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ARRANGING 1 MIDTERM PROJECT 30PTS Each 10 Notation/Neatness Ron Reid Example #1 R&B The melody and guitar parts are already recorded on you garage band sequence. Add bass (4-string bass) and drum parts that would complement the guitar and melody parts on the score. Work with the sounds chosen. You can add some effects if you can inprove the overall sound of the finished product. Observe the tempo marking. (Use the guitar comping rhythm as a guide to write your bass and drum groove. A guide does not mean it has to be the same.) Print score in landscape format and neatly notate your bass and drum parts. Loop your sequence 4Times and save as MP3 and send to me. Clearly label your version as everyone is doing the same examples. Turn in your score in class Example #2 BOSSA The melody and guitar parts are already recorded on you garage band sequence. Add bass (4-string bass) and drum parts that would complement the guitar and melody parts on the score. Mostly the directions are the same as above

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Page 1: ARR1MTERM1

ARRANGING 1 MIDTERM PROJECT 30PTS Each10 Notation/Neatness

Ron Reid

Example #1 R&B

The melody and guitar parts are already recorded on you garage band sequence. Add bass (4-string bass) and drum parts that would complement the guitar and

melody parts on the score. Work with the sounds chosen. You can add some effects if you can inprove the

overall sound of the finished product.

Observe the tempo marking.

(Use the guitar comping rhythm as a guide to write your bass and drum groove. A guide does not mean it has to be the same.)

Print score in landscape format and neatly notate your bass and drum parts.

Loop your sequence 4Times and save as MP3 and send to me. Clearly label your version as everyone is doing the same examples.

Turn in your score in class

Example #2 BOSSA

The melody and guitar parts are already recorded on you garage band sequence.

Add bass (4-string bass) and drum parts that would complement the guitar and melody parts on the score.

Mostly the directions are the same as above

Example #3 UPTEMPO SWING

Melody 1 has no anticipation. Rewrite the melody adding your own anticipations

or delays. Record your version of melody, which will be the Revised Melody.

Notate that melody. No need for any analysis.Add bass and drum parts

Specific walking bass part (written out)

Kicks over time and cymbal rhythms for drums

OFFICE HOURS: Tuesdays 2-3PM Wednesdays 10-11AM RR

Page 2: ARR1MTERM1