwidth

Digital Phantom Power

XLR & 3.5mm Connections

Splits Balanced Signal to 14 Outputs

DXA-MICRO-PROActive XLR Compact Adapter

» For DSLRs and Camcorders » Connects External Microphones » Powerful Preamplifiers » 1 x XLR Mic

Input with 48V Phantom Power

» 2 x 1/8" Mic Inputs with Plug-In Power

(BEDXAMICROP) ............................................... 144.00

Professional PMD-602A Two-Channel DSLR Audio Interface » 2 x XLR Combo Inputs, Mic or Line Level » 12V or 48V Phantom Power » 1/8” Stereo

Line Input » Limiter Function » Line Output

with Level(MAPMD602A) .....................................................99.00

CMX-1-V2 Two-Channel Mini Mixer with Shoe Bracket

» For Microphones w/ 1/8” Connectors

» Stereo 1/8” (3.5mm) Output

» Camera Mountable » Operates in Mono

or Stereo Modes(KOCMX1V2) ........................................................39.99

DXA-MICRO-PRO+Active Audio Adapter for DSLRs and Camcorders

» For DSLRs and Camcorders » Connects External Microphones » Powerful Low-Noise Preamplifiers

» 1 x XLR Mic Input with 48V Phantom Power

(BEDXAMICROPP) ............................................. 229.00

261www.BandH.com

AUDIO FOR VIDEOPORTABLE DIGITAL RECORDERS

H1nDigital Handy Recorder (Black)

» X/Y Stereo Mic » New Layout of Integral Controls » Record WAVs & MP3s up to 24-Bit / 96 kHz » Records to microSD/SDHC » 3.5mm I/O » Built-In Limiter and Low-Cut Filter » High-Speed USB 2.0 Connectivity » Works as a USB Audio Interface » Uses 2 AAA Batteries

(ZOH1N) ............................................................. 119.99

DR-10LDigital Audio Recorder with Lavalier Mic

» Mono Digital Recorder with Lavalier Mic » Records 24-Bit/48 kHz BWAV File Format » Up to 32GB on microSD or microSDHC Card

» 1/8” Stereo Headphone Output » Single AAA Battery Records 10 Hours » Built-In Limiter Function » Dual Recording Mode » Low-Cut Filter Reduces Wind and Rumble

(TADR10L) ...........................................................................Call or Log-On

DR-60DmkII4-Channel Portable Recorder for DSLR

» Records 4 Channels Simultaneously

» Camera & Tripod Mountable » Records up to 24-Bit/ 96kHz

WAV/BWF Files » 2 Combo XLR/TRS & 1 Stereo 1/8” Inputs

» Supplies Phantom & Plug-In Power » Built-In Mixer » Powered by 4 AA Batteries

(TADR60DMKII) .................................................................................. 199.99

DR-40X4-Track Digital Audio Recorder and USB Audio Interface

» For DSLRs, Musicians, and Filmmakers » 2 x Unidirectional Stereo Condenser Mics » XLR/TRS Combo Inputs » Built-In +48 Phantom Power » 4-Channel Multi-Track Recording » 2-In/2-Out USB Audio Interface » High-Capacity microSDXC Card Capacity

(TADR40X) ...................................................... 199.99

DR-05X Stereo Digital Audio Recorder with USB Audio Interface

» For Voice, Music, and Lecture Recording » Stereo Omnidirectional Condenser Mics » 2-In/2-Out USB Audio Interface » Overwrite Function for Punch-Ins » Dictation Mode with Speed Control and EQ » Auto-Recording Function » High-Capacity microSDXC Card Capacity

(TADR05X) ....................................................... 119.99

DR-07XDigital Audio Recorder with USB Audio Interface

» For Studio or Live Musical Performances » Stereo Unidirectional X/Y Condenser Mics » 2-In/2-Out USB Audio Interface » Overwrite Function for Punch-Ins » Dictation Mode with Speed Control and EQ » Auto-Recording Function » High-Capacity microSDXC Card Capacity

(TADR07X) ...................................................... 149.99

F8nMulti-Track Field Recorder

» 8 x XLR/TRS Combo Jacks with +75 dB Gain » Up to 192 kHz/ 24-Bit

PCM Recording » Record up to 10 Tracks

Simultaneously » Look-Ahead Limiters

Eliminate Clipping » Zoom AutoMix: Automatic Level Adjustment

(ZOF8N) ............................................................................................. 999.99

F4 Multi-Track Field Recorder with Timecode » Integrated Mixer » Compatible with Optional Zoom Mics » Resolution: 24-Bit/192 kHz » Four Combo XLR-1/4" Inputs

» High-Quality Preamps with Phantom Power

» Built-In Limiters on Every Input/Output

(ZOF4) ............................................................................................... 549.99

H6 Handy Recorder with Interchangeable Microphone System

» Modular Mic and Input System » Includes XY Microphone Module » Includes Mid-Side Microphone Module » Four XLR/TRS Inputs » Record up to 6 Simultaneous Channels » Record up to 24-Bit/96 kHz Audio » Uses SDXC Memory Cards » Optional Shotgun Mic and XLR/TRS Inputs

(ZOH6) ............................................................. 399.99

Portable Digital Recorder

» Digital Recorder with Timecode Jamming » Records to microSDHC » Records 24-Bit/48 kHz BWF Files » 5-Pin LEMO Connection for Timecode » TA5M Input Jack & 3.5mm Output Jack » Intuitive Keypad & LCD Screen » Servo-Bias Preamp for 2 & 4V Lavs » Compact Form Factor for Concealment

(LEPDR) ............................................................................................ 749.00

MixPre-10T Multi-Channel Audio Recorder

» 10-Input/12-Track Recorder with Timecode

» Kashmir Microphone Preamps » USB Audio-Recording Interface » Ring LED Metering per Channel » Timecode via Multiple Connections » Flexible Routing via Easy-to-Read Matrix

(SOMIXPRE10T) ..............................................................................1,799.00

MixPre-3MRecorder & USB Audio Interface for Musicians

» 3 x XLR Inputs » 1 x Stereo 3.5mm

Line/Mic Input » Records up to 24-Bit/96 kHz » Records to SD/SDHC/SDXC » Record to or Mix on Device or Computer

(SOMIXPRE3M) .................................................................................. 549.00MixPre-6M (SOMIXPRE6M) ............................................................. 799.00

MixPre-6Audio Recorder/Mixer and USB Audio Interface

» Kashmir Microphone Preamps

» USB Audio-Recording Interface

» Small Stature Fits Most Environments

(SOMIXPRE6) ..................................................................................... 899.00

Optional Shotgun Mic and XLR/TRS Inputs

399.99

ophone Preamps

H4n Pro 4-Channel Handy Recorder » Adjustable Stereo X/Y Microphone » Can Record 4 Tracks Simultaneously » 2 x XLR / 1/4" Combination Input Jacks » 3.5mm Mic Input with 2.5V Plug-In Power » Record & Play WAV & MP3 Formats » AD/DA Conversion up to 24-Bit / 96 kHz » Built-In Metronome and Chromatic Tuner » 2-In/2-Out Interface via USB

(ZOH4NPRO) ................................................ 219.99

F1 Field Recorder » 2-Channel Field Audio Recorder » Attach on Belts, Slip into a Pocket » LMF-1 Omnidirectional Lavalier Mic » 1/8" Stereo Mic/Line Input » 24-Bit/96 kHz Audio, WAV. and MP3 » Onboard Limiter and Auto-Level Control » One-Touch Controls, Easy-to-Read Display

with Lavalier Mic (ZOF1LP) ......................169.99with Shotgun Mic (ZOF1SP) .....................249.99

262 800-947-1186 • 212-444-6686

AUDIO FOR VIDEO SHOTGUN MICROPHONES

VideoMic Pro PlusOn-Camera Shotgun Microphone

» For DSLRs, Camcorders & More

» Improved RF-Immunity over Previous Model

» 20 Hz to 20 kHz Frequency Response » Rycote Lyre Shockmount » 3.5mm Mini-Jack Output, Dual Mono Output

(ROVMPP) ........................................................ 299.00

VideoMic GOLightweight On-Camera Mic

» Lightweight, Only 2.6 oz

» Rycote Lyre Suspension System

» Requires 2.5V Camera Plug-In Power » Integrated Shoe Mount with 3/8” Thread » 3.5mm Mini-Jack Output » Foam Windshield Included

(ROVMG) ............................................................ 99.00

VP83LensHopper Shotgun Mic

» Camera-Mount Condenser Microphone

» Integrated Rycote Lyre System

» Three-Position Gain Adjustment

» Switchable Low-Cut Filter » 130 Hours of Battery Life

(SHVP83) .......................................................... 199.00

SMX-30Stereo-/Mono-Switchable Video Microphone

» Stereo and Mono Recording Modes

» -10, 0, and +20 dB Level Adjustment

» 1/8” Stereo Mini-Jack Output » -10 dB Pad » Selectable @ 120 Hz Low-Cut Filter

(AZSMX30)........................................................ 249.00SMX-15 Powered Shotgun Mic (AZSMX15) ............. 199.00

MKE 400Compact Video Camera Shotgun Microphone

» Coiled 1/8” (3.5mm) Mini TRS Connector » Integrated

Shockmount » Durable Al-Metal

Construction

(SEMKE400) ..................................................... 199.95

SCL-1075 Camera- Mount Condenser

Shotgun Microphone

» Attach to Camera Shoe Mount or Boom » Cardioid and

Supercardioid Patterns

» Optimized to Reject Ambient Noise

(POSCL1075) ...................................................... 49.95

CS-88DSLR-Video Shotgun Mic

» Cardioid Polar Pattern » 3-Level Gain Switch

(-10, 0, +10 dB) » High-Pass Filter » Power LED » Coiled 1/8” Cable » Runs on a Single AA Battery (Included) » Shoe Mount with 1/4”-20 Threaded Socket

(SECS88) ............................................................ 99.00

Suspension System

Video Microphone

Reject Ambient

MKE 440Compact Stereo Shotgun Mic

» Two Shotgun Elements » Supercardioid

Pickup Pattern » Good Off-Axis

Sound Rejection » Captures Sound within Camera Angle » Frequency Response: 50 Hz to 20 kHz

(SEMKE440) ..................................................... 349.95Fur Windshield for MKE 440 (SEMZH440) ..............49.95

Shotgun Mics are characterized by a long narrow tube design, not unlike the barrel of a shotgun. These highly directional mics are commonly used for ENG, broadcast, and location sound applications. They provide a narrower angle of acceptance that isolates the subject’s sound from unwanted “off-axis” ambient sound. Shotguns are frequently mounted on boompoles or directly onto a camera in more basic setups.

XLR SHOTGUN MICROPHONES

# Brand Model Length Diameter Weight Frequency Power Souce Filter S/N Ratio SPL SKU Price

1 Azden SGM-PDII 5.9” 21mm 3.88 oz 80 Hz-18 kHz Phantom No 70dB 120dB AZSGMPDII 179.00

2 Audio-Technica AT875 6.89” 21mm 2.8 oz 90 Hz-20 kHz Phantom No 74dB 127dB AUAT875R 169.00

3 Sanken CS-1 7.15” 19mm 3.53 oz 50 Hz-20 kHz Phantom No – 137dB SACS1E 850.00

4 DPA Microphones 4017B 8.3” 19mm 2.5 oz 70 Hz-20 kHz Phantom Low-Cut, High Emphasis 80dB 132dB DP4017B 1,799.95

5 Rode NTG-1 8.5“ 22mm 3.7 oz 20 Hz-20 kHz Phantom Low-Cut 76dB 139dB RONTG1 249.00

6 Neumann KMR 81i 8.9” 21mm 5.1 oz 20 Hz-20 kHz Phantom Low-Cut 82dB 138dB NEKMR81I 1,600.00

7 Audio Technica AT8035 14.53” 21mm 6 oz 40 Hz-20 kH Phantom & Battery Low-Cut 72dB 126dB AUAT8035 269.00

8 Sennheiser MKH-416 9.84” 19mm 5.82 oz 40 Hz-20 kHz Phantom No 81dB 130dB SEMKH416P48 999.00

9 Sony ECM-678/9X 9.87” 21mm 4.76 oz 40 Hz-20 kHz Phantom Low-Cut 77dB 124dB SOECM6789X 549.95

10 Schoeps CMIT 5U 9.88” 21mm 3.14 oz 40 Hz-20 kHz Phantom Low-Cut, High Emphasis – 132dB SCCMIT5U 2,199.00

11 Rode NTG-3 10” 19mm 5.74 oz 40 Hz-20 kHz Phantom No 81dB 130dB RONTG3B 699.00

12 Sennheiser MKE600 10.1” 20mm 4.5 oz 40 Hz-20 kHz Phantom & Battery Low-Cut – 132dB SEMKE600 329.95

13 Sanken CS-3E 10.6” 19mm 4.2 oz 50 Hz-20 kHz Phantom No – 120dB SACS3E 1,450.00

14 Sony ECM-VG1 8.37” 20mm 2.3 oz 40 Hz-20 kHz Phantom & Battery Low-Cut 76dB 125dB SOECMVG1 219.00

15 Rode NTG4+ 10.94” 22mm 6.21 oz 20 Hz-20 kHz Phantom & Battery Low-Cut 78dB 135dB RONTG4P 399.00

16 Rode NTG-2 10.95” 22mm 5.7 oz 20 Hz-20 kHz Phantom & Battery Low-Cut 76dB 131dB RONTG2 269.00

17 Audio-Technica AT897 11” 21mm 5.1 oz 20 Hz-20 kHz Phantom & Battery Low-Cut 77dB 129dB AUAT897 249.00

18 Sennheiser MKH-60 11.02” 25mm 5.3 oz 50 Hz-20 kHz Phantom Low-Cut, High Emphasis 88dB 125dB SEMKH60 1,500.00

19 Azden SGM-1X 11.8” 21mm 4.76 oz 80 Hz-18 kHz Phantom & Battery Low-Cut 65dB 110dB AZSGM1X 179.00

1/8" MINI SHOTGUN MICROPHONES

12” 11” 10” 9” 8” 7” 6” 5” 4” 3” 2” 1” 0”

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

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263www.BandH.com

AUDIO FOR VIDEOBOOMPOLES & BOOMPOLE ACCESSORIES

WSS-2014Professional Windshield for Shotgun Microphones

» Open Cell Foam Matrix Technology

» 25mm Simulated Rabbit Fur Covering » Reduces Wind Noise up to 40dB » 360° Protection » Tapered Rubber Base » 14cm (5.5”) Inside Depth

(AUWSS2014) ......................................................84.95

Windshield Kitfor Sennheiser MKH416 & Other Select Shotgun Microphones

» Basket-Style 14.5” Windshield

» Lyre Technology Noise Reduction

» Rubberized 72-Shore, Nonslip Lyres, RF-Shielded Female XLR Cable

(RYWMKH416) .................................................. 499.00

BOOMPOLESAluminum poles are lightweight and strong, and they offer a great value for their price. Poles made of carbon fiber (CF) offer a high strength-to-weight ratio, and therefore represent the ultimate in smooth superlight handling performance.

Collar Sections

Cabled

Side Exit Bottom Exit

Brand Model Material Maximum Minimum Sections Cabling Cable Exit Weight SKU Price

Auray ABP-47B Aluminum 84” 24” 4 Coiled Bottom 1.2 lb AUABP47B 139.95

Auray ABP-59B Aluminum 110" 26" 5 Coiled Bottom 1.9 lb AUABP59B 179.95

Cavision SGP525F Carbon Fiber 98” 26” 5 – – 1.21 lb CASGP525F 134.95

K-Tek K102CCR Carbon Fiber 105” 27” 5 Coiled Side 1.6 lb KTK102CCR 589.00

K-Tek KE-144CCR Aluminum 144” 39” 5 Coiled Side 1.6 lb KTKE144CCR 280.25

K-Tek KE-110CC Aluminum 110” 31” 5 Coiled Bottom 1.46 lb KTKE110CC 237.50

K-Tek KE-110CCR Aluminum 110” 34” 5 Coiled Side 1.81 lb KTKE110CCR 256.50


K-Tek KE-79 Aluminum 80” 21” 6 – – 1.24 lb KTKE79 199.50



K-Tek KEG-100CC Carbon Fiber 105” 27” 5 Coiled Bottom 1.26 lb KTKEG100CC 465.50

K-Tek KEG-88CC Carbon Fiber 93” 13” 3 Coiled Bottom 1.21 lb KTKEG88CC 365.75

On-Stage MBP7000 Aluminum 96” 36” 3 – – 1.2 lb ONMBP7000 39.95

Polsen SBP-10 Aluminum 126” 33” 5 – – 1.85 lb POSBP10 99.00

ProAm USA BOOM2-S Aluminum 96” 36” 4 – – 1 lb PRBOOM2S 64.95

Rode Boompole Aluminum 120” 33” 5 – – 2.55 lb ROBP 149.00

Rode Micro Boompole Pro Aluminum 87” – 3 – – – ROULWMBP 99.00

Rode Micro Boompole Aluminum 81” 32” 3 – – 12.7 oz ROMICROBOOMP 49.00

Invision SeriesDesigned for Discreet, Low-Profile Boom-Mounted Use in Broadcast Studio Environments Where Full Windshielding Is Not Required

for 19-25mm Condenser Mics (RYINV6) ................59.00for Shotgun Mics 19-25mm (RYINV7)....................59.00

DUSM-1Universal Shockmount

» For Camera Shoes and Boompoles

» Built-In Shoe Mount » Fits Mics Measuring 19-25mm in Diameter

(AUDUSM1) .........................................................39.95Universal Mic Pistol Grip (AUGRIP) .......................19.994-Point Mic Suspenders, Pair (AU4PSSS) ..............18.00

Boom Pole Holder » Fits on C-Stands and

Mic Stands » Holds Boom Pole in

Fixed Position » Hands-Free Operation » Coated to Protect Your Boompole » Extra Wide Yoke Permits

Easy Positioning

(AUBPH) ..............................................................24.95

PG2-RPistol Grip Shockmount

» For Boompole or Handheld Applications

» Dual Rycote Lyre Mounts » Reduces Handling Vibrations » Four Possible Cable

Mounting Points » Lightweight Handle » Cushioned Grip » 3/8”-16 Thread at Base

(ROPG2R) ............................................................79.00

Micro Windjammers » Compatible with

DSLRs & Compact Cameras » Cuts Wind Noise on

Built-In Microphones

» Also Fits Mobile Phones and iPads

» Set of 6

(RYMWCCS) .........................................................12.95

Blimp Windshield and Shockmount Suspension System » Protection

from Wind Noise

» Isolates from Shock and Vibration

» Fits NTG1, NTG2, NTG3, NTG4. and NTG4+

(ROBLIMPR) .......................................Call or Log-On

from Shock

Coated to Protect Your Boompolea Wide Yoke Permits Rubberized 72-Shore,

Pistol Grip Shockmount

Matrix Technology

DSLRs & Compact Camerasind Noise on

264 800-947-1186 • 212-444-6686

AUDIO FOR VIDEO INTERCOMS & COMMUNICATIONS

BPHS1Broadcast Stereo Headset

» Closed-Back Dynamic Headphone » Cardioid Boom Microphone » Wide Frequency Response » 1/4” Phone and XLR Connectors

(AUBPHS1) ........................................................................................ 199.00

COM-60FC 6-Headset Wired Intercom System

» 2-Channel Wired Intercom System

» PC-2000 Powering Console » 6x H-200 Noise-Cancelling Headsets

» 6x BP-200 Beltpacks » B3-2000 Branch Box

(POCOM60FC) .................................................................................2,894.00

HUB5S Mini Duplex Base 5-Person System with 5 UltraLITE Headsets

» Allows Communication for 5-Person Crews

» Extends Range of Communication » Over 1000’ Range » Includes Portable Hub

Mini Base Station » Includes 5 UltraLITE

Single Headsets » Includes Batteries & Case(EAHUB5S) .....................................................................................1,425.00

COMSTAR XT-6 6-User Full Duplex Wireless Intercom System

» Com-Center Base and 6 Headsets » Full Duplex Communication » Up to 800-Yard Wireless Range » No Beltpacks Needed » Conferencing Capability » Around-Ear Cushions » Padded Headbands » Boom Microphones » Rechargeable » No FCC License Needed

(EAXT6) ..........................................................................................4,245.00

ITC-1004-User Intercom System Combo Package

» Supports up to 8 Beltbacks & 8 Headsets

» Includes 4 XLR Beltbacks and 4 HP1 Headsets

» Tally Light Set » Includes Gooseneck Mic » Includes 4 x 65’ Cables

(DAITC100HP1K) .............................................................................1,412.00

UL4S UltraLITE 4-Person Headsetwith Batteries, Charger & Case

» 4 Single Headsets » Over 1000’ Range » Headsets’ Mic Boom Swivels 270°

» Includes 2-Port Charging Station

» Includes Batteries & Case » Lasts up to 6 Hours on a 3-Hour Charge

(EAUL4S) ........................................................................................... 735.00

LXT600VP336-Channel 2-Way Radios (Black)

» Up to 30-Mile Range » 22 Channels & 14 Extra Channels » Privacy Codes - 121 » NOAA Weather & Hazard Alerts » Weather Scan » Call Alerts - 5 » Hi/Lo Power Settings » eVox Hands-Free Operation » Rechargeable Batteries and Charger

(MILXT600VP3) .....................................................................................49.99

LXT500VP322-Channel 2 -Way Radios (Pair)

» 22 Channels » 24-Mile Range » Dual-Bay Desktop Charger » Dual Power Options » Silent Operation » Channel Scan » Keypad Lock » Battery Life Extender

(MILXT500VP3) .................................................................................... 39.99

Protalk LT PKT-23Pocket-Sized UHF FM Portable 2-Way Radio

» 1.5-Watt Transmit Power » 4 Channels » Coded Squelch » Scan Function » Micro-USB Port » LED Battery Status Indicator » IP54: Water Intrusion and Dustproof » Monitor » 3.5mm Audio Jack » Belt Clip, Charger, and Battery Included

(KEPKT23K) ....................................................................................... 144.00

GXT1000VP42-Way Compact Communication Radio

» Up to 36-Mile Range » 50 Channels » Channel Scan » 387 Privacy Codes » Auto Squelch » 10 Call Alerts » Weather Scan and NOAA » JIS4 Waterproof Rating » Hi/Med/Lo Power Settings » Rechargeable Batteries and Charger

(MIGXT1000VP4) .................................................................................. 69.99

RDU4100RDX Business Series Two-Way UHF Radio

» 4 Watts, 10 Channels » Durable, Reliable Two-Way UHF Radio » NOAA Weather Alert » Water Resistant » Repeater Capable » Superior Audio Quality » Customer Programmable » MIL-STD 810C, 810D, 810E, and 810F

(MORDU4100) .................................................................................... 279.00

Talkabout T800 Two-Way Radios

» 22 FRS Channels in 462 to 467 MHz Band » 121 Privacy Codes per Channel » Off-Grid Messaging & Location Sharing » Range: 2 Miles Urban, 6 Miles Open Water » 35-Mile Maximum

Mountain-to-Valley Range » IPX4 Weatherproof Rating » 11 Weather Channels, NOAA Weather Alerts

(MOT800) ....................................................99.00

OTTO Connect 210Wireless 1-Channel

Intercom with 8 Talk Slots

» No Base Station—Switching Master Unit » Maximum Range line-of-Sight up to 4000’ » DSP (Digital Signal Processing) » Hopping at 30ms Intervals » Up to 8 Speaking Users per Synchronized

Group—Multiple Groups Supported » Talk-Time up to 18 Hours » Protective Rubber Boot

(OTCT00210) ...................................................................................... 848.95

THAT-2Telephone Handset Audio Tap

» Record and Play Phone Calls

» XLR and RCA I/O » Works with Multiple Receiver Types

» No Power Required

(JKT2) ............................................................................................... 223.25

AutoHybridTelephone Audio Interface

» Full Duplex Hybrid » Auto-Answer

Disconnect » Passive Design » XLR Send Jack » XLR Receive Jack » Remote Control Terminals » Tough Aluminum Design

(JKAUTO) ........................................................................................... 209.00

Supports up to 8 Beltbacks

s

Lasts up to 6 Hours on a 3-Hour Charge

22 Channels & 14 Extra Channels

NOAA Weather & Hazard Alerts

22-Channel 2 -Way Radios (Pair)

Dual-Bay Desktop Charger

39.99

Padded Headbands

Auto Squelch

265www.BandH.com

AUDIO FOR VIDEOACCESSORIES

AO-1XB Audio Organizer Case (Black)

» Fits Audio Gear and Accessories » 1000D Cordura Nylon » Padded Main Section

and Pocket » Completely Reversible » Zip-Off Side Panels » Suede Leather-Covered Carry Handles » HB-40a Removable Shoulder Strap

(POAO1XB) ........................................................................................ 183.65

TS-CCompact Timecode Slate

» Reads, Generates and Displays SMPTE/EBU Timecode

» Electro-Luminescent (EL) Backlit » Colored Clapper » Jams to All Standard Frame Rates » Battery Voltage Readout and Low Battery Warning

» Small Sliding Door for Access to Controls and Battery Pack(DETSC) ..........................................................................................1,282.50

WRW-H4NCustom Windbuster for Zoom H4n

» Dual-Layered Wind Protection » Reduces Wind Noise up to 30dB » Reduces Vocal Plosives » Protects Recorder from

Moisture and Dirt » Tailored Fit

(AUWRWH4N) ...................................................................................... 35.00WRW-H2N for Zoom H2n (AUWRWH2N) ................................................ 24.99WRW-H1 for Zoom H1 (AUWRWH1)....................................................... 23.95

Stingray SmallAudio Mixer Recorder Bag

» For 633 Mixer with Wireless Setups » Rigid Internal Vertical Frame » Large Side Pockets for NP Batteries » Bottom Trapdoor for Easy Access » 13.0 x 9.9 x 10.6”

(KTKSTGS) ......................................................................................... 313.50Stingray Junior 12.6 x 6.3 x 9.1” (KTKSTGJ) ...................................... 232.75Stingray Medium 16.5 x 9.8 x 10.2” (KTKSTGM) ................................ 327.75Stingray Large 44.0 x 25.0 x 26.0” (KTKSTGL) ................................... 337.25

Mic FlagsWhite

» Fits 0.74 to 1.49” (19 to 38mm) Mics » Accommodate Various Microphone Doiameters » Removable Rubber Vanes for Custom Fit » Printable 2.24 x 1.88” (57 x 48mm) Area » Durable Shatterproof Plastic » Weighs 3.3 oz

White (RYMF1938SQUW) ...................................................................... 19.99Square Mic Flag Black (RYMF1938SQ) .................................................. 19.99Triangle Mic Flag White (RYMF1938TRIW)............................................. 19.99Triangle Mic Flag Black (RYMF1938TRI) ................................................ 19.99

Lenny’s Yeoman 17 Press Conference Media Microphone Holder

» For ENG Microphones » Organizes up to 17 Microphones » Affixes to Any Standard Light Stand

» Recycled Delrin Construction » Lightweight at 2 lb

(LEMSQ) ............................................................................................ 143.00

PMF-TW / PMF-TBPremium Triangle Microphone Flag

» Fits 0.75” to 1.5” Microphones

» Removable Rubber Wedges for Custom Fit

» Printable 2.25 x 4.25” Surface Area

» Durable Plastic ConstructionWhite (AUPMFTW) ..............................................................................17.95Black (AUPMFTB) ...............................................................................17.95

Lightweight Audio Bag » Transparent Top Window for Easy Viewing » Fully Padded Main Compartment » Removable Internal Dividers » Side, Back, and Top Mixer

Panel Access » Double Floor for

Headphone Cables » Multiple Storage Pouches for Accesories

Small (SALWABS) ............................................................................ 175.75Medium (SALWABM) ....................................................................... 285.95

NanoLockitWireless Timecode Generator

» Wireless Transceiver over ACN Network

» For DSLR, Consumer, and Small Cameras

» Matchbox-Size Form Factor » One-Button Syncing » Generate Timecode with Real-Time Clock » Jam-Sync to Other NanoLockits » Supports All Timecode Frame Rates

(AMACNNL) ....................................................................................... 299.00

24” BDS Input Cablewith NP-1 Battery Cup to TA4F

» Remote Audio Battery Distribution System

» Adapts NP-1 Battery to BDS » TA4F (Mini XLR 4-Pin Female)

Connection » 24” Cable

(REBDSNPADW) ................................................................................... 49.99

BDSv4UBattery Distribution System

» Compact Design » Reverse Polarity Protection » Low Battery LED » USB and Remote Ports

(REBDSV4U) ...................................................................................... 239.99

iSeries 3I-1209-4-BH2 Waterproof Casefor Sennheiser AVX Wireless Mic Systems

» Holds up to Two Sennheiser AVX Systems » Fits Handheld Mic and Accessories » Durable Polypropylene Copolymer Resin

» Watertight Gasket Seal » Resistant to UV, Corrosion & More » Stainless Steel Molded-In Hinges » Trigger-Release Latch System

(SK3I12094BH2) .....................................89.99

OR-78 Mini Sound Bag

for ZOOM F8, Zaxcom Max, Tascam DR70, and Select Mixers

» Internal Honeycomb Frame » Can Hold Mixer,

Transmitters & Batteries

(OROR28) .......................................................................................... 179.00

RCH4NRemote Control for Zoom H4n

» Control Record and Playback Functions from up to 6’ Away

» Select Inputs and Set Levels » Recording and Clip Indicators » Create Marks » Prevents Handling Noise » No Batteries Required

(AURCH4N) .......................................................................................... 24.99RC-ZH6 Remote Control for Zoom H6 (AURCZH6) ........................... 22.95RC-ZH5 Remote Control for Zoom H5 (AURCZH5) ........................... 24.95

ransparent Top Window for Easy ViewingFully Padded Main Compartment

KSRB2 Rain Bibfor Stingray Harness

» Top Piece with Elastic Edge Reduces Rain Penetration

» Quickly Deployable » Clips onto Harness Shoulder Straps

and Hooks into Harness » Wraps around and below the Bag » Gustproof » Waterproof Zippers » Includes a Storage Pouch

(KTKSRB2) .......................................................................................... 65.55

ccessories

Suede Leather-Covered Carry Handles

www.aurayaudio.comMore from Auray:- Microphone

Pistol Grips

- Microphone Flags- Headphone

Accessories

- Keyboard Stands- Speaker & Mic

Stands

- Wind Protection- Reflection Filters- Pop Filters

- Isolation Pads- Portable Recording

Remotes

Pro AudioAccessories

We Treat Your Sound Well

Boom Poles from Auray

Why Auray?ALL MODELS:

Telescoping Boom Poles from Auray are designed to accommodate Electronic News Gathering (ENG), Electronic Field Production (EFP), documentary, and other field recording applications. With sizes ranging from 2' to 16', they allow you to place a microphone in close proximity to the subject, while remaining at a distance and out of the frame.

The Auray ABP series is constructed of sturdy, light-weight aluminum, and the CFP series is made from rein-forced carbon fiber composite. Models from both series are available with or without an integrated XLR cable. Auray also offers a wide range of accessories to enhance and expand our boom poles and tailor them to fit any project.

Drop-Through Modular Design lets you quickly and easily add or change tips, cables, and extensions without any special tools or skills.

Integrated Coiled XLR Cable smoothly extends and retracts with the telescoping tubes. The cable also features a unique strain relief system.

www.aurayaudio.com- Isolation Padsortable Recording www.aurayaudio.com

CARBON FIBER CFP SERIES:MFR # SIZE SECTIONS/CABLE MIN. MAX. PRICE

CFP-58B 8' 5 sections w/cable 2.3' (0.7 m) 7.8' (2.4 m) 309.95

CFP-58N 8' 5 sections w/o cable 2.3' (0.7 m) 7.8' (2.4 m) 279.95

CFP-58R 8' 5 sections w/cable Side Exit 2.3' (0.7 m) 7.8' (2.4 m) 339.95

CFP-68B 7' 6 sections w/cable 1.9' (0.6 m) 6.8' (2.1 m) 329.95



CFP-512N 12' 5 sections w/o cable 3' (0.9 m) 11.7' (3.6 m) 449.95

CFP-512R 12' 5 sections w/cable Side Exit 3' (0.9 m) 11.7' (3.6 m) 499.95



ALUMINUM ABP SERIES:MFR # SIZE SECTIONS/CABLE MIN. MAX. PRICE

ABP-35N 5' 3 sections w/o cable 2.2' (0.67 m) 5.3' (1.6 m) 99.95

ABP-47B 7' 4 sections w/cable 2.3' (0.7 m) 7.3' (2.2 m) 139.95



ABP-66N 6' 6 sections w/o cable 1.7' (0.5 m) 6.3' (1.9 m) 159.95

ABP-412B 12' 4 sections w/cable 3.5' (1 m) 12.3' (3.7 m) 209.95

ABP-412N 12' 4 sections w/o cable 3.5' (1 m) 12.3' (3.7 m) 179.95

Unique Anti-Twist Feature prevents the tube sections from rotating independently of each other, and allows for one handed operation of the twist locks.

CARBON FIBER CFP SERIES:

an indie filmmaker’s core audio kit and tips... 255 an indie filmmaker’s core audio kit audio...

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