ancient history of restorative art
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Ancient History of Restorative Art. 1288 – 1110 BC Egyptians: reincarnation Anubis:. Egyptian Treatments. Scars, Cuts Missing Eyes and Limbs Bowed Legs Emaciation Broken Limbs Decubitus Ulcers. Mummification. Body covered in paste of resin and fat. Surface contour restored. - PowerPoint PPT PresentationTRANSCRIPT
Ancient History of Restorative Ancient History of Restorative ArtArt
1288 – 1110 BC1288 – 1110 BCEgyptians: reincarnationEgyptians: reincarnationAnubis:Anubis:
Egyptian TreatmentsEgyptian Treatments
Scars, CutsScars, CutsMissing Eyes and LimbsMissing Eyes and LimbsBowed LegsBowed LegsEmaciationEmaciationBroken LimbsBroken LimbsDecubitus UlcersDecubitus Ulcers
MummificationMummification
Body covered in paste of resin and fat.Body covered in paste of resin and fat.Surface contour restored.Surface contour restored.
Middle AgesMiddle Ages(5(5thth – 15 – 15thth Century) Century)
No restorative art.No restorative art.Physicians cared for the privileged class.Physicians cared for the privileged class.
1313thth and 14 and 14thth Centuries Centuries
Post-mortem care of royalty and gentry:Post-mortem care of royalty and gentry: removal of organsremoval of organs skin incisedskin incised immersion in preserving liquids and powdersimmersion in preserving liquids and powders not presentable for viewingnot presentable for viewing
RenaissanceRenaissance(14(14thth – 17 – 17thth Century) Century)
Italy: death masks made of important Italy: death masks made of important peoplepeople cast in hard wax and then hung in the churchcast in hard wax and then hung in the church
RenaissanceRenaissance(14(14thth – 17 – 17thth Century) Century)
France and England death masksFrance and England death masks artisticartistic ““real” hair attachedreal” hair attached ““puppet body” made of wickerpuppet body” made of wicker effigy placed on top of casketeffigy placed on top of casket
US Civil WarUS Civil War
Dr. Thomas HolmesDr. Thomas HolmesPlastic SurgeryPlastic SurgeryPlaster of ParisPlaster of ParisSculptor’s Clay and Window PuttySculptor’s Clay and Window PuttyYellow SoapYellow Soap
1912: “Modern Era of Restorative Art”1912: “Modern Era of Restorative Art”
Reference to a PhotographReference to a Photograph
Mayer: pages 502 & 558 Klicker page 39Mayer: pages 502 & 558 Klicker page 39Professional portraitsProfessional portraits
Reference to a PhotographReference to a Photograph
SnapshotsSnapshotsProfile viewProfile view
Reference to a PhotographReference to a Photograph
Three-quarter View:Three-quarter View:
Reference to a PhotographReference to a Photograph
Frontal viewFrontal view
Inversion of the PhotographInversion of the Photograph
HighlightHighlight
ShadowShadow
Normal LightingNormal LightingDirectional LightingDirectional Lighting
Flat LightingFlat Lighting
Modeling TechniquesModeling TechniquesKlicker page 65Klicker page 65
Concepts of ModelingConcepts of Modeling
Armatures: “framework, a material Armatures: “framework, a material commonly of pliable metal or wood, commonly of pliable metal or wood, employed to provide support for a wax employed to provide support for a wax restoration”restoration”Analyze before modeling.Analyze before modeling.Size, Position and FormSize, Position and Form
Concepts of ModelingConcepts of Modeling
Landmarks of Size:Landmarks of Size:
Concepts of ModelingConcepts of Modeling
Klicker page 65 and 66Klicker page 65 and 66Measurements in One DirectionMeasurements in One DirectionConfiguration to a PatternConfiguration to a PatternRough ModelingRough ModelingSmoothing a Wax SurfaceSmoothing a Wax SurfaceConstruction of Large MassesConstruction of Large MassesSurface Corrections by AdditionsSurface Corrections by Additions
Concepts of Modeling Concepts of Modeling
Surface Corrections by ReductionSurface Corrections by Reduction
Modeling by SilhouetteModeling by Silhouette
Modeling the ProfileModeling the Profile
Modeling the Bilateral FormModeling the Bilateral Form