apah unit 7 image cards

8/9/2019 APAH Unit 7 Image Cards

1/44

19-1 Arena Chapel

Name of work Figure #

Student

Arena Chapel 191 Hayden Davies

Artist (Patron)

Giotto Di Bondone

Culture, Century

(Period/Movement)

14th Century

Medium

(Location if Architecture)

Padua Italy

Key Figures / Setting

(Significance)

Enrico Scrovegni (founder of the chapel) is depicted in the fresco of l ast

judgment

Art History Vocabulary

Influences on / by Artistmany fresco's depict the act of usury (lending money for profit)usury was a sin

How fits (or not)

With Times

The size and splendour of the Arena Chapel offended the monks of

the neighbouring Eremitani Church

Key Formal Characteristics

dedicated to the virgin of Annunciation & virgin of Charity


2/44

19-3 Annunciation, Nativity, and Adoration of th

Shepherds

Name of work Figure # Student Annunciation, Nativity, and Adoration of the Shepherds Bennet Adamson

Artist (Patron) Nicola Pisano

Culture, Century (Period/Movement) 13th Century Italy

Medium (Location if Architecture) Marble

Key Figures / Setting (Significance) Jesus and Shepherds

Art History Vocabulary pulpit- a raised platform or lectern in a church or chapel from which the preache

delivers a sermon.

Influences on / by Artist Bible stories (nativity scene)

How fits (or not) With Times Classical sculptural style

Key Formal Characteristics Relief Sculpture


3/44

19-5 panel from the Saint Francis

Altarpiece

Name of work Figure # Student panel from the Saint Francis Altarpiece 195 Bennet Adamson

Artist (Patron) Bonaventura Berlinghieri

Culture, Century (Period/Movement) Italy, 13th century

Medium (Location if Architecture) Tempera on wood

Key Figures / Setting (Significance) Francis of Assisi


Influences on / by Artist Religion

How fits (or not) With Times Italo-Byzantine painting style

Key Formal Characteristics tempera & gold leaf painting


4/44

19-7 Madonna Enthroned with Angels and

Prophets

Name of work Figure # Student Madonna Enthroned with Angels and Prophets Bennet

Adamson

Artist (Patron) Cimabue

Culture, Century (Period/Movement) 13th Century Italy

Medium (Location if Architecture) Tempera & gold leaf on wood

Key Figures / Setting (Significance) Madonna, angels, prophets


Influences on / by Artist Religion, The black death

How fits (or not) With Times started to break away from italobyzantine style



5/44

19-8 Madonna Enthroned


Student

Madonna Enthroned 198 Hayden Davies

Artist (Patron) Giotto Di Bondone

Culture, Century (Period/Movement) 14th Century

Medium


Tempera and gold leaf on wood

Key Figures / Setting (Significance) Madonna


Influences on / by Artist

Figures are bulky, give the illusion the could throw shadows

How fits (or not)

With Times

Displaced byzantine style and replaced it with naturalistic style from the

classical period



6/44

19-9 Lamentation (Arena Chapel)


Student

Lamentation (Arena Chapel)

199 Hayden Davies

Artist (Patron) Giotto Di Bondone

Culture, Century (Period/Movement) 14th Century

Medium (Location if Architecture) Fresco

Key Figures / Setting (Significance) Christ, Virgin Mary, Angels


Influences on / by Artist uses diagonal slope of rocky path to direct eye to christ

How fits (or not)

With Times

more detail in the emotional faces and movement of angels


halos around important figure's heads


7/44

19-10

Virgin

and

Child

Enthroned

with

Saints

Nameofwork Figure#

Student

VirginandChildEnthronedwithSaints 19-10 HaydenDavies

Artist(Patron) DucciodiBuoninsegna

Culture, Century

(Period/Movement)

14thCentury

Medium

(LocationifArchitecture)

Temperaandgoldleafonwood

KeyFigures/Setting

(Significance)

VirginMary

Art

History

Vocabulary

Influenceson/byArtist softeneddrapery,individualizedfaces

Howfits(ornot)

WithTimes

similarformalityandsymmetrytothebyzantinestyle,butmorerelaxedand

lessrigid

KeyFormalCharacteristics


8/44

19-12 Orvieto Cathedral

Name of work Figure # Student Orvieto Cathedral Bennet Adamson

Artist (Patron) Lorenzo Maitani

Culture, Century

(Period/Movement)

14th Century Italy

Medium (Location if Architecture) Orvieto Italy Stone and wood

Key Figures / Setting (Significance) City Cathedral

Art History Vocabulary pinnacle cap or crown of a buttresss

Influences on / by Artist French Gothic Cathedrals

How fits (or not) With Times Fusion between an italian Basilica and a Gothic Cathedral



9/44

19-16 Peaceful City, from Effects of Good

Government in the City and in the Country


Student

Peaceful City, from Effects of Good Government in the City and in the Country

(1916)

Paul W

Artist (Patron) Ambrogio Lorenzetti

Culture, Century

(Period/Movement)

1338 CE 1339 CE

14th Century Italy



(Significance)

gave visual form to Sienese civic concerns

The Black Death killed both Lorenzettis

Art History Vocabulary fresco

Influences on / by Artist the violent/turbulent politics of the Italian cities

constant party struggles, overthrowing and replacing of governments

How fits (or not)

With Times

no, one of the first frescos to start applying perspective

Key Formal Characteristics a panoramic view of Siena, with its markets, towers, etc.


10/44

19-17 Peaceful Country


Student

Peaceful Country 1917

AD

Artist (Patron) Ambrogio Lorenzetti (commissioned by Sienese Government)

Culture, Century

(Period/Movement)

Italian

14th Century

Medium (Location if Architecture) Fresco (Palazzo Pubblico, Siena)

Key Figures / Setting (Significance) Part of three (Effects of Bad Government in the City + Effects of Good " ")

Art History Vocabulary Illusionistic Representation

Influences on / by Artist Brother, Pietro Lorenzetti

How fits (or not)

With Times

Advance of earlier generic + crude landscapes. Much more details.

Key Formal Characteristics Panoramic view


11/44

19-18

Florence

Cathedral

Nameofwork Figure#

Student

FlorenceCathedral[1918]

AD

Artist(Patron) ArnolfodiCambio

Giottodi

Bondone

designed

the

campanile

Culture, Century(Period/Movement) Romanesque;Late13th,early14th

Medium(LocationifArchitecture) Florence,Italy

KeyFigures/Setting(Significance) Representpower+wealthofFlorence;competitionbetweenother

cities(Siena,Pisa,etc)

ArtHistoryVocabulary Revetment(decorativewallpaneling)

Influenceson/byArtist OrvietoCathedral

Howfits(ornot) WithTimes Doesn'ttrytobeveryhighandtall;flatter,tiedtoground

KeyFormalCharacteristics Nave,transpets,dome,campanile,geometricdesigns


12/44

20-1 Giovanni Arnolfini and His Bride


Student

Giovanni Arnolfini and His Bride [201]

AD

Artist (Patron) Jan van Eyck

Culture, Century (Period/Movement) Netherlandish 15th Century

Medium (Location if Architecture) Oil painting


(Significance)

Arnolfini (a Lucca financier) + his bride

Secular painting but w/ religious overtones



How fits (or not) With Times Commissioned piece by wealthier businessman, becoming common at time.

Still has religious themes (eg Passion of Christ in background).

Key Formal Characteristics Put his name in there in top corner: "Jan van Eyck was here"


13/44

20-2

Well

of

Moses

Nameofwork Figure#

Student

WellofMoses [202]

AD

Artist(Patron) ClausSluter (PhiliptheBold,dukeofBurgundy)

Culture, Century

(Period/Movement)

French Late14th,early15thCentury

Medium


Stone

ChartreusedeChampmolMonastery,Dijon,France

KeyFigures/Setting

(Significance)

Moses+prophetsDavid,Daniel,Isaiah,Jeremiah,Zachariah

UsedtohaveChrist+VirginMaryuphigher

Art

History

Vocabulary Naturalistic

Influenceson/byArtist Gothicstyle+jambs

Howfits(ornot)WithTimes Similarintheme,butmovedonceagaintowardmorerealistic.



14/44

20-3 Retable de Champmol 20-3 Jason


Student

Retable de Champmol 20-3 Jason

Artist (Patron)

Melchior Broederlam

Culture, Century

(Period/Movement)

Northern Europe, 14th Century

Medium


Oil on Wood


(Significance)

Annunciation and Visitation on left panel, Presentation in the Temple and Flight

into Egypt on right panel: from the chapel of Champmol, Dijon, France.


Polyptychs (multipaneled)


Later panelists, first pioneers of oil painting

How fits (or not)

With Times

Yes used in churches, Broederlam was one of the greats of his time.


Combined 2point and 1point projection on left, 1 pointprojection on right.


15/44

20-4

Mrode

Altarpiece

Nameofwork Figure# Student MrodeAltarpiece 204 Jason

Artist(Patron) RobertCampin(knownasMasterofFlmalle)

Culture,Century

(Period/Movement)Northern

Europe,

15th

Century

Medium (LocationifArchitecture) OilonWood

KeyFigures/Setting (Significance) 'Flemish'Annunciationincentre,decoratedbyreligioussymbolssetinaFlemish

household.

RightpanelisJosephsettingamousetrapfortheDevil.

Leftpanelarethepatronswitnessingtheeventinaclosedgardensymbolizing

Mary'spurity.

ArtHistoryVocabulary privatecommission:aworkforanonclericalclient/patron.

Influenceson

/by

Artist

strong

influence

on

Van

Eyck

and

Northern

Renaissance

in

general.

Howfits(ornot)withTimes HewasapioneeroftheNorthernRenaissance:hewasoneofthefirst

successfulNorthernartistswithoilpaintings,andthetightnaturalismofhis

paintingsinfluencedmanyartists'works.

KeyFormalCharacteristics Onepointperspective


16/44

20-7 Man in a Red Turban


Student

Man in a Red Turban 207 Jason

Artist (Patron) Jan van Eyck, for Phillip the Good

Culture, Century (Period/Movement) Northern Europe (Burgundy) 15th Century

Medium


Oil on Wood


(Significance)

May be a selfportrait: was first Western painted portrait in a thousand

years in which the sitter looks directly at the viewer.

Incredible detail: beard stubble, bloodshot eyes, and aged skin show

incredible skill. Soft lighting shows distinct skill in portrayal, like convex

mirror in Arolfini

Art History Vocabulary threequarter head, oil

Influences on / by Artist Campin panel paintings,Rembrandt.

How fits (or not)

With Times

Very much so, named "the leading painter" of his day, along with Rogier

van der Weyden, Gentile da Fabriano, and Pisanello.

Key Formal Characteristics Threequarter head, soft angled light from top. Center composition.


17/44

20-8

Deposition

Nameof

work

Figure

#

Student Deposition

20

8

Jason

Liu

(centerpanelofatriptychfromNotre-Damehors-les-murs,Louvain,

Belgium)

Artist(Patron) RogiervanderWeyden,fortheArchers'Guild

Culture, Century

(Period/Movement)

NorthernEurope15thCentury

Medium(LocationifArchitecture) OilonWood

KeyFigures/Setting(Significance) ItrepresentstheDepositionofChrist,alsoknownasthe'Descentfromthe

Cross'.

ArtHistoryVocabulary triptych:athreepaneledfoldingworkofart

Influenceson/byArtist VanEyck'snaturalisticoilstyle,buttheshallowbackgroundandtheincredible

displayofemotionbearsinfluenceontheremainderoftherenaissanceaswell.

Howfits(ornot)WithTimes ThenaturalisticstyleoftheEarlyRenaissance,especiallyVanEyck.

KeyFormalCharacteristics Centercomposition,inshallowbackdropandsoft,uniformshading.


18/44

20-11 a goldsmith in his shop


Student

A Goldsmith in His Shop (2011)

Paul Wang

Artist (Patron) Petrus Christus

Culture, Century

(Period/Movement)

1449 CE

Burgundy and Flanders

Medium


Oil on wood

3 feet 3inches by 2 feet 10 inches


(Significance)

portrays Saint Eligius, patron saint of goldsmiths

a couple is buying a wedding ring

Art History Vocabulary N/A

Influences on / by Artist Christus was one of the 2nd generation of Flemish masters who used oil paints, and created naturalistic representations

How fits (or not) With Times N/A

Key Formal Characteristics a panel painting for the Bruges goldsmiths' guild chapel


19/44

20-15

January

from

Les

Trs

Riches

Heures

du

duc

de

Berry

Nameofwork Figure#

Student

JanuaryfromLesTrsRichesHeuresduducdeBerry

GraydenMatheson

Artist(Patron) LimbourgBrothers

Culture, Century(Period/Movement) NorthernEurope,14091416

Medium(LocationifArchitecture) Inkonvellum

KeyFigures/Setting(Significance) Portrayspeoplescharacteristicactivitiesfromeachmonth(itisapagein

acalendar),integratesreligiousartwithsecularart

ArtHistory

Vocabulary

Influenceson/byArtist ReligionandAstrology

Howfits(ornot)WithTimes Itfitswellwiththetimes



20/44

20-16 October from the book of hours (Les

Trs Riches Heures du Duc de Berry)


Student

October from the book of hours (Les Trs Riches Heures du Duc de Berry)

Grayden Matheson

Artist (Patron) Limbourg Brothers

Culture, Century (Period/Movement) Northern Europe, 14091416

Medium (Location if Architecture) Ink on vellum

Key Figures / Setting (Significance) Portrays peoples characteristic activities from each month (its a page in a

calendar)

integrates religious art with secular art


Influences on / by Artist Religion and astrology

How fits (or not) With Times It fits well



21/44

20-21

Tarvisum

page

Nameofwork Figure#

Student

Tarvisumpage

GraydenMatheson

Artist(Patron) MichelWolgemut

Culture, Century(Period/Movement) NorthernEurope,1493

Medium(LocationifArchitecture) Woodcutprintonpaper

KeyFigures/Setting(Significance) Earlyexampleofwoodcutillustration

ArtHistoryVocabulary

Influences

on

/

by

Artist

Howfits(ornot)WithTimes Fitswithtimes



22/44

20-22 Saint Anthony Tormented by Demons


Student

Saint Anthony Tormented by Demons 2022

Grayden Matheson

Artist (Patron) Martin Schongauer

Culture, Century (Period/Movement) Northern Europe, 14801490

Medium (Location if Architecture) Engraved Copper

Key Figures / Setting (Significance) Saint Anthony, Portrayal of demonic creatures

Art History Vocabulary Burin: Chisellike tool used to engrave metal

Intaglio: incised

Cross Hatching: a technique used to add texture to 2d imagery

Influences on / by Artist Religion influenced SchongauerHow fits (or not)With Times Metal engraving was fairly new at the time, however the religious

imagery fits the time period perfectly

Key Formal Characteristics Copper Engraved Print


23/44

21-1

Flagellation

of

Christ

Nameofwork Figure#

Student

FlagellationofChrist

ColinM

Artist

(Patron)

Piero

Della

Francesca

Culture, Century

(Period/Movement)

Italy14001500

14551465

Medium(LocationifArchitecture) Oil&temperaonwood

KeyFigures/Setting

(Significance)

SetonporticoofPontiusPilate'spalaceinJerusalem

CompositionnotofChrist,but3figuresinforeground

DebateastobiblicalfiguresofrepresentationofMuslimcaptureof

Constantinople

ArtHistory

Vocabulary

N/A

Influenceson/byArtist

Emphasisonmathematicalproportionsofpicture

Proportions,geometry,exact&lucidstructuresdefinedbymath

Howfits(ornot)WithTimes Fits introductionofRenaissancemathematicalcomponentsinart

KeyFormalCharacteristics Perfectperspective


24/44

21-5

Saint

Mark

Nameofwork Figure#

Student

SaintMark

ColinMitchell

Artist(Patron) Donatello

Culture, Century(Period/Movement) Italy,14001500

14111413

Medium(LocationifArchitecture) Marble

KeyFigures/Setting(Significance) SaintMark

ArtHistoryVocabulary Contrapposto shiftingofweightwithinasculpture

Influenceson/byArtist GrecoRomanclassicalism

Howfits(ornot)

WithTimes

Classicalrevival,typicalinRenaissance

KeyFormalCharacteristics Sculpture'sindependencefromarchitecturalsetting


25/44

21-7 Saint George and the Dragon


Student

Saint George and the Dragon

Colin Mitchell

Artist (Patron)

Donatello

Culture, Century

(Period/Movement)

Italy, 14001500

1417

Medium(Location if Architecture)

Marble


(Significance)

St. George


N/A


Legend of St George & dragon

How fits (or not)

With Times

Fits with Renaissance reliefs


Relief sculpture


26/44

21-12 David


Student

David

Colin Mitchell

Artist (Patron) Donatello

Culture, Century

(Period/Movement)

Italy 14001500

14401460

Medium (Location if Architecture) Bronze

Key Figures / Setting (Significance) Youthful slayer of Goliath

Art History Vocabulary Bottega studio or workshop of a major artist

Influences on / by Artist Medici family

How fits (or not) With Times GrecoRoman classical revival

Key Formal Characteristics Contrapposto, Nude


27/44

21-20

Holy

Trinity

Nameofwork Figure #Student HolyTrinity(2120)PaulWang

Artist(Patron) Masaccio

Culture, Century

(Period/Movement)

EarlyRenaissance

1424CE 1427CE

Medium


Fresco

22feetby10feet5inches

KeyFigures/Setting

(Significance)

mathematicsandperspectivewereusedinthispainting

measurementsweresoexactonecouldguessthedimensionsofthe

chapel

Art

History

Vocabulary

coffered

barrel

vault,

triumphal

arch

Influenceson/byArtist Brunelleschi'snewscienceofperspective(influenceon)

Howfits(ornot)WithTimes no,Masaccio'suseofmathematicswasrevolutionary

KeyFormalCharacteristics ademonstrationofBrunelleschi'sperspectiveratherthanapainter's

abilitytorepresentfigures


28/44

21-23 Madonna and Child withAngels


Student

Madonna and Child with Angels (2123)

Paul Wang

Artist (Patron) Fra Filippo Lippi

Culture, Century

(Period/Movement)

1455 CE

Early Renaissance

Medium


Tempera on Wood

3 feet by 2 feet

Key Figures / Setting (Significance) a humanization of the holy family to a degree never seen before



Fra Filippo was a monk, who was guilty of many misdemeanours

even abducted a nun named Lucretia and made her his mistress

How fits (or not) With Times no, artists didn't humanize the holy family before

Key Formal Characteristics a painting that shows how artists are humanizing religious themes

precursor to High/Late Renaissance


29/44

21-28

Birth

of

Venus

Nameofwork Figure#

Student

BirthofVenus(2128)

PaulWang

Artist

(Patron)

Sandro

BotticelliCulture, Century

(Period/Movement)

EarlyRenaissance

1484CE 1486CE

Medium


TemperaonCanvas

6feetby9feet

KeyFigures/Setting(Significance) showstheinnocenceandbeautyofthefemalenude

ArtHistoryVocabulary N/A

Influenceson/byArtist inspiredbyanAngeloPolizianopoem

Howfits(ornot)WithTimes no,ignoredscience,perspective,andanatomythatwereprevalentinthe15th

century

KeyFormalCharacteristics revivalofthethemeoffemalenudeinanelegantandromanticrepresentation


30/44

21-31 Santo Spirito


Student

Santo Spirito, Figure 2131

Ian Tai

Artist (Patron) Filippo Brunelleschi

Culture, Century

(Period/Movement)

1434 CE 1436 CE

Renaissance

Medium (Location if Architecture) Florence, Italy

Key Figures / Setting (Significance) mathematical units determine every dimension/aspect of the church

Art History Vocabulary cruciform, crossing square, central plan

Influences on / by Artist growing appreciation for perspective and mathematics in general

How fits (or not) With Times no, quite different from both the Florence Cathedral and Gothic churches

Key Formal Characteristics expresses a new Renaissance spirit that placed its faith in reason rather than

emotion


31/44

21-40 Christ Delivering the Keys of the

Kingdom to Saint Peter


Student

Christ Delivering the Keys of the Kingdom to Saint Peter, Figure 2140

Ian Tai (Paul W)

Artist (Patron) Perugino

Culture, Century

(Period/Movement)

Renaissance

1481 CE 1483 CE

Medium


Fresco

11 feet by 19 feet


(Significance)

depicts the event on which the papacy bases its authority

use of converging lines help give a 3D feeling


Influences on / by Artist commissioned by Pope Sixtus IV

How fits (or not) With Times fits with the times; by this time, perspective is in almost every painting

Key Formal Characteristics illustrates the infallible and total authority of the Pope over the church


32/44

21-44 Sant'Andrea,


Student

Sant'Andrea, Figure 2144

Ian Tai

Artist (Patron) Leon Battista Alberti

Culture, Century

(Period/Movement)

Renaissance

1471 CE

Medium (Location if Architecture) Mantua, Italy


(Significance)

design reflects on Alberti's study of ancient Roman architecture

reflects upon Constantine's Basilica Nova


Influences on / by Artist ancient Roman architecture

How fits (or not) With Times no, abandoned many medieval designs, such as the columnar arcade in the

nave

Key Formal Characteristics the different style makes this piece very influential later on in High/Late

Renaissance and Baroque


33/44

21-49

Foreshortened

Christ,

Nameofwork Figure#

Student

ForeshortenedChrist,Figure2149

IanTai

Artist(Patron) AndreaMantegna

Culture, Century

(Period/Movement)

1500CE

Renaissance

Medium


Temperaoncanvas

2feetby3feet

KeyFigures/Setting(Significance) demonstratestheartist'smasteryofperspective

ArtHistoryVocabulary foreshortening

Influenceson/byArtist thenewtrendofincorporatingperspectiveinart

Howfits(ornot)WithTimes yes,it'saworkofoverwhelmingpowerthatbringsaharrowingcloseupof

deadChrist

KeyFormalCharacteristics usesnewtechniquessuchasforeshorteningbuttellsanintenselypoignant

biblicaltragedy


34/44

22-1 Ceiling of the Sistine Chapel


Student

Ceiling of the Sistine Chapel (221)

Paul W

Artist (Patron)

Michelangelo Buonarroti

Pope Julius II (Patron)

Culture, Century

(Period/Movement)

High/Late Renaissance

1508 1512 CE

Medium


Buon Fresco (True Fresco)

128 feet x 45 feet


(Significance)

general consensus that Michelangelo painted the ceiling lying down on his

back

Julius II forced Michelangelo to paint

Michelangelo wanted to work on sculptures in Julius II's tomb instead

Art History Vocabulary fresco, intonaco, grisaille


strong biblical influence; Genesis is depicted in the narrative panels

figures are painted like bodybuilders, regardless of age/sex; a penchant of

Michelangelo

How fits (or not) with Times great example of High Renaissance Art


more than 300 biblical figures illustrating mankind's creation and downfall

took Michelangelo 4 years; he did not paint every part, but he did paint every

face


35/44

22-4 Last Supper

Name of work Figure # Student Last Supper 224 Irving Tian

Artist (Patron) Leonardo Da Vinci

Culture, Century (Period/Movement) High/Late renaissance, ca. 14951498

Medium (Location if Architecture) Oil and Tempera on Plaster

Key Figures / Setting (Significance) Christ sitting at the centre of the table announcing that one of the twelve

disciples will betray him.

Art History Vocabulary Psychological focus, Perspectivalfocus

Influences on / by Artist N/A

How fits (or not) With Times Fits with time due to the accurate representation of the bible story, use of

human models, clear emotion in the painting.

Key Formal Characteristics Christ is the converging point of perspective lines making him literally the

centre of the mural. In open door people Christ creates the idea of a li ght

halo.


36/44

22-5

Mona

Lisa

Nameofwork Figure#

Student

MonaLisa 225

Irving

Tian

Artist(Patron) LeonardoDaVinci

Culture, Century(Period/Movement) High/LateRenaissance,ca.15031505

Medium(LocationifArchitecture) Oilonwood

KeyFigures/Setting(Significance) LisadiAntonioMariaGherardini(TheWomenmodelledafter)

ArtHistoryVocabulary Mona(mylady)sfumato(mistyhazinesseffect)

Influenceson/byArtist N/A

Howfits(ornot)WithTimes Doesn'tfitwithtimeportraitisnotattributedtowealthduetothelack

ofjewellery

and

Lisa

is

looking

directly

into

the

viewers

eye;

it

was

against

Renaissanceetiquetteforwomantolookdirectlyintoaman'seyes.

KeyFormalCharacteristics Leanardo'sskillwithchiaroscuroandatmosphericperspectivecreatesa

portraitthateffectstheviewerpsychollogically.


37/44

22-9 Philosophy (School ofAthens)


Student

Philosophy (School of Athens) 229

Irving Tian

Artist (Patron) Raphael

Culture, Century (Period/Movement) High/Late Renaissance, 15091511


Key Figures / Setting (Significance) Raphael and many great philosophers and scientists gathered together in a

setting resembling the interior of Saint Peter's



How fits (or not) With Times Fits with time due to its central idea of philosophy, science, mathematics,

and the arts.

Key Formal Characteristics Fresco refers to Julius II's traits of being a spiritual and temporalpope. The

characters all have a sense of personality.


38/44

22-12 Piet

Name of work Figure # Student Pieta 2212 Irving Tian

Artist (Patron) Michelangelo

Culture, Century (Period/Movement) Hight/Late Renaissance, ca. 14981500

Medium (Location if Architecture) Marble

Key Figures / Setting (Significance) Mary cradling Christ's corpse



How fits (or not) With Times Doesn't fit with time. Very controversial because Mary and Christ are being

portrayed in a new way that makes Mary look the same age or eve n

younger than Christ.

Key Formal Characteristics The polish, luminosity, and high detail show Michelangelo's skill to

transform marble into skin, hair, and cloth.


39/44

22-13

David

Nameofwork Figure#

Student

David(2213)

PaulW

Artist(Patron) MichelangeloBuonarroti

Culture, Century(Period/Movement) High/LateRenaissance,1501CE 1504CE

Medium,(LocationifArchitecture) Marble,17feettall,PiazzadellaSignoria,Florence

KeyFigures/Setting(Significance) doneafterMichelangelo'sreturnfromhis7yearsofbanishment

likelytohavebeeninspiredbyGrecoRomansculpture

ArtHistoryVocabulary N/A

Influenceson/byArtist carvedDaviddifferentlyfromDonatelloandVerrocchio

notaselfcontained;there'sanunseenconnectionbetweenDavidand

Goliath

Howfits(ornot)

WithTimes

abitdifferentfrompreviousDaviddepictions

portraysDavidbeforeencounterwithGoliath

KeyFormalCharacteristics massive,17feet,statuethatdepictsDavidsternlywatchinghisfoe


40/44

22-18 Interior of the Sistine Chapel

Name of work Figure # Student Interior of the Sistine Chapel, Paul W

Artist (Patron) Michelangelo Buonarroti, Pope Julius II (Patron)

Culture, Century (Period/Movement) High/Late Renaissance, 1508 - 1512 CE

Medium (Location if Architecture) Buon Fresco (True Fresco) 128 feet x 45 feet


(Significance)

- general consensus that Michelangelo painted the ceiling lying down on

his back

- Julius II forced Michelangelo to paint

- Michelangelo wanted to work on sculptures in Julius II's tomb instead

Art History Vocabulary fresco, intonaco, grisaille

Influences on / by Artist - strong biblical influence Genesis is depicted in the narrative panels

- figures are painted like bodybuilders, regardless of age/sex a penchant

of Michelangelo

How fits (or not) with Times great example of High Renaissance Art

K ey Formal Characteristics - more than 300 biblical figures illustrating mankind's creation and

downfall

- took Michelangelo 4 years he did not paint every part, but he did paint

every face


41/44

22-22 Tempietto, San Pietro

Name of work Figure # Student Tempietto, San Pietro

Harrison

Artist (Patron) Donato dAngelo Bramante

Culture, Century(Period/Movement) High Renaissance

Medium(Location if Architecture) Near the Vatican

Key Figures / Setting(Significance) Interesting play on light and shadow

Art History Vocabulary Colonnade, Tuscan style, stylobate

Influences on / by Artist Artist's intent was to coordinate the Tempietto and its surrounding portico

by aligning the columns of the two structures

How fits (or not)With Times Based on ancient Roman models, consistent with humanstic values of

renaissance

Key Formal Characteristics Conceived as a tall, domed cylinder

projecting from the lower, wider cylinder of its colonnade


42/44

22-40

Venus

of

Urbino

Nameofwork Figure#

Student

VenusofUrbino

Harrison

Artist(Patron) Titian

Culture,

Century(Period/Movement)

Renaissance,1538

Medium(LocationifArchitecture) Oiloncanvas

KeyFigures/Setting(Significance) Elevatestoclassicalmythologyawomanonabed

ArtHistoryVocabulary Oiloncanvas,cassoni(woodenchests)

Influenceson/byArtist EmbodieswomanlybeautyandthequalitiesthatTitiansawinhisbride

Howfits

(or

not)

With

Times

Color

that

plays

prominent

role.

Many

subtleties

in

color

KeyFormalCharacteristics Color,composition,recliningfigure


43/44

22-43 Madonna with the Long Neck

Name of work Figure # Student Madonna with the Long Neck (2243)

Harrison

Artist (Patron) Parmigianino

Culture, Century (Period/Movement) Mannerism

Medium (Location if Architecture) Oil on wood

Key Figures / Setting (Significance) Slender body of Madonna reflects courtly taste at time

Art History Vocabulary Oil on wood, mannerism, graceful style

Influences on / by Artist Mannerism movement that emphasized one particular style

How fits (or not) With Times Stylish, sophisticated beauty fit with mannerism

Key Formal Characteristics Long, slender neck, small head, swaying frame


44/44

22-53 Interior courtyard of Palazzo del Te


Student

Interior courtyard of Palazzo del Te (2253)

Harrison

Artist (Patron) Giulio Romano

Culture, Century (Period/Movement) Mannerism, 16th century

Medium (Location if Architecture) Mantua, Italy

Key Figures / Setting (Significance) Architectural inventiveness

Art History Vocabulary Mannerism, triglyphs, doric frieze, keystones

Influences on / by Artist Artist wanted to reveal the contrived nature of architectural design by being

experimental

How fits (or not) With Times Very experimental. Requires a sophisticated audience to appreciate.

Key Formal Characteristics Unconventional facaes. Keystones that are not settles, columns that carry

architraves.

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