anna rinko. how does the audio/visual content of movie trailers affect viewers? two parts actual...
TRANSCRIPT
Research Question How does the audio/visual content of
movie trailers affect viewers? Two parts
• Actual effects• How those effects are achieved
Physical Responses “Chills” “Shiver down the spine” Piloerection (goosebumps)
• Gender differences Tend to serve as markers for
emotional response Music
• Dopamine
The Power of the Human Face
Facial Close-Ups• Focus on individual
emotion• Pulls at natural tendency
to center on the human face
• Possible evolutionary connection
Associations Evoke specific genres Trigger context-
dependent memories Connect advertised
movie to past successful films• Usage of music tracks
from other trailers and films
Advertising (Tying It All Together)
Purpose of the trailer is to garner greater sales• Exploitation of natural human tendencies
and psychology Feelings Memory Associations
• Manifest as physical and emotional reactions
• Higher reactions are correlated to higher profits
ProductTwo parts
1. Trailer-esque Film Production
•Style of a modern movie trailer•Created using music pieces from official trailers•BBC News clips • Reduce bias
2. Experiment
•Presentations to multiple classes•Self-reports for data collection•Are the desired emotional effects present?•Do the data trends (relating to intensity of emotion, gender, etc.) match those of the research.
Results Engagement Level (0-3)
3% 4%
35%
58%
Total Percentage0 1 2 3
• Average Engagement Level: 2.49• Average Male Engagement Level:
2.33• Average Female Engagement
Level: 2.59
Results Intensity Level (0-3)
3% 1%
34%
62%
Total Percentage
0 1 2 3• Average Intensity Level: 2.55• Average Male Intensity Level:
2.40• Average Female Intensity Level:
2.66
Results Emotions
96%
4%
Total Respondents
Target Emotions Not Target Emotions94%
6%
Male
Target Emotions Not Target Emotions
98%
2%
Female
Target Emotions Not Target Emotions
Results Emotions Continued
Sad Inspired Anxious Tense Other NoneEmotions
0.00%
10.00%
20.00%
30.00%
40.00%
50.00%
60.00%
70.00%
Percentages MalePercentages Female
Results Physical Reactions
72%
28%
Total Respondents
Physical Reaction No Physical Reaction57%
43%
Male
Physical Reaction No Physical Reaction
82%
18%
Female
Physical Reaction No Physical Reaction
Results Physical Reactions Continued"S
hiv
er
dow
n t
he s
pin
e"
Goose
bum
ps
Chills
Tin
gling
Oth
er
None
Physical Reactions
0.00%
5.00%
10.00%
15.00%
20.00%
25.00%
30.00%
35.00%
40.00%
45.00%
50.00%
MaleFemale
General Bibliography Anderson, Lisa, and Arthur P. Shimamura. “Influences of Emotion on Context Memory while Viewing Film Clips.” The American Journal
of Psychology 118.3 (2005): 323-37. Web. Baughman, Brent. “The art of the Modern Movie Trailer.” NPR.org. NPR, 15 Jan. 2012. Web. 13 Feb. 2013. Benedek, Mathias and Kaernbach, Christian. “Physiological correlates and emotional specificity of human piloerection.” Nih.gov.
National Center for Biotechnology Information, Mar. 2011. Web. 27. Sept. 2013. Brown, Royal. “Modern Film Music.” The Oxford History of World Cinema: The definitive history of cinema worldwide.Ed. Geoffrey Nowell-Smith. Oxford: Oxford University Press, 1996. 558-66. Print. Devantier, Alecia T., and Turkington, Carol A. Extraordinary Jobs in Media. New York: Ferguson, 2007. Print. Frazer, Bryant. “Q&A: Creative Director Federico Ponce on Making Movie Trailers.” Studiodaily.com. 8 Feb. 2013. Web. 13 Feb. 2013. Groom, Jim. Email. 2 June 2014. Hart, Hugh. “9 (Short) Storytelling Tips From a Master of Movie Trailers.” Fastcocreate.com. Fast Company & Inc., 29 May 2014. Web.
17 Dec. 2014. Hoeckner, Berthold, Emma W. Wyatt, Jean Decety, and Howard Nusbaum. “Film Music Influences How Viewers Relate to Movie
Characters.” Psychology of Aesthetics Creativity and the Arts 5.2 (2011): 146-53. Web. Holtzclaw, Robert P., and Robert A. Armour. “Film” The Greenwood Guide to American Popular Culture. Inge, Thomas M., and Hall, Dennis, Eds. Westport: Greenwood Press, 2002. Print. Jerrick, David. “The Effectiveness of Film Trailers: Evidence from the College Student Market.” Uwlax.edu. UW-L Journal of
Undergraduate Research XVI, 2013. Web. 28 Sept. 2013. Kar, Anita. “Musical chills: why they give us thrills.” Mni.mcgill.ca. Montreal Neurological Institute and Hospital, 10 Jan. 2011. Web. 27
Sept. 2013. Kehe, Jason and Palmer, Katie M. “Secrets of a Trailer Guru: How This Guy Gets You to the Movies.” Wired.com. Wired, 18 Jun. 2013.
Web. 17 Dec. 2014. Lipscomb, Scott D. and David E. Tolchinsky. “The role of music communication in cinema.” Lipscomb.umn.edu. Northwestern
University, 2004. Web. 17 Mar. 2014. Parke, Rob, Chew Elaine, and Kyriakakis Chris. “Quantitiative and Visual Analysis of the Impact of Music on Perceived Emotion of
Film.” Usc.edu. University of Southern California Viterbi School of Engineering. Web. 28 Sept. 2013. Patches, Matt. “How a Movie Trailer is Made: Behind-the-Scenes of ‘Dark Knight Rises,’ ‘Great Gatsby,’ and More.” Hollywood.com.
Hollywood.com LLC, 11 Feb. 2013. Web. 17 Dec. 2014. Rathus, Spencer A. Psychology: Principles in Practice. Hold McDougal, 2010. Print Tan, Siu-Lan. “3 Reasons Why We’re Drawn to Faces in Film.” Psychologytoday.com. Sussex Publishers, 20 Nov. 2013. Web. 17 Web.
2014. Williams, Kathleen. “Fake and fan film trailers as incarnations of audience anticipation and desire.” Transformativeworks.com. Web.
29 Sept. 2013. Yanagisawa, Kazuka, Takayuki Iida, and Kakuro Amasaka. “Constructing a Model for Creating Movie Trailers Increase Customers’
Desire. Research in Applied Economics 6.1 (2014) : 73-84. Web.
Media Sources Bibliography
https://www.youtube.com/watch?v=MVt32qoyhi0&list=PLNZ6uy9DRQm7G4L8y7QYjRRPbI2OFQnOy&feature=mh_lolz
https://www.youtube.com/watch?v=VCTen3-B8GU&list=PLNZ6uy9DRQm7G4L8y7QYjRRPbI2OFQnOy&index=2
https://www.youtube.com/watch?v=9ItBvH5J6ss&list=PLNZ6uy9DRQm7G4L8y7QYjRRPbI2OFQnOy&index=3
https://www.youtube.com/watch?v=pTZ2Tp9yXyM&index=4&list=PLNZ6uy9DRQm7G4L8y7QYjRRPbI2OFQnOy
https://www.youtube.com/watch?v=9bz0QOOT9Hk&list=PLNZ6uy9DRQm7G4L8y7QYjRRPbI2OFQnOy&index=5
https://www.youtube.com/watch?v=_pgmFAOgm5E&index=6&list=PLNZ6uy9DRQm7G4L8y7QYjRRPbI2OFQnOy
https://www.youtube.com/watch?v=66TuSJo4dZM&index=7&list=PLNZ6uy9DRQm7G4L8y7QYjRRPbI2OFQnOy
https://www.youtube.com/watch?v=Lm6V6QnkGQc&index=8&list=PLNZ6uy9DRQm7G4L8y7QYjRRPbI2OFQnOy
https://www.youtube.com/watch?v=2CzoSeClcw0&list=PLNZ6uy9DRQm7G4L8y7QYjRRPbI2OFQnOy&index=9
https://www.youtube.com/watch?v=Ke1Y3P9D0Bc&index=10&list=PLNZ6uy9DRQm7G4L8y7QYjRRPbI2OFQnOy
https://www.youtube.com/watch?v=3bFZJ-3zNFg&index=11&list=PLNZ6uy9DRQm7G4L8y7QYjRRPbI2OFQnOy
Media Sources Bibliography Continued https://www.youtube.com/watch?v=eOrNdBpGMv8&index=12&list=PLNZ6uy9DRQm7G4L8y7QYj
RRPbI2OFQnOy
https://www.youtube.com/watch?v=WzV6mXIOVl4&index=13&list=PLNZ6uy9DRQm7G4L8y7QYjRRPbI2OFQnOy
https://www.youtube.com/watch?v=OiTiKOy59o4&list=PLNZ6uy9DRQm7G4L8y7QYjRRPbI2OFQnOy&index=14
https://www.youtube.com/watch?v=ufsrgE0BYf0&index=15&list=PLNZ6uy9DRQm7G4L8y7QYjRRPbI2OFQnOy
https://www.youtube.com/watch?v=hWnAqFyaQ5s&index=16&list=PLNZ6uy9DRQm7G4L8y7QYjRRPbI2OFQnOy
https://www.youtube.com/watch?v=GokKUqLcvD8&list=PLNZ6uy9DRQm7G4L8y7QYjRRPbI2OFQnOy&index=17
https://www.youtube.com/watch?v=g8evyE9TuYk&list=PLNZ6uy9DRQm7G4L8y7QYjRRPbI2OFQnOy&index=18
https://www.youtube.com/watch?v=N0WUpsErUBA&index=19&list=PLNZ6uy9DRQm7G4L8y7QYjRRPbI2OFQnOy
https://www.youtube.com/watch?v=TbQm5doF_Uc&index=20&list=PLNZ6uy9DRQm7G4L8y7QYjRRPbI2OFQnOy
https://www.youtube.com/watch?v=87E6N7ToCxs&index=21&list=PLNZ6uy9DRQm7G4L8y7QYjRRPbI2OFQnOy
https://www.youtube.com/watch?v=kw8VCDx399I&index=22&list=PLNZ6uy9DRQm7G4L8y7QYjRRPbI2OFQnOy
https://www.youtube.com/watch?v=jFhJjCmYi1M&index=23&list=PLNZ6uy9DRQm7G4L8y7QYjRRPbI2OFQnOy
https://www.youtube.com/watch?v=wN10QltBBtE&list=PLNZ6uy9DRQm7G4L8y7QYjRRPbI2OFQnOy&index=24