arts iv art after 1945

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    ART AFTER 1945

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    1945 end of W orld W ar II

    Europe as center of arts was indisarray, displacing many people.

    Artists ed Germany and settled inNew York

    Together they had established a newcenter for arts.

    New York became the capital of theart world, replacing aris.

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    Arts after 1945

    !nno"ations# Approach

    $tyle

    Techni%ues

    medium

    Major artsA!NT!NG AN& $'()T(*E

    Minor arts+EA!NG

    *!NT-A!NG'E*A-!'$

    /E+E)*Y -A!NG

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    STYL

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    Abstract Expressionism

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    Abstract expressionism

    mo"ement in mid012th0centurypainting that was primarilyconcerned with the spontaneousassertion of the indi"idual throughthe act of painting.

    abstract expressionist artis without recognizableimages and does notadhere to the limits ofconventional form.

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    Pop and Op Art

    "isual arts mo"ement of the 3452sand 3462s

    The images of pop art 7shortenedfrom 8popular art9: were taken frommass culture.

    $ome artists duplicated beer bottles,soup cans, comic strips, road signs,and similar ob;ects in paintings,collages, and sculptures

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    Blam by oy !ic"tenstein

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    Three Flags#1954$1955%& by t"e Am erican artist'asper 'o"ns

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    W haam !by Am erican painter, sculptor, and graphic artistRoy Lichtenstein w as painted in 19!

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    Campbells Soup Can

    73461: by theAmerican pop artistAndy +arhol

    The cartoonlikeimage, at andsimpli

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    O( A(

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    OP)I*A! A)

    style of abstract painting that made useof optical illusions and other striking"isual e=ects

    Emerging in the (nited $tates in the mid03462s

    op art generally took the form of brightly

    colored, tightly patterned geometricabstractions that greatly inuencedfashion, commercial design, and otheraspects of the popular culture of the era.

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    *olor field Paintin+

    a style of American abstract paintingthat

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    'olor

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    m inim ilism

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    , I-I, A!I.,

    Absolute simplicity was attainedthrough the use of elements of art to aminimum.

    an art mo"ement that de"eloped in thelate 3452s and early 3462s, chiey inthe (nited $tates

    -inimalist paintings and sculpturestypically consist of geometric shapes orother simple forms, often arranged in aseries of modules7standard units:.

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    EA!I.,

    $(E*EA)!$- @ YE**EA)!$-0+here sub;ects@ob;ects are depictedin a precise and accurate manner asthey actually appear.

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    8All art deals with the absurd andaims at the simple. Good art speakstruth, indeed is truth, perhaps theonly truth.9

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    8Any authentic work of art must start

    an argument between the artist andhis audience.9