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Approaches to Harmony and Counterpoint Dr Tim Shephard University of Sheffield

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Page 1: Approaches to Harmony and Counterpoint · Improvising Harmony – 4v Soprano: 866666668 Alto: 543434345 Tenor: Bass: 853535358 NB This works with ANY melody that is largely stepwise

ApproachestoHarmonyandCounterpoint

DrTimShephardUniversityofSheffield

Page 2: Approaches to Harmony and Counterpoint · Improvising Harmony – 4v Soprano: 866666668 Alto: 543434345 Tenor: Bass: 853535358 NB This works with ANY melody that is largely stepwise

ImprovisingHarmony–3v

Soprano:

Tenor:

Bass:

4th

3rd

Page 3: Approaches to Harmony and Counterpoint · Improvising Harmony – 4v Soprano: 866666668 Alto: 543434345 Tenor: Bass: 853535358 NB This works with ANY melody that is largely stepwise

ImprovisingContraryMoDon1.Noteagainstnote:•  Starton8ve•  MoveincontrarymoDontothenext4th,5thor8ve•  (Watchoutforaug4ths!)•  Endon8ve

2.Addquaverstosmooththeline.

Page 4: Approaches to Harmony and Counterpoint · Improvising Harmony – 4v Soprano: 866666668 Alto: 543434345 Tenor: Bass: 853535358 NB This works with ANY melody that is largely stepwise

ImprovisingHarmony–4v

Soprano:866666668

Alto:543434345

Tenor:

Bass:853535358

NBThisworkswithANYmelodythatislargelystepwise

Page 5: Approaches to Harmony and Counterpoint · Improvising Harmony – 4v Soprano: 866666668 Alto: 543434345 Tenor: Bass: 853535358 NB This works with ANY melody that is largely stepwise

ImprovisingaCanon

4th 2nd

3rd 5thUnison

Thisworksin2vatthe5thupor4thdown.

Themelody(dux)mustuseonly:

Page 6: Approaches to Harmony and Counterpoint · Improvising Harmony – 4v Soprano: 866666668 Alto: 543434345 Tenor: Bass: 853535358 NB This works with ANY melody that is largely stepwise

CanononaRegularMoDon

AregularmoDon:

AnaXachment:


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