“grade 1” · 2019-12-01 · major chords are formed by using notes of a particular scale, for...

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1 Acoustica™ © 2011-15 The Guitar School STC (Regn. No): CXMPS6475MSD001 Trademark Regn. No: 2248733; Porp-1313595 GUITAR COURSEWARE Grade 1(3 Months) Ownership, Publication & Exclusive Distributorship By: AcousticaGurgaon (A Venture of MEWO-ASR) [email protected] [email protected] [email protected] Copyright © 2011-15 by Acoustica Grade 1, 6 th Edition, Revised March 2012. • NCR/ Gurgaon – India • NOT FOR SALE• FOR USE BY STUDENTS OF AcousticaONLY • DISTRIBUTION TO 3 rd PARTIES IS STRICTLY RESTRICTED• www.acoustica.co.in THE MUSIC NEVER DIES Mobile : +91-9654847144 +91-9711387943 Office : 0124 - 3220857 SAVE PAPER Name :________________________ Regn Dt :_____ /_____/ 20_________ Regn.No : AC20____-____-________ ID No. : AC____________________

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Page 1: “Grade 1” · 2019-12-01 · Major chords are formed by using notes of a particular Scale, For example, if we want to form the C Major Chord, we use the notes of the C Major Scale

1 Acoustica™ © 2011-15 The Guitar School

STC (Regn. No): CXMPS6475MSD001 Trademark Regn. No: 2248733; Porp-1313595

GUITAR COURSEWARE “Grade 1”

(3 Months)

Ownership, Publication & Exclusive Distributorship By:

Acoustica™ Gurgaon (A Venture of MEWO-ASR)

[email protected]

[email protected] [email protected]

Copyright © 2011-15 by Acoustica ™ Grade 1, 6th Edition, Revised March 2012. • NCR/ Gurgaon – India • NOT FOR SALE•

• FOR USE BY STUDENTS OF Acoustica™ ONLY • DISTRIBUTION TO 3rd PARTIES IS STRICTLY RESTRICTED• www.acoustica.co.in

THE MUSIC NEVER DIES

Mobile: +91-9654847144 +91-9711387943 Office: 0124 - 3220857

SAVE PAPER

Name :________________________ Regn Dt :_____ /_____/ 20_________ Regn.No : AC20____-____-________ ID No. : AC____________________

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Preface & Acknowledgements

This “Guitar Learning” courseware for Grade 1, has been specially designed while keeping in mind all the different individuals who are enthusiastic in music and are aspiring to learn the guitar. This book consists of years and hours of expertise and in Guitar playing and in teaching the same. Without study material even learning the guitar may not be very fruitful. We aim to teach our valued students each and every aspect of learning and playing the Guitar, also at the same time the essence of being self sufficient. Since no two people can learn at the same pace, we have structured this book in a way to fit anyone’s and everyone’s intellectual and physical capacity. Be it music or learning to play the guitar, it is not always that you need talent do achieve these thing. All you need is a willing heart, a patient mind and a keen listening ear. With these ingredients anyone can follow their passion in music. We thank everyone involved in the making of this courseware, and we also thank all our students and patrons who have supported us over time just by being a part of Acoustica and our Music community. We continually strive to bring to you the best quality of learning with minimum input but maximizing output. We sincerely hope that you enjoy your time at Acoustica and fulfill your thirst for music. Best of luck for your training & musical journey. Warm Regards, The Acoustica™ Team Varun Melroy Sharma HEAD TRAINER Acoustica™ & MEWO-ASR

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KNOWING YOUR FRET BOARD

Fig 1: Fret Board showing only Natural Notes on the Fret Board (1st to 12th Fret)

Fig 2: Fret board showing all notes on the Fret Board (1st to 12th Fret)

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W H W W H W W

MINOR SCALES

Just like the 12 Major scales covered in the ‘Basic’ Grade, we will have 12 minor scale. The Major scale formula was derived from the C Major Scale (C D E F G A B C) which had all natural notes; similarly the Minor Scale also has a formula that has been derived from the A Minor Scale which also has all natural notes:- i.e. A Minor Scale: A B C D E F G A. Since there are 12 notes in music, Therefore, just like we have 12 major scales, there will be a total of 12 minor scales (Out of which we have to derive the remaining 11 as we already have the Am Scale. Minor Scale Formula- The Minor scale formula is derived from the A Minor Scale which has all natural notes, as illustrated below. The formula is calculated by the distance between each consecutive note of the A Minor Scale. W represents a Whole Step or a Tone (T), and H represents a Half Step or Semitone(S). The distance between the notes in the scale will either be a Tone or a Semitone.

A B C D E F G A Hence we are left with W-H-W-W-H-W-W, which is the Minor scale Formula, and we will use it to derive all the other minor scales, i.e. Em Scale, Gm Scale etc.

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MAJOR CHORD FORMATION

Major chords are formed by using notes of a particular Scale, For example, if we want to form the C Major Chord, we use the notes of the C Major Scale. We take the 1st, 3rd and 5th note of any scale with whose notes we will form the chord. Taking the C Major Scale again as an example: C D E F G A B C 1st 2nd 3rd 4th 5th 6th 7th 8th Or, let’s consider the same with all the sharps notes (accidental) included. C C# D D# E F F# G G# A A# B C 1st 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th In this above case instead of taking the 1st, 3rd and 5th notes from the scale we use the 1st, 5th and 8th notes from all the notes from the C root note to the next C note with all the semitones in between. Hence we are left with the three notes that we found from either of the above two methods C, E and G, from which the C Major Chord is formed. Illustrated below is the chord diagram showing all the notes (and strings) played in it.

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MINOR CHORD FORMATION Minor Chord formation is very similar to the Major Chord formation but with a slight change. In the Major chord formation we saw that the chord was formed with the 1st, 3rd and 5th note of that major scale. Similarly for minor chords we take the 1st, Flat 3rd (3rdb), and the 5th note, again of the respective Major scale. Consider the A Major Scale, A B C# D E F# G# A 1st 2nd Flat 3rd 4th 5th 6th 7th 8th

Where the 3rd note is C# and its flat is C, which is the required note. S instead of C# we use C, because we need the flat of the 3rd note. Hence the note that will form the A Minor Chord will be A, C and E. Again, like the major scale formation let us consider all the accidental notes in between the A Major Scale, so we have; A A# B C C# D D# E F F# G G# A 1st 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th So here we have the 1st, 4th and the 8th note as the required, that is, A, C and E. The formation of the A Minor chord is shown in the Chord diagram below with all the notes (and string) played in it.

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MAJOR 7TH CHORD FORMATION

Seventh chords are very common chords. Much of jazz is based upon 7th progressions. The seventh note is one of the notes that really define the sound of the chord. It’s one of the strongest notes. A seventh chord can be major, minor, augmented or diminished. Remember that the 3rd is the note that determines whether it is major or minor. As far as use of 7th chords, the 7th is used a lot in jazz and in country music. It’s a fun loving chord. And it’s better for rhythm than melodic use. Normal 7th chords are also known as Dominant 7th Chords, eg: G7 is nothing but G Dominant 7th Chord. G7 and G Maj7 are different Chords.

Now the major 7th is decidedly jazzy. It has a very soft, soft jazz feel. And it’s pretty. It tends to work better melodically than the 7th.

The Major 7th chord formula is: 1 – 3 – 5 – 7 The 7th chord formula is: 1 – 3 – 5 – Flat 7 G A B C D E F# G 1st 2nd 3rd 4th 5th 6th 7th 8th And the 7th note is F#; hence the required notes for ‘G Maj 7’ are G, B, D, and F#. If we consider all the sharps (Accidental) notes in the scale;

G G# A A# B C C# D D# E F F# G 1st 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th Again we have G, B, D and F#, that we got using the 1st, 5th, 8th and 12th note. Hence the chord formed is shown as below;

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Scales with sharp Key Signatures:

Sharp key signatures consist of a number of sharps between one and seven, applied in this order: F C G D A E B. A mnemonic device often used to remember this is “Father Charles Goes Down And Ends Battle.” The key note or tonic is immediately above the last sharp in the signature. For example, one sharp (F♯) in the key signature of a piece in a major key indicates the key of G major, the next note above F♯. (Six sharps, the last one being E♯ (an enharmonic spelling of F♮) indicate the key of F♯ major, since F has already been sharped in the key signature.)

C Maj – 0 sharps G Maj – 1 sharp – F♯ D Maj – 2 sharps – F♯, C♯ A Maj – 3 sharps – F♯, C♯, G♯ E Maj – 4 sharps – F♯, C♯, G♯, D♯ B Maj – 5 sharps – F♯, C♯, G♯, D♯, A♯ F♯ Maj – 6 sharps – F♯, C♯, G♯, D♯, A♯, E♯ C♯ Maj – 7 sharps – F♯, C♯, G♯, D♯, A♯, E♯, B♯

This table shows that each scale starting on the fifth scale degree of the previous scale has one new sharp, added in the order given above.

Scales with flat Key signatures:

Flat key signatures consist of one to seven flats, applied as: B E A D G C F (same as the order of sharps, but reversed.) The reverse mnemonic device is then used in the flat keys: “Battle Ends And Down Goes Charles Father.” The major scale with one flat is F major. In all other flat major scales, the tonic or key note is indicated by the second to last flat. In the major key with four flats (E), for example, the penultimate flat is A♭, indicating a key of A♭ major.

C Maj – 0 flats F Maj – 1 flat – B♭ B♭ Maj – 2 flats – B♭, E♭ E♭ Maj – 3 flats – B♭, E♭, A♭ A♭ Maj – 4 flats – B♭, E♭, A♭, D♭ D♭ Maj – 5 flats – B♭, E♭, A♭, D♭, G♭ G♭ Maj – 6 flats – B♭, E♭, A♭, D♭, G♭, C♭ C♭ Maj – 7 flats – B♭, E♭, A♭, D♭, G♭, C♭, F♭ In this case each new scale starts a fifth below (or a fourth above) the previous one.

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BIG MR. C

Big Mr. C is a tune based on the G Major Scale, Music and Words arranged by Fletcher C for learning guitar at the beginner’s level in Grade 1 under the genre “Rock ‘n’ Roll”.

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COUNTRY STYLE This Country style playing piece has been designed by the Senior Trainers of Acoustica Guitar School, especially for students to get a good idea about country style/Rhythm of guitar playing.

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ETUDE 3

Etude-3 is a classical piece composed by the senior guitarists of Former Guitar Geekz in 2009 and was copyrighted by the organization.

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HOTEL CALIFORNIA

Hotel California was originally composed by the Eagles as a Single in early 1977. Writing credits for the song are shared by Don Felder, Don Henley and Glenn Frey. The Eagles’ original recording of the song features Henley singing the lead vocals and concludes with an extended section of electric guitar interplay between Felder and Joe Walsh. This is a simplified version of the song.

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COMPILED AND DESIGNED BY VARUN MELROY

Le Siffler Le Train

Le Siffler Le Train is a French song that when translated means “I hear the Train Whistle” which is the soundtrack of a French Movie, and this song is the original version of “100 Miles” which we are so familiar with.

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TAKE A LOOK AROUND (MI-2 THEME)

The soundtrack ‘Take a look around’ of the movie ‘Mission Impossible 2’ is the third single by the metal band Limp Bizkit from their third album Chocolate Starfish and the Hot Dog Flavored Water. This is a simplified version of the same for beginners in Grade 1.

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ROCK ‘N’ ROLL

Rock ‘n’ Roll is a simple rock ‘n’ roll lick that was composed by the Senior Trainers of Former Guitar Geekz in the year 2009 to be included as a part of the Grade 1 Curriculum.

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SOCHA HAI

Socha Hai is the soundtrack of the famous Bollywood Movie Rock On that was released in 2008, written by Farhan Akhtar, the offspring of famous Singer/Lyricist/Composed Javed Akhtar.

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CIVIL WAR (INTRO) “Civil War” is a song by the hard rock band Guns N’ Roses, which originally appeared on the 1990 album Nobody’s Child: Romanian Angel Appeal. It is a protest song on war, referring to all war as 'civil war' and that it only "feeds the rich while it buries the poor."

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KAL HO NA HO

‘Kal Ho Na Ho’ is the title song of the Bollywood Movie “Kal Ho Na Ho” that was released in the year 2008; Music Director is Mr. Shankar Ehsan Eloy.

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COMPILED AND DESIGNED BY VARUN MELROY

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NOTES

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NOTES

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NOTES

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COMPILED AND DESIGNED BY VARUN MELROY

NOTES

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GRADE 1

COURSE COMPLETION INTERNAL CERTIFICATE This is to Certify that _______________________________________, has completed the Guitar Course “GRADE 1” at Acoustica ™ – School Of Rock ‘n’ Roll. Start Date____________________, Completion Date ________________, & the grade awarded for GRADE 1 is ______.

Syllabus/Courseware for G1 covered the following topics/methods:

a) Revision of All Basic Theory (Initial Grade), Major Scales & Chords, b) At least 2 Octaves of all Major Scales. c) Minor Scales, its Formula, & their Octaves. d) Minor Pentatonic Scales, Formation and Patterns in at least 2 Octaves. e) Staff Notations Continued, Key Signatures, & Table Of Sharps & Flats, & Rules. f) 10 Tunes/Melodies/Songs from the Courseware book based on all theory. g) Monthly Assessment, Theory & Practical. h) A few extra Songs apart from the Courseware. Some taught for playing experience and some taught to the

students at their request, of their choice. There is no fixed limit to the number of extras learnt. Extra tunes/songs covered:________________________________________________________________________ _____________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ _______________________________________________________________________________________________

i) Final Examination after completion of Course, for eligibility to Grade2. PERFORMANCE OF BASIC GRADE EXAMINATION Theory : _____/40 Practical : _____/40 Internal : _____/20 (Based on Class Performance and Assessments) Total : _____/100

EXTENTION OF COURSE (Yes/No) :- ___________________ Duration of Extension :- ___________________ Reason/Remarks/Comments :- ________________________________________________________________________ _____________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ _______________________________________________________________________________________________________

Students Signature Trainers Signature Authorization/Stamp

__________________ ___________________

Dated: ____ / _____ / _____