arin6903 presentation-az
TRANSCRIPT
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The Mobilized and VirtualGaze in Modernity
Anne Friedberg
Anne Zozo, [email protected], SID 310061377
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Flâneur / Flâneuse
• Phenomenon ofurbanisation in 19th century
• French = the stroller• Observer and participant• The bourgeois gentleman
Ref.: http://publishing.cdlib.org/ucpressebooks/view?docId=ft296nb17v&chunk.id=d0e1814&toc.depth=1&brand=ucpress
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Modernity
• Urbanisation & technology• Accelerated time & shrinking distances• Commodity form & the visible• Shift in power relations• New ways in communication and art
= a new gaze
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The
Pan
optic
on
The masses (women, outcasts)
Control and observation
Light to disclose
Spacial closeness; time: now
Enclosed look
The state (male)active
The few
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Spacial distance; time: past
The few (artists, the state)
The masses
passive
Light to decept
Illusion
Powerless pleasurein the virtual
Imaginary expansion of look
Control?
The
early
cin
ema
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The Panorama
• First “movie theatre“ in 1787• Assumingly inspired by Panopticon• “New realistic techniques of perspective
and scale“• Illusion of travel in time and space
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Panorama of Edinburgh by Robert Barker, 1787http://www.acmi.net.au/AIC/PANORAMA.html
Cross sectionhttp://www.acmi.net.au/AIC/PANORAMA.html
Asisi Panometer in Leipzighttp://www.asisi.de/de/Panometer/Amazonien/
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The Diorama
• Successor of Panorama in 1822• “Moving pictures“
– Transparency– Light manipulation– Rotation of auditorium platform
• Illusion of travel in time and space
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Diorama diagramhttp://commons.wikimedia.org/wiki/File:Diorama_diagram.jpg
Diorama painting by Daguerrehttp://www.midley.co.uk/
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Other “Cinematic“ Forms I
Laterna Magicahttp://www.magiclantern.org.uk/events/events3i.html
In the 1600‘s
Camera Obscurahttp://micaphoto.files.wordpress.com/2010/04/camera_obscura_principle.gif
Aristoteles...
Phantasmagoriahttp://www.exeter.ac.uk/bdc/young_bdc/lanterns/lantern2.htm
Late 18th century
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Other “Cinematic“ Forms II
Diaphanoramahttp://www.nzz.ch/nachrichten/kultur/aktuell/gemsjaeger_am_gletscherwasser_1.3440703.html
1815
Eidophusikonhttp://www.edmstudio.com/eidophusikon/gallery01.html
1781
Phenakistiskophttp://www.filmmuseum-hamburg.de/filmtechnik_geraetschaften.html
1832
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Theoretical analysis
• “Illusion of unmediated referentiality“• “Mastery over constraints of space and
time“• Virtual mobility vs. physical immobility• Encloser in dark room• Limited view
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Discussion
• Taking the Panopticon as a metaphor:How would you draw the diagram fortoday‘s participatory culture?
• Talking about power relations: Is takingthe guard‘s position in the central towermaybe even more critical? Whatimplications does it have?