Arte Conceitual

Joseph Kosuth

One and Three Lamps

Four words four colors. 1965

"Art as idea as idea", 1965

Clock (One and Five), English/Latin Version 1965

Language Must Speak for Itself - 1991

"Mapas de Lenguaje, en su totalidad o en una parte", 2008

Mel Ramsden

Two Black Squares1965Enamel paint on woodObject: 331 x 329 x 38 mmsupport: 331 x 329 mm

Black Painting 1966

Secret painting 1967 – 1968oil on canvas and Photostat

1000 % Abstract, 1968

Guaranteed Painting, 1967-1968

Secret Painting

John Baldessari

I am Making Art1971Video (black and white, sound)18:40 min.

Nose Ears

Pure Beauty, 1967-68

The Pencil Story, 1972 - 1973

What Is Painting, 1967-68

Tips for Artists Who Want to Sell

Thread, 1986

Portrait. self, No. as Control . más 11 Alterations by Retouching and Airbrushing, 1974

Hitch-hiker (Splattered Blue), 1995

Beethoven's Trumpet (With Ear), Opus 127, 2007

John Latham

Film Star1960Books, plaster and metal on canvasObject: 1600 x 1981 x 228 mm

Film Star1960Books, plaster and metal on canvasObject: 1600 x 1981 x 228 mm

Belief System1959Books, plaster, metal, light bulb and paint on canvas on boardDisplayed: 1225 x 965 x 280 mm

One-Second Drawing (17” 2002) (Time Signature 5:1)1972Acrylic and enamel on wood271 x 369 x 26 mm

Time Base Roller1972Steel, canvas, acrylic paint, ink and motor1850 x 6370 x 660 mm

Time Base Roller1972Steel, canvas, acrylic paint, ink and motor1850 x 6370 x 660 mm

Full Stop1961Acrylic paint on canvasSupport: 3015 x 2580 x 40 mm

Observer IV1960Plaster, resin, books, wire, metal and spray paint on canvas and boardObject: 2440 x 1830 x 380

Five Sisters Bing1976BooksObject: 190 x 622 x 457 mm

Flat Time I-IOFrom (5 photo etchings)2004Photo-etching on paperImage: 598 x 803 mmsupport: 792 x 997 mmplate: 605 x 807 mm

The N-U Niddrie Heart 19916 assemblagesGlass, books, paper, plaster, electrical wire, light bulbs, metal fittings and sandDimensions variable

God is Great

Robert Barry

Silver Sides1966Colored pencil on colored paper (19.1 x 49.5 cm)

UntitledAugust 1967Synthetic polymer paint on canvas on wood, in four partsEach wood square (7.6 x 7.6 cm), overall (152.4 x 152.4 cm)

25 plates from Untitled (Xerox Book)1968Offset lithographs27 x 21.2 cm

Basic Format for Outside Sculpture (Finding a Grid among Randomly Located Trees...)1968Felt-tip pen and colored ink on graph paper21.6 x 28.3 cm

Untitled1968Stainless steel and nylon monofilamentOverall dimensions variable

Word Building

Untitled (Answer...Quiz)1969Transfer type and pencil on transparentized graph paper

Lawrence Weiner

Untitled1965Watercolor, colored pencil, and pencil on graph paper35.6 x 27.9 cm

Untitled1966Gouache, acrylic, metallic paint, and felt-tip pen on graph paper30.2 x 40.3 cm

SPHERES OF INFLUENCE1990Gouache, graphite, ink and type on paperSupport: 435 x 355 mm

SPHERES OF INFLUENCE1990Gouache, graphite, ink and type on paperSupport: 435 x 355 mm

Reduced, 1970 paint on wall

TO SEE AND BE SEEN, 1972.

FIRE AND BRIMSTONE SET IN A HOLLOW FORMED BY HAND1988Vinyl wall textOverall display dimensions variable

Keith Arnatt

Self-Burial (Television Interference Project)19699 photographs, black and white, on paper mounted on boardImage (x 9 @): 467 x 467 mmframe (x 9 @): 477 x 477 mmoverall (variable): 1619 x 1619 mm

Portrait of the Artist as a Shadow of his Former Self1969–72Photograph, colour, Cibachrome print, on paperSupport: 915 x 915 mm

Walking the Dog1976–9MediumPhotograph, gelatin silver print on paperDimensionsUnconfirmed: 390 x 305 mm

Walking the Dog1976–9MediumPhotograph, gelatin silver print on paperDimensionsUnconfirmed: 390 x 305 mm

Walking the Dog1976–9MediumPhotograph, gelatin silver print on paperDimensionsUnconfirmed: 390 x 305 mm

1220400 – 00000001970Typewritten text and ink on paper with collage additions

Pictures from a Rubbish Tip1988–9MediumPhotograph, colour, on paperDimensionsSupport: 506 x 608 mm

Pictures from a Rubbish Tip1988–9MediumPhotograph, colour, on paperDimensionsSupport: 506 x 608 mm

On Kawara

canvases from the 'Today Series' (1966 - 2014)

I Got Up...1970Stamped ink on twenty-eight postcards

I Am Still Alive1970Ballpoint pen on four telegrams14.9 x 21 cm

John Hilliard

Camera Recording its Own Condition (7 Apertures, 10 Speeds, 2 Mirrors)197170 photographs, black and white, on card on PerspexImage: 2174 x 1832 mm (upper panel: 1075 x 1832 mm , bottom panel: 1075 x 1832 mm)

Sixty Seconds of Light197012 photographs, black and white, on paperImage: 400 x 6001 mm

Langdale Fell, Motion Frozen/Frozen Motion1979Photograph, black and white, on board and transfer letteringFramed: 746 x 1041 x 31 mm

‘Facade’ and ‘Flight of Happiness’1982Photograph, colour, on paper and boardImage: 407 x 699 mmimage: 178 x 470 mmimage: 165 x 470 mm

Cause of Death,1974

Gazing At The Mirror

Colour Less

Dan Graham

Two Correlated Rotations1970–2Film, 2 projections, black and white and sound, photographs and typescript on paperOverall display dimensions variable

Side Effect/Common Drug1966Gelatin silver print115.7 x 75.5 cm

Sunset to Sunrise1969Super 8mm film transferred to 16mm film (color, silent)4:20 min. loop

Time Delay Room 1974

Performer/Audience/Mirror1975Video (black and white, sound)

Bruce Nauman

Composite Photo of Two Messes on the Studio Floor1967Gelatin silver print102.9 x 312.4 cm

Art Make-Up: No. 1 White, No. 2 Pink, No. 3 Green, No. 4 Black1967 – 196816mm film transferred to video (color, sound)40 min

Bouncing Two Balls Between the Floor and Ceiling with Changing Rhythms1967 – 196816mm film transferred to video (black and white, sound)10 min

Playing a Note on the Violin While I Walk Around the Studio1967 – 196816mm film transferred to video (black and white, sound)10 min

aFrom Studies for Holograms (a-e)1970Screenprint on paperImage: 517 x 662 mmframe: 692 x 692 x 25 mm

bFrom Studies for Holograms (a-e)1970Screenprint on paperImage: 513 x 662 mm

[title not known]From Frankfurt Portfolio1990Lithograph on paperUnconfirmed: 485 x 325 mm

Good Boy Bad Boy1985Video, 2 monitors, colour and audio (mono)Duration: 60 min., 52 sec.

MAPPING THE STUDIO II with color shift, flip, flop, & flip/flop (Fat Chance John Cage)2001Video, 7 projections, colour and sound (mono)Duration: 5hours, 45minOverall display dimensions variable

Marcel Broodthaers

I Return to Matter, I Rediscover the Tradition of the Primitives, Painting with Egg, Painting with EggJe retourne à la matière, je retrouve la tradition des primitifs, peinture à l'oeuf, peinture à l'oeuf1966Wooden box, egg shells, printed paper and metalObject: 257 x 257 x 76 mm

RebusRébus1973Lithograph on paperImage: 700 x 500 mm

The Farm AnimalsLes Animaux de la ferme1974Lithograph on paperImage: 819 x 603 mm

PaintingsPeintures1973Oil paint on 9 canvasesSupport, each: 800 x 1000 x 18 mmframe: 800 x 1000 mmdisplayed: 2640 x 3240 mm

Mademoiselle Rivière and Monsieur Bertin19759 photographs, black and white, on paper on boardFrame: 1010 x 905 x 57 mmsupport: 839 x 735 mm

ComedyComédie1974Lithograph on paperImage: 635 x 457 mm

Maria1966Dress, hanger, and eggshells glued to shopping bag, on painted canvas

Four Eggs1966Eggshells and paint on canvas

Casserole and Closed MusselsCasserole et moules fermées1964Mussel shells, pigment, polyester resin and iron casserole with wooden handlesObject: 305 x 279 x 248 mm

A Railway RobberyEin Eisenbahnüberfall1972Lithograph on paperImage: 841 x 559 mm

Street René Magritte Street (Rue René Magritte Straat)1968Screenprinted vacuum-formed plastic

"Fémur d'homme belge" and "Fémur de la femme francaise" (1964/65)

Victor Burgin

25 feet two hours1969Card file with 26 cards with typescript and 25 photographs, black and white on paperUnconfirmed: 150 x 220 x 105 mm

Office at Night, 1986

Sensation. Contradiction. Logic”, 1974

[no title]From Fiction Film1991Screenprint on paperImage: 756 x 951 mmframe: 795 x 991 x 23mm

[no title]From Fiction Film1991Screenprint on paperImage: 756 x 951 mmframe: 795 x 991 x 23mm

[no title]From Fiction Film1991Screenprint on paperImage: 756 x 951 mmframe: 795 x 991 x 23mm