analysis of gender representations on food television

35
Grilling with Gas and Baking with Class: An Analysis of Gender Representations on Food Television Evan L. Kropp

Upload: evan-kropp

Post on 25-May-2015

216 views

Category:

Entertainment & Humor


4 download

DESCRIPTION

2011 M.A. Thesis. This study is an analysis of gender representations on food television. Primary Research Questions: Are gender representations on food television reinforcing or challenging traditional gender roles? To what extent are ideas presented about gender consistently hegemonic, counter-hegemonic or a contradictory mix of the two?

TRANSCRIPT

Page 1: Analysis of Gender Representations on Food Television

Grilling with Gas and Baking with Class: An Analysis of Gender Representations on Food Television

Evan L. Kropp

Page 2: Analysis of Gender Representations on Food Television

Food Television

This study is an analysis of gender representations on food television

shows

Page 3: Analysis of Gender Representations on Food Television

Food Television

Instructional Competition

Reality Travel

Page 4: Analysis of Gender Representations on Food Television

Food Television

Page 5: Analysis of Gender Representations on Food Television

Research Question

Are gender representations on food television reinforcing or challenging traditional gender roles?

To what extent are ideas presented about gender consistently hegemonic, counter-hegemonic or a contradictory mix of the two?

Page 6: Analysis of Gender Representations on Food Television

Hegemony Explained

• Hegemonic representations are depictions that embody traditional characteristics.

Hegemony: What we accept as “natural” or the way things are.Consent of society to agree to current social arrangements.

Page 7: Analysis of Gender Representations on Food Television

Traditional Characteristics include:

Hegemony Explained

Men

Displays of Authority

Power

Self-Reliant

Professionally Successful

Not emotionally expressive

Women

Mothers

Homemakers

Not professionally motivated

Emotionally expressive

Sexualized

Page 8: Analysis of Gender Representations on Food Television

Counter-hegemonic instances are those that present non-traditional gender roles.

Hegemony Explained

Page 9: Analysis of Gender Representations on Food Television

Hegemony Explained

Non-traditional representations:

Men

Express emotion

Not professionally motivated

Instances of emasculation

Women

Career, not family oriented

Authoritative

Unemotional

Not defined by familial role

Page 10: Analysis of Gender Representations on Food Television

Methodology

Page 11: Analysis of Gender Representations on Food Television

So What?

• Nielsen (2008): Average TV viewer watches over 151 hours of TV per month

• Watching TV has an effect(s) on viewers

• Example: George Gerbner’s Cultivation Theory

• 1950’s & ‘60’s Food TV mimicked gender roles in culture

• Gender roles have changed since then, but have the shows?

Page 12: Analysis of Gender Representations on Food Television

Top Chef

Textual Analysis of Season 6, 15 episodes revealed four themes…

- Use of Language

- Professionalism

- Family & Emotional Expressiveness

- Physical Attributes

Page 13: Analysis of Gender Representations on Food Television

Top Chef

Use of Language : Direct Comments / Language & Emotion

“I look next to me and see Jenn has the same number of clams and I am amazed because, no offense, but a girl shouldn’t be at the same level I am” – Mike I.

“That’s one less old lady I need to worry about” – Mike I. about Robin

“My name is Jennifer and I work at 10 Arts” – Jen C.

Emotional displays in the “stew room” and in interviews following contests

Page 14: Analysis of Gender Representations on Food Television

Top Chef

Professionalism

“I haven’t done this in a while, I just took two years off to be a mom” – Jen Z.

Ron Mattin

Contestants: 50/50 Gender Split

Judges: 15 Total, 12 Males, 3 Females

Page 15: Analysis of Gender Representations on Food Television

Top Chef

Family & Emotional Expressiveness

Page 16: Analysis of Gender Representations on Food Television

Top Chef

Physical Attributes

Page 17: Analysis of Gender Representations on Food Television

Top Chef

Men Women

Use of Language Hegemonic Hegemonic

Professionalism Hegemonic Hegemonic

Family & Emotional Expressiveness

Hegemonic(Note: Mid-Season Shift)

Hegemonic

Physical Attributes Hegemonic Counter-Hegemonic

Some minimal instances of convergence in all categories

Page 18: Analysis of Gender Representations on Food Television

Kitchen Nightmares

Season 3, 13 episodes (11 examined)

3 act structure of the show

Gender

- 6 shows combination male/female owners- 5 shows only female owners- 0 shows only male owners

Page 19: Analysis of Gender Representations on Food Television

Kitchen Nightmares

The Women

- Not professionally trained chefs

- Not experienced business owners- Have difficulty separating personal &

professional lives- Shown as emotional / emotionally

expressive- Shown as less powerful than male

counterparts

Page 20: Analysis of Gender Representations on Food Television

Kitchen Nightmares

The Men

- Saviours - Chef Ramsay: powerful, professional,

leader- Male Consultants save female business

owners

- Professionally trained chefs/business owners

- Successful, just lost their way…frustrated

Page 21: Analysis of Gender Representations on Food Television

Kitchen Nightmares

Demonizing Powerful Women

Women representing “the other extreme”

Kata – Lisa – Adele

Page 22: Analysis of Gender Representations on Food Television

Network Analysis

Qualitative Network Analysis

Females

Page 23: Analysis of Gender Representations on Food Television

Network AnalysisM

ales

Page 24: Analysis of Gender Representations on Food Television

Network Analysis

Convergence

Page 25: Analysis of Gender Representations on Food Television

Network Analysis

Quantitative Analysis

The broader view

2 weeks programming:

September 27, 2009 – October 3, 2009

September 26, 2010 – October 2, 2010

Page 26: Analysis of Gender Representations on Food Television

Network Analysis

Page 27: Analysis of Gender Representations on Food Television

Network Analysis

Page 28: Analysis of Gender Representations on Food Television

Network Analysis

Food Network

Week 1:

55 shows / 138 hours on-air

- Female hosts on-air more than male hosts (females = 65.22% of air-time)

- Male hosts have more shows(males = 50.91% of shows, female = 41.82%)

- Show genres are sex typed

41.82% of shows = domestic kitchen78.26% of those featured females

58.18% of all shows == outside domestic kitchen75.00% of those featured males

Page 29: Analysis of Gender Representations on Food Television

Network Analysis

Food Network

Week 2:

47 shows / 138 hours on-air

- Female hosts airtime reduced from 65.22% of total time to 32.97% (why?)

- Male hosts have more shows: consistent w/ week 1

- Show genres are sex typed: consistent w/ week 1

Page 30: Analysis of Gender Representations on Food Television

Network Analysis

Travel Channel

Week 1:

Food shows represented 39.29% of all programming.

100% of shows outside domestic kitchen

100% of shows male hosts

Week 2:

Food shows represented 50.19% of all programming.

100% of shows outside domestic kitchen

2 of 12 shows featured female host.

(Same host, Camille Ford hosting Pizza Wars and Food Wars)

Page 31: Analysis of Gender Representations on Food Television

Network Analysis

Cooking Channel

1 week only: 2nd week

48 shows / 123 hours on-air

Air-time by gender: males 53.66% of time. Consistent w/ week 2 of Food Network for same period..

Quantity of shows by gender: comparable to Food Network Week 2. 52.08% of shows featured male hosts.

Location by gender: More domestic instructional cooking shows than Food Network. Lower % of these shows featured female hosts. Indicating more instances of convergence. Also increase of females in non-domestic settings. However, majority still sex-typed consistent w/ other channels findings.

Page 32: Analysis of Gender Representations on Food Television

Network Analysis

Quantitative Conclusions

- More male air-time than females

- Quantity of shows featuring males slightly higher than females

- Location favored non-domestic kitchen, which is consistent w/ more male air-time and quantity of shows

- 50% decrease of female host air-time from Food Network week 1 and week 2 unexplained

- Numbers support limited instances of convergence as found in qualitative analysis.

- Travel channel stands out as male dominated channel w/ limited female participation on food shows. Is this consistent w/ other offerings on channel?

Page 33: Analysis of Gender Representations on Food Television

Conclusions

Conclusions

• The majority of gender portrayals are stereotypical representations.Women as less professionally experienced than male

counterparts.Women as more emotional than malesWomen as the preparer of domestic mealsMen found outside of the domestic kitchenMen less emotionally expressiveMen professionally trained and motivated

Bottom Line: • Although both genders are predominantly presented in a traditional

manner, overall both males and females present a contradictory mix of hegemonic and counter-hegemonic ideas.

• This is primarily due to instances of convergence

Page 34: Analysis of Gender Representations on Food Television

Limitations

Limitations

• Limited Time Period (only two one-week time periods)

• Limitation of Channels (only 3 channels on network analysis)

• Content Issues (Snapshot in time, changes such as launch of new channel)

Page 35: Analysis of Gender Representations on Food Television

Future Research

Future Research

• Why are these shows so popular? Do people want to learn to cook or just be entertained?

• Political Economy of food TV. Product placements, off camera business ventures, the effects of these relationships on content.

• Effects of conglomeration on food TV. Scripps is majority owner of the three channels. How does that effect content.

• Examine audience participation in shows through websites, blogs, social media.

• Are food TV shows more or less of a realistic reflection of society than other genres?