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ARTWORK 1 ANGELS IN HEAVEN ACRYLIC AND OIL COLOR ON CANVAS 80.90 CM tah

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ARTWORK3 DOOM2 –ACRYLIC AND OIL COLOR ON CANVAS -150.70 CM

ARTWORK 1 DOOM1 –ACRYLIC AND OIL COLOR ON CANVAS -110.70 CM

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ARTWORK 4 PERIOD- ACRYLIC AN OIL PASTEL ON CANVAS – 90.70CM ARTWORK 5 ACRYLIC AND OIL COLOR ON CANVAS 50.70 CM

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ARTWORK 6 JUNGLE OIL COLOR ON BOARD – 50.70 CM

ARTWORK 7 THE JUSTICE SILK PRINT –PRINTED ON WOOD AND GLASS -FREE SIZE

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ARTWORK 8 STORY OF A DREAM ACRYLIC AND OIL PASTELS ON RADIOLOGY TALC 30.40 CM EACH

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ARTWORK 9 HANDS OF AN ANGEL- INK AND ACRYLIC ON CANVAS – 140.90CM

ARTWORK 10 SITTING ANGEL- ACRYLIC OIL AND OIL PASTEL ON BOARD – 100.70CM the concept of taha paintings is to create a honest and realistic relationship between artwork and viewer by

using places and spaces forms in his works.

IN FACT THEY WANT TO SHOW THE INTERNAL DIALOGUE IN DIFFERENT INDIVISUAL SUCH AS MONTAINES IN DIFFERENT AS

THE SEA OR IN DIFFERENT HUMAN BEAINGS BY DIFFERENT FEELING.

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ARTWORK 11 FISHING ANGEL ACRYLIC AND OIL COLOR ON CANVAS 100.70CM ARTWORK 12 PRAY FOR ANGEL ACRYLIC AND OIL AND OIL PASTELS ON CANVAS 120.90CM

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ARTWORK 13 ABANDONED ANGEL ACRYLIC AND OIL COLOR ON CANVAS 50.70 CM ARTWORK 14 FREEDOM - DRAWING ON PAPER 50.70 CM

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ARTWORK 15 STORM ACRYLIC AND OIL COLOR ON CANVAS 80.90 CM ARTWORK 16 CAT WOMAN SILK SCREEN PRINT ON WOOD AND GLASS FREE SIZE

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ARTWORK 17 NIGHTMARE ACRYLIC AND OIL COLOR ON BOARD 80.40 CM ARTWORK 18 DRAWING ON PAPER 50.50CM

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ARTWORK 19 SILK SCREEN PRINT ON GLASS AND WOOD FREE SIZE ARTWORK 20 DRAWING ON PAPER A3

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ARTWORK 21 ACRYLIC OIL AND INK ON CANVAS 80.90 CM ARTWORK 22 SILK SCREEN PRINT ON WOOD AND GLASS FREE SIZE

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ARTWORK 23 OIL COLOR ON BOARD 50.70CM

ARTWORK 24 SILK SCREEN PRINT ON WOOD AND GLASS FREE SIZE

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ARTWORK 25 PLAY TIME SILK SCREEN PRINT ON GLASS AND WOOD FREE SIZE

ARTWORK 26 ANGEL CARPET SILK SCREEN PRINT ON GLASS AND WOOD FREE SIZE

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ARTWORK 26 ANGEL MAKING PROCESS SILK SCREEN PRINT ON GLASS AND WOOD FREE SIZE ARTWORK 27 SILK SCREEN PRINT ON GLASS AND WOOD FREE SIZE

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ARTWORK 28 GODS SILK SCREEN PRINT ON GLASS AND WOOD FREE SIZE ARTWORK 29 LONELY MAN SILK SCREEN PRINT ON GLASS AND WOOD FREE SIZE

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ARTWORK 30 DOOM3 SILK SCREEN PRINT ON GLASS AND WOOD FREE SIZE ARTWORK 31 SILK SCREEN PRINT ON GLASS AND WOOD FREE SIZE

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Taha hamed

- MA in Tehran art and architecture azad university in painting, 2015

- solo drawing exhibition, in shila gallery, Tehran 2011

- Group drawing exhibition self-portrait, embassy of cote dlvoire in

tehran-2013

- International group exibition, mithra gallery, netherland, 2014

- Auction of zanjire-a omid and iranzamin gallery in hotel homa, 2015

- group painting exhibition ‘serfice’ in iranshahr gallery 2015

- Still life group painting exhibition in farda art gallery

- Group painting exhibition ‘dive gavpaay’ dargoon gallery 2016

- Third and fourth Group silkscreen print exhibition, in LALE gallery ,march 2016 and 2015

- group painting exhibition ‘there is more things’ in saless gallery 2015

- solo painting exhibition ‘sneaky kiss’ saless gallery , 2017

- group international painting exhibition and symposium in pulchri gallery placed in den hag , netherland

- Experienced in painting outdoor and indoor surfaces, in drawing and in silk printing, with all the materials and techniques

- director of many public movements in art and culture

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Taha Hamed opened eyes to life in a beautiful APRIL, 1993 in Mashad, East of Iran, and gave life to his memories in Tehran. His passion for painting and cinema started in

those days and taking a tour in these two worlds became his lifetime pastime. He was 13 when got to know Manouchehr Espahbodi, a renowned painting instructor in

Mashad. Taha got lessons from Espahbodi for 5 years and set foot into the world of light and color. He started designing for life, getting lost in colors. This dragged him

into his 20’s, and entangled Taha with colors.

The collection called ‘sneaky kiss’ is one of many by Taha. A collection of experiences lived by him. With his look, he portrayed things and people. ‘Sneaky Kiss’ tells the

story of people with themselves, kind of internal dialogue. His lessons at another instructor in Tehran, Babak Etminani, led to his general understanding of style and

technique. He learned a lot from many other teachers who taught him love.

It was after painting that Taha made use of silk printing as a fresh medium to turn IDEA into IMAGE; something impossible beforehand. Silk printing served as a point

where he met new ideas, still occupying his mind.

Another collection by Taha, named Pierre Rivier, depicts part of a young French man in the past. A murder case in Pierre’s life that became a social event that even got

Michel Foucault involved in it which turned the case into a global one. Pierre Rivier collection highlights the relation between murderer and the murdered. The work aims

to study the impact art can leave on reducing social damages in Iran.

Taha’s main concerns have always been Identity, Originality and Aesthetics in a work of art and the proper relation between them. He works far beyond earning market’s

approval, having a hand also in film script writing and cinema; the media he may one day use to express his thoughts.

As always, the case of art and non-art creates slippery boundaries. Taha Hamed’s work is a new-fashioned knowledge on a new fashioned expression. What is called art, will be defined throughout

the path and the constant stations of history of art and stylistic can only help artists to explain the past and entangle them. This historical names are just the views behind us that are hardly the lights

of our future, specially in art. Taha Hamed, as a young and active artist is himself a reason for fast accelerating of the changing of this illustrated world of ours. The world which is skipping either the

illusion of structuralize reality or realistic structure. The borders of art understanding and economic irrationality have become more wide-spreading. The reflective points of this stunt include: the

flowing source of design, counter-nature colors. The detached understanding of art history, visual-virtual study, childish imitation of new mythos, the evanescence of time and memory. I

would call this aspect a crusty style. It seems like an onion becoming naked with a thousand endless layers. The collection of snoopy kisses is truly a forbidden love that is evaluated for

destroying art and what is formed as training and theory is now our today’s painting. The work matter of an painter is a venture far away from today’s collective wisdom. Javid Ramezani,

Shahrivar 95

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