“andrew gough's arcadia”

Part 1 - Beedazzled

Part 2 - Beewildered

Part 3 - Beegotten

History is rife with lost knowledge and traditions whose meaning has blurred with the passage of time. I believe the ‘Bee’ is one

such tradition, and that its symbolism was important to civilizations of all ages. Inexplicably, the Bee is dying and nobody is

quite sure why. Legend asserts that when the Bee dies out, man will shortly follow. We will review the implications of the Bee’s

apparent demise in due course, however in this - our first instalment, we will examine the genesis of the Bee’s symbolism in the

mist of prehistory.

The Bee in Prehistory

Andrew Gough's Arcadia http://www.andrewgough.co.uk/bee1_1.html

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Anatomy of a female Honey Bee

Thanks to fossilisation, Bees over 100 million years old have been discovered in amber, frozen in time, as if immortalised in

their own honey. The Greeks called amber Electron, and associated it with the Sun God Elector, who was known as the awakener.

Honey, which resembles amber, was also known as an awakener, a regenerative substance that was revered across the ancient

world. The resemblance of honey with amber led to the Bees exalted status amongst ancient man and secured its favor over

other fossilized insects. Marcus Valerius Martialis, the first century Latin poet renowned for his twelve books of Epigrams,

commemorates the symbolism:

"The bee inclos'd, and through the amber shewn,

Seems buried in the juice, which was his own.

So honour'd was a life in labor spent:

Such might he wish to have his monument."


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A Bee fossilized in amber over 100 hundred million years old - from Southeast Asia

Bees accompanied Adam and Eve in the Garden of Eden and during the mythical Golden Age, honey dripped from trees like rain

water. In Egypt, Bees symbolized a stable and obedient society, mantras that would later be adopted by Freemasonry – and the

United States of America. The Bee’s ability to pollinate was not lost on prehistoric man and contributed to its reputation as a

regenerative, transformative and mystical creature. Indeed, paintings from prehistory confirm that the Bee has been revered for

tens of thousands of years.

In the Cave of the Spider near Valencia Spain, a 15,000 year old painting depicts a determined looking figure risking his life to

extract honey from a precarious cli!-side Beehive. Honey hunting represents one of man’s earliest domestic pursuits and hints

at the genesis of the Bee’s adoration in prehistory.

Honey Hunting in Spain – approximately 13,000 BC

Veneration of the Bee continued in Neolithic Spain, as the highly stylised rendering of a dancing Bee below illustrates. The image

underscores the quandary with Bee symbolism; that is, most of us would be hard pressed to identify the image and others like


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it, as a Bee. The tradition of the Bee worship in Spain has been preserved to this day, albeit under the rather macabre guise of

Bull fighting. The modern day ‘sport’ is actually an extension of Mithraism, the ancient mystery school whose rites included the

ritualistic slaughter of bulls. But we are getting ahead of ourselves, for to understand how bulls are related to Bees we must

examine the Bee in prehistory still further.

Bee Goddess, 5000 BC – Neolithic Spain

© www.mothergoddess.com

The Bee is the only insect that communicates through dance, yet this largely forgotten trait is one of the reasons why Bee

imagery from antiquity is often lost on the untrained eye. In her authoritative and oft quoted book, The Goddesses and Gods of

Old Europe, Marija Gimbutas examines imagery on artefacts from Old Europe, circa 8000 BC, and concludes that they portray

the Bee as a manifestation of the Mother Goddess, as depicted below.

Mother Goddess, thought to have been carved between 24,000–22,000 BC

The Mother Goddess is arguably the oldest deity in the archaeological record and her manifestations are numerous, including

likenesses of butterflies, toads, hedgehogs - and dancing Bees. In the ancient world, dancing Bees appear to have been special -

the Queen Bee in particular, for she was the Mother Goddess - leader and ruler of the hive, and was often portrayed in the

presence of adorning Bee Goddesses and Bee Priestesses.


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Dancing Bee Goddesses, from The Goddesses and Gods of Old Europe

© Marija Gimbutas

Dancing Bee Goddess, from The Goddesses and Gods of Old Europe

© Marija Gimbutas

In addition to dancing Bee symbolism, Gimbutas identified images of Bees as stick men, or schematized figures, with their arms

arched over their head like the Dancing Goddess motif so common in Sumerian and Egyptian reliefs.

Bees as stick men, or schematized figures © Marija Gimbutas


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Clearly, the Bee was depicted in manners unidentifiable to the casual observer. And to be fair, this is no wonder, for the Bee was

often portrayed in a highly stylized fashion anyway, and occasionally its features were distorted due to the unrefined skill of the

artist in antiquity, as well as fact that the artist may have been in a shamanic, drug induced trance at the time the image was

created. Furthermore, the image of the Bee was often prejudiced by the surface it was created on, i.e. rock wall, statue or mud

brick, etc, and the perspective that this a!orded.

So let’s look at several more examples, starting with a well known image that few would associate with Bee symbolism; a 10,000

year old Anatolian Mother Goddess wearing a Beehive styled tiara. The Beehive inspired motif was popular in earliest society and

confirmed the Goddesses exalted status as a Queen Bee who ‘streams with honey’, a substance of considerable importance, and

status, in ancient times.

Goddess wearing a beehive tiara from Turkey, circa 8000 BC

© www.thebeegoddess.com

Also in Anatolia, this time at the Neolithic settlement of Catal Huyuk, rudimentary images of Bees dating to 6540 BC are painted

above the head of a Goddess in the form of a halo. Nearby, paintings of Beehive comb cells adorn rock strewn temple walls,

recalling the day when such symbolism was widely understood – and important. In Anatolia, Bee veneration continued for

thousands of years, as demonstrated by the 18th century BC Hittites, who relied on honey as an important element of their

religious rites.

Catal Huyuk; a wall depicting a Beehive comb – 6600 BC © James Mellaart

Catal Huyuk was first ‘discovered’ in 1958 and is widely regarded to be the most important site of its kind in the world. The

complex was excavated by James Mellaart between 1961 and 1965 and found to feature two prominent images: the Mother

Goddess, and the bull. Together with the Bee, these images comprise the essence of our research, as we shall see. However,

images of Bees from antiquity are not limited to Old Europe, for in far away lands such as Australia, Aboriginal cave paintings of

Beehives have been dated to 10,000 BC.


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Beehive painting near Prince Regent River, Western Australia. © Eva Crane

In addition to cave paintings, Aboriginals also carved images on the inside of eucalyptus tree bark, including drawings of men

with bags of honey over their shoulders.

Tree bark carvings of men with bags of honey over their shoulders © Eva Crane | An old print showing Aboriginal men carrying sacks of

honey over their shoulder

Similarly, the following images illustrate how the Bee can be misinterpreted as representing other, more esoteric or otherworldly

creatures. For instance, spiraling circles appear frequently in rock art, and on occasion have been interpreted to represent

planetary alignments or symbols of advanced civilisations. In fact, the image below represents rock art from the sacred store

house of Australia Honey Ant shamans, who hunted Honey Ants as the only source of honey in an otherwise dry and arid desert

landscape (Spencer and Gillen, 1899). The rocks are located in a valley where shamans performed rituals designed to increase

their supply of honey, for the sacred nectar provided a variety of medicinal and nutritional uses. Ironically, the conical images

hints at the origins of the ancient Labyrinth design, a structure that played an important role in Egyptian, Greek and of course,

Atlantian mythology; cultures that venerated the Bee.


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Rock drawings from sacred store house of a group of Honey Ant Totem. © Eva Crane

Images from the ancient world are frequently interpreted through modern eyes as representing supernatural or even

extraterrestrial events, due to the extraordinary images they portray. This is especially true of images whose symbolism

includes figures in flight. Most notably, Zecharia Sitchin, linguist and writer of the controversial Earth Chronicles series, has

devoted a lifetime to interpreting Sumerian reliefs and believes they represent extraterrestrial contact on earth.

For example, the Sumerian stele below is one of many believed by alternative history writers to depict figures of alien origin.

However, more measured interpretations believe that this scene, and others like it, depict the worship of the Mother Goddess,

manifest as a Queen Bee or Bee Goddess; a figure who is frequently adorned by her followers - the Bee Priestesses. Again, this

should not be viewed as unusual, for honey was regarded by Sumerian physicians as a unique and vital medicinal drug. In fact, it

has been suggested that the Sumerians invented Apitherapy, or the medical use of Honey Bee products such as honey, pollen,

royal jelly, propolis and bee venom. And least we forget, it was the Bee that led ancient man to the plants whose hallucinogens

transported consciousness into the spirit world of the gods. Furthermore, objects cast in Beeswax were discovered in the

earliest of Sumerian societies. Why then, should the source of these important byproducts - the Bee, not have been worshipped?

Sumerian stele – extraterrestrial Gods or Bee Goddess worship?

The Mesopotamian civilization of Sumer is believed to have flourished between 5300 - 3500 BC. In addition to producing

dozens of cultural firsts – or inventions, Sumerians appear to have been the first to depict winged figures in art, including

humans with wings. Might this symbolism be attributable to worship of the Bee Goddess? Could the Bee have been the

inspiration for winged figures of all kinds? Was the Bee the archetype for biblical angels? Although alluring, such assertions are

rather speculative at this juncture, and so we will reserve judgement until we have examined the Bee and its evocative

symbolism in further detail.

Gigantic statues from the Assyrian city of Nimrud - now modern Iraq, and Persepolis - now modern Iran, appear to have

continued the Sumerian ‘winged tradition’ by depicting bulls with wings. This is intriguing, for ancient cultures the world over

have maintained that Bees are born of bulls, and here we have statues depicting bulls with wings.


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A Bull statue with wings from Persepolis, another from Nimrod

The ancient custom of placing a Beehive in the head of a bull was at first a domestic exercise, and enabled the bull’s head to be

purified of all matter before being used for practical purposes. Only later did the tradition morph into a highly symbolic ritual

where Bees found on the carcasses of dead bulls represented the regeneration of souls. As we shall see, the belief that Bees

were born of sacred bulls was especially prevalent in Egypt and Mediterranean cultures such as the Greeks and Minoans. Like

the Sumerian reliefs that depicted humans with wings, the representation of bulls with wings will be duly noted and no

conclusions drawn - just yet.

The Bee featured prominently in another ancient culture – the Dogon, a tribe from the West African region of Mali whose

Nommo ancestors and Sirian mythology were made famous by Robert Temple in his book, The Sirius Mystery. The Dogon belief

system is ancient, and until approximately 140 AD, its zodiac featured the Bee as the symbol of the constellation presently

occupied by Libra. The Bee’s position in the Dogon Zodiac is significant to esoteric thought leaders such as Cabalists, who

recognize the Bee’s role in establishing balance and harmony in the zodiac - and in life. Curiously, two of the most common

Dogon symbols resemble schematized figures identified by Marija Gimbutas as Bees; one is associated with vital food supplies

and the other with reincarnation. Together, the Dogon images reflect the essence of the Bee’s perceived value in ancient times.

Common Dogon Symbols © http://www.artheos.org/eng/contents.html

The Bee in Ancient Egypt

The ancient Egyptians shared many similarities with the Sumerians and Dogons, including the veneration of Bees. Sophisticated

Apiculture, or the organized craft of Beekeeping, was practiced in Egypt for thousands of years. According to Bee expert Eva

Crane, whose authoritative book, The World History of Beekeeping and Honey Hunting remains the primary reference work in

the genre; “beekeeping was very important before 3000 BC, especially in the Delta.” In other words, the agricultural, nutritional,

medicinal and ritualistic value of the Bee and its honey was important in Egypt from pre-dynastic times onwards, as

demonstrated by the fact that King Menes, founder of the First Egyptian Dynasty, was called "the Beekeeper”; a title ascribed to

all subsequent Pharaohs. Additionally, the Kings administration had a special o"ce called the ‘Sealer of the Honey’, and Kings of

Upper and Lower Egypt bore the title "he who belongs to the sedge and the bee”. An image of the Bee was even positioned next

to the King’s cartouche.

The Bee, next to the signature of Hatshepsut, the 5th Pharaoh of the 18th Dynasty

EgyptologistWallis Budge translated the Book of Opening the Mouth, and in doing so provided insight that confirmed the Bees’

importance in Egyptian mythology. One phrase simply read, “The Bee, giving him protection, they make him to exist”, while

another adds: “Going about as a bee, thou seest all the goings about of thy father.” The later may in fact refer to the Ka, or an

individual’s soul - or double, who is nurtured after death.

Egyptian mythology contains countless references to the Bee, including the belief that Bees were formed through the tears of

the god RA. To put this into perspective, we are informed that the most important god in the Egyptian pantheon had Bees for

tears. The ancient writings of Am-Tuat (the Otherworld) explains:


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"This god cries out to their souls after he hath entered the city of the gods who are on their sand, and there are

heard the voices of those who are shut in this circle which are like the hum of many bees of honey when their souls

cry out to Ra."

And similarly, the Salt Magical Papyrus states:

“When RA weeps again and the water which flows from his eyes upon the ground turns into working bees. They work

in flowers and trees of every kind and wax and honey come into being.”

The Egyptian God RA, who cried Bees for tears

The Bee’s association with the tears of RA is interesting, for the ideogram of the Bee has been interpreted by Egyptologists to

represent honey, and its eyes the verb, “to see”. Many have studied its meaning, such as the Egyptologist Sir Alan Gardiner, who

featured the Bee in his book Egyptian Grammar. So did the German Egyptologist Kurt Sethe, who believed the Egyptians had

forgotten the original word for Bee. Similarly, the Egyptologist Hermann Grapow felt that the Bee’s title was completely

"unreadable". The point being, Egyptologists agree that they have yet to ascertain the symbol’s true meaning.

A description of the Bee ideograph from

The Rosetta Stone: The Discoveries of Dr. Thomas Young:

The Classification of the Egyptian Alphabet by Champollion

Intriguingly, Northern Egypt - the land stretching form the Delta to Memphis was known as “Ta-Bitty”, or “the land of the bee”.

Similarly in the bible, the Lord promises to bring the Israelites out of Egypt and into a land flowing with milk and honey.

Poetically, later civilizations referred to the land of milk and honey as a sort of mythical utopia; a bountiful, abundant and fertile

region, reminiscent of the Mother Goddess herself.

Bees are portrayed on the walls of Egyptian tombs and o!erings of honey were routinely presented to the most important


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Egyptian deities. Indeed, honey was the ‘nectar of the gods’, and like the Sumerians before them, Egyptian physicians valued its

medicinal value in many important procedures. In other words, they too practiced Apitherapy. Egyptian medicine men were

often indistinguishable from sorcerers, and Beeswax was an essential ingredient in the creation of e"gies used in rituals. In her

1937 book, The Sacred Bee, Hilda Ransome recounts several examples, stating that “One of the earliest instances of the magical

use of wax is in the Westcar Papyrus.” In her example, Ransome recounts how a Beeswax e"gy of a crocodile comes alive and

eats the lover of mans wife as revenge for violating his marriage agreement.

Honey was frequently mentioned in papyri and was even a vital ingredient in Egyptian beer. This linked the Bee to commerce, for

beer was often used as a form of wages. In fact, the versatile nectar was so cherished that promises of honey from husband to

wife were included in marriage contracts, and even the Pharaoh Ramses III o!ered up 15 tons of honey to the Nile God Hapi, in

the 12th Century BC. The Health Benefits of Honey web site sheds further light on honey’s unique role in Egyptian society:

“The oldest hieroglyphic carvings in temples, on sarcophagi and obelisks su!ciently prove that bees and honey had

a vital significance in the daily life of the population of Egypt…Honeycombs, honey cakes, sealed jars of honey and

lotus blooms were placed next to the sarcophagi as food for the souls of the dead. In the tomb of Pa-Ba-Sa, in

Thebes, the entire wall is decorated by rows of bees. A man is shown pouring honey into a pail, another is kneeling

and praying before a pyramid of honeycombs. On the wall of the tomb of Rekh-Mi-Re all phases of the honey

industry are depicted; how the combs were removed from the hives with the aid of smoke, the baking of honey

cakes, the filling and sealing of jars, etc.”

Bee hieroglyph – Luxor © Kenneth J Stein

The Bee is featured prominently in many Egyptian temples, including the pillars of Karnak, the Luxor obelisk now erected on the

Place de la Concorde in Paris, the 20th Dynasty sarcophagus of Rameses III, a granite statue of Rameses II, the sarcophagus of a

26th Dynasty priest and on the Pyramid of Unas, to name but a few. Additionally, at the temple of Dendera an inscription

recounts how Osiris emulated the Bee and provided instructions for knowing the “hsp”, or the sacred garden of the Bee in the

other world - a domain believed to contain the tree of the golden apples of immortality. And in the Egyptian Delta, in the

ancient Temple of Tanis – which is said to have once housed the Ark of the Covenant, the Bee was its first and most important

ideogram. In fact, the Bee is even featured on the Rosetta Stone.

Continue Reading...


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“andrew gough's arcadia”

Documents

bee symbolism

bee inclosd

dancing bee

bee worship

pma bee

bees symbolism

honey hunting

resemblance of honey