art of the ancient aegean upload

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Art of the Ancient Aegean Reading: Stokstad, 81-99 Range: 3000-1000 BCE Cycladic, Minoan and Mycenaean Terms/Concepts: Fresco secco, buon fresco, kamares ware, faience, citadel, megaron, shaft graves, krater, Monument List: Female Figure, Cycladic, 2600-2400 BCE. Bull Leaping Fresco, Minoan, 1550-1450 BCE Woman or Goddess with Snakes, Minoan, 1700-1550 BCE The “Flotilla Fresco,” Minoan, 1650 BCE. “Mask of Agammemnon” Grave Shaft v, Grave Circle A, Mycenae, Greece, Mycenaean, 1600-1550 BCE Warrior Krater, Mycenae, Greece, Mycenaean, 1300- 1100 BCE

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Page 1: Art of the ancient aegean upload

Art of the Ancient Aegean

Reading:Stokstad, 81-99

Range:3000-1000 BCECycladic, Minoan and Mycenaean

Terms/Concepts:Fresco secco, buon fresco, kamares ware, faience, citadel, megaron, shaft graves, krater,

Monument List: Female Figure, Cycladic, 2600-

2400 BCE. Bull Leaping Fresco, Minoan,

1550-1450 BCE Woman or Goddess with Snakes,

Minoan, 1700-1550 BCE The “Flotilla Fresco,” Minoan,

1650 BCE. “Mask of Agammemnon” Grave

Shaft v, Grave Circle A, Mycenae, Greece, Mycenaean, 1600-1550 BCE

Warrior Krater, Mycenae, Greece, Mycenaean, 1300-1100 BCE

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Chronological Overview & Cultural Connections

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Chronological Overview & Cultural Connections

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Chronological Overview & Cultural Connections

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Cycladic Culture c. 2500 BCE – c. 1900 BCEMinoan Culture c. 2000 BCE – c. 1400 BCEMycenaean Culture c. 3000 BCE – c. 1100 BCE

Overview of Cultures

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The Cyclades

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Naxos, Cyclades

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“Polisma” or “Place of Assembly, Grotta, Naxos, Cycladic, c. 2500 BCE.

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Houses at Grotta, Naxos, Cylcadic, c. 2500 BCE

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Pubic Triangle

Female Figure, Cycladic, 2600-2400 BCE Male Figure, Cycladic, c. 2400 BCE

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Female Figure, Cycladic, 2600-2400 BCE Woman from Willendorf,

Neolithic Austria, 24,0000 BCE

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Markings

Head with Painted Remains, Cyclades, 2500-2200 BCE

Female Figure with Painted Remains, Cyclades, 2600-2400 BCE

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Markings

Head with Painted Remains, Cyclades, 2500-2200 BCE

Head with Painted Remains (Drawing), Cyclades, 2500-2200 BCE

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Markings: Mourning

Head with Painted Remains, Cyclades, 2500-2200 BCE

Azeri woman whose cheeks bleed after she clawed them with her nails.

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Markings

Female Figure with Painted Remains, Cyclades, 2600-2400 BCE

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Markings: Healing

Female Figure with Painted Remains, Cyclades, 2600-2400 BCE

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Markings: Tattoos

Figure with Painted Remains, Cyclades, 2600-2400 BCE

Tattooed Mummy, Thebes, Egypt, c. 3500 BCE

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Reconstruction of the Palace Complex, Knossos, Crete, Minoan, 1700-1450 BCE.

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Bull Leaping Fresco, Palace Complex, Knossos, Crete, Minoan, 1550-1450 BCE

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Woman or Goddess with Snakes, Knossos, Crete, Minoan, 1700-1550 BCE

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Vessel resembling Minoan Kamares Ware, Lahun, Egypt, Middle Kingdom, 1850-1800 BCE

Kamares Ware Vessel, Phaistos, Crete, Minoan, 2000-1900 BCE

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Minoan Men bringing Tribute (?), Tomb of Rekhmire (Vizier of Thutmosis III), Thebes, New Kingdom, 1479-1425 BCE

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Minoan Men bringing Tribute (?), Tomb of Rekhmire (Vizier of Thutmosis III), Thebes, New Kingdom, 1479-1425 BCE

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Avaris

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Bull Leaping Fresco (?),Reconstruction, Avaris, Egypt, Second Intermediate Period, c. 1550-1520 BCE

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Bull Leaping Fresco (?), Fragments, Avaris, Egypt, Second Intermediate Period, c. 1550-1520 BCE

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Knossos, Crete, 1550-1450 BCE Avaris, Egypt, 1550-1520

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Thera

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The “Flotilla Fresco,” Room 5 West House, Akrotiri, Thera, 1650 BCE.

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The “Flotilla Fresco,” Room 5 West House, Akrotiri, Thera, 1650 BCE.

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Citadel at Mycenae, Greece, Mycenaean, 1600-1200 BCE

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Lion’s Gate

Grave Circle A

House of ColumnsMegaron

Great Ramp

Postern Gate

Warrior Vase HousePalace Entrance

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Post Post

Lintel

Lion Gate, Mycenae, Greece, Mycenaean, 1250 BCE

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Gryphons from the Throne Room at Knossos

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“Mask of Agammemnon” Grave Shaft v, Grave Circle A, Mycenae, Greece, Mycenaean, 1600-1550 BCE

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Octopus Flask, Palaikastro, Crete, Minoan, 1500-1450 BCE

Stirrup jar with octopus, Mycenaean, ca. 1200–1100 BCE

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Warrior Krater, Mycenae, Greece, Mycenaean, 1300-1100 BCE

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Warrior Krater, Mycenae, Greece, Mycenaean, 1300-1100 BCE

Mourning Woman

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Critical Thinking Questions

1. How does the environment of the Aegean impact the art and lifestyle of its cultures?

2. What instances of cultural interaction do you see in the ancient Aegean? How does this phenomenon impact art both inside and outside of the Aegean?

3. Who is Heinrich Schliemann? What legacy did he leave in the study of ancient Aegean art and culture?