arch1110 2014 fall illia nuo cheng hp
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ARCH 1110 Silvia Illia-Sheldahl Final Portfolio
Cheng Nuo
Dec. 14, 2014
Project 3
The most free and long-term project. Form two paint-
ings in MFA to a complicated museum and stair based
building. The most difficult thing is properly design
the circulation between three spaces.
Painting studies
Museum Stairs
Details
This project gave us the most freedom to create archi-
tecture followed our own concept of building., the in-
ternal circulations and the apertures on the walls count
a lot on this project.
Project 2
The second project includes more designing skills than
copy or rebuild. We started to learn some design princi-
ples and use them into this project.
Investigation towards CSC Plaza
Aperture researches
Pavilion
Details
Combine with the environment and the architecture
around your specific plot, you should design some ap-
ertures which can help you guide the audience to see
what you want to show.
Project 1
The first project is the hardest one, which taught us the
basic steps of making a model and drawing the profes-
sional AutoCAD drawings on computer.
Cube making
Carpenter Center
Details
We were asked to draw the project 1 on papers by
hands which was very different than drawing them on
pc or mac.
Every print or publish skills were learned during the
first project, comprise the using of ctb. Files and line-
weights print. Different light can give audience differ-
ent understanding about the same project.
Project 1-B The Cube
The cube was built by 15 pieces of foam core, and
formulated a 6×6×6 inch model.
Four pieces in the center of the cube divided the inte-
rior space to create two small sections, I regarded
them as the two ‘floors’. The long piece with a slope
lean on the second floor is the stair connecting the two
sections. (shown as the red arrow)
All six faces of the cube can free stand on the ground,
because on each sides, there are at least three pieces of
foam core supporting the whole structure.
Above are two elevations of the cube. Elevation 1 is the face
pointed by the green arrow and Elevation 2 is the face pointed
by the blue one.
Two sections are followed below:
Bolder lines show the place where been cut.
Finally, I added four pieces of foam core which was cut
before on the cube and the following picture shows
There is a picture of my cube:
Project 1-A Carpenter Center
We measured the distances between the columns of
Carpenter center and also measured the walls outside
the Carpenter Center. Then we simply calculated the
curves that generated by the structure of the building.
At last, we integrate our data and drew it in CAD. The
following is the first floor plan of the Carpenter Cen-
ter.
You can also see the ramp was measured and drew on
the plan, the dash indicated the connections between
these columns and bolder line is the outside and inside
wall of Carpenter Center.
In addition to showcase the hypsography of Carpen-
ter center, we measured the height of the ramps and
the small garden’s height, and then we drew some se-
rial sections on the plan in order to illustrate the real
ground level of Carpenter Center.
You can clearly notice that the bolder lines indicates
the serial sections and I also showed the cross section
of the ramp above.
On the left side, this photo shows the axonometric
view of the first floor of Carpenter Center, which com-
bines the dashed thin line to indicated the upper struc-
tures.
We measured every single distance between two col-
umns and the length of the exterior wall associated a
with the height of the ground level structures.
Project 1-A Carpenter Center
Our concentration were moved to the Northeast-
ern façade of Carpenter Center in order to design
a multi-functional study space enclosed by the
ramp and the building.
The space includes a small study room, a group
study room and a larger space for lectures and
speeches.
Here is the Axonometric of the Northeastern fa-
çade of Carpenter Center:
This spot is the place where study spaces locat-
ed.
My first idea is to build a space that can corre-
spond the elements in the northeastern façade
and properly avoid the noisy from the path near
the façade.
As a result, I initially designed a ramp-like space
which follows the structure of the ramp but very
simple.
Then I noticed that everyone’s model is within the
spot enclosed by a limit constructed by the build-
ing and the ramp. I wanted to break the limit and
also I let my space has a connecting section with
the original ramp.
As a result, I used a ramp break through the origi-
nal ramp and enclosure outside of the ramp. And I
carefully calculate the angle degree of the ramp in
order to prevent my ramp from knocking down the
original one.
The whole structure contains different parts of stair
s and ramps which combine to each other to divide
the building into different movements. In the center
of the enclosing ramp is a huge outdoor space
which was surrounded by my ramp. So it is very
quite for the lectures and speeches.
You can clearly understand the connecting section
and the whole structure of my study space by see-
ing the top-view of the façade with study space.
And you also can read the intersecting parts be-
tween the two ramp.
The red arrow shows that the place where the
ramps are connected.
The grey part is the original ramp, you can see it is under
the new one and moving through the panel in the new
ramp.
Project 1-A Carpenter Center
The section above shows the place where the
original ramp moving through the new structure
and people can walk down to it. And this lower
one shows the connection section of the two
ramp (Blue) and the additional balcony alongside
the new ramp (red).
You can also see them in the axonometric drawing
of my model.
On the ramp, the stairs are the small individual
study space, and the balcony is the group meeting
place, the lecture space is in the center of the
building which can be reached by the long stairs
followed the shape of the original ramp above
them.
Project 2 Christian Science Center Plaza
research + pavilion design
In this project we were asked to use apertures to
view the plaza at the specific plot which we
should choose at the beginning. My spot is locat-
ed at the center of the long school building and
the old Christian Science Church
I noticed that the shape of the Church is pointing
out the plot and all of the main buildings can be
seen at this plot, so I chose it as my researching
plot.
The main idea of my model is using the elements
in the CSC plaza added some my own design to
create a pavilion which can guide people moving
through the whole building and also gathering at
the place where the two artificial sculptures locat-
ed.
The pavilion combines my five aperture’s charac-
teristics and earns the simple space more funny
movement.
The five elements that support the design are:
1. Absorbs the elements form the plaza to create a
space followed the characteristics of the whole
plaza.
2. People is enable to move into the pavilion from
three different direction.
3. Divided the road into two parts and don’t let
people see through the pavilion.
4. Gathering people at the sculptures and guiding
people move through the pavilion.
5. See different landscapes from each side of the
building.
This one shows the roof of the pavilion, and you can
noticed that the angle degrees are following the
church’s and the roads’ angle.
People can actually move into the building from the
three sides of the pavilion (shows on the drawing).
But they cannot see through the whole pavilion.
(shows below)
Project 2 Christian Science Center Plaza
research + pavilion design
The axonometric drawing shows the five main apertures of the pavilion, you can see
different landscapes and different buildings in the pavilion when you are moving
through it along side the path.
There are two apertures on the roof so that light can
shinning the inside space and people can see the sky.
Project 2 Christian Science Center Plaza
research + pavilion design
The section above shows that the locations of two sculptures and people moving through
and relaxing in the pavilion. You can notice that the ground level is not a horizontal line ra-
ther that has some stair enable people to move up and down.
The plan show the paths to guide people walk and
the locations of the two sculptures also. It shows
that people can not see through the whole struc-
ture from the three entrances.
Whatever side you walk into the building, you can
not see through (from red arrow, blue arrow and
yellow arrow).
Project 3 Museum Stairs
The project 3 started at the research of two beautiful paintings
in the Museum of Fine Arts. We paid attentions on the details
and the spatial relationship indicated by the elements in the
painting. We moved around the real ones tried to find out differ-
ent feeling by seeing different paintings.
Finally I got two ideas of seeing the two painting in the space.
The first painting combine four little girls and the living room of
her house. Spatially gave me a 3D feeling by seeing the whole
painting. I wonder if it would be different by seeing them at dif-
ferent times. So I divided them in two parts in my museum.
The second painting gave me a feeling that the out-
door space was rise up above the two characters
and I put the painting the stair space into order to
give me a feeling that the painting is also been rise.
So the multi-effect can make people consider the
painting is 3D type and more real than before.
The analysis of two paintings finally used into my model and create a
ideal view by photoshop.
Project 3 Museum Stairs
The concepts of my model are “Architecture is the structures break the boundaries between interior and exterior spaces.”
and “To divide the space is to create a larger space in people’s imagination.”
You can noticed that there are lots of large aperture in my walls and the interior structure, such as the ramp and the balco-
ny are combining with the exterior wall. And the spaces are much more than the space I had not divided. For example, all
the circulations in my model are constructed by 5-feet wide ramp or stairs.
Project 3 Museum Stairs
This are the explored axonometric drawings of my museum model. They shows the loca-
tions of the two paintings and the part of the sequences in the model, the small arrow can
guide you move through the building.
I pull out the stairs and the two circulation sequence out of the whole building in order to
create a more clear view in the model. To show the interior relationships and the whole
constructions.
My model is eight feet under the ground, people can only enter the building by
using the ramp to the entrance of the museum.
The reason is to avoid noisy in the city and to create a different view than other
museum. Because the under-ground level can be light differently by sun.
Project 3 Museum Stairs
The three plans shows the first floor, second floor and third floor ‘s circulations in the museum.
The sections shows the relationships within the whole buildings created by the stairs.
Project 3 Museum Stairs