artissima 2016 23rd edition
TRANSCRIPT
ARTISSIMA 2016
23rd EDITION
3 November 2016: Press Preview, Preview, Opening
4, 5, 6 November 2016: Open to the public
Artissima 2016, the International Contemporary Art Fair in Torino,
directed by Sarah Cosulich for the fifth consecutive year, opens the doors
of its twenty-third edition to the public.
Renowned as an art fair of research, Artissima has proven to be a
forerunner of new curatorial tendencies and a pioneer of new formats,
thanks to its constant self-reinvention. The innovative, experimental and
dynamic approach of the fair makes it not only one of the most
anticipated international events, but also the Italian locus of excellence,
where visitors can investigate and reflect upon new approaches to
artistic creation and contemporary curatorship.
An ambitious project and a starting point for a unique journey of
exploration and discovery, from 4 to 6 November Artissima returns to
offer the public a wonderful opportunity to fall in love with the latest
developments in contemporary art.
Enriched by a new section, Dialogue, a new prize, and a structure that
brings relevance to experimental and emerging art, the 2016 edition of
Artissima comprises seven sections, of which three are each selected by
a board of international curators and museum directors (Back to the
Future, Present Future and Per4m).
The formats of these three sections, originated with Artissima and
dedicated, respectively, to the great pioneers of contemporary art,
emerging talents and performance, have been established as standard
on the international art fair scene.
The new initiatives of this year’s edition aim to strengthen even further
Artissima’s identity as a “curated fair” and its attention to
experimentation and research.
The curatorial approach is clearly visible in the role given to curators in
the selection process of the galleries, in the proposals of artists, and in
the attention of the fair for curated booths. These precious consultants
are also involved in identifying in the fair to be awarded with special
prizes, or in participating to initiatives such as the Walkie Talkies,
informal conversations between curators or curator and collector,
amidst the booths.
Further, the fair’s distinct identity and its force of attraction echo
throughout the entire city of Torino, as seen in the collaborative
activities with the many museums in the city and in Artissima’s special
initiatives.
This year, Artissima presents a parallel project, specially conceived by the
German artist Thomas Bayrle for an unusual venue: Torino Airport. In a
site-specific installation, the artist transforms the Baggage Claim area of
the airport into an unexpected exhibition space.
Yet again, Artissima proves itself as a unique project of its kind, able to
combine curatorial quality with a dynamic approach that is forever
evolving.
The fair is organised by Artissima srl, a company owned by the
Fondazione Torino Musei.
THE FIGURES
193 galleries from 34 countries
65% overseas exhibitors
20,000 m2 of exhibition space
More than 2,000 artworks
Over 50 curators and museum directors on its juries
Over 50,000€ in prizes for artists and galleries
450,000€ in institutional acquisitions (2015)
More than 52,000 visitors (2015)
PARTNERS
Main partner: UniCredit
Partners: illycaffè, K-Way, Lancia, Lauretana, Leica, Mutina,
Owenscorp, Reda, Fondazione Sardi per l’Arte, Torino Airport | Sagat
In-kind sponsors: Carloangela, FR Costruzioni, GL Events Italia – Lingotto
Fiere, Guido Gobino, Kartell, Lago, Nemo Lighting, Parco1923, Poltrona
Frau, Vitra
Official carrier: Gondrand
Cultural partners: Alliance Française, Goethe-Institut Turin
Media partners: La Stampa, AD, Vogue Italia
Media coverage: Sky Arte HD
In-kind online partner: Artsy
WHAT’S NEW IN 2016
Dialogue, the new section of Artissima, presents booths featuring a
maximum of three artists in a coherent and curated project.
New Entries, for the first time, the section devoted to emerging galleries
is reunited in a compact and independent space at the entrance to the
fair, highlighting Artissima’s commitment to the work of the younger
generations.
PER4M, now in its third year, has evolved into an articulated
performance programme, curated for the first time by the Dutch art
collective If I Can’t Dance I Don’t Want To Be Part Of Your Revolution.
In Mostra, an exhibition project curated by Simone Menegoi, entitled
‘body.gesture.posture’, revolutionises the format of this annual show by
introducing this year, alongside works from the leading museums and
foundations of Piemonte, also important loans from private collections.
Flying Home, a special project for Artissima 2016 made in collaboration
with Torino Airport | Sagat. This site-specific installation by Thomas
Bayrle proves the fair's ability to contaminate with contemporary art the
most unexpected locations.
What is Experimental, a series of talks curated by Stefano Collicelli Cagol
featuring curators of international non-profit or institutional spaces in
debate on this topic.
Mutina Project ‘This is not a Prize’, the seventh prize awarded at
Artissima and presented for the first time at the 2016 edition, consists in
Mutina’s support of future projects by the selected artist.
“The unique identity of Artissima allows to interweave every year a
coherent programme of international research with experimental
initiatives. No other fair worldwide involves this number of exceptional
curators in its selection process and proposals of galleries and artists:
museum directors, dynamic young curators and gallerists from around
the world allow us to bring to Torino not only the very best of emerging
art but also key figures from the historical avant-garde.
The common thread of this year’s edition is performativity: in the live
performance programme; in the relationships between the works that
galleries choose to bring to Torino; in the debate between curators and
collectors engaged in walking conversations in the fair; in the theme
evoked by this year’s great In Mostra exhibition; in the city’s active
connection between public and private; in Artissima’s concept which
rethinks the role of the art fair every year. Performativity par excellence
is also in the dialogue that Artissima builds with the city and its
contemporary art network. Finally it’s in Thomas Bayrle’s project at
Torino Airport, which connects physically and metaphorically work,
public, space and context. We are proud to continue to innovate in
unexpected ways, and we thank all of our partners who allow us to do
so.”
Sarah Cosulich, director
THE SECTIONS
There are seven sections in this edition of Artissima: three are curated
by boards of curators and international directors (Back to the Future,
Present Future and Per4m) and four are selected by a committee of
galleries participating in the fair (including the new section, Dialogue).
The Main Section gathers together the most important galleries on the
international art scene. This year, 105 were selected (58 of which from
abroad).
New Entries, a section devoted to emerging galleries, located this year
at the entrance to the fair, presenting 18 galleries, 13 of which from
abroad.
Art Editions, inaugurated in 2012, hosts limited editions, prints and
multiples by contemporary artists from 8 galleries.
Dialogue, new for the 2016 edition, is a section dedicated to specific
projects in which the works of one, two or three artists are put in close
relation with each other, featuring 30 galleries, of which 21 are from
abroad.
Main Section, New Entries, Dialogue, Art Editions Committee
Isabella Bortolozzi, Berlin
Paola Capata (Monitor), Roma
Guido Costa, Torino
Martin McGeown (Cabinet), London
Pedro Mendes (Mendes Wood DM), Sao Paulo
Gregor Podnar, Berlin
Jocelyn Wolff, Paris
CURATED SECTIONS
PRESENT FUTURE
Present Future is the section of Artissima dedicated to emerging talents,
selected by a board of young international curators. Artists are
presented by the galleries in a central area of the fair, in a specifically
designed itinerary. Works by the selected artists include new proposals
created ad hoc and projects displayed for the first time in a European
and Italian context.
In 2016 Present Future presents projects by 20 artists presented by 18
foreign galleries and four Italian galleries.
The illy Present Future Prize, supported by illycaffè since 2001, is
awarded to an artist whose work is considered the most interesting, by
an international jury. Since 2012, the prize in collaboration with Castello
di Rivoli Museo d’Arte Contemporanea has offered the winner the
exceptional opportunity of presenting a solo exhibition at the museum.
Thanks to illycaffè’s receptiveness and the active collaboration with
Castello di Rivoli, the illy Present Future Prize gives significant support to
emerging artists, and confirms the innovative role of the museum as an
artistic institution of international repute.
In 2015 the prize was awarded to Alina Chaiderov, represented by
Gallery Antoine Levi, Paris. A solo show by the artist will open at the
Castello di Rivoli Museo d’Arte Contemporanea at the same as Artissima
2016.
Committee for Present Future
Luigi Fassi (coordinator), steirischer herbst festival, Graz
Anne Faucheret, Kunsthalle Wien, Vienna
Hicham Khalidi, Fondation d’entreprise Galeries Lafayette, Lafayette
Anticipation, Paris
Sohrab Mohebbi, REDCAT, Los Angeles
Wim Waelput, KIOSK, Ghent
Jury for the illy Present Future Prize
Carolyn Christov-Bakargiev, Castello di Rivoli Museo d’Arte
Contemporanea – GAM, Rivoli-Torino
Bart van der Heide, Stedelijk Museum, Amsterdam
Christine Tohme, Ashkal Alwan, Beirut | Sharjah Biennial (2017)
Nicoletta Fiorucci, Fiorucci Art Trust, London
Awarded in recent editions:
2014: Rachel Rose, Gallery High Art, Paris
2015: Alina Chaiderov, Gallery Antoine Levi, Paris
Castello di Rivoli Museo d’Arte Contemporanea
illy Present Future 2015 Prize
Piazzale Mafalda di Savoia, 10098 Rivoli, Torino
Alina Chaiderov solo exhibition
BACK TO THE FUTURE
Back to the Future is the section of Artissima dedicated to the
rediscovery of avant-garde works, featuring solo exhibitions by great
pioneers of contemporary art. In 2016 it will focus on works produced
between 1970 and 1989.
The section, now in its seventh year, aims to highlight international
artists who played a key role in the history of art and whose work has
influenced contemporary practice. Back to the Future offers the public
at large a unique opportunity to view significant works from those years
in dialogue with contemporary experimentation.
In 2016, 19 artists participate in Back to the Future, presented by 19
galleries (3 Italian, 16 from abroad).
During Artissima, an international jury awards the Sardi per l’Arte Back
to the Future Prize, run in partnership with Fondazione Sardi per l’Arte
and at a value of €5,000, to the gallery with the most deserving project
in terms of historical relevance and booth presentation.
Committee for Back to the Future
Eva Fabbris (coordinator), independent curator, Milano
Gary Carrion-Murayari, Kraus Family, New Museum, New York | New
Museum Triennial (2018)
Krist Gruijthuijsen, KW Institute for Contemporary Art, Berlin
Cristiano Raimondi, Nouveau Musée National de Monaco
Jury for the Sardi per l’Arte Back to the Future Prize
Daniel Baumann, Kunsthalle Zurich Christine Macel, Musée National d'Art Moderne – Centre Pompidou, Paris | Venice Biennale (2017) Joanna Mytkowska, Museum of Modern Art, Warsaw
Awarded in recent editions:
2014: GalleryFrançois Ghebaly, Los Angeles, presenting works by
Channa Horwitz (b. Los Angeles, 1932; d. 2013).
2015: Gallery Ellen De Bruijne, Amsterdam, and Dan Gunn, Berlin,
presenting works by Michael Smith (b. Chicago, 1951).
PER4M
Launched by Artissima in 2014, Per4m is the first ever section on the
international art fair scene devoted exclusively to performance art. It is
both an artistic and commercial showcase, in which performance art is
considered as a medium alongside the others presented in the fair,
taking full advantage of the stage framework dedicated to it and from
which it originates.
For the 2016 edition, Per4m evolves into a project curated by the Dutch
collective If I Can’t Dance I Don’t Want To Be A Part Of Your Revolution,
created to explore the transformation of performance and its typologies
in the context of contemporary art. The collective has developed a
groundbreaking programme conceived specifically for the context of the
fair.
Per4m is accompanied by the Prix K-Way Per4m of €10,000, which will
be given to the most significant artwork presented in the section. The
award reflects not only the importance of Per4m, but also the special
attention paid to this form of experimentation by our partner K-Way.
Committee for Per4m
If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution /
Frédérique Bergholtz and Susan Gibb, Amsterdam
Jury for the Prix K-Way Per4m
Franz Bernardelli, independent curator, Torino Ruth Estévez, REDCAT, Los Angeles Silvia Fanti, Xing, Bologna Filipa Ramos, Art Agenda, London
Awarded in recent editions:
2014: Louise Hervé and Chloé Maillet, Nautilus, 2013, Gallery Marcelle
Alix, Paris.
2015: Julien Bismuth, Untitled (Lull), 2015, Gallery Emanuel Layr,
Vienna, and Christian Falsnaes, Rise, 2014, PSM Gallery, Berlin.
OTHER PRIZES AT ARTISSIMA
An international jury awards the Owenscorp Prize of €5,000 to the
gallery deemed most deserving, for the research and recognition of
emerging artists and experimental languages in the New Entries section
The Reda Prize is an international award open to artists under 35
exhibiting at Artissima. It was inaugurated in 2015 with the aim of
supporting the research of new generations of artists who work with
photography. The winner is given the opportunity to realise a publication
with a major international publisher.
The Fondazione Ettore Fico Prize of €5,000 is awarded to one artist
chosen from all of those participating in Artissima. Established in 2009
by Fondazione Ettore Fico it promotes the work of emerging artists.
The new Mutina Project ‘This is not a Prize’ a team of designers will
choose a talent present at the fair, to support the production of his or
her next project. The award was founded with the aim of creating a new
and fruitful relationship between artists producing art and those who
sustain it.
Jury for the Owenscorp New Entries Prize
Emma Lavigne, Centre Pompidou–Metz | Lyon Biennal (2017)
José Roca, director, FLORA ars+natura, Bogotà
Kitty Scott, Art Gallery of Ontario, Toronto | Liverpool Biennial (2018)
& Michèle Lamy
Jury for the Ettore Fico Prize
Andrea Busto, MEF – Museo Ettore Fico, Torino
Letizia Ragaglia, Museion, Bolzano
Andrea Viliani, MADRE, Napoli
Renato Alpegiani, collector, Torino
Jury for the Premio Reda Prize
Tobia Bezzola, Museum Folkwang, Essen
Lorenza Bravetta, Camera – Centro Italiano per la Fotografia, Torino
Francesco Zanot, Camera – Centro Italiano per la Fotografia, Torino
Reinhard Braun, Camera Austria, Graz
Giovanna Silva, Humboldt Books, Milano
Jury for the Mutina Project ‘This is not a Prize’
Massimo Orsini, Mutina, Fiorano (MO)
Patricia Urquiola, architect and designer, Milano
Gianluigi Ricuperati, Domus Academy, Torino
Marco De Vincenzo, designer, Roma
OTHER INITIATIVES IN THE FAIR
Lancia Ypsilon St’Art Itineraries
The Ypilon St’Art Itineraries, inaugurated in 2015, is a programme of
guided tours through the booths and the special sections of the fair,
designed to offer the general public insights and new interpretations and
conceived to bring them into the world of contemporary art.
Walkie Talkies by Lauretana
One of the most successful public events at Artissima, the Walkie Talkies
feature a series of informal conversations: pairs of exceptional guides
accompany visitors on themed explorations of the gallery booths,
discovering works, artists or specific themes. The Walkie Talkies are short
dialogues, interludes that provide the opportunity to get to know and
discuss what Artissima offers. This year, as part of a wider effort to frame
the role of collecting as a driving force in artistic research, each
conversation features a curator in discussion with a collector. The
programme, coordinated by Nataša Venturi, is composed of 12 visits, 4
per day, led by 24 different curators and international collectors. A list of
the tours is available at the fair and on www.artissima.it.
What is Experimental
Among its new features, Artissima 2016 presents What is Experimental,
a new programme featuring a series of talks curated by Stefano Collicelli
Cagol, in which curators of non-profit and institutional spaces debate,
creating a moment for discussion and sharing.
Meeting Point by La Stampa
A special area within the fair dedicated to the presentation of projects,
events, conversations and debates relating to the fundamental topics of
contemporary art. The talks are promoted and curated by museums,
institutions and art professionals and provide a unique opportunity for
encountering and exchanging ideas with some of the leading figures on
the contemporary art scene.
Zonarte
Once again, in 2015 the Education Departments of the Zonarte network
offer visitors to Artissima a key to accessing the world of contemporary
art, featuring workshops, laboratories, meetings and discussions – all of
which are open to young people, families and professionals.
The workshop programme is available on www.artissima.it.
UniCredit Art Advisory
Following its successful introduction in 2015, Unicredit once more
presents Art Advisory, a free, independent advisory service, aimed at
increasing new acquisitions at the fair and connecting new collectors
with the participating galleries. Artissima believes in this independent
and complimentary advice offered to those who already collect but also
to those who are fascinated by art and wish to be accompanied in the
world of collecting. Expert advisors are available, by appointment, in the
UniCredit space at the fair.
Con/TEXT
Con/TEXT, a section introduced in 2012, is a large and welcoming area of
the pavilion for reading, discovering unusual art magazines and books,
and discussing and sharing ideas. Con/TEXT is home to the Artissima
Bookshop, by Librerie Corraini, containing the most important magazines
in the sector, as well as Art Editions. It also contains the Book Corner, a
space dedicated to presenting books, catalogues and special projects by
institutions, galleries and publishers. The Book Corner programme
involves artists, museum directors, curators, critics and collectors from
all over the world.
Artissima Live
Con/TEXT hosts the Artissima Live space, launched in 2015, a live
editorial process where online contemporary art publications dialogue
and collaborate, creating content linked to the fair. Artissima Live is
coordinated by Elena Bordignon, founder of ATP Diary.
SPECIAL PROJECTS
In Mostra – ‘corpo.gesto.postura’
Each year, Artissima organises a large-scale thematic exhibition at the
Oval pavilion that celebrates the great public collections of Torino and its
region. The result is the unique exhibition In Mostra, in which Piemonte's
commitment to collecting at the highest international level is displayed.
In 2016, the show combines for the first time art works from major
museums and foundations and loans from important private collections.
Curated this year by Simone Menegoi, the project, entitled
'corpo.gesto.postura' ('body.gesture.posture'), focuses on the human
figure and the exploration of the body in art. The selection includes
sculptures and videos, paintings and photographs, performances and
drawings from the nineteenth century to the present.
The complete list of institutions and artists is available at the end of this
document.
Flying Home
On the occasion of its 2016 edition, Artissima presents Flying Home, a
new and unprecedented parallel project, specially conceived for the city,
realised in collaboration with Torino Airport and curated by Sarah
Cosulich. For the first time, Torino Airport | Sagat is participating as a
partner in an art commission, accepting Artissima’s challenge to
experiment with new models, unexpected places and different
audiences. These two seemingly unrelated institutions of the city, have
collaborated on a surprising cultural initiative, inviting the influential
German artist Thomas Bayrle to create a site-specific work for Torino
airport. For Flying Home, Bayrle has chosen the Baggage Claim area,
which is transformed into an unexpected and stimulating exhibition
space, deeply imbued with meaning. Through an unprecedented
sequence of images, Flying Home reveals the mechanisms of the
construction of his mammoth piece Flugzeug (Aeroplane, 1984), a large-
scale print of a plane made up of a million small aeroplanes on a 96-
square-metre surface.
Thomas Bayrle| Flying Home, curated by Sarah Cosulich
Baggage Claim area – Torino Airport | Sagat
4 November 2016 – 28 May 2017
Conceived and produced by
Artissima and Torino Airport | Sagat
Partners: IGPDecaux, Lufthansa, MyChef, Heinemann
With the support of: Camera di commercio di Torino, Goethe-Institut
Torino
Sarah Cosulich
Sarah Cosulich (b.1974) has been the director of Artissima since 2012.
She worked with Francesco Bonami on the 50th Venice Biennale,
working with artists such as Fischli/Weiss, Matthew Barney and Rudolf
Stingel.
She was later curator of the Villa Manin Centre for Contemporary Art,
working on shows and special projects by artists such as Carsten Höller,
Pawel Althamer, Rirkrit Tiravanija, Gabriel Orozco, Damian Ortega and
Tomas Saraceno, Tobias Rehberger, Paola Pivi and Elmgreen & Dragset.
While at Cardi Black Box gallery she curated a programme of exhibitions
by Jörg Immendorff, Thomas Bayrle, Letizia Battaglia and Piotr Janas,
among others. Her writing includes monographs on Jeff Koons (2006)
and Gabriel Orozco (2008).
In her five years at Artissima, the fair has widened both its international
scope as well as its experimental identity, pioneering new ways to
involve curators and collectors and adding a new innovative
performance section. In 2014 she invited Maurizio Cattelan to curate the
acclaimed exhibition ‘SHIT AND DIE’ as part of Artissima’s cultural
programme, and in 2016 she inaugurates the new Dialogue section and
is curator of the special project Flying Home by Thomas Bayrle at Torino
Airport.
Eva Fabbris
Coordinator, Back to the Future
Eva Fabbris is an independent curator and art historian. Since February
2016, she has been part of the Research Department team at Fondazione
Prada, in Milano. In 2015, together with Cristiano Raimondi, she co-
curated a solo exhibition by Fausto Melotti and two projects by
Alessandro Pessoli and Paul Sietsema at the Nouveau Musée National de
Monaco.
She holds a Phd in Humanities.
Luigi Fassi
Coordinator, Present Future
Since 2012, Luigi Fassi has been the curator of visual arts at the
steirischer herbst festival in Graz, Austria. In 2016 he is fellow of the Artis
Research Trip Program in New York and curator of the XVI Quadriennale
di Roma. A Helena Rubinstein Curatorial Fellow at the Whitney Museum
ISP in New York in 2009, he was director of the ar/ge kunst Galerie
Museum in Bolzano (2009–12), where he organised group and solo
exhibitions for artists including Runo Lagomarsino, Chto Delat?, Katarina
Zdjelar, Alejandro Cesarco and William E. Jones.
Together with G. Di Salvatore, he is the author of Clement Greenberg.
L’avventura del modernismo (Johan & Levi, 2011) and Time Out of Joint:
Recall and Evocation in Recent Art (Yale University Press, 2009).
If I Can’t Dance I Don’t Want To Be Part Of Your Revolution
Curator, Per4m
Founded in 2005 in Amsterdam, If I Can’t Dance, I Don’t Want To Be Part
Of Your Revolution produces artworks and thematic programmes,
exploring the evolution and typology of performance and performativity
in contemporary art. Represented at Artissima by its director Frédérique
Bergholtz and its curator Susan Gibb, If I Can’t Dance has borrowed the
model of collaborative working from the theatre by investing in an
elaborated programme that develops through its very enactment, at
each event and at each location, over time.
Simone Menegoi
Curator, In Mostra
Simone Menegoi is a critic and independent curator. He has been
curator-in-residence at the Belvedere – XXler Haus, in Vienna (2016). He
teaches at the Istituto Europeo del Design, in Roma, and regularly writes
for the website artforum.com. He has been contributing editor for
Kaleidoscope (2009–12) and Mousse (2006–08). In 2012–13 he was a
curator at CSAV – Artists’ Research Laboratory at the Fondazione Ratti
(Como), collaborating with visiting artists Matt Mullican and Tacita Dean.
Stefano Collicelli Cagol
Curator, What is Experimental
Stefano Collicelli Cagol is curator at large at the Trondheim
Kunstmuseum, Norway. In 2014 he received a PhD in Curating
Contemporary Art from the Royal College of Art, London. He has
collaborated with various Italian institutions, such as Fondazione
Sandretto Re Rebaudengo, Torino; GAM – Galleria d'Arte Moderna e
Contemporanea, Torino and Museo Marino Marini, Firenze.
Oval
Created in 2006 as the ice stadium for the Torino Winter Olympics, the
Oval is a glass pavilion in the heart of Lingotto, the historical industrial
district reconverted for the city by Renzo Piano. The Oval, with its
naturally illuminated 20,000 square metres of space, has hosted
Artissima since 2010
Artissima srl
Artissima is a brand of Regione Piemonte, Città Metropolitana di Torino
and Città di Torino. On behalf of these three authorities, it is promoted
by Fondazione Torino Musei. The 23rd edition of Artissima is being held
with the support of the three brand-owning authorities, jointly with
Fondazione per l’Arte Moderna e Contemporanea CRT, Compagnia di
San Paolo and Camera di commercio di Torino. The organisation of
Artissima is overseen by Artissima srl, a company formed in 2008 to
manage the fair’s artistic and commercial relations.
Fondazione Torino Musei
150,000 art works, 2000 years of history, four museums, a great heritage.
Fondazione Torino Musei was created in 2002, the first example of its
kind in Italy. It includes GAM – Galleria Civica d'Arte Moderna e
Contemporanea, Palazzo Madama-Museo Civico d'Arte Antica and MAO
– Museo d'Arte Orientale. ‘The preservation and promotion of heritage,
and the ability to create, produce and communicate culture; always
thinking of the world, with growing attention, care and innovation, and
the desire to go beyond the city limits and aspire to the future’ – this is
the vision of Patrizia Asproni, chairwoman of Fondazione Torino Musei.
The outstanding heritage both of collections and buildings, as well as the
programme of great annual events such as Artissima, make the cultural
offer of Torino one of the most relevant in Italy, thanks also to active
partnerships with the main national and international museums and
foundations.
The key words for the Fondazione Torino Musei: INNOVATION – research
and development of standards of excellence in research, management
and socialisation of cultural heritage; CREATIVITY – participation in
cultural life and visits to museums can contribute actively to the
development of society, well-being and fulfilment of individuals,
enriching, in a reciprocal exchange, the life experience of human beings
of all ages; ACCESSIBILITY – commitment to make our heritage available
to all citizens of the world, of different languages, physical and social
backgrounds, developing digitisation programmes and accessibility to
our heritage on a global scale; NETWORKS – building networks of
relationships and exchanges with institutions and public and private
entities in Italy and in the world to enrich the cultural offer and expand
the frontiers of research, even in an interdisciplinary perspective.
PRACTICAL INFORMATION
Opening: 3 November 2016
Press preview, starting at 12 pm
Collector preview, starting at 12 pm (by invitation)
Inauguration, from 5.30 to 8.30 pm (by invitation)
Opening to the public: 4, 5, 6 November 2016
Hours 12 – 8 pm
Tickets:
Full price: € 15,00
Reduced: € 10,00 *
Three day pass: € 30,00
* Children aged 12–18. Over 65s. University students, upon
presentation of a university ID. Soldiers in uniform. Reduced ticket with
Torino Musei membership card and the Torino Card from 4 to 6
November. Free entry for disabled people with assistance.
ARTISSIMA SRL www.artissima.it
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PRESS CONTACTS
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GALLERIES
Main Section 401contemporary, Berlin; Luis Adelantado, Valencia, Mexico City; Sabrina Amrani, Madrid; Rolando Anselmi, Berlin, Roma; Apalazzo, Brescia; Art Bärtschi & Cie,
Geneva; Artericambi, Verona; Alfonso Artiaco, Napoli; Enrico Astuni, Bologna; Piero Atchugarry, Pueblo Garzon; Aural, Alicante; Barò, Sao Paulo; Bendana | Pinel,
Paris; Laurence Bernard, Geneva; Boccanera, Trento; Isabella Bortolozzi, Berlin; Thomas Brambilla, Bergamo; Brand New Gallery, Milano; Braverman, Tel Aviv; Gavin
Brown’s enterprise, New York, Roma; Bugada & Cargnel, Paris; Cabinet, London; Luciana Caravello, Rio de Janeiro; Cardelli & Fontana, Sarzana, Santo Stefano Di
Magra; Charim, Vienna; Chert, Berlin; Continua, San Gimignano, Beijing, Boissy-le-Châtel, Habana; Copperfield, London; Raffaella Cortese, Milano; Guido Costa
Projects, Torino; Curro, Guadalajara; Ellen de Bruijne, Amsterdam; Monica De Cardenas, Milano, Zuoz, Lugano; de' Foscherari, Bologna; Tiziana Di Caro, Napoli;
Umberto Di Marino, Napoli; Dvir, Tel Aviv, Brussels; Frittelli, Firenze; Christophe Gaillard, Paris; Rhona Hoffman, Chicago; In Arco, Torino; Antonia Jannone, Milano;
Georg Kargl, Vienna; Christine König, Vienna; Eleni Koroneou, Athens; KOW, Berlin; Tomio Koyama, Tokyo; Magazzino, Roma; Norma Mangione, Torino; Primo
Marella, Milano; Marso, Mexico City; Massimodeluca, Mestre-Venezia; Gabrielle Maubrie, Paris; Mazzoleni, Torino, London; Mario Mazzoli, Berlin; Mendes Wood
DM, Sao Paulo; Eva Meyer, Paris; mfc-michèle didier, Paris, Brussels; Francesca Minini, Milano; Massimo Minini, Brescia; MLF|Marie-Laure Fleisch, Roma, Brussels;
moniquemeloche, Chicago; Monitor, Roma; Franco Noero, Torino; Lorcan O'Neill, Roma; Otto, Bologna; P420, Bologna; Alberta Pane, Paris; Alberto Peola, Torino;
Rafael Pérez Hernando, Madrid; Giorgio Persano, Torino; Photo&Contemporary, Torino; Francesca Pia, Zurich; Pinksummer, Genova; Podbielski Contemporary,
Berlin; Gregor Podnar, Berlin; Anca Poterasu, Bucharest; Progettoarte elm, Milano; Prometeogallery, Milano, Lucca; Proyectos Monclova, Mexico City; Repetto,
London; REVOLVER, Lima; Ribordy, Geneva; Michela Rizzo, Venezia; Rizzutogallery, Palermo; Lia Rumma, Milano, Napoli; Richard Saltoun, London: Aurel Scheibler,
Berlin; Sfeir-Semler, Hamburg, Beirut; SMAC, Stellenbosch, Cape Town, Johannesburg; Sommer, Tel Aviv; SpazioA, Pistoia; Sprovieri, London; Taik Persons, Berlin,
Helsinki; Tega, Milano; Caterina Tognon, Venezia ; Tucci Russo, Torre Pellice; Isabelle Van Den Eynde, Dubai; Vistamare, Pescara; White Rainbow, London; Hubert
Winter, Vienna; Jocelyn Wolff, Paris; Z2o Sara Zanin, Roma; Zak | Branicka, Berlin, Krakow; Martin van Zomeren, Amsterdam
Dialogue 22,48m2, Paris; Samy Abraham, Paris; Alma, Riga; amt_project, Bratislava; Annex14, Zurich; BWA Warszawa, Warsaw; Car Drde, Bologna; Carbon 12, Dubai;
Collicaligreggi, Catania; Vera Cortês, Lisbon; Ex Elettrofonica, Roma; FOLD, London; Iragui, Moscow; Laveronica, Modica; Antoine Levi, Paris; Luce, Torino;
MA2Gallery, Tokyo; Ani Molnár, Budapest; Operativa, Roma; Piktogram, Warsaw; PM8, Vigo; Gabriel Rolt, Amsterdam; Studio SALES di Norberto Ruggeri, Roma;
Federica Schiavo, Roma, Milano; Semiose, Paris; The Gallery Apart, Roma; VITRINE, London, Basel; Waldburger Wouters, Brussels; Walden, Buenos Aires; Workplace,
Gateshead, London
New Entries Ab/Anbar, Tehran; Beers London, London; Between Art Lab, Shanghai, Beijing; Cavalo, Rio de Janeiro; Doppelgaenger, Bari; Dürst Britt & Mayhew, The Hague;
Ermes-Ermes, Roma; F2, Madrid; Fuoricampo, Siena; Future, Berlin; Nathalie Halgand, Vienna; Loom, Milano; MadeIn, Shanghai; Madragoa, Lisbon; Daniel Marzona,
Berlin; Ribot, Milano; Sketch, Bogotá; Untilthen, Saint Ouen
Present Future Igshaan Adams, Blank, Cape Town| Nazgol Ansarinia, Raffaella Cortese, Milano + Green Art, Dubai | Body by Body, Chateau Shatto, Los Angeles | Iñaki Bonillas, ProjecteSD, Barcelona | Julien Creuzet, Dohyang Lee, Paris | Cécile B. Evans, Barbara Seiler, Zurich | Francesca Ferreri, Alberto Peola, Torino | Luca Frei, Barbara Wien, Berlin | Gluklya / Natalia Pershina – Yakimanskaya, AKINCI, Amsterdam | Rodrigo Hernández, P420, Bologna | Eric van Hove, Voice, Marrakech | Nadira Husain, PSM, Berlin | Paul Leitner, unttld, Vienna | Renato Leotta, Fonti, Napoli + Madragoa, Lisbon | Pauline M'barek, Thomas Rehbein, Cologne | Agnieszka Polska, Zak | Branicka, Berlin, Krakow | Miljohn Ruperto & Ulrik Heltoft, Koenig & Clinton, New York | Kelly Schacht, Meessen De Clercq, Brussels | Beto Shwafaty, Luisa Strina, Sao Paulo | Rosha Yaghmai, Kayne Griffin Corcoran, Los Angeles Back to the Future Thomas Bang, KANT, Copenhagen | Renate Bertlmann, Richard Saltoun, London | Jay DeFeo, Frank Elbaz, Paris, Dallas | Garth Evans, Johannes Vogt, New York | Lars
Fredrikson, In Situ – Fabienne Leclerc, Paris | Anna Bella Geiger, Aural, Alicante | Jef Geys, Air de Paris, Paris | Paolo Gioli, Galleria del Cembalo, Roma | Thomas
Lawson, Anthony Reynolds, London | Klaus Lutz, Rotwand, Zurich | François Morellet, Catherine Issert, Saint Paul De Vence | Sadamasa Motonaga, De Primi, Lugano
| Pat O'Neill, Monitor, Roma | Gianfranco Pardi, Cortesi, Lugano, London | Michel Parmentier, Loevenbruck, Paris | Carlos Pazos, ADN, Barcelona | Patrick Saytour,
Bernard Ceysson, Luxembourg, Paris, Geneva | Philippe Van Snick, Tatjana Pieters, Ghent | Michele Zaza, Giorgio Persano, Torino
Per4m Juliette Blightman, Isabella Bortolozzi, Berlin | Dina Danish, Barbara Seiler, Zurich | Tim Etchells, VITRINE, London, Basel | Dora García, Ellen de Bruijne, Amsterdam
| The Mondrian Fan Club, Enrico Astuni, Bologna | Ruth Proctor, Norma Mangione, Torino | Marinella Senatore, Laveronica, Modica
Art Editions Colophonarte, Belluno; Dilecta, Paris; Editalia, Roma; El Astillero, Barcelona; L'Arengario S.B., Gussago; Giorgio Maffei, Torino; Danilo Montanari, Ravenna;
Multipleart, Zurich
BOOKSHOPS Carmen Alonso Libros, Santander; Libreria Ardengo, Roma; Derbylius libreria, Milano; Letteratura Tattile S.B., Rimini; Libreria Martincigh, Udine; Libreria Menabò, Milano; Studio Montespecchio, Montespecchio; S.T. foto libreria galleria, Roma.
IN MOSTRA – ARTISTS AND INSTITUTIONS Alfredo Aceto, Barriera | Adriano Alloati, Fondazione 107 | Ghada Amer, Collezione privata, Torino | Apparatus 22, Progetto Diogene | Vanessa Beecroft, Collezione
Renato Alpegiani | John Bock, Castello di Rivoli Museo d’Arte Contemporanea | Marco Calderini, Accademia Albertina di Belle Arti di Torino | Duncan Campbell,
FRAC – Fondo Regionale per l'Arte Contemporanea Piemonte | Cristian Chironi, Pinacoteca Giovanni e Marella Agnelli | John Coplans, Collezione La Gaia | Jacques-
Louis David (Atelier di), Accademia Albertina di Belle Arti di Torino | Giulio Delvè, Cripta747 | Filippo De Pisis, GAM – Galleria Civica d'Arte Moderna e
Contemporanea | Saul Fletcher, Fondazione Sandretto Re Rebaudengo | Prinz Gholam, Collezione La Gaia | Piero Gilardi, PAV – Parco Arte Vivente | Mimmo Jodice,
Collezione Renata Novarese | Sarah Lucas, Fondazione Sandretto Re Rebaudengo | Macchieraldo e Palasciano, Resò. International Network for Art Residencies and
Educational Programs | Anna Maria Maiolino, Castello di Rivoli Museo d’Arte Contemporanea | Marcello Maloberti, Fondazione Zegna | Babette Mangolte,
Fondazione Sandretto Re Rebaudengo | Margherita Manzelli, Castello di Rivoli Museo d’Arte Contemporanea | Marisa Merz, Fondazione Merz | Pierre Molinier,
Collezione Renato Alpegiani | Carlo Mollino, Camera –Centro Italiano per la Fotografia | Ugo Mulas, Fondazione per l'Arte Moderna e Contemporanea CRT | Rick
Owens, Collezione Owenscorp | Giuseppe Penone, Collezione privata, Torino | Michelangelo Pistoletto, Cittadellarte Fondazione Pistoletto | Plasticatori anonimi,
Accademia Albertina di Belle Arti di Torino | Carol Rama, Fondazione Sardi per l'Arte | Turi Rapisarda, Fondazione 107 | Man Ray, Fondazione Spinola Banna per
l'Arte | Silvia Reichenbach, GAM – Galleria Civica d'Arte Moderna e Contemporanea | Luigi Serralunga, MEF Museo Ettore Fico | Hans Schabus, Collezione La Gaia
| Pia Stadtbäumer, Collezione Renato Alpegiani | Franz Erhard Walther, Collezione La Gaia | Franz West, Collezione Marco Rossi | Francesca Woodman, Collezione
Renato Alpegiani | Erwin Wurm, MEF – Museo Ettore Fico | Heimo Zobernig, Collezione Marco Rossi.