art - art of seeing
TRANSCRIPT
ARTof Seeing
C R E A T I V E P H O T O G R A P H Y
4....THE ART OF SEEING
6....Stuart Westmorland
8....Linda Bartlett
10....Jeff Carter
12....Paul B. Goode
14....Lucille Khornak
15....Doug Beasley
16....Jamie Rector
17....Scott E Sawyer
18....Mark Francis Gamba
20....Barbara White
22....John F. Hill
24....Sara Jorde
26....Gerry McIntyre
28....Mark Maziarz
30....Matt Lit
32....Thomas M. Barwick
34....Robert Hall
35....Rusty Leffel
36....John Welsh
37....Scott Markewitz
38....Janet Century
40....Peter Miller
42....Laura Dwight
43....John Dean
44....Ric Moore
46....Woods Wheatcroft
48....Bill Sumner
50....Gary Wilson
52....Bill Pielsticker
53....Paul A. Teolis
54....Thomas Wiewandt
56....David E. Durbak
57....Dana Grover
58....John Snyder
60....Harold Davis
62....Frank Rapp
64....Jack Ramsdale
66....Peter B. Steele
68....Niobe Burden
70....Clark James Mishler
71....Lyn Smith
72....Kevin Barry
74....Greg DeBre
76....Debra Maddox
77....Sara Shoemaker Lind
78....Treve Johnson
79....Don Johnston
80....Kathleen Norris Cook
82....Gary Crabbe
84....Joseph Holmes
86....Tom Kirkendall
88....Scott McGee
90....Mari Minegishi
92....Nevada Wier
94....Bernard Wolf
96....Joel Salcido
98....Paul Swen
100....Janet Horton
101....Susanne Weissenberger
102....Steven Barger
104....Deborah Whitney Prince
106....Shoshannah White
ALCOVE BOOKS
930 Dwight Way, #7Berkeley, CA 94710
510.644.3534
ART of Seeing - 2008 Creative PhotographyEdited by Tom Palmer
and Aileen Kim.ISBN 978-0-9721890-5-X
Information is fromsources deemed reliable.
Publisher assumes noliability for loss causedby errors, omissions, or
any other cause.
All rights reserved. ©2008 Alcove Books.Printed in Hong Kong.
Cover images:
PREGNANT GRACEStuart Westmorland
HILLSJoseph Holmes
OLD TRUCKDrake Sorey
PEZ AUDIENCENick Nacca
QUIET NIGHTKevin Galvin
MACKINAC ISLANDTom Jelen
107....William B. Folsom
108....Dan Neuberger
110....Doug Landreth
112....Chip Hedgcock
113....Ken & Lois Wilder
114....Tom Kumpf
116....Kim Kauffman
118....Larry Hamill
120....Douglas J. Hoffman
121....Greg Smith
122....Brandon Cole
124....Cary Cleaver
126....Clive Champion
128....David Lubarsky
129....Melissa Ireland
130....Wilton S. Tifft
132....Drake Sorey
134....Mary Heller
135....Anne Howson
136....Mark Schafer
138....Donna R. Strathy
140....Frank DiMarco
141....Elis. Flynn-Chapman
142....Mike McMullen
144....Marc Longwood
146....Mike Kear
148....Susan G. Hammond
149....Kevin Galvin
150....Richard J. Levy
152....Sheridan Vincent
154....Brad Feinknopf
156....John Peters
158....Mike Fizer
160....Park Street
162....Michael Spain-Smith
164....Ken Ross
166....Paul Pierlott
168....Eric Smith
170....Bill McAllen
172....Nick Nacca
174....Jeff Downie
175....Craig Brown
176....David Hagen
177....Mike Wasserman
178....Jackson Hill
180....Denton Rbt. Tillman
182....Olof Wahlund
184....John Still
186....Donna Callighan
188....David Underwood
190....Max Hilaire
192....Don Carlson
194....Peter Treiber
196....David Lee Thompson
198....Arthur Levy
200....Ric Peterson
202....Thaine Manske
204....Phillip Spears
206....George H.H. Huey
208....Gabe Palmer
210....Craig Stocks
212....Thomas R. Fletcher
213....Fred Lee Emmert
214....John Gregory
216....Tom Jelen
217....Bernard Friel
218....Carl R. Battreall
219....Russ Bishop
220....Sid Hoeltzell
222....Paul Wiles
223....Jim Yuskavitch
224....Yiorgos Konstantinidis
226....Stephen G. Weaver
227....Vida Ward
228....Frederick Charles
230....Lewis Kemper
232....Kevin Laubacher
234....John De Mello
235....Margaret Lord
236....Michael Hart
238....Jeffrey R Klug
240....Noel Greene
242....Bart Harris
244....Michael Snively
246....Michael E. Haritan
248....Alastair Orpen Finlay
250....Vickie Lancaster
252....David Halpern
253....GALLERIES, CENTERS,and DEALERS
A famous photographer was once asked why he practiced photography. His somewhat enigmatic answer was “to see what things look like when photographed.”
This is more than a glib response. For many photogra-phers it lies at the center of their personal quest for self-expression through photography. When I have a camera in my hand the world shifts. I am no longer justpassing though. I am an active participant. Colors aremore distinct, reality more sharply etched. I am moreaware of both the immediate environment and the actions of people around me.
It also makes me a voyeur. Being able to isolate and visually dissect my surroundings removes me from beinga participant and turns me into an observer. This createsa cognitive dissonance. On one hand, being a part of,while on the other, being removed from. Maybe this lies at the center of what it means to be a photographer; tolive in a “no-mans-land” where the moment is constantlyslipping past, and yet where we have the power to fix itforever, a time as well as place.
Do we photograph for ourselves, or for others? If you were the last person left on earth, would you practice photography?
The Art of Seeing
Don't answer too quickly. Yes, most photographers seek recognition. We need an audience. The feedback wereceive becomes part of our raison d'etre. Just the factour images exist out in the world in more than just onecopy somehow enhances their reality and provides a formof permanence to the art that we have created. But nowremove that audience, as desirable as it might be. Doesour work still have purpose? Would we still do it?
The answer to this will vary with the individual. For some,knowing that our work has reached a wider audience thanjust friends and family provides satisfaction. For others,exposure to a wide audience is intended to lead to eithercommercial or artistic recognition and success.
For many photographers though, it may simply be enoughto see what things look like when photographed. But thesharing of these images with others—discovering howothers might respond to what we have captured andshown them—provides a satisfaction that cannot bedenied. There is still magic in photography, the sharing as well as the doing.
Michael ReichmannJanuary, 2008
Stuart Westmorland
ICELAND HANDSTANDS. A serendipitous moment in an exotic location6
PREGNANT GRACE & BEAUTY. A study of light, motion, grace, and beauty 7
Mill Creek, WA • 425.225.5733www.stuartwestmorland.com
Linda Bartlett
PADDY AND PAUDIE, IRELAND8
"After thousands of miles traveled and countlessimages taken, I am still fascinated by the people
I have met. In their faces and expressions—everyuntouched wrinkle and line—is the truest beauty.”
MAIRE KAVANAGH, IRELAND 9
Washington, DC202.362.4777
Jeff Carter
THE DROVER'S WIFE. Selenium-toned silver gelatin print10
“Since the late 1940s I have traveled Australia wide, record-ing in words and pictures the lives of working class people—
a self-inspired, one-man FSA-type project—resulting in an archive of some 100,000 images.”
TIME OUT. Selenium-toned silver gelatin print 11
Gerringong, Australia • 61.02.42.342.489www.jeffcarterphotos.com
Paul B. Goode
DENISE TEPER IN MY STUDIO12
“A portrait session is a telepathic dance between the photographer
and model. An emotional bond isformed that can never be broken.”
AMITY HALL: PALISADES PARK, NJ 13
New York, NY • 212.874.0713www.paulbgoode.com
Lucille Khornak
SISTERLY LOVE. An unposed moment captures a momentary spat14
New York, NY • 212.593.0933www.lucillekhornak.com
Doug Beasley
SARA. Trade River, Wisconsin. 2007 15
St. Paul, MN • 651.644.1400www.douglasbeasley.com
Jamie Rector
THE WRITER16
Los Angeles, CA • 562.587.0979www.jamierector.com
Scott E. Sawyer
STORM WALK, ARIZONA. Exploring nature with human perspective 17
Flagstaff, AZ • 928.226.0404www.illuminatedvisions.com
Mark Francis Gamba
WOULDN’T YOU RATHER HAVE AN ARTICHOKE? Archival giclée18
“This is part of an ongoing projectexploring the emotional relationship
people have with food—the depth and intensity whichoften supersedes the sexual, particularly among women."
WHO’S MOMMY’S LITTLE CHICKEN? Archival giclée 19
Milwaukie, OR • 503.353.9111www.markgamba.com
Barbara White
MONKS AT ATTENTION, BURMA. Color pigment print20
"My work is about getting toknow a Third World area well,
and finding the beauty that livesthere in the midst of hardship."
DOGON BABIES TOUCHING, MALI. Color pigment print 21
Laguna Beach, CA • 949.494.2479www.barbarawhitephoto.com
John F. Hill
RITUAL BEAUTY. Pigment on archival paper22
"I work to reveal the beauty in the worldaround us. By showing what might not be
seen, and by sharing visions from across theworld, photographic art enriches our lives."
BOUNTY OF THE MONSOON. Pigment on archival paper 23
Easton, CT • 203.545.6069www.johnfhill.com
Sara Jorde
POTALA AT SUNRISE. Lhasa, Tibet24
WOMAN SELLING BARLEY. Ganden Monastery, Tibet 25
Minneapolis, MN • 612.338.6923www.jorde.com
Gerry McIntyre
JUAN PEREZ. An organic farmer near Salinas practices sustainable agriculture26
"Both these images weretaken in early 2007 while
working on the project Stepsto a Healthier Salinas."
JULIA OROSCO. A church volunteer takes blood pressure readings 27
Sacramento, CA • 916.640.8888www.gmpdg.com
Mark Maziarz
LAUREN28
CHRISTOPHER 29
Park City, UT • 435.649.0002www.maziarzpeople.com
Matt Lit
OUR FATHERS - FESTIVAL Santa Fe Plaza, New Mexico. Holga series30
“The decisive moment is the key to my work, whethercapturing it with a Holga toy camera or the latest digital
equipment. The Holga adds a dream-like glimpse of ourchildhoods—a refreshing memory in our fast-paced lives.”
OUR FATHERS - COORS FIELD. Denver, Colorado. Holga series 31
Dillon, CO • 970.262.2006www.litfoto.com
Thomas M. Barwick
STACY. Digital capture32
AUSTIN. Digital capture 33
Seattle, WA • 206.285.4380www.barwickphoto.com
34
Robert Hall
SENSE OF SELF. Images of feminine self-perception from the Mill Series
Lehi, UT • 801.673.4510www.roberthall.com
35
Rusty Leffel
MAGICAL BUS, BROOKLYN. Street photography
Mission Hills, KS • 913.362.9727www.artistsregister.com
36
John Welsh
DANCING WITH FIRE. Fire performer in Philadelphia
Jenkintown, PA • 610.357.9076www.johnwelshphotography.com
37
Scott Markewitz
HAND PLANT, BRITISH COLUMBIA. Pushing the boundaries of athletic expression
Salt Lake City, UT • 801.583.0606 www.scottmarkewitz.com
Janet Century
EMBRACE. Silver gelatin print38
“The challenge is to capture what lies beneaththe surface while photographing only the surface.
Form, light, and composition all define the chosen moment.I am moved to capture the connection that binds us all.”
DUDE. Silver gelatin print 39
Cleveland, OH • 216.721.4501www.janetcentury.com
Peter Miller
HILARY AND ALAN'S MAPLE. Toned giclée print40
“One of my on-going projectsis documenting rural American
icons. These images first appearedin my book, Vermont People.”
WILL AND ROWENA. Giclée print 41
Waterbury, VT • 802.244.5339www.petermillerphotography.com
43
John Dean
KEY HAN, FOUNDER AND CEO, DDMOTION. People on location
Baltimore, MD • 410.243.8357www.johndeanphoto.com
Ric Moore
NEXT MOVE. Portrait of Jo in the Marble Trianon, Versailles44
"I like to invite people intomy indulgence of symmetry,
beauty, and the feeling ofall the time in the world."
THE ART OF FENCING. Twilight on the beach at Cannes 45
Dallas, TX • 214.358.4701www.ricmoore.com
Woods Wheatcroft
CALIFORNIA NIGHT #346
“Light is my catalyst. If it'sthere, I use what I see. If it's
absent, I create what I needfor an inspiring image.”
FISHING DOCK, BAJA, CALIFORNIA #1 47
Sandpoint, ID • 208.255.9412www.woodswheatcroft.com
Bill Sumner
LEAVES48
“When photographing inVermont last fall, I realized
that what is behind thingsoften matters most.”
POND 49
Miami, FL • 305.994.3241www.billsumner.com
Gary Wilson
ENVELOPED CITY50
“Like many photographers, I enjoy theexploration of the seen world through
infrared photography, where it can becomea visually transformed and serene world.”
REFLECTED 51
Portland, OR • 503.236.3205www.garywilsonphoto.com
Bill Pielsticker
PLUNGE POOL. Intimate landscapes, fresh perspectives52
Lodi, WI • 608.592.4718www.pielstickerphotos.com
Paul A. Teolis
PENGUIN GRAFFITI. Deception Island, Antarctica 53
Toronto, Ontario, Canada • 416.346.0149 www.fieldandscreen.com
Thomas Wiewandt
ANTICIPATION. Flora collection54
"I blend art and science, focusing onextraordinary light, graphic design,
the surprising, and the sensuous. My websitefeatures a searchable image library.”
SHOWDOWN. Weather collection 55
Tucson, AZ • 520.743.4551www.wildhorizons.com
John Snyder
GARDENS OF THE PALACE. Versailles, France58
"Looking for extraordinary light, composition,and 'moment' anywhere in the world—the
elements of surprise and chance thatcan only be captured photographically."
SUNBURST. Western New York 59
Moscow, IDwww.johnsnyderphoto.com
Harold Davis
ALONE I STAND. Post-processed digital photo60
YOSEMITE DREAMS. Post-processed digital photo 61
Berkeley, CA • 510.528.9977www.digitalfieldguide.com
Frank Rapp
LONE SAILBOAT. Inkjet print 62
"These images are from abody of work shot with a 4x5
film pinhole camera, digitallyoutput on watercolor paper.”
AQUINNAH TWILIGHT. Inkjet print 63
Dover, MA • 617.542.4462www.frankrapp.com
Jack Ramsdale
INTO THE WISSAHICKON64
MIGRATION 65
Philadelphia, PA • [email protected]
Peter B. Steele
BEDFORD OAK. Silver gelatin print66
CRACKED WILLOW ICE. Silver gelatin print 67
Lafayette, CO • 303.870.1819www.steelephoto.com
Niobe Burden
TAHOE VOLCANIC SANDS. Limited edition archival digital print68
“Drawn to the dramatic times of daylight, I seek uniqueperspectives that may not be readily apparent in a scene.
My visual interpretations are meant to be simple, emotionalimages that convey a feeling of calmness and serenity.”
MYSTIC WATERS. Limited edition archival digital print 69
Lake Tahoe, CA • 530.583.9000www.niobeburden.com
70
Clark James Mishler
YOUNG HUNTER WITH SKIN BOAT
Anchorage, AK • 907.279.8847www.mishlerphotos.com
71
Lyn Smith
SHOT UP RUSTY CAR. Found color patterns of an old car rusting in the salt air
Dubois, WY • 307.455.2204www.photographydesigns.com
Kevin Barry
SUNGLOW FISHING PIER AT SUNRISE. Daytona Beach, Florida72
SUNRISE REFLECTIONS IN A FLORIDA MARSH 73
West Park, FL • 954.987.9564www.agpix.com/kevinbarry
Greg DeBré
HARVEST MOON74
POWERHOUSE FALL 75
Miami Lakes, FL • 305.826.1099www.gsdebreimaging.com
Debra Maddox
MERMAID WITH KOI. Surreal juxtapositions blur lines between painting & photography76
Mill Valley, CA • 415.383.4065www.debramaddoxfineart.com
77
Sara Shoemaker Lind
PEPPERS, SAN FRANCISCO. Glorious natural colors can always surprise the senses
San Francisco, CA • 310.617.5334www.sarashoemakerlind.com
Treve Johnson
KILLARNEY NATIONAL PARK78
Berkeley, CA • 510.841.0905www.treve.com
Don Johnston
HUSHED SNOWFALL, ONTARIO 79
Lively, Ontario, Canada • 705.692.3901www.donjohnstonphotos.com
Kathleen Norris Cook
WINTER DAWN. Pemaquid Lighthouse, Maine80
"As a landscape photographer, my libraryof imagery includes panoramas, aerials,
travel, and the environment as it applies toadvertising, books, calendars, and fine art."
DAWN. Le Mont St. Michel, France 81
Ouray, CO • 970.325.0700www.kathleennorriscook.com
Gary Crabbe
STORMY SPRING SUNSET AT BRIONES82
"Offering images that highlight magical moments whenlight and landscape combine to reveal the depth of
nature's beauty, and that promote the awe-inspiringdesire to connect ourselves with something larger."
SANDSTONE AND REFLECTION, COYOTE BUTTES 83
Pleasant Hill, CA • 925.288.1461www.enlightphoto.com
Joseph Holmes
HILLS. San Benito County, California 198684
"I look for the quintessential faces of NorthAmerica's natural places, in the hope of helping
to create a sustainable future for us all. My workis available in fine print form and for publication."
MAPLES AND BIRCHES. White Mountains, New Hampshire 1985 85
Kensington, CA • 510.526.4145www.josephholmes.com
Tom Kirkendall
OAK TREE. Los Padres National Forest86
"Hand-crafted silvergelatin landscape
images that let youcatch your breath."
OAK FOREST. Los Osos Oak Reserve 87
Edmonds, WA • 425.775.3569www.kirkendall-spring.com
Scott McGee
AFTER THE STORM, CLEARING STORM. Juneau icefield, Alaska88
"The true and lasting value of Nature lies inits ability to inspire and revitalize the soul.
Through photography, I hope to inspire others toseek the value and wonder of nature all around us."
PURPLE MOUNTAIN MAJESTY, CRESCENT MOON AT SUNSET. Juneau icefield, Alaska 89
Anchorage, AK • 907.338.4705www.alaskaphotos.biz
Mari Minegishi
GATHERING. Tasmania, Australia 2007. Digital media90
“Through capturing fugacious yet evocativemoments in nature, I discover the subject
of my photography. A journey intothe unnoticed, hidden, unspoken.”
UNVEILED. Tasmania, Australia 2007. Digital media 91
Vancouver, BC, Canada • 604.715.4605www.marifotografia.com
Nevada Wier
CHINDWIN RIVER FOG92
"I am interested in ethnic groups that inhabit themore remote regions within countries. I have no
desire to mythologize their cultures, but to celebratethe individual spirit of people within their traditions."
Myanmar 2005. Diptych 93
Santa Fe, NM • 505.982.0877www.nevadawier.com
Bernard Wolf
NOCTURNAL BOTANICA 1. Lightjet print on Fuji crystal archive paper94
"I love photographing tree and plant life at night and theeffect created during long exposures under available light.
No supplemental lighting or filters were added, definingan unusual vision of nature in an urban environment."
NOCTURNAL BOTANICA 2. Lightjet print on Fuji crystal archive paper 95
Santa Monica, CA • 310.399.6803www.bernardwolf.com
Joel Salcido
TAURUS. Archival pigment print on rag paper96
"My photography depicts a Spain of soulful traditions thatinclude fiestas and brave bulls; both visually poetic and elegant.
These images were meant to be painted but instead becamephotos. May Spain remain forever odd, precarious, and precious."
TORO OBSCURO. Archival pigment print on rag paper 97
Austin, TX • 512.291.9961www.joelsalcido.com
Paul Swen
OUR HANDS. Adolescent Western Lowland gorilla, Gabon98
"My main goal as an artist is tocommunicate with the audience by
sharing brief moments in time that standas symbols for our shared experiences.”
SILVER BACK ALPHA MALE. Western Lowland gorilla, Gabon 99
Houston, TX • 713.667.4448www.paulswen.com
Janet Horton
MALE PILEATED WOODPECKER, WASHINGTON100
Issaquah, WA • 425.313.3060www.agpix.com/janethorton
Susanne Weissenberger
PROUD PEACOCK. Colors of Nature: Blue 101
Half Moon Bay, CA • 650.773.2847www.whitemountainphotography.com
Steven Barger
FIERY SKY. Kokerboom tree at sunset, Namibia102
"My images showcase the beauty found innature, from striking landscapes such as
the mosaic color of an African sunset tothe graceful ballet of eagles in flight."
AERIAL BALLET. Bald eagles in flight, Homer, Alaska 103
Cincinnati, OH • 513.460.6091www.bargernaturephotography.com
Deborah Whitney Prince
SPIRIT DANCER. Monument Valley. Transparency print 104
"Sharing moments and adeep connection to nature
often brings out a sense of etherealpower only a lens can reveal."
FLEETING TRANSFORMATION. Northern California. Digital media 105
Santa Rosa, CA • 707.528.9057www.dwprincephoto.com
Shoshannah White
MOTH. Photographic print on watercolor paper, encaustic, wax, and oil paint 106
Portland, ME • 207.332.6048www.shoshannahwhite.com
William B. Folsom
GRAY HAIRSTREAK. Sun on my wings, sun at my feet 107
McLean, VA • 571.213.8696www.wfolsom.com
Dan Neuberger
SANTORINI CAT 108
"Santorini is so breathtakingly beautifuleven a chimpanzee could come up with
great images. I thought I had diedand gone to paradise. Perhaps I had!"
SANTORINI TERRACE 109
Rochester, NY • 585.482.1976www.imagecityphotographygallery.com
Doug Landreth
NO LIFEGUARD ON DUTY. Digital pigment print110
“I have always loved the patina ofaging and so I meticulously composite
photographs of textures with scenes or objectsto create a more expressionistic collage.”
BLUE ULYSSES. Digital pigment print 111
Seattle, WA • 206.343.7118www.douglandreth.com
Charles Hedgcock
CENTIPEDE. Finding jewel-like, sculptural beauty in nature112
Tucson, AZ • 520.325.4241www.charleshedgcock.com
Ken & Lois Wilder
TULIP QUINTET. Harbinger of Spring in black and white harmony 113
Southbury, CT • 203.267.1090www.wilderimagesonline.com
Tom Kumpf
BURREN PONY. County Clare, Ireland. Silver gelatin print114
"Our world is full of constantly changingimages. Because of this, I see, the shutter
clicks, and something of strength, beauty,truth, and understanding is created."
CUBA SI. Havana, Cuba. Silver gelatin print 115
Boulder, CO • 303.926.0378www.tomkumpf.com
Kim Kauffman
MANTRA. Photo collage from multiple scans of original objects116
"My photo collages are inspired by my love ofgardening and associated reverence for the
natural world. They study forms nature repeats acrossall living things and we humans mimic in our designs."
NATIVE DANCER. Photo collage from multiple scans of original objects 117
Lansing, MI • 517.321.2815www.synecdochestudio.com
Larry Hamill
MY EYE118
“Laying tiles, one at atime digitally, offers a way
of seeing via one of theoldest art forms—mosaic.”
HORNBILL 119
Columbus, OH • 614.444.2798www.larryhamill.com
Douglas J. Hoffman
ENLIGHTENMENT. Black and white portraits reflect the beauty and mystery of the sea 120
Kihei, HI • 808.879.0260www.douglasjhoffman.com
Gregory Wrenn Smith
PEOPLE WATCHING IN A MAY RIVER MARSH. Pictures with stories—naturally 121
Bluffton, SC • 843.757.6557www.imediasmith.com
Brandon Cole
PARROTFISH122
HUMPBACK WHALE BREACHING 123
Spokane Valley, WA • 509.535.3489www.brandoncole.com
Cary Cleaver
VIEW FROM MONT ST. MICHEL. Silver gelatin print124
“My images capture a moment in time, anintersection of form and light. Applying oil
colors by hand imbues a mood andinvites the viewer into the photograph.”
VIEW FROM MONT ST. MICHEL. Hand-colored silver gelatin print 125
Atlanta, GA • 770.949.5351www.carycleaver.com
Clive Champion
MID-DAY FOUNTAIN. Parque del Retiro, Madrid126
"These recent images are from the seriesThe Botanical Palace. They were inspired by
the elegance of 18th and 19th century gardensand garden architecture in the UK and Spain."
PASSAGE TO PARAGUAY. Parque del Retiro, Madrid 127
Toronto, ON, Canada • 416.532.7304 www.championphoto.com
128
David Lubarsky
STORMY COMMUTE, FAIRFIELD, CT. Digitally-enhanced cell phone camera image
New York, NY • 212.505.1720www.davidlubarsky.com
Wilton S. Tifft
FOG AND CHAIR. Ellis Island registry room 130
STAIRWELL. University of Chernivtsi-Ukraine 131
East Smithfield, PA • 570.596.4940www.tifft.com
Drake Sorey
MINOT FOOD. Minot, North Dakota132
OLD TRUCK. New Mexico 133
McLean, VA • 703.534.7575www.drakesorey.com
134
Mary Heller
BULGARIAN COURTYARD. An expression of loneliness and mystery
New York, NY • 212.737.6039www.maryheller.com
135
Anne Howson
WENDY'S MEADOW. Looking towards what is possible
San Francisco, CA • [email protected]
Mark Schafer
MALIBU PIER. California136
30 ROCKEFELLER CENTER. New York 137
New York, NY • 212.691.9034www.markschafer.com
Donna R. Strathy
LUNCH IN VERONA, ITALY138
“I prefer to find images, not contrive them—photographing what is significant to me in
the real world. Discovering and distilling meaningfulmoments in life directs my photographic approach.”
A STREET IN FLORENCE, ITALY 139
Seattle, WA • 206.366.8151www.strathyphoto.com
140
Frank DiMarco
COFFEE IN THE RAIN
Portland, OR • 503.358.8119www.dimarcogallery.com
141
Elisabeth Flynn-Chapman
PATTERNS IN WOOD AND STONE. The ordinary as an aesthetic abstraction 141
Richmond, VA • [email protected]
Mike McMullen
CLASSIC MEETS MODERN. Nelson-Atkins Museum, Kansas City, Missouri142
“My images are the product of light, film,and traditional darkroom techniques. What
the camera sees is refined to convey the uniquetextures, shapes, and shadows of the subject.”
WIND AND WHEAT. Montezuma, Kansas 143
Shawnee Mission, KS • 816.582.3506www.mikemcmullenphoto.com
Marc Longwood
SILLAS DE GUGGENHEIM. Bilbao, Spain 2006. Digital media144
"Color, shape, texture, form, scale, light...I seek out these elements of art, scattered
secretly about in daily life, such that Imight see into the trees within the forest."
CASA DE ZORRO. Anza Borrego, California 2006. Digital media 145
Sacramento, CA • 916.635.0652www.longwoodpro.com
Mike Kear
MAN MO TEMPLE, HONG KONG. Inkjet print on aluminum. 7' x 7’146
"My fine art urban landscapes have an emphasis on structureand form, often playing with scale and humor, enabling the
viewer to experience the subject from a new perspective.I undertake large-scale international commissions."
EMPIRE STATE THROUGH THE MANHATTAN BRIDGE. Inkjet print on aluminum. 7' x 7’ 147
London, UK • 44(0)7753.930.678 www.mikekear.com
148
Susan G. Hammond
TYLER'S HEAD. A head created with bricks, sits stoically in the cement landscape148
Hackettstown, NJ • 908.852.4204www.susanghammond.com
149
Kevin Galvin
QUIET NIGHT. The Latin Quarter, Paris. Found images from Europe
South Wellfleet, MA • 508.349.6001 www.kevingalvin.com
Richard J. Levy, AIA, APA
MERV GRIFFIN THEATER (now Schwabs), circa 1936. Hollywood, California150
“I am a fine art, award-winning,architectural photographer. I create
images of structural, historic form found in the land-scape for corporate fine art and commercial use.”
HOTEL PADRE, circa 1963. Red Mountain, California 151
Los Angeles, CA • 213.250.0100www.archphotodesign.com
Sheridan Vincent
SYMMETRIC ANGLES. Kodak Endura Metallic print152
“It is my pleasure to capture an image,manage it to print, and ultimately produce
a desirable print to share what I saw. Whata wonderful time to be a photographer!”
REFLECTED ANGLES. Kodak Endura Metallic print 153
Rochester, NY • 585.472.2005www.sheridanvincentphotography.com
Brad Feinknopf
BARD COLLEGE, CENTER FOR SCIENCE AND COMPUTATION BUILDING154
"My work deals with how a piece ofarchitecture evolves and changes, both
interiors and exteriors, throughout differenttimes of day, weather, and even season."
BARD COLLEGE, CENTER FOR SCIENCE AND COMPUTATION BUILDING 155
Columbus, OH • 614.225.0414www.feinknopf.com
John Peters
CREAM156
ICE CREAM 157
Buffalo, NY716.961.0857
Mike Fizer
EMBRAER ERJ 145 OVER SOUTHERN CALIFORNIA158
"As an aviation specialist over the lasttwenty years, I never stop appreciating
the combination of grace and power of aircraft,nor how function influences aesthetics."
BOMBARDIER LEARJET 60 OVER THE SALTON SEA, CALIFORNIA 159
Wichita, KS • 316.832.1022http://mikefizer.com
Park Street
WATERSTREET 1160
"I create art to match my client’s need,with twenty years of experience providing
imagination to corporate, advertising,and architectural clients."
WATERSTREET 2 161
Austin, TX • 512.477.3572www.parkstreets.com
Michael Spain-Smith
UNTITLED162
New York, NY • 917.494.1500 Miami, FL • 251.840.4500
UNTITLED 163
Philadelphia, PA • 215.755.7500www.michaelspainsmith.com
Ken Ross
TRIBAL CHIEF. Eastern Highlands, Papua, New Guinea164
“I offer travel andlocation photography,
with stock images fromeighty-seven countries.”
BLUE CROSS. Black Day, New Mexico 165
Scottsdale, AZ • 602.319.2974kenrossphotography.com
Paul Pierlott
MELISSA166
"Factories panoramic: pipes, valves, wires, huge roomsof iron mysteries, the unseeable made seen. Bacteria on
a pin, E. coli on a seed, portraits and events to recall.Yet we still see the soft smile and the ragweed wall."
RAGWEED WALL 167
Philadelphia, PA • [email protected]
Eric Smith
SPONGE BOB. New York 2006 168
“Photographs of real life are moments gone assoon as they happen. A compelling image is when
all of the elements come into balance and one’sresponse to the image is immediate and visceral.”
MACY’S PARADE. New York 2006 169
Huntington Wood, MI • 248.705.1035www.ericsmithphotography.com
Bill McAllen
FRED RASMUSSEN AT GREEN MOUNT CEMETERY170
"I enjoy shooting environmentalportraits. I am producing a book
featuring citizens of Baltimore intheir favorite spaces and places."
DUFF GOLDMAN AT MOUNT VERNON SQUARE 171
Baltimore, MD • 410.499.4131www.mcallenphotography.com
Nick Nacca
OIL & GLASS 172
"For me it’s all about the light. Blending,shaping, and sculpting with light is at the
center of my process, creating imagesthat stand out in a world of clutter.”
PEZ AUDIENCE 173
San Diego, CA • 619.280.9900www.naccaphoto.com
Jeff Downie
GREEN BUCKET174
Cleveland, OH • 216.426.9090www.kpphoto.com
Craig Brown
NYMPHAEACEAE 175
Cleveland, OH • 216.426.9090www.kpphoto.com
David Hagen
TOMATO176
Cleveland, OH • 216.426.9090www.kpphoto.com
Mike Wasserman
SMALL ARCTIC, BLUFF 177
Cleveland, OH • 216.426.9090www.kpphoto.com
Jackson Hill
TWO DREAMS: THE SECRET OF LIFE178
“These photographs are from apost-Katrina series taken entirely
and literally from imagesrevealed in two dreams.”
THE DEATH OF PHOTOGRAPHY 179
New Orleans, LA • 504.524.0200www.southernlights.com
Denton Robertson Tillman
THE PAINTER180
RIVA'S BRUSHES 181
New York, NY • 212.255.2977www.dennytillman.com
Olof Wahlund
FERNS. Pigment print182
ROCKSCAPE ONE. Pigment print 183
New York, NY • 212.929.9067www.olofwahlund.com
John Still
EASY AS. Digital multiple exposure184
"I use digital and analog capture andcompositing in my still-life works to
explore and connect themes of time,motion, perception, and synchronicity."
DREAMS TAKE FLIGHT. Digital photo composite 185
Newton, MA • 617.527.9911www.johnstill.com
Donna Callighan
BUBBLES #273186
“Series of work includes FoggyFlorals, Seeds, Trees, Weeds,
S.O.S., and Earth Balls. I am currentlyworking on The Language of Trees.”
FROM WHICH WE GROW 187
Stamford, CT • 203.348.7997www.donna-terra.com
David Underwood
CACTUS, WINDOWS, AND DOORS. Composite stapled color and silver gelatin photograph188
“My composite photographs expand thelanguage of single-frame photography,
exploring varied possibilities of deconstruction, recon-struction, content, editing, printing, and presentation.”
PLEASE KEEP OFF LAWNS. Composite stapled color and silver gelatin photograph 189
Jefferson City TN • 865.471.3572www.underwoodartworks.com
Max Hilaire
CIRCLES190
“My photographyencompasses fine
art, architecture, still-life,and global images.”
BLUE WALL 191
New York, NY • 212.953.1986www.maxhilaire.com
Don Carlson
HEADS UP. Digital photograph192
CHAIN LINKED. Digital photograph 193
Richmond, CA • 510.410.7833www.rudedesigns.com
Peter Treiber
FLAME CUTTING, PRESS FORGE #2 194
"The art of steel-making is dramatic andbeautiful, but it is also hot, dirty, and
extremely dangerous. It was twenty-four yearsof magic as I photographed this art in action."
CASTING IN IRON FOUNDRY 195
Bethlehem, PA • 610.867.3303www.ptphoto.com
David Lee Thompson
MOON FLIGHT. Digital capture with Adobe processing196
"I work with a variety of imagingprocesses to create emotionally
evocative and moving imagesof the heart, mind, and soul."
INTO THE FUTURE. Digital capture with Adobe processing 197
Tampa, FL • [email protected]
Arthur Levy
ASPEN FIREWORKS. Vivid, natural colors of an explosion of fall’s beauty198
HOT DAY. First light of a hot summer day 199
Boulder, CO • [email protected]
Ric Peterson
HULL #1200
TASHA 201
Seattle, WA • 206.334.5308www.ricpeterson.com
Thaine Manske
CATTLE ROUNDUP202
"I search for artistic ways to create imagesthat evoke strong emotions, incorporating
the subtle interaction of color, texture, andmovement with the simplicity of good design."
1945 SINGER SEWING MACHINE 203
Houston, TX • 713.988.0615www.thainemanske.com
Phillip Spears
COGEN 1204
"This work is inspired by my affinityfor the beauty, scale, and achievement
inherent in the industrialand man-made landscape."
HERREKNECHT 1 205
Fayetteville, GA • 678.481.8842www.phillipspears.com
George H.H. Huey
WATER AND SANDSTONE. Zion National Park, Utah206
LAVA DETAIL. Hawaii Volcanoes National Park, the Big Island 207
Prescott, AZ • 928.445.6800www.georgehhhuey.com
Gabe Palmer
GRACE. Part of a continuing series exploring plants and flowers208
“My vision is to reduce a scene or an object to its basic,graphic form; the play of line, color, or shape. I do not
take many variations, or many pictures, but spend mostof my time just observing before I record an image.”
SILENT PRAYER. Part of a continuing series exploring plants and flowers 209
Pownal, VT • 800.872.1410www.palmerkane.com
Craig Stocks
MOON FLOWER. Digital capture and post-processing210
“I began my professionalcareer in the 1970s in the
world of film, but the digital worldhas set my creativity free.”
JEKYLL ISLAND SUNRISE. Digital capture, minimal post-processing 211
Delavan, IL • 309.244.9684www.craigstocksarts.com
Thomas R. Fletcher
SOLITUDE. Misty spring woodland, West Virginia212
Cowen, WV • 304.226.5435www.proseandphotos.com
Fred Lee Emmert
FOGGY WIG ROCK. Nature creates art, but timing is everything 213
Santa Ana, CA • 714.435.1700www.airviews.com
John Gregory
TREE IN MEADOW. Great Smoky Mountains 2007. Digital214
"Landscape is about capturing light, shadow,and color that evokes the feelings of wonder,
awe, and serenity. Color and texture explodes from anemerging sunrise and fades into the subtleties of dusk."
RIPPLED HORIZON AT SUNSET. Great Smoky Mountains 2007. Digital 215
Libertyville, IL • 847.650.5421www.johngregoryimages.com
216
Tom Jelen
MACKINAC ISLAND FLOWER GARDEN
Village of Lakewood, IL • 847.287.7936www.tomjelenvirtuals.com
217
Bernard Friel
RED BARN MINNESOTA. Winter’s contrasts
Mendota Heights, MN • 651.454.3655www.wampy.com
218
Carl R. Battreall
GLOWING ICE AND STREAM. Byron Glacier, Alaska
Anchorage, AK • 907.646.1075www.battreallphoto.com
219
Russ Bishop
MONO LAKE, CALIFORNIA. Natural imagery with a sense of detail and drama 219
Ventura, CA • 805.647.8056www.russbishop.com
Sid Hoeltzell
KOKI BEACH SUNRISE, MAUI. Archival giclée limited edition220
"Film transitioned, capturesturn digital, the eye remains
the same...always sharp, hungry, andnever satisfied until it is ink on paper."
LEAF #064. MAUI ZEN SERIES. Archival giclée limited edition 221
Miami, FL • 305.573.0175www.sidhoeltzellphoto.com
222
Paul Wiles
WILD & SCENIC PORTION OF THE MCKENZIE RIVER, OREGON
Eugene, OR • 541.342.7304 www.paulwilesphotography.com
223
Jim Yuskavitch
DAWN, KLAMATH MARSH, CALIFORNIA
Sisters, OR • 541.549.8914www.agpix.com/jimyuskavitch
Yiorgos Konstantinidis
AUTUMN CREEK. Mount Pieria, Greece. Limited edition print224
"My inspiration comes from mystruggle to communicate with
Mother Nature; witnessing all she has to offer,hidden under a leaf, a rock, or a fierce sky."
KERKINI LAKE. Greece. Limited edition print 225
Thessaloniki, Greece • 0030.6972776466www.standinlight.com
Stephen G. Weaver
WILLOWS AND ASPEN, WYOMING226
Colorado Springs, CO • 719.389.6954www.earthsystemsimaging.com
Vida Ward
SHELTER FROM THE STORM. Remarkable Rocks, Kangaroo Island, Australia 227
Portland, OR • 503.231.7622 www.pixelpoint-artistry.com/ward
Frederick Charles
THE SEASONS PROJECT: A YEAR IN THE LIFE OF AN ORCHARD228
“Exploring every nuance of weather,documenting the splendor of change,
standing witness to the power of the earth’s naturalcycle; I was humbled before the sublime.”
One year, one camera position, forty-seven days of photography 229
Dobbs Ferry, NY • 914.674.4044www.fcharles.com
Lewis Kemper
ERODED HILLS, DEATH VALLEY NATIONAL PARK. Ultrachrome pigment print230
“There is nothing better then when light, color,form, and nature all come together. I try to find
the extraordinary in the world aroundus and to share it with my audience.”
GHOST TREES, YELLOWSTONE NATIONAL PARK. Ultrachrome pigment print 231
Sacramento, CA • 916.974.7200www.lewiskemper.com
Kevin Laubacher
PARKING LOT SENTINEL232
"The serendipity of the moment has alwaysbeen my mantra. At times by placing
together these singular impulses I can tell a broaderstory and tap into the deeper feelings of the viewer."
FOREST SENTINELS 233
Portland, OR • 503.706.8845www.kevinlaubacher.com
234
John De Mello
HALONA BEACH. East O`ahu, Hawai`i
Honolulu, HI • 808.521.3560www.johndemello.com
Michael Hart
EMERGENCE236
MILLENNIUM BRIDGE, ST. PAUL’S 237
Houston, TX • 713.271.8250www.hartphoto.com
Jeffrey R. Klug
MOON AT POINT LOBOS238
“My photographyis like nature—
always and neverthe same.”
LEAF ON ALGERS FALLS 239
Hubertus, WI • 262.628.1255www.klugsphotoworld.com
Noel Greene
GRAND CANAL, VENICE240
"I always try to capture the ‘other side’of the image. These types of images
only present themselves for a mere secondand in my view can never be recaptured."
REFLECTIONS AT LA FENICE OPERA HOUSE, VENICE 241
[email protected], France • 0033.67.7179842
Bart Harris
MICHIGAN AVENUE, #1242
"For the first forty of my more than fiftyyears in photography, I referred to myself as
a photographer. With the advent of Photoshop and digitalphotography, I finally consider myself an artist.”
MILLENNIUM PARK, #1 243
Chicago, IL • 773.975.0070www.bartharris.com
Michael Snively
TIDAL PASSAGE. Archival carbon pigment print244
"Light is my muse, the photographmy poem, creating an expression of
timelessness and beauty. These imagesare from the Forgotten Dreams series."
REST IN PEACE. Archival carbon pigment print 245
Littleton, CO • 303.520.7329www.intimatemuse.com
Michael E. Haritan
PETERS LAKE PARK. McMurray, Pennsylvania, 2007246
“This series pays homage to the similarityand beauty of the landscape and
bodyscape. As nature adorns itself forus, so does the human but for itself.”
NAVEL ADORNMENT. 2007 247
Pittsburgh, PA • [email protected]
Alastair Orpen Finlay
WORLD FINANCIAL CENTER. New York, New York248
"My observation of my photography is aform of satire—a comment on a period
of time. Time is a consequence. It can demean and loveconsecutively. By which we are humbled in the end."
DISPOSABLE. Houston Street, New York, New York 249
New York, NY • 212.252.9667www.alastairfinlay.com
Vickie Lancaster
FISHING BOAT. Vancouver, British Columbia250
MOUNT HOOD AT CHRISTMAS 251
Portland, OR • 503.860.3684www.vickielancaster.com
252
David Halpern
BEAR’S TOOTH CAVERN. Antelope Canyon, Arizona 2007
Tulsa, OK • 918.742.8978www.davidhalpern.com
GALLERIES, CENTERS,and DEALERS
Afterimage Gallery2800 Routh Street #141Dallas, TX 75201
Alan Klotz Gallery511 W. 25th Street #701New York, NY 10001
Andrew Smith Gallery203 W. San Francisco StreetSanta Fe, NM 87501
Ansel Adams GalleryVillage Mall, Box 455Yosemite N. Park, CA 95389
Ariel Meyerowitz Gallery4720 Center Blvd. #2005Long Island City, NY 11109
Art Source L.A.2801 Ocean Park Blvd.Santa Monica, CA 90405
Atlanta Photography Group75 Bennett Street, NW, B-1Atlanta, GA 30309
Barry Singer Gallery7 Western Avenue Petaluma, CA 94952
Bonni Benrubi Gallery41 E. 57th StreetNew York, NY 10022
Camera Obscura Gallery1309 Bannock StreetDenver, CO 80206
Camerawork Gallery515 Center StreetScranton, PA 18503
Candace Dwan Gallery27 Katonah Avenue Katonah, NY 10536
Catherine Edelman Gallery300 W. Superior, 2nd FlChicago, IL 60610
Ctr. for Fine Art Photography201 S. College AvenueFort Collins, CO 80524
Charles Hartman Fine Art2625 NE 26th AvenuePortland, OR 97212
Charles Cowles Gallery537 W. 24th StreetNew York, NY 10011
Charles Isaacs Photographs25 W. 54th Street #5C New York, NY 10019
Charles Schwartz Ltd.21 E. 90th Street New York, NY 10128
Cichon Photography Gallery133 Bent StreetTaos, NM 87571
David Gallery5797 Washington Blvd. Culver City, CA 90232
Deborah Bell Photographs511 W. 25th Street #703 New York, NY 10001
DSA Fine ArtsP.O. Box 1120Beacon, NY 15208
Edwynn Houk Gallery745 Fifth AvenueNew York, NY 10151
Etherton Gallery135 S. 6th Avenue Tucson, AZ 85701
Fahey/Klein Gallery148 N. La Brea Avenue Los Angeles, CA 90036
Fay Gold Gallery764 Miami CircleAtlanta, GA 30324
Flatfile Gallery217 North CarpenterChicago, IL 60607
FL Msm. of Photographic Arts200 N. Tampa StreetTampa, FL 33602
Fraenkel Gallery49 Geary StreetSan Francisco, CA 94108
G. Gibson Gallery300 S. Washington StreetSeattle, WA 98104
Gallery 19/219 Little Harbor Road Guilford, CT 06437
Gallery for Fine Photography241 Chartres Street New Orleans, LA 70130
Gallery Luisotti2525 Michigan Avenue A-2Santa Monica, CA 90404
Gallery Sink2301 W. 30th StreetDenver, CO 80211
Gary Edwards Gallery1711 Connecticut Ave. N.W.Washington, DC 20009
Gerald Peters Gallery2913 Fairmont Dallas, TX 75201
Gitterman Gallery170 E. 75th Street New York, NY 10021
Hans P. Kraus Jr., Inc.962 Park Avenue New York, NY 10028
Hasted Hunt Gallery529 W. 20th Street, 3rd Fl New York, NY 10011
Howard Greenberg Gallery41 E. 57th StreetNew York, NY 10022
Howard Schickler Fine ArtP.O. Box 49227Sarasota, FL 34230
Illustrated Light Gallery1 Old Town Square #103Fort Collins, CO 80524
Iris Gallery of Fine Photoghy.47 Railroad StreetGreat Barrington, MA 01230
J.J. Brookings Gallery330 Commercial Street San Jose, CA 95112
Jan Kesner Gallery164 N. La Brea Avenue Los Angeles, CA 90036
Janet Borden Gallery560 Broadway #601 New York, NY 10012
Janet Lehr Inc.891 Park Avenue New York, NY 10021
Joel Soroka Gallery400 E. Hyman AvenueAspen, CO 81611
John Cleary Gallery2635 ColquittHouston, TX 77098
John Stevenson Gallery338 W. 23rd StreetNew York, NY 10011
Joseph Bellows Gallery7661 Girard Avenue La Jolla, CA 92037
Kathleen Ewing Gallery1609 Connecticut Ave. #200Washington, DC 20009
Keith de Lellis Gallery47 E. 68th StreetNew York, NY 10021
Laurence Miller Gallery20 W. 57th Street New York, NY 10019
Lee Marks Fine Art2208 E. 350 North Shelbyville, IN 46176
Lewis Lehr, Inc.444 E. 86th StreetNew York, NY 10028
Lisa Sette Gallery4142 N. Marshall Way Scottsdale, AZ 85251
Michael Dawson Gallery535 N. Larchmont Blvd.Los Angeles, CA 90004
Michael Shapiro Photographs49 Geary Street #208 San Francisco, CA 94108
Monroe Gallery of Photoghy.112 Don GasparSanta Fe, NM 87501
Msm. of Contemp. Photoghy.600 S. Michigan AvenueChicago, IL 60605
Msm. of Photographic Arts1649 El Prado San Diego, CA 92101
Newspace Ctr for Photoghy.1632 S.E. 10th AvenuePortland, OR 97214
Open Shutter Gallery755 E. Second AvenueDurango, CO 81301
Ordover Gallery1788 El PradoSan Diego, CA 92101
Pace/MacGill Gallery32 E. 57th Street, 9th Fl New York, NY 10022
Patricia Laligant150 W. 28th Street #1702New York, NY 10001
Paul Kopeikin Gallery6041 Wilshire Blvd.Los Angeles, CA 90048
Peter Fetterman Gallery2525 Michigan Ave. A-7Santa Monica, CA 90404
Photogenesis Gallery100 E. San Francisco StreetSanta Fe, NM 87501
Photographs Do Not Bend1202 Dragon Street #103 Dallas, TX 75207
Prakapas Gallery1 Northgate 6B Bronxville, NY 10708
Ralls Collection, Inc.1516 31st Street N.W.Washington, DC 20007
Robert Klein Gallery38 Newbury Street, 4th FlBoston, MA, 02116
Robert Koch Gallery49 Geary Street, 5th Fl San Francisco, CA 94108
Robert Mann Gallery210 Eleventh Avenue, 10th FlNew York, NY 10001
Robert Miller Gallery524 W. 26th Street New York, NY 10001
Rose Gallery2525 Michigan Ave. G-5Santa Monica, CA 90404
Sandra Berler Gallery7002 Connecticut AvenueChevy Chase, MD 20815
Santa Fe Photoghy. CenterP.O. Box 2483Santa Fe, NM 87504
Scheinbaum Russek Ltd.369 Montezuma #345Santa Fe, NM 87501
Scott Nichols Gallery49 Geary Street #415 San Francisco, CA 94108
Silver Eye Photography Ctr.1015 East Carson StreetPittsburgh, PA 15203
Silverstein Photography535 W. 24th StreetNew York, NY 10011
Society for Cont. Photoghy.520 Avenida Cesar ChavezKansas City, MO 64108
SOHO Photo15 White StreetNew York, NY 10013
Southeast Msm. of PhotoghyP.O. Box 2811Daytona Beach, FL 32120
Staley-Wise Gallery560 Broadway, 3rd FlNew York, NY 10012
Stellar Gallery40982 Highway 41, Suite 1Oakhurst, CA 63644
Stephen Daiter Gallery311 W. Superior Street #404Chicago, IL 60610
Stephen L. Clark Gallery1101 W. 6th StreetAustin, TX 78703
Steven Kasher Gallery521 W. 23rd Street, 2nd Fl New York, NY 10011
TARTT/Washington1711 Connecticut AvenueNW, Washington, DC 20009
The Collected Image806 Monroe StreetEvanston, IL 60202
The Illustrated Light Gallery# 1 Old Town Square #103Fort Collins, CO 80524
Throckmorton Fine Art145 E. 57th Street, 3rd Fl New York, NY 10022
Van Deusen Photography6951 Tomahawk RoadPrairie Village, KS 66208
Vernacular Photography4718 Springfield AvenuePhiladelphia, PA 19143
Verve Gallery of Photography219 East Marcy StreetSanta Fe, NM 87501
Vintage Works, Ltd.258 Inverness CircleChalfont, PA 18914
Wach Gallery31860 Walker Road Avon Lake, OH 44012
Watermark Photography3503 Lake StreetHouston, TX 77098
Weinstein Gallery908 W. 46th Street Minneapolis, MN 55419
Wessel + O'Connor Fine Art111 Front Street #200Brooklyn, NY 11201
Weston Gallery, Inc.P.O. Box 655Carmel, CA 93921
William Floyd Photographs16 E. 77th Street New York, NY 10021
Yancey Richard Gallery535 W. 22nd StreetNew York, NY 10011
Yossi Milo Gallery525 W. 25th Street New York, NY 10001
Zabriskie Gallery41 E. 57th Street, 4th Fl New York, NY 10022
ART of Seeing
A working tool for American
photographers, Art of Seeing
offers a succinct way to reach
creative buyers,photo galleries,
stock houses, andcollectors.
The submission deadline is
November 1st.The publication date is May 1st. See our website
for details.
ALCOVE BOOKS930 Dwight Way #7Berkeley, CA 94710
AlcoveBooks.net510.644.3534