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pdfcrowd.com open in browser customize free license Search Life People Music TV & Film Fashion & Style Football & Sport Travel Hardware Free Stuff About ST CAMOUFLAGE | Fashion & Sty le The Definitive Black Style Icons Rate This Article: Posted: 20 January 2011 Tags: fashion, style By Maria Hannah Bass 12 March 2011 |07:16 They don’t yet get the Vogue covers they deserve but fashion has always been full of black men and women that ooze sophistication and fashion sense. We present ten icons who made history in style. Youtube Spotify One Mick Jones

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Page 1: Article written for the Sabotage Times

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Search  Life People Music TV & Film Fashion & Style Football & Sport Travel Hardware Free Stuff About ST

CAMOUFLAGE | Fashion & Sty le

The Definitive BlackStyle Icons

Rate This Article:

Posted: 20 January 2011

Tags: fashion, s tyle

     

By Maria HannahBass

1 2  Ma r ch  2 01 1  | 07 :1 6

They don’t yet get the Vogue covers they deserve but fashion has always been full of black men and women that oozesophistication and fashion sense. We present ten icons who made history in style.

Y outube Spotify One Mick Jones

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EARTHA KITT: She was, according to Orson Welles, “the most exciting woman in the world.” Eartha Kitt was born out of rapeon a cotton plantation and endured a troublesome childhood, ostracised for her distinctive mix of black, white and Cherokeeblood. As an entertainer she transformed herself with furs, jewels and slinky dresses into the embodiment of glamour. From herfeline features to her sensual purr, Kitt was the ultimate self-aware sex kitten.

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The Definitive Black Sty le Icons

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NAOMI SIMS: Before Naomi Campbell there was Naomi Sims, the world’s first black supermodel. The rare black models thathad found fame before her (see Josephine Baker) had been cast as wild and exotic, but Sims always appeared as an elegantprofessional, dressed sharply – and expensively – with her hair slicked-back into a ballerina bun. Sims’ appearance on thecovers of Life and Ladies’ Home Journal in the late sixties marked a victory for the Black is Beautiful movement.

ANGELA DAVIS: Angela Davis would probably roll her eyes at being called a ’style icon’. The radical activist derides the factthat she is ‘remembered as a hairdo’ but her afro was iconic of the Black Panther movement. Davis used style for politicalexpression and wore her afro as a symbol of black pride and resilience. When she became the third woman ever to hit the FBI’sMost Wanted list, she was pictured with a halo of hair on protest posters and badges across America.

JIMI HENDRIX: Jimi Hendrix crossed the racial boundaries of the Rock’n’Roll music industry. He dressed like a vagabond,hijacking inspiration wherever he found it. He scoured London vintage boutiques for military jackets and had African-inspiredstage costumes custom-made. Crowned with wildly curled hair, his look was flamboyant and psychedelically multicultural, withfringed waistcoats, feather boas, Moroccan beads, hippie badges, bandanas and wide-brimmed hats. His style was as madas his music and challenged 1960s stereotypes of black male musicians.

GRACE JONES: Queen of cool, Grace Jones was rocking show-stopping avant-garde costumes before Lady Gaga was evenborn. But it’s her new wave androgyny that really secures her status as a style icon. Jones took ‘80s power-dressing to the maxwith angular suits and extreme shoulder pads in striking combination with her severe hair cut, lean physique and glisteninglydark skin. She’s also possibly the coolest Bond Girl ever – see A View to a Kill for the definition of ‘fierce’.

She was, according to Orson Welles, “the most exciting woman in the world”

WILLI SMITH: Willi Smith designed clothes ‘for the people’ and spearheaded the black ‘street couture’ movement of the ‘80swith relaxed silhouettes accented with unusual colour schemes. His designs made their mark on pop culture: he designed thecostumes for Spike Lee’s film School Daze and Mary Jane Watson’s wedding dress in the Spider Man comic strip. Arguablythe most successful black designer in history, his company WilliWear was worth $25 million at the time of his tragicallyearly death from AIDS in 1987.

OZWALD BOATENG: Ozwald Boateng revolutionized Savile Row tailoring for a new generation. Entirely self-taught a tailor,Boateng coined the term ‘bespoke couturier’ to describe his art. His designs inject the traditional suit with sharp cuts, playfuldetails and eye-catching use of colour. Boateng’s work has been recognised with an OBE, a retrospective at the V&A Museumand a traffic-stopping fashion show on Savile Row. He’s even an advisor to the Ghanaian Ashanti king – a total Black Britishlegend.

ANDRÉ BENJAMIN: Outkast’s André Benjamin has morphed from cartoon pimp into dapper gent and it’s been one hell of ajourney. Benjamin’s current look takes hip hop’s fondness for preppy style to extremes: he takes inspiration from The GreatGatsby and old folks in his neighbourhood, playing with traditional cuts and fabrics in clashing colour schemes. He’s beennamed ‘Best Dressed Man’ by Esquire and recently launched his own clothing line, Benjamin Bixby.

MICHELLE OBAMA: From a Vogue cover to her penchant for American designers like Calvin Klein and Narciso Rodriguez,Michelle Obama is a fashion icon. Her inaugural gown is credited with launching the career of young designer Jason Wu andthere are now calls for Obama to cast some fashion fortune on African-American designers. Obama’s ladylike classics are givena cheeky twist with bold colours, infamously bare limbs and gobstopper pearls that are anything but ‘wifely’. Forget JackieO, America has a new First Lady in the fashion stakes.

Joshua Burt

Keith Wildm an

Tom Greaney

Russ Litten

Sifaeli Tesha

Lucy Sw eet

Chris Donald

Tom Arm strong

Adam Stone

Irvine Welsh

Matt Harvey

Ali Catterall

Jack Hyom

Sam Row e

John Anthony Lake

See a ll Sa boteu r s

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9:31  pm, 17 -Dec-2010

11:58 am, 18-Dec-2010

10:23 pm, 16-Jan-2011

*Comment 

JANELLE MONÁE: Janelle Monáe is leading the charge of experimental black musicians and fashionistas. In homage to herworking class parents, she has cultivated her own ‘uniform’ which harks back to black jazz performers of old. Her tuxedo,brogues and afro-Mohawk are also deliberately gender-bending and challenge the usual ‘bikini and booty’ role of black women inmusic videos. Monáe says she has a responsibility to ”help redefine what it looks like to be a woman.”

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Russ

I'd have had Sly Stone in there as well, if only for the yellow mohawk.

Phil

I would have included Larry Blackmon. The codpiece was, and still is, the definitive style accessory for any young man.

Johnforbes

Loved Willi Smith, sold it at original Cruise next door to Beehive. No Miles Davis, Joe Casely-Hayford, Sylvester etc?

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