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A SMAEL LOBO

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Academic work at Faculty of Architecture of University of Porto.

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  • ASMAEL LOBO

  • ISMAEL EDUARDO OLIVEIRA DOS SANTOSBORN IN PORTO, PORTUGAL,7th OF JUNE 1988

    TOP FLOOR FLAT232 EDGWARE ROADW21DW LONDONUNITED KINGDOM

    RUA JORGE DE SENA N38 R/C ESQ4435-045 RIO-TINTOPORTO, PORTUGAL

    [email protected]@hotmail.com

    00351 91 563 77 31 (pt)

    CURRICULUM VITAE

    QUALIFICATIONS 2011.2012 MASTER DEGREE IN ARCHITECTURE IN FACULDADE DE ARQUITECTURA DA UNIVERSIDADE DO PORTO 2011.2012 AUTODESKAUTOCAD 2013 2D AND 3D IN IEFP DO PORTO 2011.2012 JAPANESE LEVEL II IN FACULDADE DE LETRAS DA UNIVERSIDADE DO PORTO 2006.2007 BEGAN ARCHITECTURAL STUDIES IN FACULDADE DE ARQUITECTURA DA UNIVERSIDADE DO PORTO 2003.2004 BEGAN ARTISTIC STUDIES IN ESAS

    EXHIBITIONS AT FAUP 2010.2011 SWIMMING POOL IN LEA DA PALMEIRA, SIZA VIEIRA SHORT ESSAY IN TEAM WORK IN HISTORY OF CONTEMPORARY ARCHITECTURE 2008.2009 PROCESS AND IDEAS, VILLA DALLAVA, REM KOOLHAAS SHORT ESSAY IN ARCHITECTURAL THEORY II 2007.2008 STUDENTS HOUSE BY THE RIVER ARCHITECTURAL PROJECT IN PROJECT II 2006.2007 STUDENTS HOUSE ARCHITECTURAL PROJECT IN PROJECT I

    SOFTWARE WINDOWS AND MAC OS AUTODESK AUTOCAD 2D AND 3D AUTODESK 3D STUDIO MAX ADOBE PHOTOSHOP ADOBE INDESIGN SKETCHUP OFFICE

    LANGUAGE PORTUGUESE C2 | ENGLISH C1 | FRENCH B1 | SPANISH B1 | JAPANESE A2

    OTHER INTERESTS TRAVELLING | CINEMA | PHOTOGRAPHY | FASHION DESIGN | GAMES | SPORTS

  • SELECT ACADEMIC WORKS

    2006.2007 IMAGINARY CITY IMAGINARY CITY, DEVELOPMENT OF A SQUARE CAFE AT PORTOS CITY PARK STUDENTS HOUSE

    2007.2008 ARCHITECTURAL AND URBAN INTERVENTION, STUDENTS HOUSE BY THE RIVER, PORTO 18TH AND 19TH CENTURY HOUSE CONSTRUCTIVE SYSTEMS

    2008.2009 HOUSING I, ABSTRACT SITE HOUSING II, PORTO SHORT ESSAY PROCESS AND IDEAS, VILLA DALLAVA, REM KOOLHAAS

    2009.2010 DOUROS RIVER HOTEL, PORTO VILA DO CONDE, STUDIES ON A PORTUGUESE VILLAGE, URBAN AND ARCHITECTURAL RESEARCH PROJECT

    2010.2011 URBAN PROJECT, LEA DO BALIO SHORT ESSAY SWIMMING POOL IN LEA DA PALMEIRA, SIZA VIEIRA

    2011.2012 MASTER DEGREE THESIS IN ARCHITECTURE AZUMA HOUSE

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  • 5ISMAEL LOBO ARCHITECTURE PORTFOLIO

  • 7ISMAEL LOBO ARCHITECTURE PORTFOLIO

    In this exercice, students were asked to design thirty apartments in a non specific site. Thus, this being the first approach to collective housing, there were two main problems, how to relate both public and private spheres, whilst choosing a specific type of access to the apartments.

    The answer was a four-storey building, composed of Studios, Two-bedroom, Three-bedroom and Five-bedroom apartments. The first three apartments combined in a single module and with its own access are replicated in a U shape building. Its corners are the exception with the largest apartments. Both the Two-bedroom and the Three-bedroom apartments are divided in two floors, being the common rooms in the lower level and the private in the upper level.

    The whole building is a simple metal structure. Glass panels cover both fronts of the housing complex allowing a great amount of natural light inside the different rooms. Moreover, the common rooms, such as kitchens and living rooms are visually opened to the private garden inside the complex.

    HOUSING I

  • 0 2.7m 16.2m8.1m

    FROM LEFT CCW: GROUND FLOOR PLAN . FIRST FLOOR PLAN . SECOND FLOOR PLAN . FOURTH FLOOR PLAN

  • 9ISMAEL LOBO ARCHITECTURE PORTFOLIO

  • 11ISMAEL LOBO ARCHITECTURE PORTFOLIO

    The aim of this exercise was to retrain an urban area of Porto city. It was divided in two phases, being the second the development of one of the three sectors from a previous master plan. This master plan consisted in the rehabilitation of a specific headquarter with a new program, mixing housing, offices, shops, public spaces and parking facilities.

    The developed sector resulted in the design of a closed condominium, promoting privacy, but, at the same time, openness to a controlled environment. The singularity of this particular building is that it somehow, through the intersection of the public with the private sphere, and the development of its inner divisions and accesses, result in an hybrid form of collective and individual housing.

    The main building is composed of three-storey and two-storey apartments. These both invert the common distribution, since bedrooms are designed in the lower floor, and the common rooms, such as kitchens and living rooms in the upper one. This was an opportunity to think about the daily use of the house and question some acquainted standards.

    PORTO HOUSING II

  • 122.7

    02.7m

    10.8m

    FROM TOP TO BOTTOM: GROUND FLOOR PLAN . FIRST FLOOR PLAN . SECOND FLOOR PLAN

  • 13ISMAEL LOBO ARCHITECTURE PORTFOLIO

    122.7

    02.7m

    10.8m

    122.7

    02.7m

    10.8m

  • FROM LEFT TO RIGHT: GROUND FLOOR PLAN . FIRST FLOOR PLAN . SECOND FLOOR PLAN

  • 15ISMAEL LOBO ARCHITECTURE PORTFOLIO

  • 17ISMAEL LOBO ARCHITECTURE PORTFOLIO

    Douros River HOTEL Students were asked to design a five star hotel. Thus, it should incorporate not only one hundred

    bedrooms, as well as a bar and a restaurant, but also a Conference Center and a SPA with indoor and outdoor swimming-pool. The given site was a privileged one, especially in terms of landscape. It faced Portos river nearby the sea.

    It was always important not only to be able to control the intersection between the public and the private domains, but also the quality, function and comfort for both guests and hotel staff. The result was the construction of a building dividing different areas with different views and outdoor spaces. The public programs are then integrated in different environments in search for variaty in its daily life, sensorial and architectural experience. These common areas form the two-storey base of the hotel which tries to compromise itself to that topography. Bedrooms are organised in a single ten-storey volume. This volume is divided in two heights, the lower with the common bedrooms, facing the private gardens of the hotel, and the upper with the suites, facing the sea and the riverfront.

  • 0 3.6m 14.4m

    GROUND FLOOR PLAN

  • 19ISMAEL LOBO ARCHITECTURE PORTFOLIO

    0 3.6m 14.4m

  • 0 3.6m 14.4m

    FROM LEFT TO RIGHT: FIRST FLOOR PLAN . SECOND TO SEVENTH FLOOR PLAN . NINTH TO ELEVENTH FLOOR PLAN

  • 21ISMAEL LOBO ARCHITECTURE PORTFOLIO

    0 3.6m 14.4m0 3.6m 14.4m

  • CC

    BB

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  • 23ISMAEL LOBO ARCHITECTURE PORTFOLIO

  • 25ISMAEL LOBO ARCHITECTURE PORTFOLIO

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    This exercise was divided in several phases. Thus, it all started with the question, whats your Ideal City? The research was then made within a group of work until some concepts came up. With those concepts the group was asked to project its forms in a specific site. This particular site was quite diverse, showing the results of an apparently uncontrolled growth of the city center to its surroundings, mixing housing with industrial, agricultural and patrimonial areas. Therefore, in the context of urban planning, it was required a master plan. Afterwards, each member of the group should bring up his own ideas and concepts to rehabilitate that territory. The next presentation concerns the development of my chosen area, divided in four sectors. These particular sectors were mainly concerned about a present and local problem, the polluted Lea River. For this reason, the principal goal of the project was the promotion of public spaces while creating several interventions in the extent of a trajectory. This virtual line should start in the train station of a colleagues sector, go through the Lea do Balios Cathedral and end up in an historical and abandoned villa, then converted in a public gallery.

    LEA DO BALIO URBAN PROJECT

  • LEFT: SYNTHESIS AND ANALYSIS OF THE SITE . RIGHT FROM TOP TO BOTTOM: INTERVENTION . CHOSEN SECTOR . NEW EQUIPMENT

  • 27ISMAEL LOBO ARCHITECTURE PORTFOLIO

    .44

    LEGENDA DAS QUATRO INTERPRETAES DO CUBO:l o c l i z a o d e s e n h a d a n a p l a n t a d o s e c t o r

    CONCEITO_CUBO desenho e s ca la1 / 5 0

    1 2 3 4

    1. "Espao que alimenta a alma"2. "Espao que alimenta a mente"3. "Reflexo interior"4. "Espao que alimenta o corpo"

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    5. Praceta, ponto de percurso, enfoque do Mosteiro6. Fonte7. Entrada do Cemitrio8. Adro do Mosteiro de Lea do Balio9. Mosteiro de Lea do Balio10. Casa Fnebre do Mosteiro de Lea do Balio11. UNICER12. Estacionamento

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    CC'

  • p o r m e n o r d e m u r o d e b e t o d e s u p o r t epormenor da l igao de rua betominosa com passe io gran i t i co p o r m e n o r d e b a n c o e m g r a n i t o p o r m e n o r d e t a n q u e d e g u a1 2 3 4

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    FROM TOP TO BOTTOM: CHOSEN SECTOR SECTIONS . DETAILS ON URBAN AND PUBLIC FURNITURE OR EQUIPMENT

  • 29ISMAEL LOBO ARCHITECTURE PORTFOLIO

    p o r m e n o r d e m u r o d e b e t o d e s u p o r t epormenor da l igao de rua betominosa com passe io gran i t i co p o r m e n o r d e b a n c o e m g r a n i t o p o r m e n o r d e t a n q u e d e g u a1 2 3 4

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    p o r m e n o r d e m u r o d e b e t o d e s u p o r t epormenor da l igao de rua betominosa com passe io gran i t i co p o r m e n o r d e b a n c o e m g r a n i t o p o r m e n o r d e t a n q u e d e g u a1 2 3 4

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  • ABSTRACT

    The main core of this study is to understand, through an investigation of a specific case, how

    Tadao Ando conceives the house. Being so, this study begins from his example, representative of his

    architectural basic principles, the Azuma House.

    This work that, in a way, represents his maximum space achievement in the seventies, in Japan,

    considered by many theorists as belonging to a group of monastic buildings, reflects, with a peculiar

    ability, the intermediation of some traditional values with the specific circumstances of its time. This

    study is articulated as if it was a compilation of memories of whom, though not being in loco, was willing

    to understand the convergence of both tradition and modernity in the design of the house. Starting

    from Azuma House, it is an approach of the Japanese culture, in very specific aspects and particularly

    in the architectural field. Given the rooted experience of the Japanese way of life, it is implicit that, to

    understand the origins of the architect and, by extension, his work, it is important to be acquainted with

    part of the cultural wealth of the archipelago. At the same time, it is of great significance the paramount

    knowledge of the critical version of Tadao Ando facing the influences of Western architectural thought

    of the twentieth century.

    Therefore, the work is observed within a framework that seeks to understand to what extent

    the Azuma House can be considered as an example which is part of critical regionalism as stated by

    Kenneth Frampton in Towards a Critical Regionalism.

    Despite the distance from this house, in Manuel Magalhes House, in Portugal, it can be found

    some of the purposes and intentions of the first architect, now in the hand of Siza Vieira. This architect,

    also in the seventies, sought to find answers to an architecture that discusses the importance of cultural

    values, its own origin, even while accepting the opening of his world to the international context. The

    instability of the true nature of what is local and what is universal foster a critical position on how to

    design and, most surely, determined the construction of a particular case, as it is indeed the Manuel

    Magalhes House.

    Both houses, either in the Japanese or in the Portuguese context, demonstrate the determination

    of the authors in creating spaces where, as the result of creativity, they question the extent of the

    architecture.

    The building was made possible by the reckless courage of youth, ANDO TADAO IN TADAO ANDO HOUSES & HOUSING

  • 31ISMAEL LOBO ARCHITECTURE PORTFOLIO

    AZUMA HOUSEMASTER DEGREE IN ARHITECTURE THESIS