arh 102 exam 1 study guide fall 2013

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ARH 102 STUDY GUIDE for EXAM 1 (Chapters 14, 20, 21, 22, 23) Questions on the exam are not limited to the content of this study guide. Questions are derived not only from the study guide, but also from lectures, and readings. VOCABULARY LIST altarpiece diptych, triptych, polyptych grisaille glazing Renaissance linear perspective Mannerism sfumato buon and secco fresco chiaroscuro iconography Humanism atmospheric perspective Florence trompe l’oeil devotional imagery Book of Hours Contrapposto Classical antiquity Quattrocento Cinquecentro Proto-Renaissance Counter-Reformation intaglio Iconoclasm history painting still life Reformation vanitas Martin Luther Council of Trent BCE & CE SLIDE LIST 1. Giotto di Bondone, Lamentation, Fresco, (Figure 14-8, pg. 408) 2. Robert Campin (Master of Flémalle), Mérode Altarpiece (open), Northern (Fig. 20-1, pg. 534) 3. Jan van Eyck, Ghent Altarpiece (open), Northern Renaissance (Figure 20-5, pg. 541) 4. Rogier van der Weyden, Deposition, Northern Renaissance (Figure 20-8, pg. 544) 5. Jan van Eyck, Giovanni Arnolfini & His Wife, Northern Renaissance, (Figure 20-6, pg. 546) (located at the beginning of Chapter 20)) 6. Limbourg Brothers, January, Très Riches Heures, International Style, (Figure 20-16, pg. 551)

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Page 1: ARH 102 Exam 1 Study Guide Fall 2013

ARH 102

STUDY GUIDE for EXAM 1 (Chapters 14, 20, 21, 22, 23)

Questions on the exam are not limited to the content of this study guide. Questions are derived not only from the study guide, but also from lectures, and readings.

VOCABULARY LISTaltarpiece diptych, triptych, polyptych grisailleglazing Renaissance linear perspectiveMannerism sfumato buon and secco frescochiaroscuro iconography Humanismatmospheric perspective Florencetrompe l’oeil devotional imagery Book of HoursContrapposto Classical antiquity Quattrocento Cinquecentro Proto-Renaissance Counter-Reformation intaglio Iconoclasm history painting still life Reformation vanitas Martin Luther Council of Trent BCE & CE

SLIDE LIST1. Giotto di Bondone, Lamentation, Fresco, (Figure 14-8, pg. 408)2. Robert Campin (Master of Flémalle), Mérode Altarpiece (open), Northern (Fig. 20-

1, pg. 534)3. Jan van Eyck, Ghent Altarpiece (open), Northern Renaissance (Figure 20-5, pg.

541)4. Rogier van der Weyden, Deposition, Northern Renaissance (Figure 20-8, pg. 544)5. Jan van Eyck, Giovanni Arnolfini & His Wife, Northern Renaissance, (Figure 20-6,

pg. 546) (located at the beginning of Chapter 20)) 6. Limbourg Brothers, January, Très Riches Heures, International Style, (Figure 20-

16, pg. 551) 7. Donatello, David, Early Italian Renaissance (Figure 21-12, pg. 568)8. Masaccio, Holy Trinity, Fresco, Italian Renaissance (Figure 21-21, pg. 575)9. Sandro Botticelli, Birth of Venus, Italian Renaissance, (Figure 21-29, pg. 581)10. Leonardo da Vinci, Madonna of the Rocks, High Renaissance, (Figure 22-2, pg.

601)11. Raphael, Philosophy (School of Athens), High Renaissance, (Figure 22-9, pg. 601)12. Michelangelo Buonarroti, David, High Renaissance, (Figure 22-13, pg. 607)13. Andrea Palladio, Villa Rotonda, High Renaissance (Figure 22-28, pg. 622)14. Titian, Venus of Urbino, High Renaissance, (Figure 22-39, pg. 629)15. Parmigianino, Madonna with the Long Neck, Mannerism, (Figure 22-44, pg. 633)16. Albecht Dürer, Four Apostles, Northern Renaissance (German), (Figure 23-7, page

652) 17. Hans Holbein the Younger, The French Ambassadors, Northern Renaissance

(German), (Figure 23-11, page 656)18. Pieter Bruegel the Elder, Hunters in the Snow, (Northern Renaissance

(Netherlandish)) (Figure 23-21, page 663)