and honolulu. and thi i not even including galler how and ... preview_ the most... · honolulu...

pring Preview: The Mot Promiing Mueum how and iennial Around the WorldY The ditor of ARTnew (http://www.artnew.com/author/the_editor_of_artnew/) POSTD 03/04/19 3:55 PM

Steffani Jemison, Sensus Plenior, 2017, HD video. Whitney Biennial.COURTESY THE ARTIST

Thi pring i haping up to e a u eaon one on the art calendar, with oth the Whitne iennial and the Venice iennale openingwithin week of each other in Ma, and notale exhiition taking place all over in the coming month, from a traillazing urve of artafter the Stonewall Reellion to retropective for Lino o ardi, Huma haha, Luchita Hurtado, and l Anatui, to iennial in Havanaand Honolulu. And thi i not even including galler how and—one heitate to even a it—art fair. elow, a look at the winter’ motpromiing mueum how and iennial.

PRVIWS (HTTP://WWW.ARTNWS.COM/CATGORY/PRVIWS/) SPRING 2019 (HTTP://WWW.ARTNWS.COM/ISSU/SPRING-2019/)

384 83 2 480

9%2F03%2F04%2Fpring-preview-the-mot-promiing-mueum-how-and-iennial-around-the-+Around+the%26np%3World)

F03%2F04%2Fpring-preview-the-mot-promiing-mueum-how-and-iennial-around-the-2%80%94thi+eaon.+Read+More+Spring+Preview%3A+The+Mot+Promiing+Mueum+Show+and+iennial+Around+the%26np%3World&via=artnewmag)

(http://www.artnew.com/)

https://googleads.g.doubleclick.net/pcs/click?xai=AKAOjstEGsrtplqlYaO7mV8hOUO1xfrIZPbS5fGssBhCIK65-DqRa4__EZ0WJoECZ69bbCBnwJVQrGuaB0_yIASzNTbXX3gCUdNRvySQEAQ_h_ZY8t4blWDSpimaF2QpU5lePJfYqIOGhCrIIqXtav2PAF562M3ELMxShUzzZ9FlUwH_bGLqgFEIF7_NxBbLzbegziObnah3UdwT_8vCvBG_3LJdwViHThTUZ_vfAC6qtRhqGmtI7dwCgUGXKWJ29Qpx&sai=AMfl-YSfvKtSNe0t2Q0UVGa9Gm0OuYIj8ROga5NGZ7dVXnPyNISaMsJRgEnDqS5MqYkyIKAHavHuHPOw_1Aeov6tcetgGDdpPKaLos-4K-QUClzJFlbiDOXMBv5-qSKAdstRqSGdbQ&sig=Cg0ArKJSzOHJjbD49Vda&adurl=https://www.desertx.org/&nm=16

http://www.artnews.com/author/the_editors_of_artnews/

http://www.artnews.com/category/previews/

http://www.artnews.com/issue/spring-2019/

http://www.facebook.com/sharer.php?u=http%3A%2F%2Fwww.artnews.com%2F2019%2F03%2F04%2Fspring-preview-the-most-promising-museum-shows-and-biennials-around-the-world%2F&t=Spring+Preview%3A+The+Most+Promising+Museum+Shows+and+Biennials+Around+the%26nbsp%3BWorld

http://twitter.com/intent/tweet?url=http%3A%2F%2Fwww.artnews.com%2F2019%2F03%2F04%2Fspring-preview-the-most-promising-museum-shows-and-biennials-around-the-world%2F&text=Behold%2C+50+exhibitions+to+see%E2%80%94or+at+least+read+about%E2%80%94this+season.+Read+More+Spring+Preview%3A+The+Most+Promising+Museum+Shows+and+Biennials+Around+the%26nbsp%3BWorld&via=artnewsmag

http://www.artnews.com/

NATIONAL

March

Harmony Hammond, Chicken Lady, 1989, quilt, canvas, acrylic and oil paint, corrugated roofing tin, three panels.ERIC SWANSON/©2018 HARMONY HAMMOND, LICENSED BY VAGA AT ARTISTS RIGHTS SOCIETY (ARS), NY/COURTESY THE ARTIST AND ALEXANDER GRAY ASSOCIATES, NEW YORK

“Harmon Hammond: Material Witne, Five Decade of Art” The Aldrich Contemporar Art Mueum, Ridgefield, Connecticut March 3–Septemer 15

In the earl 1970, Harmon Hammond ecame a ke figure in the feminit art movement for her ejeweled and raided canvae, whichhe ha aid offer a female perpective on her medium. Some of her earl experiment feature in her firt mueum urve, with culpture,painting, and multimedia piece created etween 1971 and 2018. Among the work are Chicken Lad (1989), a mixed-media paintingmade with it of quilt and reccled roofing tin that can e een a ignal of gender and cla. —Claire Selvin

National

March

April

Ma

International

March

April

Ma







Honolulu iennial Variou venue, Honolulu, Hawaii March 8–Ma 5

Curated Nina Tonga, the 2019 Honolulu iennial will howcae work 47 artit and collective exploring iue related to identit in thePacific region. Titled “To Make Wrong / Right / Now,” in reference to a poem written participating artit ‘Imaikalani Kalahele, theiennial include culpture Araham Cruzvillega and an intallation of Hawaiian flag tent ernice Akamine. Alo planned for theiennial are over 90 free pulic program, including workhop, open tudio, and talk. —C.S.

DAKOgamay, gilubong ang akong pusod sa dagat/My Navel is Buried in the Sea (still), 2011, video installation, HD video. Honolulu Biennial.COURTESY THE ARTIST

“Charlotte Poenenke: A Work in Progre” Dia:eacon, New York March 8–Septemer 9

Following it acquiition of 155 work Charlotte Poenenke, a figure who help expand too-tid notion of the Minimalit canon, theDia Art Foundation ha mounted a triute to the late German artit at it potindutrial anctuar in Uptate New York. efore he turnedfrom art to tud ociolog in the late 1960, Poenenke made work ranging from drawing to culptural arrangement of prefa metalproduct that reemle urreal tranfiguration of heating duct in uilding that would otherwie rarel warrant a glance. Work of thekind are preented here in ite-pecific contruction, in the firt North American retropective of the artit, who died in 1985. —Andattaglia

“Artit Repond: American Art and the Vietnam War, 1965–1975” Smithonian American Art Mueum, Wahington, D.C. March 15–Augut 18







David Hammons, America the Beautiful, 1968, lithograph and body print.“Artists Respond.”©DAVID HAMMON/OAKLAND MUSEUM OF CALIFORNIA

In 1970 artit Roert Morri made the Whitne Mueum in New York cloehi own exhiition, partl a a repone to the Vietnam War and the racimhe aid wa involved. That wa jut one of the man radical wa thatAmerican artit at the time reacted to U.S. involvement in conflict aroad.Curated Melia Ho, thi how urve 58 American artit’ work dealingwith the Vietnam War, and include uch piece a Yoko Ono’ protetpoter, David Hammon’ od print, and Nanc Spero’ painting ofexualized warcraft. Though the war ended in 1975, the Smithonian willproe it lingering effect, and to complement the how, the mueum i aloexhiiting new work Tiffan Chung aout the war. —Alex Greenerger

“The World etween mpire: Art and Identit in the Ancient Middleat” Metropolitan Mueum of Art, New York March 18–June 23

Some 300 hundred ear of art and artifact traded etween the Roman andParthian empire and ancient Middle atern people will e urveed at thiexhiition, which include 190 wall painting, culpture, piece of jewelr,and other oject. The how trace the hitorie of incene and ilk routethat connected empire to form a gloal trading tem and look at howuch exchange influenced artitic tle. What could eem like an apoliticalhow ha recentl acquired a new context: ome piece come fromarchaeological ite in place that have een damaged or completel detroedthrough detruction ISIS or looting. —Annie Armtrong







Huma Bhahba, Unnatural Histories, 2012, wood, wire, clay, wire mesh, Styrofoam, acrylic paint, oil stick, burlap, metal, lucite, feathers, paper, laces, rubber, plastic, and horn.©HUMA BHABHA/COURTESY THE ARTIST AND SALON 94, NEW YORK

“Huma haha: The Live” Intitute of Contemporar Art, oton March 23–Ma 27

The ci-fi pirit of Huma haha’ culpture project on the roof of the Metropolitan Mueum of Art lat ummer—an alien viitation anextraterretrial tanding 12 feet tall with a veiled figure owing efore it—coure through much of the artit’ photograph, drawing, andculpture. Included here in her larget how to date are work that meditate on what haha ha deignated a “eternal concern”—war,colonialim, and otherne. —Shirle Nwangwa

“The od lectric” Walker Art Center, Minneapoli March 30–Jul 21

“Technolog ha ecome the od’ new memrane of exitence,” artit Nam June Paik once aid. Working with thi pirit in mind,curator Pavel PŚ and Jadine Collingwood conceived thi urve of artit who ponder the relation etween people and the technologthat urround them. The how include memer of an older generation—Charlotte Moorman and Shigeko Kuota among them—andjuxtapoe their work with that of promiing oung artit including Paul Mpagi Sepua, Candice Lin & Patrick Staff, and Andrea Crepo.—A.G.

Aneta Grzeszykowska, Selfie #17, 2014, pigment ink on cotton paper. “The Body Electric.”







COURTESY RASTER GALLERY, WARSAW

“Simone Fattal: Work and Da” MoMA PS1, New York March 31–Septemer 2

Touted a the firt U.S. olo mueum how for Simone Fattal, who tarted painting in 1969, thi career-panning urve feature more than100 culpture, canvae, and collage the artit orn in Sria, raied in Leanon, and aed in Pari. Often taking the form of lumpculpture and quat ceramic, her work can reemle artifact from hitoricall ditant people dug up in the preent da—an effect thatFattal ha aid reflect the diplacement he ha felt a a foreign-orn artit living in urope. —S.N.

April

Peter Paul Rubens, Daniel in the Lions’ Den, ca. 1614/1616, oil on canvas.COURTESY THE FINE ARTS MUSEUMS OF SAN FRANCISCO/NATIONAL GALLERY OF ART, WASHINGTON D.C.

“arl Ruen” Legion of Honor, San Francico April 6–Septemer 8

Thi lockuter aim to offer an origin tor of ort for Peter Paul Ruen through 30 painting and 20 print he made etween 1608 and1621. Organized in collaoration with Canada’ Art Galler of Ontario, the how trace the earl part of Ruen’ career, which aw thepainter tuding in Ital and reinterpreting the outré compoition of Mannerit painting for Dutch and Flemih patron. Some of the







Guillermo Bert, The Visionary, 2012, yarn, natural dyes, and wood.“Mundos Alternos.”COURTESY THE ARTIST/NEVADA MUSEUM OF ART

finet painting Ruen held mueum are traveling for the how; one uch work i the National Galler of Art in Wahington,D.C.’ Daniel in the Lion’ Den (1614/16). —A.G.

“Mundo Alterno: Art and Science Fiction in the America” Queen Mueum, New York April 7–Augut 18

ringing together artit from throughout the Cariean, continental LatinAmerica, and the United State, “Mundo Alterno” look at the wa inwhich artit from thee region ue cience fiction to imagine and createalternate realitie and pace, utopian and dtopian alike. While an iterationof the exhiition firt deuted UCR Art in Riveride, California, a part ofthe Gett Foundation–funded Pacific Standard Time: LA/LA exhiitioninitiative in 2017, the 50-work verion preented in New York’ largetorough will eek to connect more pecificall with the cit’ immigrantpopulation and Latinx art cene, a well a connecting with partnerintitution throughout the cit that will how ection of the exhiition.eatriz Cortez, Claria Toin, and Glexi Novoa will preent new work,while a erie of performance, creening, and workhop i rounded out the like of Coco Fuco, Guillermo Gómez-Peña, and Carmelita Tropicana.—Maximilíano Durón

“Jonatha de Andrade: One to One” Mueum of Contemporar Art, Chicago April 13–Augut 25

The uject of Jonatha de Andrade’ work are “urgencie and dicomfort,”a the artit ha put it—iue related to identit, laor, and colonialim,pecificall a the impact razil, where the artit i aed. A frequent ujectin hi work i intimac: hi 2016 video O Peixe (The Fih) appear at firt toe an ethnographic film aout the fihing indutr in razil, then lowl reveal itelf to e a tender allegorical work aout the relationhipetween worker and what the produce. Having een featured in recent edition of the ienal de São Paulo and Performa, the artit’ workwill e urveed in thi how. —A.G.

“The American Pre-Raphaelite: Radical Realit” National Galler of Art, Wahington, D.C. April 14–Jul 21

Some 90 painting, watercolor, and drawing from the Victorian era are to e included in thi exhiit, held to commemorate the 200thanniverar of John Rukin’ irth. The critic wa known for calling on artit to reject traditional academic art practice, once writing,“Rememer that the mot eautiful thing in the world are the mot uele; peacock and lilie for intance.” ut that’ no reaon todimi thee rapturou piece— artit uch a Thoma Charle Farrer and Charle Herert Moore—a eing merel eautiful. Keep anee out for coded reference to Civil War–era political happening. —A.A.







Suzanne Lacy, Anatomy Lesson #4 Swimming (detail), 1977, four color photographs.ROB BLALACK/©SUZANNE LACY

“Suzanne Lac: We Are Here” San Francico Mueum of Modern Art and Yera uena Center for the Art April 20–Augut 4

In her ociall engaged project, eginning in the 1970, Suzanne Lac ha taken on iue uch a laor right and miognitic violence.Now he receive her firt retropective after a career’ worth of influential performance, video, photograph, and immerive intallation.In triute to her experimental tle—which i often geared around converation and interaction—thi two-venue retropective will featurelive activation of Lac’ work from the pat. —A.A.

“Art After Stonewall, 1969–1989” Gre Art Galler and Lelie-Lohman Mueum of Ga and Leian Art, New York April 24–Jul 20

While much ha een written on the enduring legac of the Stonewall Reellion, the 50th anniverar of which fall in June, thiexhiition will look at the till underrecognized impact that night’ activim had on the art world, oth in New York and eond.Organized the Columu Mueum of Art in Ohio and deuting at thee two venue in New York, the urve aim to reak new groundin queer-art cholarhip. It ring together over 200 work numerou openl queer-identified artit, including heavweight like VaginalDavi, Lle Ahton Harri, Catherine Opie, Thoma Lanigan-Schmidt, Greer Lankton, Harmon Hammond, and Roert Mapplethorpe,who are paired alongide artit who have idelined hitor. The exhiition will track the two decade in it cope focuing on poignanttheme, including “Coming Out,” “Sexual Outlaw,” “Gender and od,” and “AIDS and Activim.” —M.D.







Peter Hujar, Daniel Ware (Cockette), 1971, gelatin silver print. “Art After Stonewall, 1969–1989.”©1987 THE PETER HUJAR ARCHIVE LLC/COURTESY PACE/MACGILL GALLERY, NEW YORK, AND FRAENKEL GALLERY, SAN FRANCISCO

“Deorah Anzinger: An Unlikel irth” Intitute of Contemporar Art, Philadelphia April 26–Augut 11

The Jamaican artit Deorah Anzinger make ue of a range of material, oth natural and nthetic, in work that look at ecolog andgeograph from a lack feminit perpective. Curated Daniella Roe King, the artit’ firt olo mueum exhiition in America willconit of painting, culpture, video, and intallation, with previou work hown alongide new commiion of varing cale. Uing acrlic,mirror, and nthetic hair on canva, An Unlikel irth (2018), the how’ titular painting, i one example of how the artit wieldatraction and unconventional material to undercore a larger ocio-political concern—in thi cae, the plantation’ role in thedevelopment of capitalim. —J.C.







“Sondra Perr: A Terrile Thing” Mueum of Contemporar Art, Cleveland April 27–Augut 11

Gelatinou fluid and glitch avatar frequentl figure in video intallation Sondra Perr, who wa named the firt winner of moCaCleveland’ To’ Prize lat ear. To make the work, Perr reearched the proce of lackmithing and the chemical procee that occurwhen human fleh touche metal. Included will e a new video and intallation that draw on “the precariou interpla etween people andplace,” according to a releae. —A.G.

May

Jack Goldstein, The Jump (still), 1978, 16mm film, silent projection, and two black light tubes. “Disappearing California.”©THE ESTATE OF JACK GOLDSTEIN

“Camp: Note on Fahion” Metropolitan Mueum of Art, New York Ma 9–Septemer 8

For it annual pring exhiition, the Met’ Cotume Intitute will ponder the idea of camp, which wa made famou writer SuanSontag’ landmark 1964 ea “Note on ‘Camp.’ ” Camp wa—and continue to e—a eniilit, aethetic, and language that i ditinctlqueer—a private form of communication that deal in exce and parod. In ome 200 oject, the exhiition will chart variou mode of







camp from 17th-centur Veraille to queer uculture of late 19th- and earl 20th-centur urope and America to toda. Surveeddeigner include la Schiaparelli, Yve Saint Laurent, Critóal alenciaga, Chritian Dior, o Mackie, Vivienne Wetwood, Jean PaulGaultier, John Galliano, and the late Karl Lagerfeld. –M.D.

“Diappearing—California, c. 1971: a Jan Ader, Chri urden, Jack Goldtein” Modern Art Mueum, Fort Worth, Texa Ma 10–Augut 11

All three of thee artit were active in Southern California in the 1970, and all held a hared interet in creator going miing. That waparticularl the cae in urden’ 1971 work Diappearing, for which he diappeared for three da and never told anone were he went;Ader likewie vanihed omewhere in the Atlantic Ocean during the making of thi final piece in 1975. Curated Philipp Kaier, theexhiition will urve the overlapping theme within each artit’ practice, a well a their contriution to California conceptualim. Kaierwill relate their work to the Vietnam War, California’ militar infratructure, and the rie of the feminit art movement. –M.D.

Paulo Nazareth, CA – genocide products- Planeta Criolo, 2018.COURTESY THE ARTIST AND MENDES WOOD DM, SÃO PAULO

Paulo Nazareth Intitute of Contemporar Art, Miami Ma 16–Octoer 6

Nazareth’ work in variou medium—video, culpture, drawing, intallation—often look at hitorie of variou communitie, inparticularl indigenou, lack, and Afro-Latinx one, throughout the America, and how how the’ve interected with colonialim,genocide, and civil-right activim. For hi firt olo exhiition at an American intitution, the razilian artit will preent recent work,including a project where he viited variou ite of the Underground Railroad, alongide new drawing that look at egregation in theUnited State. —M.D.







“Whitne iennial 2019” Whitne Mueum, New York Ma 17–Septemer 22

The lat Whitne iennial, in 2017, garnered rave review, itter protet, and till-reonating deate aout work on view. The follow-up,curated the Whitne’ own Rujeko Hockle and Jane Panetta, will aim once again to urve American art through work 75 artit,among them Nicole ienman, Chritine Sun Kim, Janiva lli, Jame Luna, and man more. Alread anticipation ha een tempered controver, with the activit group W.A.G.. urging participant in the exhiition to conider withholding their work over report that theWhitne’ vice chair, Warren . Kander, own a compan that manufacture law enforcement and ecurit product—including tear gacaniter and moke grenade—ued againt alum eeker along the U.S.-Mexico order. —A.G.

Laura Ortman, My Soul Remainer, 2017, HD video.COURTESY THE ARTIST

Paul Mpagi Sepua Contemporar Art Mueum, St. Loui Ma 17–Augut 18

Cut-up, rearranged, rehot, and edited image of odie—man of them elonging to queer lack men—are the uject of Paul MpagiSepua’ photograph, which, following appearance at variou notale venue, including the Mueum of Modern Art’ 2018 “NewPhotograph” how, ha made him one of the mot cloel watched oung American artit. On the ame da hi picture appear at theWhitne iennial, CAM St. Loui will open a urve of the Lo Angele–aed artit’ work. Included will e example of one of hi motrecent erie, which make ue of mirror in an inquir into the power dnamic of taking picture. —A.G.

“Cauleen Smith: We Alread Have What We Need” MASS MoCA, North Adam, Maachuett Open Ma 25







Upon entering the 2017 Whitne iennial, viitor immediatel aw a erie of anner Cauleen Smith. Adorned with phrae writtenin curive uch a “I’m o lack that I lind ou” and “Rage loom within me,” the acted a protet ign and aertion of Smith’ preencea a lack woman within a traditionall white pace. Some of thee work are to e featured in thi how, which i eing illed a Smith’mot comprehenive exhiition to date. Spanning MASS MoCA’ entire firt floor, the how alo include a erie of drawing aoutliterature related to “lack fugitivit” and a new video intallation aout the relationhip etween viewer and the natural world. —A.G.

Cauleen Smith, Remote Viewing (still), 2009, HD video.COURTESY THE ARTIST; KATE WERBLE, NEW YORK; AND CORBETT VS. DEMPSEY, CHICAGO

“Manet and Modern eaut” Art Intitute of Chicago Ma 26–Septemer 8

Several decade into hi career, after ear of candal, Manet had received critical acclaim for painting provocative picture of modernFrench life and all it changing exual more. Having achieved coniderale attention for hi hock tactic, he emarked on a moreexperimental phae during the 1870—a period urveed in thi lockuter how, which focue on the end of Édouard Manet’ career.On view will e portrait of the artit’ friend, mue, and hi wife, a well a late-career materpiece like oating (1874), a placid cenehowing a couple in a Pariian uur rendered through ruh troke. —A.A.

INTERNATIONAL

March







Birgit Jürgenssen, Schuhroulade / Shoe Roulade, 1977, black-and-white photograph.©2019 ESTATE BIRGIT JÜRGENSSEN, SIAE/COURTESY GALERIE HUBERT WINTER, VIENNA/PRIVATE COLLECTION, VIENNA

“irgit Jürgenen: Io Sono” Galleria d’Arte Moderna e Contemporanea, ergamo, Ital March 7–Ma 19

The firt Italian intitutional exhiition devoted to the late Autrian feminit artit irgit Jürgenen i a lowout: it will take over everroom of the mueum and include in exce of 150 work, among them drawing, collage, culpture, photograph, and more. Jürgenen iperhap et known for work that challenged her da’ dominant mode of feminine expreion. A the artit’ career developed, o did herinteret: her later work expanded to addre the role of nature and culture in the roader concept of identit. —J.C.

“Civilization: The Wa We Live Now” Ullen Center for Contemporar Art, eijing March 9–Ma 19

Taking it name from a ook Niall Ferguon, “Civilization” urve more than two decade of recent photo-aed work focued on theeemingl endle poiilitie—and the utter amene—of a world where anthing and everthing i availale, thank to our phone,Amazon, and ocial media. The more than 250 work on view touch on a pread of uject matter, including wealth diparitie, communit,and molic capital. An-M Lê, Penelope Umrico, Amalia Ulman, Mihka Henner, and Thoma Struth are jut a few of the artitincluded in the tar-tudded how. —A.G.







Léuli Eshrāghi, tagatanuʻu, 2017, performance view, Open Space, Victoria, Canada. Sharjah Biennial.CLAYTON WINDATT/COURTESY THE ARTIST

Sharjah iennial Variou venue, Sharjah, United Ara mirate March 7–June 10

Titled “Leaving the cho Chamer,” the 14th Sharjah iennial aim to addre a wide range of topic including the flow of idea andgovernmental control of information. It head idea figure in three mini-how curated Zoe utt, Omar Kholeif, and Claire Tancon,who commiioned artit Tuan Andrew Nguen, Lawrence Au Hamdan, Candice reitz, and man other to produce new work for theexhiition. —C.S.

“l Anatui: Triumphant Scale” Hau der Kunt, Munich March 8–Jul 28

For the larget how of l Anatui’ work to date—curated Okwui nwezor and Chika Okeke-Agulu—the Hau der Kuntcommiioned new culpture for it monumental facade and elected other work including ceramic, wood culpture, painting, print,and ook the artit orn in Ghana in 1944. Anatui’ ignature Klimt-like curtain of ottle cap woven together appear in the how, inwhat the artit ha aid are alluion to commercial trade and potcolonial exchange acro culture. So, too, do vividl colored work thatlink child’ pla and modernit deign, the local and the gloal, dumpter detritu and high-end conception. —arara A. MacAdam







Takako Saito, Hutschachspiel, 1990.K. VAN GELDER/©2019 TAKAKO SAITO AND ADAGP, PARIS/COURTESY GALERIE VAN GELDER AMSTERDAM

Takako Saito CAPC Muée d’Art Contemporain, ordeaux, France March 8–Septemer 22

Coinciding with the artit’ 90th irthda, thi retropective ring together more than 400 piece—including culpture, painting, oundwork, and ook—created Takako Saito throughout the coure of her career. Oject on view will range from Saito’ earl workinpired oard game to her new clothing deign. Saito, who wa a memer of the avant-garde collective Fluxu during the 1960, willgive three performance a part of the exhiition. —C.S.

“Nil Yalter: xile I a Hard Jo” Mueum Ludwig, Cologne March 9–June 2







Nil Yalter, Untitled (Black Veil), 2018, photographs on Alu Dibond andpolyester fabric.REHA ARCAN/©NIL YALTER/COURTESY THE ARTIST AND GALERIST, ISTANBUL

The 81-ear-old Turkih artit Nil Yalter ha appeared recentl in theGwangju iennale and the Itanul iennial, and now count a the ujectof thi urve of her feminit work dating ack to the 1960 and ’70. Amongthe painting, collage, and video on view i the video The Headle Womanand the ell Dance (1974), in which Yalter incrie a poem on her od a areflection of the male gaze. —J.C.

“Thoma Houeago: Almot Human” Muée d’Art Moderne de la Ville de Pari March 15–Jul 14

Thoma Houeago’ firt retropective in France feature work made over thepat three decade. Houeago i et known for hi monumental culpture ofcontorted human figure made from a variet of material, including wood,plater, iron, and ronze. ach of thee culpture i imued with an air offoreoding, mter, and diquiet. Striding Figure II (Ghot), 2012, will ediplaed on the eplanade of the Muée d’Art Moderne de la Ville. Otherhighlight include Cat Studio (tage – chair – ed – mound – cave – ath –grave), an intallation created peciall for thi preentation, and the artit’“lack Painting” erie (2015–16). —C.S.

“And erlin Will Alwa Need You: Art, Craft and Concept Made inerlin” Gropiu au, erlin March 22–June 16

Thi how take it name from a ong once ung the artit DorothIannone to a friend, and ue the phrae to ponder “interpretation,authorhip, laor, overeignt, and power tructure” in erlin’ contemporar art world, according to the mueum. The wide-rangingurve of craft and handmade oject in German art, which itelf i ituated in a former decorative art mueum, include atract workpun from natural fier Olaf Holzapfel, a creen compoed of found carpet Nevin Aladağ, and a video intallation Theo hetu.—A.A.







Simon Wachsmuth, Qing, 2016, two-channel video projection, showcases with archive materials: family photos, archive pictures, and textiles. “And Berlin Will Always NeedYou.”©2019 SIMON WACHSMUTH AND VG BILD-KUNST, BONN/COURTESY THE ARTIST AND GALERIE ZILBERMAN, BERLIN AND ISTANBUL

“A World of Their Own: Modern Argentine Photograph 1927–1962” Mueo de Arte Latinoamericano de ueno Aire March 22–June 9

Photograph ha een part of Argentina’ national identit ince around the time of it independence. In the mid-19th centur,photographer documented the cutom of people in the countr in daguerreotpe, for example. Taking 1927 a a demarcation of aignificant hift, thi exhiition will examine the development of a photographic avant-garde in Argentina, looking at the wa ome 25artit ought to move the form pat the documentar impule of the camera toward a new mode of expreion. The how will urve ome200 work ome of the et-known photographer from the period, including Horacio Coppola, Grete Stern, and Annemarie Heinrich,with leer-known one. —M.D.

“The National: New Autralian Art 2019” Variou venue, Sdne Open March 29; cloing date var

The econd intallment of a three-part, ix-ear initiative i a urve of contemporar Autralian art featuring work 48 artit in threevenue in Sdne: the Art Galler of New South Wale, Carriagework, and the Mueum of Contemporar Art Autralia. talihedartit mingle with up-and-comer in the collective exhiition organized curator from the repective intitution. Among the artithowing are Adul-Rahman Adullah, Agatha Gothe-Snape, and Amala Groom. —J.C.







Eugenia Lim, The Australian Ugliness (still), 2018, multichannel HD video installation. “The National.”TOM ROSS/©EUGENIA LIM/COURTESY THE ARTIST

“rneto Neto: Sopro [low]” Pinacoteca do tado de São Paulo March 30–Jul 15

For rneto Neto’ 1989 culpture Copulônia, faric tructure weighted with lead are trewn around and hung from the ceiling, their formecoming trangel organic-looking in the proce. The work will pla a central role in Neto’ Pinacoteca retropective, where the piece wille enacted performer eight time over the how’ run. Curated Jochen Volz and Valeria Piccoli, it will include ome 60 other workalongide it, among them Neto’ recent collaoration with indigenou people acro razil that examine the role of ritual in thecontemporar world. —A.G.

April







Sheela Gowda, And… (detail), 2007.VEGARD KLEVEN, OCA/COURTESY THE ARTIST AND OFFICE FOR CONTEMPORARY ART NORWAY (OCA), OSLO

“Sheela Gowda: Remain” Pirelli Hangariccoca, Milan April 4–Septemer 15

One of the mot celerated name in Indian contemporar art, Sheela Gowda connect formal tenet of uropean modernim withtradition from her local culture, the reult eing a fuion of influence that allude to ritual and the art-hitorical canon in equal meaure.For her firt exhiition in Ital, Gowda preent a new work alongide art made over the pat couple decade. The how includewatercolor, print, and ite-pecific intallation that comprie an eclectic lit of material, including hair, cow dung, incene, and naturalpigment. —J.C.

“Lina o ardi: Haitat” Mueu de Arte de São Paulo April 5–Jul 28

One could a thi exhiition wa encoded in it ite’ DNA, ince Lina o ardi—an Italian-orn architect who tranlated uropeanmodernit tle for razilian audience—deigned the Mueu de Arte de São Paulo and fahioned it ignature open-floor plan and heavconcrete eam. Alongide her work focued on uilding and deign, MASP will howcae o ardi’ role in Haitat, a magazine thatecame a fixture of the São Paulo art cene, thank to it inciive criticim on art and architecture. —A.G.

“Maria Lanig — Wa of eing” Stedelijk Mueum, Amterdam April 6–Augut 11







Maria Lanig, the unfathomal rave, inventive Autrian painter who died in 2014, aged 94, will get a retropective for the firt time inthe Netherland. Her right-hued portrait and elf-portrait celerate the od a aurd, urpriingl trong, and uncannil eautiful,even (or epeciall) when it i quite gro. Alwa, trange pchological tate eem to e urting through kin. It’ reaonale to aumethat in ome future age her painting will e ued to illutrate our manic time. For now, the provide a meaure of comfort to u. The fact:200-plu work (a ount) plu the final piece he ever made depicting herelf. —Andrew Rueth

Maria Lassnig, Krankenhaus, 2005.COURTESY HAUSER & WIRTH COLLECTION SERVICES/PRIVATE COLLECTION

“Tetua Ihida: Self-Portrait of Other” Reina Sofia, Madrid April 11–Septemer 6

Though onl active for around ten ear, the late Japanee artit Tetua Ihida created a rout collection of work exploring the hardhipthe everda Japanee peron faced during hi lifetime. ut to addre real-world iue, Ihida, who died at age 31 in 2005, frequentlrelied on urreal imager, repreenting hi fellow citizen a human-machine hrid. Thi exhiition will include highlight from theartit’ hort ut far-reaching career. —J.C.

Fernanda Gome Seceion, Vienna April 12–June 16







Fernanda Gomes, Untitled, 2018.COURTESY THE ARTIST AND GALERIA LUISA STRINA, SÃO PAULO

Fernanda Gome channel the contructivit ene of form and plaprominent in her razilian homeland ut with a haunted ene of lo or atleat uncertaint that can e hard to hake. Wood from old furniture alongwith commonplace material like gla, paper, hair, cigarette utt, and manmore come to eem monumental in work that like pla like painting andculpture or, often, oth. To defer to a few of Gome’ own word a cited a how decription: “Painting, culpture, architecture. Tradition of rupture.Thought i platic. Reflection dimenion, with multiple meaning. So manquetion at the core of thi invetigation, light!” —A..

Havana iennial Variou venue, Havana, Cua April 12–Ma 12

In the wake of the recent paing of Decree 349, a law igned in Cua latApril that tipulate who qualifie a an artit and where the can exhiit adetermined the countr’ government, the official iennial, which carriethe theme “The contruction of the poile,” i alread eing conteted the artit-activit communit—in Feruar, a group of Cuan artit calledon participant to tand againt the decree. ut the how will go on amid thicontrover, and it will feature over 80 artit from ome 60 countrie. Severalartit project will e on view outide Havana a part of the iennial a well.—M.D.

May







Hermann Nitsch, Kreuzwegstation (Stations of the Cross, 1991, from the series “The Black Cycle,” oil on white-primed jute.ALBERTINA, WIEN. SAMMLUNG ESSL

Venice iennale 2019 Variou venue, Venice, Ital Ma 11–Novemer 24

“Ma You Live in Intereting Time,” the title for the group exhiition at thi ear’ Venice iennale, i meant to encompa a lot. Aconceived Ralph Rugoff, the how’ curator (and director of the Haward Galler in London), it addree colonialim via an alluion toa mitranlated Chinee cure, a well a the preponderance of fake new and uncertaint in the world toda. If all that i not full flehedout in Rugoff ’ how, it ma well e in the iennale’ man national pavilion. Highlight for thi edition include Martin Purearrepreenting the United State, Natacha Süder Happelmann howing for German, and Charlotte Prodger repping Scotland. —A.G.

Hermann Nitch Alertina, Vienna Ma 17–Augut 11

Hermann Nitch ma e et known for hi performance related to the Viennee Actionim movement from the 1960, man of whichgeture at graphic violence and trange exual deire, ut thi exhiition aim to offer an in-depth look at a lighter ide of hi work: hipoured painting. Made letting large quantitie of paint drip down and acro hi canvae, thee work, too, allude to carnage, aleit in amore atract wa. On view in the how will e everal decade’ worth of work done in that format. —A.G.

“Caroline Achaintre: Permanent Wave” elvedere 21, Vienna Ma 17–Septemer 15







Caroline Achaintre, Herbert, 2018, hand-tufted wool.CLAIRE DORN/COURTESY ART: CONCEPT, PARIS

Caroline Achaintre’ latet outing explore the uropean cutom of carnivaland Mardi Gra. Citing horror and cience fiction a influence, the artitue traditional technique uch a tapetr and ceramic to craft foreoding-looking culpture that reemle winged monter and dripping carcae.The reulting piece: tapetrie dripping with ded wool, crumpled, figurativeculpture, and Rorchach-eque watercolor, man of which will e includedhere. —A.A.

“Appearance Stripped are: Deire and the Oject in the Work of MarcelDuchamp and Jeff Koon, ven” Mueo Jumex, Mexico Cit Ma 19–Septemer 29

For thi how, which promie to e a lockuter, Mueo Jumex rought inig talent: New Mueum artitic director Maimiliano Gioni, who i ervinga it curator. Marcel Duchamp and Jeff Koon ma e eparated morethan half a centur, ut according to Gioni, their work evidence “enigma ofinviiilit and expoure, ecrec, and revelation.” Work oth alo dealwith commodification and materialim—theme likel to appear throughoutthe how in the form of Duchamp’ readmade and Koon’ leek reviionof the ame concept. —A.A.







Luchita Hurtado, Untitled, 1969, oil on canvas.JEFF MCLANE/COURTESY THE ARTIST

Luchita Hurtado Serpentine Gallerie, London Ma 23–Septemer 8

At 98, Hurtado i finall having her moment. et known for her canvae that offer diorienting and dizzing perpective on the femaleod (which in man cae i Hurtado’ own), he wa one of the reakout tar from the 2018 Made in L.A. iennial at the HammerMueum. Thi exhiition will e the artit’ firt olo exhiition at an art intitution, and it will connect her hitoric work with recentpiece. Hurtado wa orn in Caraca, Venezuela, moved to New York a a child, and efriended leading memer of the internationalavant-garde circle of the late 1930 and ’40, including Man Ra, Iamu Noguchi, and Wifredo Lam. She later moved to Mexico Cit,San Francico, and Tao, New Mexico, efore ettling in Lo Angele in 1951. Her practice ha long een intereted in the wa humanrelate to the nature that i all around u and the como, a through-line that intenified after eeing earl image of planet arth from pacein 1946. —M.D.

Dora udor Kunthalle ael, Switzerland Ma 24–Augut 11

In 2017 Dora udor let looe a group of Leonardo DiCaprio imperonator at the Frieze New York art fair. It wa a tpical piece for theoung New York–aed artit, whoe work often ring ig-udget movie into the real world, remaking and reviing element ofclaic, like an overized head aed on a plot element in Scanner and the famou falling frog from the ending of Magnolia. Her latethow move her work in a new direction: A releae from the Kunthalle ael a that thi how i informed a “core” crafted fromound, dut, and data, and will involve the artit turning the exhiition pace into “a reactive iotope.” —A.G.







Gianni Colombo, After Structures, 1966–67, installation view at Gallerial’Obelisco, Rome, 1966.ARCHIVIO GIANNI COLOMBO, MILANO

Dora Budor, Year Without A Summer (Panton’s Diversion), 2017, installation view at Louisiana Museum of Modern Art.COURTESY THE ARTIST AND KUNSTHALLE BASEL

“Stephen Willat: Language of Dient” Migro Mueum für Gegenwartkunt, Zurich Ma 25–Augut 18

How doe the world work? How are we connected? How do idea travel, morph, and enter pulic concioune? (Or not.) Thee are jut afew of the grand quetion that Stephen Willat, the pioneering ritih conceptualit, addree in hi art with verve, wr humor, and agimlet ee. To put it impl: flow chart, photo mural, graph, and the like have never looked o diarmingl mart, and Willat hould etaught in uine chool acro the land. Migro’ director, Heike Munder, i helming thi expanive urve, and the catalogue featureJohn Kele, among other. What more could one ak for? —A.R.

“Vertigo: Op Art and a Hitor of Deception 1520–1970” Mueum Moderner Stiftung Ludwig Wien, Vienna Ma 25–Octoer 27

e have een deceived for a long a the have canned the world aroundthem, and thi how urve ome 450 ear of artit working with thephenomenon to plaful and perception-hifting effect. Of the 1960-eravogue for Op art and kinetic art, an exhiition decription tate, “Often thewere depreciatingl een a too pectacular and thu uperficial. Wrongl o,ince Op art and kinetic art harpen our awarene of the amiguou natureof realit.” The artit lit, conceived curator va adura-Trika andMarku Wörgötter, feature contemporar artit that one might expect( Julio Le Parc, ridget Rile, Victor Vaarel) along with older name thatcould e a urprie (Giueppe Galli-iiena, Giovanni attita Piranei,Aott Henderon Thaer). —A..

Olo iennial Variou venue, Olo, Norwa Open Ma 25

A it turn out, thi ear Venice in’t the onl major uropean cit that willhave tage a iennial in Ma. For the firt time, the Norwegian capital willpla home to the Olo iennial, which i eing overeen va González-Sancho, the former director of the Mueo de Arte Contemporáneo deCatilla León in Spain, and Per Gunnar eg-Tverakk, the former directorof the Kunthall Olo. Alread, the iennial, which ha et to announce itartit lit, ha had a profound impact on the Norwegian art cene—it haopened 60 new tudio for artit aed in Olo. —C.S.







Lee Krasner, Abstract No. 2, 1947.©THE POLLOCK-KRASNER FOUNDATION/IVAM CENTRE, SPAIN

“Lee Kraner: Living Colour” arican Centre, London Ma 30–Septemer 1

In the firt uropean retropective in more than 50 ear for Lee Kraner, ome 100 work panning her full career—from earl elf-portrait to grand, virantl hued Atract xpreionit painting—will e on view in an arrangement curated leanor Nairne. Thehow’ checklit alo include charcoal drawing, photograph, and deign for window dipla and film—all in ervice of paing triute toan artit hitoricall known a the widow of Jackon Pollock ut now revered in her own right. —.A.M.

Frank owling Tate ritain, London Ma 31–Augut 26







Following a urve that traveled to Ireland, German, and the United Ara mirate, Frank owling’ firt major retropective will take upreidence in ngland. Over hi five decade a a painter, owling ha worked to ntheize gloalit politic and formal experimentation in the form of Atractxpreionit–like map that place Africa and South America at the center of the world. Thi retropective will include ome of thoework a well a earl figurative painting and more recent work that feature pour of exuerantl colored paint flowing down canvae. —A.G.

Correction 03/07/2019, 10:50 a.m.: An earlier verion of thi article mipelled the lat name of artit irgit Jürgenen, a Jürgenon. The potha een updated to reflect thi.

Correction 03/05/2019, 1:25 p.m.: An earlier verion of thi article miidentif ied elvedere 21 in Vienna a 21er Hau, the intitution' formername. The pot ha een updated to reflect thi.

Copright 2019, Art Media ARTNWS, llc. 110 Greene Street, 2nd Fl., New York, N.Y. 10012. All right reerved.

ARTICL TAGS

"ARTISTS RSPOND: AMRICAN ART AND TH VITNAMWAR (HTTP://WWW.ARTNWS.COM/TAG/ARTISTS-RSPOND-AMRICAN-ART-AND-TH-VITNAM-WAR/)

"CAMP: NOTS ON FASHION"(HTTP://WWW.ARTNWS.COM/TAG/CAMP-NOTS-ON-FASHION/)

"MUNDOS ALTRNOS: ART AND SCINC FICTION INTH AMRICAS"(HTTP://WWW.ARTNWS.COM/TAG/MUNDOS-ALTRNOS-ART-AND-SCINC-FICTION-IN-TH-AMRICAS/)

"TH ODY LCTRIC"(HTTP://WWW.ARTNWS.COM/TAG/TH-ODY-LCTRIC/)

1965–1975"(HTTP://WWW.ARTNWS.COM/TAG/1965-1975/)

21R HAUS (HTTP://WWW.ARTNWS.COM/TAG/21R-HAUS/)

ART INSTITUT OF CHICAGO(HTTP://WWW.ARTNWS.COM/TAG/ART-INSTITUT-OF-CHICAGO/)

ARICAN GALLRY(HTTP://WWW.ARTNWS.COM/TAG/ARICAN-GALLRY/)

IRGIT JÜRGNSSON(HTTP://WWW.ARTNWS.COM/TAG/IRGIT-JURGNSSON/)

CAPC MUSÉ D'ART CONTMPORAIN(HTTP://WWW.ARTNWS.COM/TAG/CAPC-MUS-DART-CONTMPORAIN/)

CAROLIN ACHAINTR(HTTP://WWW.ARTNWS.COM/TAG/CAROLIN-ACHAINTR/)

CAULN SMITH(HTTP://WWW.ARTNWS.COM/TAG/CAULN-SMITH/)

CHARLOTT POSNNSK(HTTP://WWW.ARTNWS.COM/TAG/CHARLOTT-POSNNSK/)

CONTMPORARY ART MUSUM ST. LOUIS(HTTP://WWW.ARTNWS.COM/TAG/CONTMPORARY-ART-MUSUM-ST-LOUIS/)

DORAH ANZINGR(HTTP://WWW.ARTNWS.COM/TAG/DORAH-ANZINGR/)

DIA:ACON(HTTP://WWW.ARTNWS.COM/TAG/DIAACON/)

DORA UDOR(HTTP://WWW.ARTNWS.COM/TAG/DORA-UDOR/)

ÉDOUARD MANT(HTTP://WWW.ARTNWS.COM/TAG/DOUARD-MANT/)

L ANATSUI (HTTP://WWW.ARTNWS.COM/TAG/L-ANATSUI/)

RNSTO NTO(HTTP://WWW.ARTNWS.COM/TAG/RNSTO-NTO/)

FATURD(HTTP://WWW.ARTNWS.COM/TAG/FATURD/)

FRNANDS GOMS(HTTP://WWW.ARTNWS.COM/TAG/FRNANDS-GOMS/)

FRANK OWLING(HTTP://WWW.ARTNWS.COM/TAG/FRANK-OWLING/)

GALLRIA ART MODRNA CONTMPORANA(HTTP://WWW.ARTNWS.COM/TAG/GALLRIA-ART-MODRNA--CONTMPORANA/)

GROPIUS AU(HTTP://WWW.ARTNWS.COM/TAG/GROPIUS-AU/)

HARMONY HAMMOND(HTTP://WWW.ARTNWS.COM/TAG/HARMONY-HAMMOND/)

HAUS DR KUNST(HTTP://WWW.ARTNWS.COM/TAG/HAUS-DR-KUNST/)

HAVANA INNIAL(HTTP://WWW.ARTNWS.COM/TAG/HAVANA-INNIAL/)

HRMANN NITSCH(HTTP://WWW.ARTNWS.COM/TAG/HRMANN-NITSCH/)

HONOLULU INNIAL(HTTP://WWW.ARTNWS.COM/TAG/HONOLULU-INNIAL/)

HUMA HAHA(HTTP://WWW.ARTNWS.COM/TAG/HUMA-HAHA/)

INSTITUT OF CONTMPORARY ART OSTON(HTTP://WWW.ARTNWS.COM/TAG/INSTITUT-OF-CONTMPORARY-ART-OSTON/)

INSTITUT OF CONTMPORARY ART MIAMI(HTTP://WWW.ARTNWS.COM/TAG/INSTITUT-OF-CONTMPORARY-ART-MIAMI/)

INSTITUT OF CONTMPORARY ART PHILADLPHIA(HTTP://WWW.ARTNWS.COM/TAG/INSTITUT-OF-CONTMPORARY-ART-PHILADLPHIA/)

JFF KOONS(HTTP://WWW.ARTNWS.COM/TAG/JFF-KOONS/)

JONATHAS D ANDRAD(HTTP://WWW.ARTNWS.COM/TAG/JONATHAS-D-ANDRAD/)

KUNSTHALL ASL(HTTP://WWW.ARTNWS.COM/TAG/KUNSTHALL-ASL/)

L KRASNR (HTTP://WWW.ARTNWS.COM/TAG/L-KRASNR/)

LGION OF HONOR(HTTP://WWW.ARTNWS.COM/TAG/LGION-OF-HONOR/)

LINA O ARDI(HTTP://WWW.ARTNWS.COM/TAG/LINA-O-ARDI/)

LUCHITA HURTADO(HTTP://WWW.ARTNWS.COM/TAG/LUCHITA-HURTADO/)

MARCL DUCHAMP(HTTP://WWW.ARTNWS.COM/TAG/MARCL-DUCHAMP/)

MARIA LASSNIG(HTTP://WWW.ARTNWS.COM/TAG/MARIA-LASSNIG/)

MASS MOCA(HTTP://WWW.ARTNWS.COM/TAG/MASS-MOCA/)

MTROPOLITAN MUSUM OF ART(HTTP://WWW.ARTNWS.COM/TAG/MTROPOLITAN-MUSUM-OF-ART/)

MODRN ART MUSUM FORT WORTH(HTTP://WWW.ARTNWS.COM/TAG/MODRN-ART-MUSUM-FORT-WORTH/)

MOMA PS1(HTTP://WWW.ARTNWS.COM/TAG/MOMA-PS1/)

MUSO D ART LATINOAMRICANO D UNOS AIRS(HTTP://WWW.ARTNWS.COM/TAG/MUSO-D-ART-LATINOAMRICANO-D-UNOS-AIRS/)

MUSO JUMX(HTTP://WWW.ARTNWS.COM/TAG/MUSO-JUMX/)

MUSUM LUDWIG(HTTP://WWW.ARTNWS.COM/TAG/MUSUM-LUDWIG/)

MUSUM OF CONTMPORARY ART CHICAGO(HTTP://WWW.ARTNWS.COM/TAG/MUSUM-OF-CONTMPORARY-ART-CHICAGO/)

MUSUM OF CONTMPORARY ART CLVLAND(HTTP://WWW.ARTNWS.COM/TAG/MUSUM-OF-CONTMPORARY-ART-CLVLAND/)




http://www.artnews.com/tag/artists-respond-american-art-and-the-vietnam-war/

http://www.artnews.com/tag/camp-notes-on-fashion/

http://www.artnews.com/tag/mundos-alternos-art-and-science-fiction-in-the-americas/

http://www.artnews.com/tag/the-body-electric/

http://www.artnews.com/tag/1965-1975/

http://www.artnews.com/tag/21er-haus/

http://www.artnews.com/tag/art-institute-of-chicago/

http://www.artnews.com/tag/barbican-gallery/

http://www.artnews.com/tag/birgit-jurgensson/

http://www.artnews.com/tag/capc-musee-dart-contemporain/

http://www.artnews.com/tag/caroline-achaintre/

http://www.artnews.com/tag/cauleen-smith/

http://www.artnews.com/tag/charlotte-posenenske/

http://www.artnews.com/tag/contemporary-art-museum-st-louis/

http://www.artnews.com/tag/deborah-anzinger/

http://www.artnews.com/tag/diabeacon/

http://www.artnews.com/tag/dora-budor/

http://www.artnews.com/tag/edouard-manet/

http://www.artnews.com/tag/el-anatsui/

http://www.artnews.com/tag/ernesto-neto/

http://www.artnews.com/tag/featured/

http://www.artnews.com/tag/fernandes-gomes/

http://www.artnews.com/tag/frank-bowling/

http://www.artnews.com/tag/galleria-arte-moderna-e-contemporanea/

http://www.artnews.com/tag/gropius-bau/

http://www.artnews.com/tag/harmony-hammond/

http://www.artnews.com/tag/haus-der-kunst/

http://www.artnews.com/tag/havana-biennial/

http://www.artnews.com/tag/hermann-nitsch/

http://www.artnews.com/tag/honolulu-biennial/

http://www.artnews.com/tag/huma-bhabha/

http://www.artnews.com/tag/institute-of-contemporary-art-boston/

http://www.artnews.com/tag/institute-of-contemporary-art-miami/

http://www.artnews.com/tag/institute-of-contemporary-art-philadelphia/

http://www.artnews.com/tag/jeff-koons/

http://www.artnews.com/tag/jonathas-de-andrade/

http://www.artnews.com/tag/kunsthalle-basel/

http://www.artnews.com/tag/lee-krasner/

http://www.artnews.com/tag/legion-of-honor/

http://www.artnews.com/tag/lina-bo-bardi/

http://www.artnews.com/tag/luchita-hurtado/

http://www.artnews.com/tag/marcel-duchamp/

http://www.artnews.com/tag/maria-lassnig/

http://www.artnews.com/tag/mass-moca/

http://www.artnews.com/tag/metropolitan-museum-of-art/

http://www.artnews.com/tag/modern-art-museum-fort-worth/

http://www.artnews.com/tag/moma-ps1/

http://www.artnews.com/tag/museo-de-arte-latinoamericano-de-buenos-aires/

http://www.artnews.com/tag/museo-jumex/

http://www.artnews.com/tag/museum-ludwig/

http://www.artnews.com/tag/museum-of-contemporary-art-chicago/

http://www.artnews.com/tag/museum-of-contemporary-art-cleveland/




RCOMMNDD ARTICLS

SHLA GOWDA WINS 2019 MARIA LASSNIGPRIZ

(HTTP://WWW.ARTNWS.COM/2019/03/12/SHLA-GOWDA MARIA LASSNIG PRIZ/)

CURRNT AFFAIRS: TO SAV TH AILINGOCANS, TA21-ACADMY TURNS TO ARTAND SCINC

(HTTP://WWW.ARTNWS.COM/2019/03/12/TA21-ACADMY ART SCINC SAV OCANS/)

R. CRUM ON HIS CARR-SPANNING SHOWAT DAVID ZWIRNR, POLITICAL CARTOONS,AND HIS UKULL

(HTTP://WWW.ARTNWS.COM/2019/03/11/R-CRUM-INTRVIW DAVID ZWIRNR/)

OSLO INNIAL CHANGS NAM, RLASSPARTIAL ARTIST LIST FOR FIV-YAR-LONG 2019DITION

(HTTP://WWW.ARTNWS.COM/2019/03/11/OSLO-INNIAL FIRST DITION ARTISTS OSLOINNALN/)

NATIONAL GALLRY OF ART(HTTP://WWW.ARTNWS.COM/TAG/NATIONAL-GALLRY-OF-ART/)

NIL YALTR (HTTP://WWW.ARTNWS.COM/TAG/NIL-YALTR/)

OSLO INNIAL(HTTP://WWW.ARTNWS.COM/TAG/OSLO-INNIAL/)

PAUL MPAGI SPUYA(HTTP://WWW.ARTNWS.COM/TAG/PAUL-MPAGI-SPUYA/)

PAUL NAZARTH(HTTP://WWW.ARTNWS.COM/TAG/PAUL-NAZARTH/)

PTR PAUL RUNS(HTTP://WWW.ARTNWS.COM/TAG/PTR-PAUL-RUNS/)

QUNS MUSUM(HTTP://WWW.ARTNWS.COM/TAG/QUNS-MUSUM/)

SAN FRANCISCO MUSUM OF MODRN ART(HTTP://WWW.ARTNWS.COM/TAG/SAN-FRANCISCO-MUSUM-OF-MODRN-ART/)

SCSSION(HTTP://WWW.ARTNWS.COM/TAG/SCSSION/)

SRPNTIN GALLRIS(HTTP://WWW.ARTNWS.COM/TAG/SRPNTIN-GALLRIS/)

SHARJAH INNIAL(HTTP://WWW.ARTNWS.COM/TAG/SHARJAH-INNIAL/)

SHLA GOWDA(HTTP://WWW.ARTNWS.COM/TAG/SHLA-GOWDA/)

SIMON FATTAL(HTTP://WWW.ARTNWS.COM/TAG/SIMON-FATTAL/)

SMITHSONIAN AMRICAN ART MUSUM(HTTP://WWW.ARTNWS.COM/TAG/SMITHSONIAN-AMRICAN-ART-MUSUM/)

SONDRA PRRY(HTTP://WWW.ARTNWS.COM/TAG/SONDRA-PRRY/)

STPHN WILLATS(HTTP://WWW.ARTNWS.COM/TAG/STPHN-WILLATS/)

SUZANN LACY(HTTP://WWW.ARTNWS.COM/TAG/SUZANN-LACY/)

TAKAKO SAITO(HTTP://WWW.ARTNWS.COM/TAG/TAKAKO-SAITO/)

TAT RITAIN(HTTP://WWW.ARTNWS.COM/TAG/TAT-RITAIN/)

TTSUYA ISHIDA(HTTP://WWW.ARTNWS.COM/TAG/TTSUYA-ISHIDA/)

TH ALRICH CONTMPORARY ART MUSUM(HTTP://WWW.ARTNWS.COM/TAG/TH-ALRICH-CONTMPORARY-ART-MUSUM/)

THOMAS HOUSAGO(HTTP://WWW.ARTNWS.COM/TAG/THOMAS-HOUSAGO/)

ULLNS CNTR FOR CONTMPORARY ART(HTTP://WWW.ARTNWS.COM/TAG/ULLNS-CNTR-FOR-CONTMPORARY-ART/)

VNIC INNAL(HTTP://WWW.ARTNWS.COM/TAG/VNIC-INNAL/)

WALKR ART CNTR(HTTP://WWW.ARTNWS.COM/TAG/WALKR-ART-CNTR/)

WHITNY INNIAL(HTTP://WWW.ARTNWS.COM/TAG/WHITNY-INNIAL/)

YRA UNA CNTR FOR TH ARTS(HTTP://WWW.ARTNWS.COM/TAG/YRA-UNA-CNTR-FOR-TH-ARTS/)




http://www.artnews.com/2019/03/12/sheela-gowda-maria-lassnig-prize/

http://www.artnews.com/2019/03/12/sheela-gowda-maria-lassnig-prize/

http://www.artnews.com/2019/03/12/tba21-academy-art-science-save-oceans/

http://www.artnews.com/2019/03/12/tba21-academy-art-science-save-oceans/

http://www.artnews.com/2019/03/11/r-crumb-interview-david-zwirner/


http://www.artnews.com/2019/03/11/oslo-biennial-first-edition-artists-oslobiennalen/


http://www.artnews.com/tag/national-gallery-of-art/

http://www.artnews.com/tag/nil-yalter/

http://www.artnews.com/tag/oslo-biennial/

http://www.artnews.com/tag/paul-mpagi-sepuya/

http://www.artnews.com/tag/paul-nazareth/

http://www.artnews.com/tag/peter-paul-rubens/

http://www.artnews.com/tag/queens-museum/

http://www.artnews.com/tag/san-francisco-museum-of-modern-art/

http://www.artnews.com/tag/secession/

http://www.artnews.com/tag/serpentine-galleries/

http://www.artnews.com/tag/sharjah-biennial/

http://www.artnews.com/tag/sheela-gowda/

http://www.artnews.com/tag/simone-fattal/

http://www.artnews.com/tag/smithsonian-american-art-museum/

http://www.artnews.com/tag/sondra-perry/

http://www.artnews.com/tag/stephen-willats/

http://www.artnews.com/tag/suzanne-lacy/

http://www.artnews.com/tag/takako-saito/

http://www.artnews.com/tag/tate-britain/

http://www.artnews.com/tag/tetsuya-ishida/

http://www.artnews.com/tag/the-alrich-contemporary-art-museum/

http://www.artnews.com/tag/thomas-houseago/

http://www.artnews.com/tag/ullens-center-for-contemporary-art/

http://www.artnews.com/tag/venice-biennale/

http://www.artnews.com/tag/walker-art-center/

http://www.artnews.com/tag/whitney-biennial/

http://www.artnews.com/tag/yerba-buena-center-for-the-arts/




SPONSORD CONTNT

Judy Pfaff Studio Visit




http://googleads.g.doubleclick.net/pcs/click?xai=AKAOjssLXksK8UVNxGF1-or3Tg_pLSSPEnLk-8y4EySTS8OudhJhUSAoU-zOxkC8_1iLh_8O-VAK2szmdbBlroTAaGR3BgWhL0Rsvxq3EPcBetgYvS8JbewFCV8L_acfIWRKP20VIUlBFidz4PF5pBLTxvz-9uNfLyQtAUT8H0entR2AeNNM2JajPgSAq_zQz_fO5tLJD5RNCyzRJGSYty4gZ6-zj_oGCgO3qADAhCyb6YOTgCpaHFnvmu1lzGK3&sai=AMfl-YRm5bCYZW5ooqTbhjhe6-mlAQfuYGj_nhV69Hlzw661B0QSKRD6f7RhdBcgKNaRh9OoqWg277pkiM84yPXtMx1zNHAHSLILNDtKY4wT_0RS34vS9iLgPTu6j2enerfH6XkYtQ&sig=Cg0ArKJSzCNW7Zwc1szO&adurl=http://inigophilbrick.com




(http://www.artnew.com/newletter/)

TOP POSTS

(HTTP://WWW.ARTNWS.COM/2019/03/11/PATRICIA-PHLPS-D-CISNROS-DONATS-45-CONTMPORARY-WORKS-TO-MUSO-RINA-SOFIA/) PATRICIA PHLPS D CISNROS DONATS 45 CONTMPORARY WORKS TO MUSO RINA SOFIA(HTTP://WWW.ARTNWS.COM/2019/03/11/PATRICIA-PHLPS-D-CISNROS-DONATS-45-CONTMPORARY-WORKS-TO-MUSO-RINA-SOFIA/)

(HTTP://WWW.ARTNWS.COM/2019/03/06/CAROL-SCHNMANN-DID-FMINIST-ART/) CAROL SCHNMANN, PROTAN ARTISTWHO HLPD DFIN CONTMPORARY AVANT-GARD, HAS DID AT 79 (HTTP://WWW.ARTNWS.COM/2019/03/06/CAROL-SCHNMANN-DID-FMINIST-ART/)

(HTTP://WWW.ARTNWS.COM/2019/03/11/R-CRUM-INTRVIW-DAVID-ZWIRNR/) R. CRUM ON HIS CARR-SPANNING SHOW AT DAVIDZWIRNR, POLITICAL CARTOONS, AND HIS UKULL (HTTP://WWW.ARTNWS.COM/2019/03/11/R-CRUM-INTRVIW-DAVID-ZWIRNR/)

(HTTP://WWW.ARTNWS.COM/2019/03/07/HRS-TH-2019-VNIC-INNAL-ARTIST-LIST/) HR’S TH 2019 VNIC INNAL ARTIST LIST(HTTP://WWW.ARTNWS.COM/2019/03/07/HRS-TH-2019-VNIC-INNAL-ARTIST-LIST/)

(HTTP://WWW.ARTNWS.COM/2019/03/11/OSLO-INNIAL-FIRST-DITION-ARTISTS-OSLOINNALN/) OSLO INNIAL CHANGS NAM,RLASS PARTIAL ARTIST LIST FOR FIV-YAR-LONG 2019 DITION (HTTP://WWW.ARTNWS.COM/2019/03/11/OSLO-INNIAL-FIRST-DITION-ARTISTS-OSLOINNALN/)

DITORS’ PICKS




http://www.artnews.com/newsletters/

http://www.artnews.com/2019/03/11/patricia-phelps-de-cisneros-donates-45-contemporary-works-to-museo-reina-sofia/

http://www.artnews.com/2019/03/11/patricia-phelps-de-cisneros-donates-45-contemporary-works-to-museo-reina-sofia/

http://www.artnews.com/2019/03/06/carolee-schneemann-died-feminist-art/

http://www.artnews.com/2019/03/06/carolee-schneemann-died-feminist-art/



http://www.artnews.com/2019/03/07/heres-the-2019-venice-biennale-artist-list/

http://www.artnews.com/2019/03/07/heres-the-2019-venice-biennale-artist-list/



http://www.artnews.com/2019/03/04/spring-preview-the-most-promising-museum-shows-and-biennials-around-the-world/




HOM (/) AOUT ARTNWS (HTTP://WWW.ARTNWS.COM/AOUT/) CONTACT US (HTTP://WWW.ARTNWS.COM/CONTACT-US/)

AOUT ARTNWSLTTR (HTTP://WWW.ARTNWS.COM/AOUT/AOUT-ARTNWSLTTR/) PURCHAS ACK ISSUS (HTTP://WWW.ARTMDIAHOLDINGS.COM/SHOP/)

ADVRTIS (HTTP://WWW.ARTNWS.COM/ADVRTIS/)

(http://www.faceook.com/artnewmag) (http://www.faceook.com/artnewmag) (http://www.faceook.com/artnewmag) (http://www.faceook.com/artnewmag)© 2019 ARTNWS MDIA, LLC. ALL RIGHTS RSRVD. ARTNWS IS RGISTRD IN TH U.S. PATNT AND TRADMARK OFFIC. (HTTP://WWW.ARTNWS.COM/)

SPRING PRVIW: TH MOST PROMISING MUSUM SHOWS AND INNIALS AROUND TH WORLD (HTTP://WWW.ARTNWS.COM/2019/03/04/SPRING-PRVIW-TH-MOST-PROMISING-MUSUM-SHOWS-AND-INNIALS-AROUND-TH-WORLD/)

TH ARTNWS ACCORD: JUSTIN VIVIAN OND AND STUART COMR IN CONVRSATION (HTTP://WWW.ARTNWS.COM/2019/03/05/TH-ARTNWS-ACCORD-JUSTIN-VIVIAN-OND-AND-STUART-COMR-IN-CONVRSATION/)

TH 2019 VNIC INNAL ARTIST LIST: Y TH NUMRS (HTTP://WWW.ARTNWS.COM/2019/03/07/TH-2019-VNIC-INNAL-ARTIST-LIST-Y-TH-NUMRS/)

ARTNWS ON FACOOK

ISSUS

Go to Iue...

ARTnews226K likesLike Page

®

PRIVACY POLICY (HTTP://WWW.ARTNWS.COM/PRIVACY-POLICY) TRMS OF US (HTTP://WWW.ARTNWS.COM/TRMS-OF-US)





http://www.artnews.com/about/

http://www.artnews.com/contact-us/

http://www.artnews.com/about/about-artnewsletter/

http://www.artmediaholdings.com/shop/

http://www.artnews.com/advertise/

http://www.facebook.com/artnewsmag





http://www.artnews.com/2019/03/04/spring-preview-the-most-promising-museum-shows-and-biennials-around-the-world/

http://www.artnews.com/2019/03/05/the-artnews-accord-justin-vivian-bond-and-stuart-comer-in-conversation/

http://www.artnews.com/2019/03/07/the-2019-venice-biennale-artist-list-by-the-numbers/

https://googleads.g.doubleclick.net/pcs/click?xai=AKAOjsvAfkx_MO-XdhiIA4AD64mdF2U9GFd_R_AHz8hMpOnVPlAi7SBm2dOBuCLRajWe4YA5kZ6BxNYgb0Xl8T5pSCJ5imvmqpxnH6_tjRYVvXoC3T_44wiv0pbTVoOEJ-p1TDi5nZoM46uG8Z6HjuvRdzeQcZ_JxTJy6IyIUqP2nFz6j4QDpmhZXkiIYqHjg38XOTbzpmChjLCuzw967bvvdpb3wO70aYkcBePBoMiuq6ZqN-mO41o7NnLpJLvxI_uH&sai=AMfl-YS6cXZ2Zqpx666WSYtuZu05XWCiJCnT6SWNgVakOca5q2Td8aFDaNWh3DYdEZ35FLkv4L3WkgZp9R1dEQkEFI4xN7ysuMCe8l5ThwzL-8LmCeegTxITLziEaO2g7ysBHVodWA&sig=Cg0ArKJSzLur6ZnBii0W&adurl=https://bampfa.org/program/hans-hofmann-nature-abstraction

https://www.facebook.com/artnewsmag/



http://www.artnews.com/privacy-policy

http://www.artnews.com/terms-of-use




and honolulu. and thi i not even including galler how and ... preview_ the most... · honolulu...

Documents