as ocr film institution revision

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AS OCR Media Studies Audience and Institutions: Film Industry

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Page 1: AS OCR Film Institution Revision

AS OCR Media StudiesAudience and Institutions: Film Industry

Page 2: AS OCR Film Institution Revision

You have to research the production and distribution companies that made

and distributed your filmHere is a list of statements, questions

and tasks to ensure you have EVERYTHING covered!

Page 3: AS OCR Film Institution Revision

1. ALL the questions are offered as guidelines.

2. There will be questions that you may not be able to answer.

3. It is down to you to work on the development of your own chosen film from idea to screening: from institution to audience.

•GOOD LUCK!!!

Take Note

Page 4: AS OCR Film Institution Revision

• Genre

• Consider your film. Are there any issues with the genre of it? Is it a hybrid? How does this effect the distribution and marketing?

Page 5: AS OCR Film Institution Revision

• You must be able to understand the film genres associated with each studio/ production company.

• Why have they chosen these? What does this suggest about them?

• How profitable are these genres in today’s market? How do you know this?

Page 6: AS OCR Film Institution Revision

• What about Synergies?

• What are the advantages and disadvantages of this?

Page 7: AS OCR Film Institution Revision

• Convergence

• Relate to...

• Production

• Distribution?

• How did cross-media platforms aid your film?

Page 8: AS OCR Film Institution Revision

• What could be pre-production issues for the production company?For example, where did the idea come from?

• Who wrote it? Was it a team brought in, or was it based on an existing text (novel, screen play?)

Page 9: AS OCR Film Institution Revision

• Original Idea

• Where did it come from?

• What happened to the original script/ idea?

• Did this stay the work of one person, or did others get involved?

Page 10: AS OCR Film Institution Revision

• Did your company get taken over by another, or use another for support? (Look at Warp and Film4 here).

• Detail any institutional issues that were a result of this?

• Consider the implications to the audience here.

Page 11: AS OCR Film Institution Revision

• Finance

• Where there any issues with getting backing?

• Who financed it? One group or many? What was in it for them?

Page 12: AS OCR Film Institution Revision

• Now think about the budgets and prospects of how companies might distribute and market a film.

• What issues do you think there are?

• Where can you find this information?

Page 13: AS OCR Film Institution Revision

• Costs

• What did it cost the studio to make?

• How much did the stars get? Did it differ much between the main stars? Why?

• Can you identify where the budget went?

• Was it shot within budget? Did it go over? How close?

Page 14: AS OCR Film Institution Revision

Name of producer/s?

• Name of the director?

• How did they get involved? Any further associations with these - what are they known for?

Page 15: AS OCR Film Institution Revision

• Casting

• Main stars/ roles/ characters?

• What had they been cast in before?

• What was their ‘star appeal’?

Page 16: AS OCR Film Institution Revision

• Any issues with getting the cast? Their timetables and other commitments? Were they second or first choice?

• How important was this casting in terms of the audience? Why were they chosen? Effect?

Page 17: AS OCR Film Institution Revision

• Production

• Any issues for the production company whilst shooting?

• See if you can find any ‘on set’ disputes (think SITC?

Page 18: AS OCR Film Institution Revision

• Any script changes whilst on set/ in production?

• Same editor throughout? Was the script editor changed?

• Do you know of any re-writes/ script edits?

Page 19: AS OCR Film Institution Revision

• Who were the main people in the production team and what did they do?

Page 20: AS OCR Film Institution Revision

• Sound

• Who composed the film music? Consider the implications of this person (just as a star is cast)

• Consider the sales of the CDs. Find reviews (Empire is good here).

Page 21: AS OCR Film Institution Revision

• Location

• Was it all shot in a studio?

• Was anything shot on location?

• Think about budgets - did they chose the cheaper location, would the audience know this?

Page 22: AS OCR Film Institution Revision

• Any technical issues when making the film?

• Consider the use of SFX: practical and special effects here.

Page 23: AS OCR Film Institution Revision

• Convergence

• Consider in terms of technology and production/ distribution/ marketing and relate to the key concepts here.

• How important was new technology such as Computer Generated Imagery? Think about the studios involved here (Disney for example)• How important is this for the film and its

audiences?

Page 24: AS OCR Film Institution Revision

• Importance of digital technology for the distribution of your film?

• How significant are distribution mediums like DVDS, the world web and DTV when distributing a film?

• Advantages and disadvantages?

Page 25: AS OCR Film Institution Revision

• Detail the advertising strategy for the film.

Page 26: AS OCR Film Institution Revision

• What do you know about the consumption of your film with different audiences - demographics and different geographical locations?•

Who were the distributors? • Is it a major player? What else have

they done? Did they work with other companies in different locations?• What do you notice about this?

Page 27: AS OCR Film Institution Revision

• Target audience for your film...

• You know this because...?

Page 28: AS OCR Film Institution Revision

• Where and when di they release your film?

• What do you notice about the dates (Awards, holidays, was it the same across the country/ countries)?

• What happened outside of the UK?

• Do you know how these were secured?

Page 29: AS OCR Film Institution Revision

• Any changes to the release time table? Why?

Page 30: AS OCR Film Institution Revision

• Where/ when was the premiere? Which venue? Any themes? What was the coverage like?

• Was it distributed to digital cinemas? Why?

• When did it go to DVD/ blue-ray?

• Any figures for this?

Page 31: AS OCR Film Institution Revision

• How did they market this online - Youtube or viral ads? Any downloads available before?

• Comment on the film’s website. What do you notice about the marketing?

• Are there any social network forums linked?

Page 32: AS OCR Film Institution Revision

• Analyse film posters for the film:

• Consider the UK audience

• Further mediums for advertising?

• TV, radio, magazines...?

Page 33: AS OCR Film Institution Revision

• Merchandise - detail.

• Who were these marketed at?

• What was the campaign like?

Page 34: AS OCR Film Institution Revision

• Can you add any further marketing?

• Think about the actors and their interviews on TV/ Radio and online.

• Where there any ‘leaked’ stories about the stars and their private lives around this time?

Page 35: AS OCR Film Institution Revision

• Exhibition

• Any issues at this point?

• When, where and how was it exhibited?

Page 36: AS OCR Film Institution Revision

• How did your film fair with the censors?

• Any issues?

• How did they achieve the rating?

• What is the benefit of this audience to the institution?

• Any restrictions on the film? What and why? Link to genre, audience...

Page 37: AS OCR Film Institution Revision

• Reviews

• What were the reviews like of the film? Favourable or rotten tomatoes?

• Was it considered a critical success?

• Has it been reviewed for DVD too?

Page 38: AS OCR Film Institution Revision

• Choose a selection of Positive reviews - do they choose the same features of the film to focus upon?

• What was public opinion? Remember to reference social networks or blogs here.

• Did it create any controversy, or water cooler moments/ talking points?

Page 39: AS OCR Film Institution Revision

• First year takings?

• Do you think this is a success? Does the industry? How do we know this?

• Did it have an extended run? Was it cut short? Was it re-released at the cinemas?

Page 40: AS OCR Film Institution Revision

• Primary Research

• Ask your peers what they thought of the marketing of the film (using Face Book, a film poster or the trailer for example), using a survey.

• What conclusions do you reach about the marketing of the film?

• Then ask if they saw it? What does this tell you?

Page 41: AS OCR Film Institution Revision

• Did the audiences’ reaction have an impact on the studio/ producers in terms of how they created/ promoted/released other films?

• Have they stuck with the stars or genre for example? Why?

• Alternatively, have they completely gone the other way?

• Have audiences’ tastes changed? Why?

Page 42: AS OCR Film Institution Revision

FinallySpeak to your peers about this•Have they found anything of interesting with their studies you could learn from?•Could you create your own questions for this unit?•Have you googled everything about this you can?

•Lastly, make sure you have clear points for your response and keep up to date with new references for this.