Art : Concept, ParisHall 2,1 - Booth P5

CAROLINE ACHAINTREMICHEL BLAZY

ULLA VON BRANDENBURGJEREMY DELLERHUBERT DUPRAT

CORENTIN GROSSMANMIRYAM HADDADLOTHAR HEMPELNATHAN HYLDENADAM McEWEN

JEAN-MICHEL SANEJOUAND

Art Basel 2019Art : Concept4 passage Sainte-Avoye, Paris 0033 1 53 60 90 30 www.galerieartconcept.com

Caroline Achaintre

Born in Toulouse in 1969, Caroline Achaintre lives and works in London. Her work encompasses a wide range of media using techniques typically associated with the applied arts. Her sculp-tures, hand-tufted wool wall-hangings, drawings and paintings are colourful and potent, evoking the European carnival sub-versive spirit of and creating an atmosphere both playful and absurd.

Her work has been purchased by numerous public collections among which: Tate Britain, Londres/UK, Musée d’Art Moderne de la Ville de Paris, Paris/FR Centre national des arts plastiques, Paris/FR, Frac Aquitaine, Bordeaux/FR, Frac Champagne-Ar-denne, Reims/FR.Several solo shows have been dedicated to her work among which: the Moco, Montpellier (forthcoming), Belvedere 21, Vien-na/AU (2019), De La Warr Pavilion, Bexhill-on-sea/UK (2018), Frac Champagne-Ardenne, Reims/FR (2017), BALTIC, Centre for Contemporary Art, Gateshead/UK (2016), Tate Britain, Londres/UK (2015), Castello di Rivoli, Turin/IT (2013).

Schmoller, 2019, ceramic, 69 x 26 cm (27 1/8 x 10 1/4 in.)

Hot Top, 2019, ceramic, 75 x 29,5 cm (29 1/2 x 11 5/8 in.)

Detail, Hot Top, 2019, ceramic, 29 1/2 x 11 5/8 in.

Hocus Locus, 2018, hand tufted wool, 235 x 273 cm (92 1/2 x 107 1/2 in.)

Detail, Hocus Locus, 2018, hand tufted wool 235 x 273 cm (92 1/2 x 107 1/2 in.)

Michel Blazy

Born in 1966 in Monaco, Michel Blazy lives and works in Paris. Prefering humble materials, generally issued from his everyday life Michel Blazy’s work concurs to criticize nowadays consume-rism. Always with poetry and humor, he proposes alternatives to reconcile artificiality and nature, technology and the world of living organisms.

His work has been purchased by numerous public collections among which: The National Museum of Modern Art – Centre Pom-pidou; the Museum of Old and New Art (MONA), Tasmania; the Museum of Modern Art of the City of Paris; the New Museum of Monaco and several regional funds for contemporary art.Several personal exhibitions have been dedicated to his work in the last years, among which: Living Room II, Maison Hermès, Tokyo/JA (2016); Pull Over Time, Art : Concept, Paris/FR (2015), Bouquet Final 3, National Gallery of Victoria, Melbourne White Night, Melbourne/AU(2013), Le Grand Restaurant, Frac Île-de-France, Paris/FR (2012); Post Patman, Palais de Tokyo, Paris/FR (2007). Michel Blazy was among the 120 artists invited to the 57th Venice Biennale - Viva Arte Viva, curated by Christine Macel.

La vie des formes: sandwich chasseur, 2019, replenished stone, glue, aluminum tin paper, 192 x 52 x 52 cm (75 5/8 x 20 1/2 x 20 1/2 in.)

Sandwich, 2019, replenished stone, glue, aluminum tin paper 75 5/8 x 20 1/2 x 20 1/2 cm

Décanalisation, 2018, metal, plants, soil, water, 60 x 70 x 24 cm (23 5/8 x 27 1/2 x 9 1/2 in.)

Ulla von Brandenburg

Born in 1974 in Karlsruhe, Ulla von Brandenburg lives and works in Paris. Her work flourishes through a variety of mediums and forms, and on different scales : films, performances, installations and objects, music, drawings ... Showing great interest in popular ceremonies, mi-nority societies and rituals in general, Ulla von Brandenburg creates images which gradually distanciate themselves from reality and shift our expectations.

Her works has been purchased by numerous public collections among which: the Musée National d’Art Moderne/Centre Pompidou, Paris/FR Tate Modern, London/UK, Kunsthalle Hamburg/DE, Mamco, Geneva/CH, Frac Ilde-de-France, Paris/FR, Frac Aquitaine, Bordeaux/FR, Fondation Louis Vuitton pour la création, Paris/FR, Fisher Lander Center for Art, Long Island, NY/US, Recently, several group shows have been dedicated to her, among which: Musée d’art moderne de la ville de Paris (forthcoming), Contem-porary Arts Center, New Orleans/US (2019), Sweets, Quilts, Sun, Kunst-museum Bonn, Bonn/DE (2018), the Pérez Art Museum Miami (2017), Power Plant, Toronto (2016), ACCA /Australian Centre for Contemporary Art (2016). In 2016, she was one of the four artists nominated for the Prix Marcel Duchamp.

Mann mit kleinem Hund (Homme au petit chien), 2019, watercolour on assembled papers, 100 x 80 cm (39 3/8 x 31 1/2 in.)

Detail, Mann mit kleinem Hund (Homme au petit chien), 2019watercolour on assembled papers, 100 x 80 cm (39 3/8 x 31 1/2 in.)

Tamara, 2019, watercolour on assembled papers, 100 x 80 cm (39 3/8 x 31 1/2 in.)

Vogelfrau, 2019, watercolour on assembled papers, 142 x 108 cm (55 7/8 x 42 1/2 in.)

Karneval, 2019, watercolour on assembled papers, 132 x 91 cm (52 x 35 7/8 in.)

Detail, Karneval, 2019, watercolour on assembled papers, 132 x 91 cm (52 x 35 7/8 in.)

Jeremy Deller

Jeremy Deller is born in London in 1966 where he lives and works.Deller’s works, trans historical and freedom’s partisan is to be seen as both a meaning and values conveyor which initiates us into a dialogue between cultures, people, past, present and what the fu-ture could be. His work is to be experimented by and for everyone and invites us creating a participative artwork where each of us has a role to play.

Recently, several group shows have been dedicated to him, among which: Sacrilege, Fondation Nicola Trussardi, Milan/IT (2018), The In-finitely Variable Ideal of the Popular, Fundación Proa, Buenos Aires/AR, (2016), Iggy Pop Life Class, Brooklyn Museum of Art, New York City, NY/USA (2016), English Magic, British pavillon, 55th Venise Biennale, D’une révolution à l’autre, Carte blanche à Jeremy Deller, Palais de Tokyo, Paris/FR (2008). He won the Turner Prize in 2004.His works has been purchased by numerous public collections among which: FNAC, Paris/FR, FRAC Nord-Pas-De-Calais/FR, FRAC Pays de la Loire/FR, FRAC Provence-Alpes-Côte d’Azur/FR, Kadist Art Foundation, Paris/FR, Musée des Arts Contemporains, Grand-Hornu/BEMusée National d’Art Moderne, Centre Pompidou, Paris/FR, Tate Modern, London/UK, Victoria & Albert Museum, London/UK.

We’re all immigrant scum, 2019, fabric, 150 x 100 cm (59 x 39 3/8 in.)

Hubert Duprat

Born in 1957 in Nérac (Lot-et-Garonne), Hubert Duprat lives and works in south of France. It is hard to attribute a stylistic unity to Hubert Duprat’s work. Each one of his pieces is the result of a precise and tangible moment that pinpoints a significant experience, meant to allow him to temporarily break up with his previous sche-mes. He is at the crossings of two worlds: the world of free artistic expression, and the world of rationally organized artifacts.

A retrospective of his work will be presented at the City of Paris Museum of Modern Art on 2020. His work has been purchased by several institutions such as Fondation Cartier, Paris; Fond National d’Art Contemporain, Paris; FRAC Franche Comté, Besançon. Several solo shows have been dedicated to his work among: MONA, Tasma-nie (2013); Norwich Museum, Norwich, UK (2011); Centre Internatio-nal d’Art et du Paysage, Vassivière (2008); Musée Picasso, Antibes (1998).

Martyr, 2019, plexiglas, 3/5, 20 x 100 cm (7 7/8 x 39 3/8 in.)

Martyr, detail, 2019, plexiglas, 3/5, 20 x 100 cm (7 7/8 x 39 3/8 in.)

Martyr, detail, 2019, plexiglas, 7 7/8 x 39 3/8 in.Detail, Martyr, 2019, plexiglas 20 x 100 cm (7 7/8 x 39 3/8 in.)

Untitled (L’eau), 2002, chinese ink on plywood, 310 x 420 cm (122 x 165 3/8 in.)

Detail, Untitled (L’eau), detail, 2002chinese ink on plywood, 310 x 420 cm (122 x 165 3/8 in.)

Corentin Grossman

Born in 1980 in Metz (France), Corentin Grossmann lives and works in Brussels. His work is a permanent research of hybrid shapes, through which he presents connections between off-di-vided spheres of reflection. Archetypal representations, icons, or popular imagery will be derailed, contaminated by a personal re-writing mode, revealing unconscious idea-mashing mecha-nisms.

Revealed to the public in thanks to the Ricard Foundation Prize in 2011, several shows have been dedicated to his work among which: Palais de Tokyo (forthcoming), Imadi Mungo, Art : Concept, Paris/FR, Corentin Grossman curated by Cay-Sophie Rabinowitz, OSMOS, New-York/US, When I Grow Up, Galerie Jean Roch Dard, Corentin Grossmann / Wim Delvoye, Paris/FR, The Deer, Consor-tium, Dijon/FR, The Seabass, 13e édition du Prix Fondation d’En-treprise Ricard, curated by Eric Troncy, Paris/FR

FLURFS, 2018, graphite, color pencil and airbrush, 100 x 75 cm (39 3/8 x 29 1/2 in.)

OVULOS, 2018, graphite, color pencil and airbrush, 100 x 75 cm (39 3/8 x 29 1/2 in.)

ONSEN I, 2018, graphite, color pencil and airbrush, 185,5 x 145,3 cm (73 x 57 1/4 in.)

Detail, ONSEN I, 2018graphite, color pencil and airbrush, 185,5 x 145,3 cm (73 x 57 1/4 in.)

ONSEN II, 2018, graphite, color pencil and airbrush, 185,5 x 145,3 cm (73 x 57 1/4 in.)

Detail ONSEN II, 2018graphite, color pencil and airbrush, 185,5 x 145,3 cm (73 x 57 1/4 in.)

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Untitled, 2019, graphite, color pencil and airbrush, 100 x 160 cm (39 3/8 x 63 in.)

Miryam Haddad

Miryam Haddad’s painting offers through the subjects tangible li-quidation a true perspective on the art to come. Full of references, baroque, explosive and joyous, her painting reinvents classicism by melting it with madness where the lines’ precision orchestrates the symphonic deconstruction of a universe oscillating between both exhaustion and transformation.

Nominate to the 2019 Jean-Francois Prat Award, Miryam Haddad’s work is currently shown at the Fondation Cartier in the frame of the collective exhibition Jeunes artistes en Europe, Les métamorphoses. Le sommeil n’est pas un lieu sur, will be dedicated to her work at the Collection Lambert en Avignon in 2020.

Debout I, 2018, tryptich, oil on canvas, 27 x 66 cm (10 5/8 x 26 in.) framed

Debout I, 2018, tryptich, oil on canvas, 27 x 22 cm (10 5/8 x 8 5/8 in.)

Debout I, 2018, tryptich, oil on canvas, 27 x 22 cm (10 5/8 x 8 5/8 in.)

Debout I, 2018, tryptich, oil on canvas, 27 x 22 cm (10 5/8 x 8 5/8 in.)

Untitled, 2018, oil on canvas, 27 x 22 cm (10 5/8 x 8 5/8 in.)

Lothar Hempel

Lothar Hempel was born in 1966 in Koln where he lives and works. Through the multiple references of which he appeals of, rather than taking images for what they are, the artist seeks to re-appropriate akin to a way of seizing reality to make it circulate in his own universe. His works are densely emotiononal, and instead of giving us a starting concept as such, they make us face lost or forgotten memories.

His work is prensent in the folowing public collections: Museum of Contemporary Art, Los Angeles, CA, Museum of Modern Art, New York, NY, FRAC Poitou-Charentes, Angoulême, FRAC Cham-pagne-Ardenne, Reims, FRAC Limousin, Limoges, FRAC Pays de la Loire, Carquefou/FR.Several solo shows have been recently dedicated to his work among which: Lothar Hempel, Gargoyle, Italic, Berlin/DE (2018), Le Terrain Vague, Stuart Shave / Modern Art, London/UK (2018)Working Girl, Sies + Höke, Düsseldorf/DE, Sex and the City, Art : Concept, Paris/FR (2016), The Voice of the Triangle, Modern Art, Londres/UK (2012).

Clairevoyanx, 2016, inkjet on Dibond, acrylic, mixed material acrylic on aluminum, 259 x 259 x 10 cm (102 x 102 x 3 7/8 in.)

Nathan Hylden

Born in 1978 à Fergus Falls, Minnesota, Nathan Hylden lives and works in Los Angeles. Playing with similar codes to those found in the film industry, his works are made in series and follow a very strict creative process. Although linked to each other, each one gets its own density and tells its own story.

Several solo shows have been dedicated to his work among Na-than Hylden, Hakgojae Gallery, Seoul/CO (2019), For Now And So, Misako & Rosen, Tokyo/JP (2018), So Doing, Art : Concept, Paris/FR (2018), Nearing On To Do, Midway Contemporary Art, Min-neapolis/US (2017). His work is presen in the following public collections: Fonds National d’Art Contemporain, Paris/FR, Zabludowicz Collection London, London/UK, Rosenblum Collection & Friends, Paris/FR, Whitney Museum of American Art, New York/USA, Stedelijk Mu-seum, Amsterdam/NL, MOCA, Museum of Contemporary Art, Los Angeles/US, Dallas Museum of Art, Dallas/US, Henry Art Gallery, Seattle/US.

Untitled, 2019, acrylic on aluminum, 78,42 x 64,45 cm (30 7/8 x 25 3/8 in.)

Detail, Untitled, 2019acrylic on aluminum, 78,42 x 64,45 cm (30 7/8 x 25 3/8 in.)

Jacob Kassay

Born in 1984 in Lewiston, NY, Jacob Kassay lives and works in Los Angeles. Subjected to a strict and invariable production process that leads to apparent monochromes, his different, intentionnally untitled, series - from his electroplated paintings to his most re-cent immiscible acrylics - reveal their singularities in the interac-tions with both surrondings and the viewer.

His work is present in the following institutions among which: Col-lezione Maramotti, Reggio Emilia/IT; Museum of Fine Arts, Boston/US, FRAC Poitou-Charentes, Angoulême/FR, Albright Knox Art Galle-ry, Buffalo/US, Museo Di Arte Moderna e Contemporanea, Rovereto/IT. Several solo exhibitions have been dedicated to his work in the past few years including Rehang, Collezione Maramotti, Reggio Emilia/IT (2019), Jacob Kassay: Alarmer 2, Team Gallery, Los Ange-les/US (2017), OTNY, Albright-Knox Art gallery, Buffalo/US (2017), Jacob Kassay (you), Art : Concept, Paris/FR (2016), Untitled (disam-biguation), The Kitchen, New York/US (2013).

Untitled, 2018, acrylic and silver deposit on linen, 12 x 18 in.

Adam McEwen

Born in 1965 in London, Adam McEwen lives and works in New York. His creative process enters into the painting’s field, as well as sculpture or installation. Known among other for his gra-phite sculptures scale-reproducing familiar objets re-purposed in new, unexpected contexts, McEwen’s work resides somewhere between fiction and reality and deals with contemporary issues such as consumption.

Several solo shows have been dedicated to his work among which: 10 FEELS LIKE 2, Lever House, New York/US (2019), I think I’m in love, Aspen Art Museum, Colorado/US (2017), Tin-nitus, Modern Institute, Glasgow/UK (2016), Harvest, Petzel, New-York (2016), Non-Alignement Pact, Art : Concecpt, Paris/FR (2014). Adam McEwen took part to several group shows such as Haunted, Solomon R. Guggenheim Museum, NY/US (2010), the Withney Biennale (2006), Into Me/ Out of Me, PS1/Moma, NY/US (2006).

Medium Stretcher, 2011, graphite, 1/3, 101,6 x 76,2 x 2,54 cm (40 x 30 x 1 in.)

Jean-Michel Sanejouand

Born in 1934 in Lyon, Jean-Michel Sanejouand lives and works in Vaulandry. As an emblematic figure of the 60’s artistic scene, Jean-Michel Sanejouand has influenced a whole generation of ar-tists by the radical nature of his proposals. Discretely disrupting sculpture as much as painting, his work is constantly circulating between these disciplines, driven by the need to experiment space.

His work is present in numerous public collections among which: Musée national d’art moderne - Centre Pompidou, Paris/FR, Musée d’Art moderne de la Ville de Paris/FR, Musée d’art contemporain, Lyon/FR, Musée d’art moderne et contemporain, Strasbourg/FR, Ministère de la Culture/FR, Nouveau Musée National de Monaco/FR, Philadelphia Museum of Art/US.Several solo shows have been recently dedicated to his work among which: Beyond Color, Art : Concept, Paris/FR, (2018), Jean-Michel Sanejouand, Charges-Objets, Mamco,2015, Genève/CH, Rétrospectivement... (II), Frac des Pays de la Loire, Carquefou/FR (2012).

Espace-Peinture, 29.6.78, 1978, acrylic on canvas, 89 x 190 cm (35 x 74 3/4 in.)

Linoléum + baguette, 1966, linoleum, wood, 143 x 144 cm (56 1/4 x 56 3/4 in.)

Plaque de métal perforée + toile recouverte de plastique alvéolé, 1965, métal, toile, plastique alvéolé sur châssis, 19 5/8 x 39 3/8 in.

Bâton à fleurs, 1966, wood, linoleum, fabric, 195 x 6 x 2 cm (76 3/4 x 2 3/8 x 0 3/4 in.)