an introduction to the rebecca enter for music therapytherebeccacenter.org/images/trc fall-winter...

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OCTOBER, 2013 VOLUME 1, ISSUE 1 Special points of interest: New and Returning Music Therapy Programs The IMCAP-ND and Music Therapy Publications Recent and Upcoming Presentations Considering Musical Dimen- sions in Relationship-Based Work: New Directions in Music Therapy Treatment Planning TIME-A Research Study: Music Therapy and Autism Upcoming Event Dates: Walk Now for Autism Speaks 10/6 Considering Musi- cal Dimensions in Relationship Based Work: Conference 10/11 2013 ICDL Annual Conference 10/29 Our Mission Our mission at The Rebecca Center is to use interactive music therapy interventions to facilitate relatedness, communication, and thinking while removing physical and cognitive barriers that pre- vent children with developmental challenges from engaging in essential social interactions and life processes. Core Values Music and the relational experiences intrinsic to musical-play are therapy when applied clinically. Interactive musical experiences can help a child with developmental challenges in many ways; fulfill the need to interact, socialize, communicate, achieve, learn and improve physicality. Musical- play can provide the unique experience of integrating multiple sensory stimuli simultaneously, fa- cilitating self-regulation and sensory modulation. Musical-play can also generate effective interac- tions that foster reciprocity and creative thinking. Changing Lives Programs at The Rebecca Center for Music Therapy at Molloy College are aimed at discovering the unique potential in every child through interactive musical-play, in order to facilitate engage- ment, relatedness, communication, and thinking. In creating a non-judgmental, musically and emo- tionally supportive therapeutic atmosphere, the child can discover emotional and behavioral self- regulation through engaging in interactive musical-play. The Newsletter The purpose of this newsletter is to share events, publications and programs involving staff and members of The Rebecca Center for Music Therapy at Molloy College, while uniting parents, edu- cators and therapists in the mission of serving their communities through music therapy services. For more information visit us online at: www.therebeccacenter.org or contact us at: 516.323.3324 John A. Carpente, Ph.D., MT-BC, LCAT Founder and Director of The Rebecca Center Suzanne Sorel, DA, MT-BC, LCAT Associate Dean and Director of Graduate Music Therapy at Molloy College Laura B. Kestem- berg, Ph.D., Clinical Director Jill Lucente, MS, MT-BC, LCAT Program Coor- dinator, Music Therapist Gabriela Ortiz, MS, MT-BC Senior Clinician, Music Therapist Laura DeGen- naro, M.S. Clinical Coordi- nator Jesse Asch, MT-BC Music Thera- pist Stephanie Cestaro Administrative Assistant Diana Abourafeh, Administrative Assistant An Introducon to The Rebecca Center for Music Therapy Meet the Staff

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Page 1: An Introduction to The Rebecca enter for Music Therapytherebeccacenter.org/images/TRC Fall-Winter News.pdf · 2016-08-29 · members of The Rebecca Center for Music Therapy at Molloy

OCTOBER, 2013

VOLUME 1, ISSUE 1

Special points of interest:

New and Returning

Music Therapy Programs

The IMCAP-ND and Music

Therapy Publications

Recent and Upcoming

Presentations

Considering Musical Dimen-

sions in Relationship-Based

Work: New Directions in

Music Therapy Treatment

Planning

TIME-A Research Study:

Music Therapy and Autism

Upcoming Event Dates:

Walk Now for

Autism Speaks

10/6

Considering Musi-

cal Dimensions in

Relationship Based

Work: Conference

10/11

2013 ICDL Annual

Conference

10/29

Our Mission Our mission at The Rebecca Center is to use interactive music therapy interventions to facilitate relatedness, communication, and thinking while removing physical and cognitive barriers that pre-vent children with developmental challenges from engaging in essential social interactions and life processes.

Core Values Music and the relational experiences intrinsic to musical-play are therapy when applied clinically.

Interactive musical experiences can help a child with developmental challenges in many ways; fulfill the need to interact, socialize, communicate, achieve, learn and improve physicality. Musical-play can provide the unique experience of integrating multiple sensory stimuli simultaneously, fa-cilitating self-regulation and sensory modulation. Musical-play can also generate effective interac-tions that foster reciprocity and creative thinking.

Changing Lives Programs at The Rebecca Center for Music Therapy at Molloy College are aimed at discovering the unique potential in every child through interactive musical-play, in order to facilitate engage-ment, relatedness, communication, and thinking. In creating a non-judgmental, musically and emo-tionally supportive therapeutic atmosphere, the child can discover emotional and behavioral self- regulation through engaging in interactive musical-play. The Newsletter The purpose of this newsletter is to share events, publications and programs involving staff and members of The Rebecca Center for Music Therapy at Molloy College, while uniting parents, edu-cators and therapists in the mission of serving their communities through music therapy services.

For more information visit us

online at:

www.therebeccacenter.org

or contact us at:

516.323.3324

John A. Carpente, Ph.D., MT-BC, LCAT Founder and Director of The Rebecca Center

Suzanne Sorel, DA, MT-BC, LCAT Associate Dean and Director of Graduate Music Therapy at Molloy College Laura B. Kestem-berg, Ph.D., Clinical Director

Jill Lucente, MS, MT-BC, LCAT Program Coor-dinator, Music Therapist

Gabriela Ortiz, MS, MT-BC Senior Clinician, Music Therapist

Laura DeGen-naro, M.S. Clinical Coordi-nator

Jesse Asch, MT-BC Music Thera-pist

Stephanie Cestaro Administrative Assistant

Diana Abourafeh, Administrative Assistant

An Introduction to The Rebecca Center for Music Therapy

Meet the Staff

Page 2: An Introduction to The Rebecca enter for Music Therapytherebeccacenter.org/images/TRC Fall-Winter News.pdf · 2016-08-29 · members of The Rebecca Center for Music Therapy at Molloy

Our music therapy clinicians, Jesse Asch, MT-BC, Jill Lu-cente, MS, MT-BC and Ga-briela Ortiz, MS, MT-BC presented a continuing edu-cation workshop at the Re-gional Music Therapy Associ-ation Conference this past March, in Scranton, Pennsyl-vania. The presentation ex-amined and explored the particular story of The Jour-ney of the Noble Gnarble, an original clinical composition, and how it was used with a

group of children at The Rebecca Center for Music

Therapy at Molloy College. Originally written by Daniel Errico, The Journey of the Noble Gnarble story was adapted with music com-posed by Jill Lucente, Ga-briela Ortiz, and Midori Tsujimoto (previous music therapist at the center) throughout their Post-Graduate Advanced Clinical Certification Training in Nor-doff-Robbins Music Therapy at Molloy College. The presentation involved

the participants in actively experiencing The Journey of

the Noble Gnarble, as well as musical analysis and dis-cussion. Participants were also divided into smaller groups and given the oppor-tunity to compose and cre-ate musical themes based on a familiar story. The therapists hope to pub-lish this work as a piece for use in therapeutic practice within the upcoming year.

Carpente, J. (2012). DIR/Floortime: Implications for improvisational music therapy. In P. Kern & M. Humpal. Early childhood music therapy and autism spectrum disorders: Developing potential in young children and their families. Philadelphia, PA: Jessica Kingsley

Carpente, J. (2012). A Research Case Study on the Effectiveness of Nordoff-Robbins Music Therapy In Accomplishing Musical and Socio-emotional Goals for a Girl with Autism. In K. Bruscia. Case example of improvisational music therapy. Gilsum NH: Barcelona Publishers.

Carpente, J. (2012). Addressing Core Features of Autism: Integrating Nordoff-Robbins Music Therapy (NRMT) within the Developmental, Individual-Difference, Relationship-Based (DIR®)/ Floortime™) Model. In K. Bruscia. Case Examples of Music Therapy for Autism and Rett Syn- drome. Gilsum NH: Barcelona Publishers.

Sorel, S. (2013). Musicing as therapy in Nordoff-Robbins Training. In K. Bruscia. Self-Experiences in Music Therapy Education, Training and Supervision. Gilsum NH:Barcelona Publishers.

Staff Presentation at MAR-AMTA: Clinical Use of Story Songs

Publication Overview

Presentation Overview CMTE: The Clinical Use of Story Songs (Asch, J., Lucente, J., & Ortiz G.) The Mid-Atlantic Regional Conference of The American Music Therapy Association, April 4-6th, 2013

Clinical Improvisation Through Exploration of Modes (Sorel, S.) CMTE: Writing Humanistic Goal Plans in an Evidence-Based World (Sorel, S.) The New England Regional Conference of The American Music Therapy Association, April 4-6th, 2013

Improvisational Music Therapy & ASD: Clinical Practice & Research (Carpente, J.) Weill Cornell, Center for Autism & the Developing Brain, September 16, 2013 Considering Musical Dimensions in Relationship-Based Work: New Directions in Music Therapy Treatment Planning (Carpente, J., Lucente, J., Ortiz, G., & Sorel, S.) Molloy College Suffolk Center, October 11th, 2013, 8:30 a.m. - 4 p.m. Voices of the Sea (Carpente, J. & Sorel, S.)

American Music Therapy Association National Conference, November 21st-24th 2013

“If we can understand the

underlying developmental

process, we can see a child’s

struggles as signs of striving

toward growth instead of

chronic problems…”

-Dr. Stanley Greenspan

Page 2

A recent music therapy publica-tion with contributions from Director, John A. Carpente.

Artwork from the Journey of the Noble Gnarble by Daniel

Errico

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VOLUME 1, ISSUE 1 Page 3

Established in December of 2012, The Rebecca Center for Music Therapy at Molloy Col-

lege began a partnership with the East Rockaway Public School District. This program, known as East Rock, provides adolescents with developmen-

tal and emotional challenges the opportunity to participate in group music therapy ser-vices. Musical interventions, such as song-writing, record-

ing, and improvisational music making are specifically de-signed to facilitate group participation, collaboration, shared problem-solving, turn-

taking, and negotiating. It is our hope to involve the stu-dents in a process-oriented

musical experience and, through this, provide them with relational experiences intrinsic to the music making. By doing so, we are tapping

into each of the student’s musi-cal sensibilities and potentials, an area that is rarely, if ever, tapped into in traditional education.

The program operates once a week here at the center, dur-ing the regular school day, and is contracted for a 20-

week agreement. Staff coach-ing and in-service training are also provided with aims to

offer supportive techniques that foster social-emotional development to the students. We are pleased to introduce

this new program and invite you to contact us with com-ments and questions!

ter learning, interaction, and social-emotional development. Children also have the oppor-tunity to engage in spontane-ous music-making, motivating each child and expanding upon his/her natural, sponta-neous play. Classes are 45 minutes, once weekly throughout a 10-week schedule. To register for our classes or for more information, please contact us at 516.323.3324

The Rebecca Center for Music Therapy at Molloy College is proud to re-launch Mini Maes-tros!. Offering quality music therapy services, Mini Maes-tros! aims to provide develop-mental interactive music-based programs for children from birth to 3 years of age with their parents and/or caregivers within a group setting. Musical activities including songs, instrumental play, and movement are utilized to fos-

“My son (Jason) and I look forward to coming every week! We find ourselves interacting

and singing songs together in the car and at home. It’s the highlight of his and my week!” -Amy (proud mom of 2 year old boy)

“East Rock”: Music Therapy Comes to Long Island School District

New Program: MINI MAESTROS!

briela Ortiz, senior music ther-apist at The Rebecca Center. Her connection to the Latino

community and desire to assist children and families who face challenges due to lan-guage barriers and poverty served as the spring board

for the development of this program. Thus, The Rebecca Center is taking initiative to provide opportunities for Spanish speaking children and

families to receive individual

and group music therapy, parent support groups, and parent coaching services.

Musicoterapia, a new music therapy program for Spanish speaking children and their families is now open for en-rollment.

For details on this program, go to: www.therebeccacenter.org/pages/musicoterapia.html

New Program: ¡Musicoterapia! Given the rapid growth of Long Island’s Latino popula-tion and the changing de-

mographics of young children with developmental challeng-es throughout Long Island, The Rebecca Center for Music Ther-apy at Molloy College is

reaching out to Hispanic chil-dren and families with specifi-cally tailored music therapy services.

Leading this program is Ga-

“Our clinical interactions with

children contain all of the

variety of richness of human

interactions outside of the

clinical milieu”

-Clive Robbins

Adding the final touches before the “East Rock” CD

Release Party.

Registration for Mini Maestros! Is now open

so call today!

Page 4: An Introduction to The Rebecca enter for Music Therapytherebeccacenter.org/images/TRC Fall-Winter News.pdf · 2016-08-29 · members of The Rebecca Center for Music Therapy at Molloy

“Writing in the Key of” is a column dedicated to recently published or up and coming literature that presents a significant contribution to the field of music therapy and/or related health care pro-fessions. This particular edi-tion will focus on the IMCAP-ND. Published by The Rebecca Center’s own, John A. Car-pente Ph.D., MT-BC, LCAT, the Individual Music-

Centered Assessment Profile for Neurodevelopmental Disorders (IMCAP-ND) is a method for observing, listen-ing, and rating musical emo-tional responses, cognition and perception, preferences, perceptual efficiency, and self-regulation in individuals with neurodevelopmental disorders. Within musical-play, and a developmental and relationship-based framework, the IMCAP-ND focuses on how clients per-ceive, interpret, and create music with the therapist as the first step in formulating clinical goals and strategies for working with clients. The IMCAP-ND includes three easy-to-use rating scales that evaluate clients, from children to adults, at various developmental levels and chronological ages. In addition, it provides the therapist with musical proce-dures and protocols as well as guiding principles for facilitating the in-session assessment process. The IMCAP-ND clinical man-ual includes protocols, sup-portive intervention proce-dures, rating scales, intake forms, and an assessment/evaluation report template.

The IMCAP-ND may be used:

to develop clinical goals

and treatment plans

to musically guide the

therapist in working with the client

to communicate infor-

mation to parents and healthcare professionals

as pre- and post test

measures to evaluate client progress

“The IMCAP-ND offers the music therapist a develop-mental and relational frame-work to understand, assess and promote human develop-ment. The “right brain‟ is given voice in the IMCAP-ND and offers all pediatric disci-plines a window into the full range of human drama.” -Gerard Costa, Ph.D.

Director and Senior Lec-turer, Center for Autism and Early Childhood Mental Health, College of Education and Human Services, Montclair State University

The IMCAP-ND proves to be a significant contribution to the field in that it allows the therapist to think musically about goal writing, assess-ment and evaluation in a more clear and concise man-ner. The scales help create a musical profile of the client based upon the musical strengths, limitations and preferences, and correlate this musical profile with de-velopmental and social/emotional ways of being.

In addition to the release of this publication, The Rebecca Center for Music Therapy at Molloy College is pleased to present a One-day Confer-ence for Creative Arts Ther-apists, Health Care Profes-sionals, Artists, Musicians, students, and those involved in the Humanities. The pur-pose of this conference will be to explore ideas on un-derstanding musical dimen-sions in relationship-based work within the context of

the Individual Music-Centered Assessment Profile for Neurodevelopmental Disorders (IMCAP-ND). Considering Musical Di-mensions in Relationship-Based Work: New Direc-tions in Music Therapy Treatment Planning October 11, 2013 8:30 a.m. - 4 p.m. Molloy College Suffolk Cen-ter For more information , and to register, visit: http://www.molloy.edu/academics/division-of-continuing-education-and-professional-development/careers-and-professional-development-programs/music-therapy/music-therapy-conference

Writing in the Key of: IMCAP-ND, A Clinical Manual

“This clinical manual will be an

indispensable tool for all music

therapists who believe in the

power of affect to help clients

relate and communicate through

the experience of musical-play.”

Cecilia Breinbauer, M.D.

Director, Interdisciplinary Council

on Developmental and Learning

Disorders (ICDL)

Page 4

The Rebecca Center will host a one day conference on relation-ship-based work as it relates to the IMCAP-ND on October 11, 2013

Caption describing picture or graphic.

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VOLUME 1, ISSUE 1 Page 5

The Rebecca Center for Mu-sic Therapy at Molloy Col-lege is proud to be the sole music therapy site in the United States being funded to participate in an interna-tional research study. This study, collaborating with Australia, Austria, Brazil, Denmark, Israel, Korea, Nor-way, and the United States, is the first well-controlled effectiveness study and largest randomized con-trolled trial on clinical inter-ventions for autism to date. This study is funded by the Research Council of Norway, Grieg Academy for Music Therapy Research Centre, Uni Health, and Uni Re-search and builds upon a collaboration of eight coun-tries worldwide. The study, which began in September 2012, is open to children ages 4-7 who have been diagnosed with autism spectrum disorder and have no previous experience with music therapy interventions. These participants are ran-domized into one of three groups, including a non-treatment group, music ther-apy sessions 1x per week, or music therapy sessions 3x per week. For qualifying participants, services are offered at no charge, includ-ing comprehensive assess-ments, parent counseling, and music therapy sessions. “The Center is making signif-icant progress on all aspects of the study including the recruitment of a total of 11 children (10 others placed on a wait list)”, said Center Director and United States site manager Dr. John Car-pente.

“We have organized under-graduate and graduate students to assist with filming music therapy and parent counseling sessions, transfer-ring and storing session vid-eo as well as archiving the data. As the first round (5 month period) nears comple-tion I would like to thank everyone who has partici-pated in the study for their hard work and commitment, including Jesse Asch, Audra Cerruto, Talita Ferrara, Tal Gur, Jill Lucente, Monica Morello, Gabriela Ortiz, Suzanne Sorel, Alan Wen-deroff, Molloy’s music thera-py undergraduate and graduate students, and our newest team member, Kim-berly Gilbert.” Since this time, the study has only continued to grow in size and scope, involving additional music therapists at The Rebecca Center, as well as two new clinical psy-chologists, Laura DeGennaro and Laura Kestemberg. While the second cycle of this Random Control Trial Study is currently underway, The Rebecca Center is con-tinuing to accept inquiries for future rounds of the study. If you are interested in par-ticipating in the study or have any questions, please e-mail the Center at [email protected]. For more information, visit: therebeccacenter.org/pages/research.html

Further Research:

At just one year into the Randomized Controlled Trial of Improvisational Music Therapy’s Effectiveness for Children with Autism Spec-trum Disorders (TIME-A study), a variety of sub-studies have been sparked, in which an increased focus on particular aspects of the study are at play. One such study is the work of Molloy College’s own, Laura Kes-temberg.

Her research and clinical interests include develop-mental and emotional disa-bilities, their effects on fami-ly members, psychological and neuropsychological as-sessment of children and adults, cross-cultural psychol-ogy, psychotherapy and counseling with clients from diverse backgrounds, and supervision and mentoring of psychology students.

Along with her involvement as Clinical Director of the emerging Center for Autism and Child Development, Laura’s sub-study focuses on indexing and further under-standing levels of stress in parents of a children with autism.

New Wave: TIME-A Research Study

“This study is the first well-

controlled effectiveness

study and largest

randomized controlled trial

on clinical interventions for

autism to date.”

Page 6: An Introduction to The Rebecca enter for Music Therapytherebeccacenter.org/images/TRC Fall-Winter News.pdf · 2016-08-29 · members of The Rebecca Center for Music Therapy at Molloy

TIME-A International Re-search Study. She has re-ceived her Masters of Sci-ence from Hofstra University in School-Community Psychol-ogy. She has provided di-rected services as well as psychological assessments to toddlers, young children, adolescents and adults with Autism Spectrum Disorders. Laura has a broad range of clinical experience and has participated in research with children with Autism and the role of play therapy. Laura B. Kestemberg, Ph.D., is currently the Clinical Direc-tor at the Center for Autism and Child Development. She is a bilingual Spanish-English NYS Licensed Psychologist who received her PhD. in Clinical Psychology and her Masters in Clinical/School Psychology from Adelphi

In conjunction with the center’s many projects, highlighted within the contents of our newsletter, we have wel-comed a number of new faces to The Rebecca Center for Music Therapy and its devel-oping Center for Autism & Child Development.

Diana Abourafeh is currently an administrative assistant at The Rebecca Center for Music Therapy. Diana is currently enrolled in the undergraduate music therapy program at Molloy College. She is also the President of the Molloy Music Therapy Club and is very active in service to the local community Laura De Gennaro, M.S., is currently the Clinical Coordi-nator for the Center for Au-tism and Child Development at The Rebecca Center and conducting assessments for the

University. She has completed post-graduate work in neuro-psychology. Dr. Kestemberg has worked in a variety of clinical settings, including community clinics, hospitals, universities, head injury re-hab units, and schools provid-ing psychotherapy and as-sessment services for 20 years. Laura began teaching as an Associate Professor at Molloy’s Psychology and Counseling Department in September 2012 and has worked this last year on a proposal to the New York State Education Department for a Masters in Science Pro-gram in Clinical Mental Health Counseling. She joined the Center for Autism and Child Development in August of 2013.

Help Us in Welcoming!: New Staff at The Rebecca Center

FOLLOW TRC

ONLINE!

Laura DeGennaro, Clinical Coordinator

Molloy College

1000 Hempstead Avenue

Rockville Centre, NY 11571

Call for an appointment

today at 516-323-3324

OR e-mail us at

[email protected]

Serving as Long Island’s premier music therapy provider since 1999!

Join The Rebecca Center for Music Therapy

and Molloy College at this year’s

fundraiser for Autism Speaks!

Walk Now for Autism Speaks: Long Island

will be held at Jones Beach State Park -

Field 5, on Sunday, October 6, 2013. For

more information and to register, visit:

http://www.walknowforautismspeaks.org/site/

Laura B. Kestemberg Clinical Director

Diana Abourafeh Administrative Assistant