’surface and beneath’ - karin weber gallery€¦ · 2016 kinetic sculpture commissioned by bbs,...
TRANSCRIPT
’SURFACE AND BENEATH’
WORKS BY PETER PANYOCZKI26th April - 3rd June 2017
3
intro
“A new path arises mostly from a synthesis of what is already in existence and proceeds dialectically to the next one. that is why looking back and comparing existing works is always an import-ant processes.” says artist Peter Panyoczki.
in the world of this talented and imaginative artist, art starts where verbal explanation reaches its boundaries, With this in mind, we are delighted to introduce Peter’s first solo show at Karin Weber Gallery, a cross section of his recent works. ‘Surface and Beneath’ is designed to provide an insight into the diverse techniques and materials so creatively mastered by a truly global citizen, who aptly synthesizes lives and identities across two continents.
‘Surface and Beneath’, the show, is also designed to celebrate the Hong Kong launch of Peter’s monograph of the same title. this comprehensive, beautifully presented book introduces and reflects on his oeuvre for the last thirteen years, with article con-tributions by renowned artists and art historians from new Zea-land, Germany, Switzerland and Austria.
Karin Weber Gallery, April 2017
「新的方向及創作路徑會因著分析現有的事物而衍生,因此回顧和比較過往所做的作品是很重要的過程。」
同時居住於兩地並擁有雙重國籍的Peter Panyoczki,稱得上為一位世界公民,在這位有天賦且富想像力的藝術家世界裡,藝術始於言語無法觸及的界域。在凱倫偉伯畫廊舉行的首個個展「表面·之下」中,我們特意細選藝術家近年的作品,剖析他以多樣且多變的工藝技巧及物料創作背後的藝術語言。
展覽亦特意慶祝他的同名著作(於2016年10日在瑞士及德國出版)在香港發行。這本精美的作品集涵蓋Peter Panyoczki過去十年的作品,並包含來自新西蘭、瑞士和德國的著名藝術家及藝術史學家的文章。
凱倫偉伯畫廊,二零一七年四月
‘SURFACE AND BENEATH:’ WORKS BY PETER PANYOCZKI 「表面.之下」:Peter Panyoczki 個展
5
intro
Peter Panyoczki is at home on two continents and thus his life is that of a perpetual emigrant – a person permanently on the move, which is also reflected in his work that is permeated by signs of presence during absence.
“Philosophy”, so said George Lukács, “is essentially homesickness – longing in all directions”. Panyoczki’s homesickness embraces the whole world. it connects the once separated power blocs through his place of birth Budapest in the East with Zurich in the West, the place of refuge of his family following the 1956 uprising in Hungary.
He studied at the University of Zurich and Purdue University, La-fayette, in, USA. Peter taught, showed and worked in different European cities, such as rotterdam, Florence, Vienna, Barcelona and Paris, before making his home in new Zealand. By now Pa-nyoczki has lived for 25 years antipodally between Europe and new Zealand. He has erected his emigrant life into an artistic standpoint.
He belongs to the 1980s generation of artists who polemically rejected conceptual art yet did not simply return to figurative art, instead having a conceptual interest in the question of art as a medium: art is perceived as a medium when its visibility is put to the test. His work expresses the paradox of communication that refuses to reveal itself by providing information of what it is made of. it is pleasantly free of morality, while at the same time it does not avoid the tension created by self-irony and a socially reflected “cultural criticism”.
Extracts from Beat Wyss, introduction to Surface and Beneath, 2017, Benteli, Zurich. Switzerland
以兩地為家的Peter Panyoczki生命似乎注定持續不斷地移居遊走,而這種狀態亦潛藏於他的作品內。
George Lukács提及哲學本質上就是鄉愁,同樣在不同方向上抱持著渴求,而Panyoczki的鄉愁則是懷抱整個世界。他透過自己的出生地—東面的布達佩斯及1956年匈牙利起義後他和家人避難的地方—西面的蘇黎世,把曾分裂的權力陣營再度連接起來。
他在新西蘭定居前,他曾在蘇黎世大學、普渡大學(Purdue University)、拉斐特、美國印第安那學習,亦在不同的歐洲城市如鹿特丹、佛羅倫薩、維也納、巴塞羅那及巴黎展出和教學。Panyoczki持續地在歐洲與新西蘭兩端之間生活了二十五年,他的移民生活經已建構成自己的藝術定位。
他是屬於八十年代一批拒絕概念藝術卻又不單純回歸具象藝術的藝術家,當藝術的關注度受考驗時會概念為媒介,把藝術當作媒介當可見性受到考驗。他的作品留有製作時與物料互動的痕跡卻又拒絕完全展現物料本身,表現出一種信息傳遞的矛盾。這是合乎道德同時卻無法避免自嘲及反映社會的「文化評論」所形成的張力。
摘自Beat Wyss, Surface and Beneath序言, 2017年, Benteli, 瑞士蘇黎世
7
Eye Sea 1sand, gold leaf and cement on paper100 x 70 cm2017
眼海 1沙、金箔、水泥、紙本100 x 70 厘米2017
theWorKS
detail 局部
9
theWorKS
tracksmixed media on handmade paper59 x 41 cm2014
蹤跡混合媒體、手造紙59 x 41 厘米2014
detail 局部
11
0-1gold leaf, mixed media on canvas140 x 240 cm2007
0-1金箔、布本混合媒體140 x 240 厘米2007
theWorKS
13
“the ‘0-1’ work is an aspect to show the manifold codes we are using to encode and deci-pher our world. in the past i have often used different code systems such as Braille in my work. the gold leaf throws an ironic light onto how much we appreciate our digital toys and how much we value them. Like a new “Golden Age,” Peter Panyoczki
作品0-1以另一角度展現我們利用各樣的密碼去編制及理解所身處的世界,過往我經常在作品中運用不同的編碼系統如盲文。以金葉作為物料是意圖拋下人們對數碼玩意到底有多少欣賞與珍惜的挖苦,猶如新的「黃金時代」。—Peter Panyoczki
theWorKS
detail 局部
15
theWorKS
A Drop in the oceanacrylic rods on inkjet on aluminum on light box120 x 120 x 10 cm2010
大海中的一滴水 亞克力桿、 噴墨、鈻、燈箱120 x 120 x 10 厘米2010
detail 局部
17
theWorKS
Apple 1acrylic rods on inkjet on aluminum on light box120 x 120 x 10 cm2014
蘋果 1 亞克力桿、 噴墨、鈻、燈箱120 x 120 x 10 厘米2014
detail 局部
19
theWorKS
Jasminacrylic rods on inkjet on aluminium on light box120 x 120 x 10 cm2010
茉莉花亞克力桿、 噴墨、鈻、燈箱120 x 120 x 10 厘米2010
detail 局部
21
theWorKS
From the Series: “Pixels”oxides and mixed media on aluminium120 x 120 cm2010
像素氧化物、混合媒體、鋁120 x 120 厘米2010
detail 局部
23
theWorKS
From the Series: “Water (6)”oxides, sand and mixed media on inkjet on aluminium 120 x 120 cm2014
流水6號氧化物、沙、混合媒體、噴墨、鋁120 x 120 厘米2014
detail 局部
25
theWorKS
From the Series: “Water (7)”inkjet on perforated aluminium on light box 120 x 120 x 10cm2014
流水7號噴墨、穿孔鈻板、燈箱120 x 120 x 10厘米2014
detail 局部
27
theWorKS
From the Series: “Water (8)”silicon and pigments on inkjet on aluminium 120 x 120 cm2014
流水8號矽、顏料、 噴墨、鈻120 x 120 厘米2014
detail 局部
29
theWorKS
From the Series: “Water (9)”mixed media and pigments on fibre cement 120 x 120 cm2014
流水9號混合媒體、顏料、纖維水泥120 x 120 厘米2014
detail 局部
31
Born in Budapest, Hungary, 1952 1980University of Zurich, SwitzerlandMaster of Arts (German Language and Literature, Art History)
2017
‘Surface and Beneath’, Karin Weber Gallery, Hong Kong
the Vivian Gallery, Matakana/Auckland, new Zealand
‘Surface and Beneath’, Conny Dietzschold Gallery, Sydney, Australia
Sydney Contemporary, Australia
2016
Group Show, Bath Street Gallery, Auckland, new Zealand
Art Central, Hong Kong
Art Fair Auckland
Pah Homestead, Wallace Arts Center, Auckland, new Zealand
2015
Sydney Contemporary Art Fair, Australia
Art Malaysia Expo, Kuala Lumpur
Group Show, Galerie Lukas Feichtner, Vienna, Austria
Avid Gallery, Wellington (with tatjana Panyoczki), new Zealand
Group Show, the Vivian Gallery, Matakana, new Zealand
Group Show, Conny Dietschold Gallery, Sydney, Australia
2014
‘the invisible Visible’, Karin Weber Gallery, Hong Kong
‘Particle Meditations Part iii’, Galerie am Schillerplatz Vienna, Austria
‘Particle Meditations Part ii’, Global Art Source, Küsnacht / Zürich, Switzerland
SElECTED ExHIBITIONSPETER PANYOCZKI
ArtiSt
33
2013
Art Fair Auckland
‘Particle Meditations’, Bath Street Gallery, Auckland, new Zealand
Global Art Source, Küsnacht / Zürich
2012
‘Light revealed’, Karin Weber Gallery, Hong Kong
2011
‘MAttErS’, Bath Street Gallery, Auckland, new Zealand
Art Fair Auckland
2010
Hauptbahnhof (Main Station), Zürich, Switzerland
‘Peter Panyoczki - new Works’, Galerie Werner Bommer, Zurich
‘new Zealand Artists’, Pataka Museum, Wellington
2009
‘nature Morte – Still Life’, Bath Street Gallery Auckland, nZ
‘Zunehmend Undeutlich’, Vebikus, Schaffhausen, Switzerland
Utsunomiya Museum of Art, Utsunomiya, Japan
Art Fair Auckland with Bath Street Gallery
2008
‘Verscheinungen - Dis – Emergences‘, radical Gallery, Zug, Switzerland
SElECTED ExHIBITIONS
2016
Kinetic sculpture commissioned by BBS, Zürich and Swiss Life, former Schindler (elevator) area, Emmenbrücke, Switzerland
2006
raiffeisenbank Cham, Switzerland
2001
raiffeisenbank Aarau, Switzerland
1997
Winterthur Versicherungen, Head office Zurich, Switzerland
1996
Sparkasse Waedenswil (bank building), Switzerland
1995
oberstufenschulhaus Wollerau (school)
1994
Haus der Schweiz in Berlin (House of Switzerland)
CS- Bank Schanzengraben, Zurich
1992
Sparkasse Horge, Switzerland
Sparcassa, Affoltern a. Albis, Switzerland
1989
Model ag, Weinfelden, Switzerland
COmmISSIONS IN PUBlIC BUIlDINgS
35
Erziehungsdepartement Zurich
UBS, Zurich
Credit Suisse, Zurich
Credit Suisse Berlin, Germany
Bank Leu
Schweizer rueck, Zurich
nordfinanzbank, Zurich
the City Council of Wettingen, Switzerland
Publicitas, Baden, Switzerland
Zuercher Kantonalbank, Zurich
Wsa- Company, (large collection), Switzerland
Zuerich-Versicherungen, Zofingen
Winterthur Versicherung, Zurich
trifina AG, (large collection), Zurich
new Zealand Post,, Wellington
Swiss Embassy, Wellington
Kunsthaus richterswil, Switzerland
Firma de kalb, Frankfurt, Germany
Jenny Gibbs Collection, Auckland
James Wallace Collection, Auckland
raiffeisenbank, Zurich
Julius Baer, Zurich
Bank Von tobel, Zurich
Bank Cantrade, Zurich
Utsunomiya Museum of Art, nagako-cho, tokyo
COllECTIONS
Upcoming - 2018
Selected by Sir James Wallace Arts trust for Artist in residence Program in Vladivostok (June to october)
1993
Art residence in Budapest
ARTIST RESIDENCIES
Peter Panyoczki, in neighbourhood, nZ tV onE, 2014
‘Peter Panyoczki’, new Zealand tV, 2013
‘Peter Panyoczki- Artist’, Lituanian tV (Lietuvos televizija) an interview, “StiLiUS” 27.Feb.2005
‘Peter Panyoczki, Artist’, Cultural tV Vilnius, Lithuania, 2004
Kleinzeit, Video for a music performance
Peter Panyoczki, Artist, Kulturfernsehen, Zurich, 1991
Peter Panyoczki, Project Vanitas, on “Hannibal”, Kulturfernsehen, Zurich, 1991
‘Peter Panyoczki- Artist‘, Schweizer Kulturfernsehen. A documentary with interview, 1990
‘Hannibal- ein Versuch zur Vanitas’, ca. 50min. ,Schweizer Kulturfernsehen. : a visual journal on the „Hannibal Project“ written, directed and filmed by Peter Panyoczki, 1990
‘First Love’, 1980, 50min, Purdue University USA. : an adaptation of Samuel Becketts novella, Sony Umatic, written and directed by Peter Panyoczki, 1980
FIlmOgRAPHY
37
t.J.Mcnamara: ‘Particle Meditations’, Peter Panyoczki’s exhibition at Bath Street Gallery, nZ Herald, 12.oct. 2013
t.J.Mcnamara: ‘nature Morte’, on Peter Panyoczki’s exhibition at Bath Street Gallery”, nZ Herald, 12.Dez. 2009
Barbara Ackermann: ‘Sorgfältige Annäherung‘, Schaffhauser AZ. 4.June 2009
Monica Zahner: ‘Vom Physischen zum Digitalen‘, Schaffhauser nachrichten, 2. June 2009
‘Peter Panyoczki‘ in: L’oEiL ECoUtE- ecrits sur les artistes et leurs oeuvres. Yusuku Masuda, Japan, 2008. iSBn978-4-901592-47-5
Maria Vogel: ‘Wer ganz genau hinschaut, der beginnt zu sehen‘, neue Zuger Zeitung, 15.5.2008
t.J.Mcnamara: ‘the smell of a painted rag’, new Zealand Herald, 8.oct 2007
t.J.Mcnamara: ‘Simple shape contains grand visions’, new Zealand Herald, 12. May 2004
‘Distance and Proximity - a monograph on Peter Panyoczki’ with texts by Georg Kohler, Wystan Curnow, Peter Panyoczki, imp.press Auckland, 2004
Martin Kraft: ‘Bummel um die Welt‘, in tagesanzeiger Zuerich, Zuri-tip, 22.nov. 2002
Franzisca Meier: ‘Peter Panyoczki‘ in, DiE SAMMLUnG
Cantrade Private Banking AG, Zuerich 2002
Paula Mason: ‘Distance in Concrete’, Sunday Star times, Wellington, March, 2000
Peter P.Schneider: ‘im Sog der Kunst‘ , tagesanzeiger, Zuerich, november 1999
Mark Amery: ‘Works that are ever evolving’, Sunday Star time, Wellington, September 13. 1998
‘Panyoczki – Monographie‘ , texts by Volker Schunck, Beatrice rolli Zinsstag, Georg Kohler, Alois M. Haas and Charles E. Brooks, Benteli Verlag, Wabern -Bern, 1996 iSBn 3-7165-0979-5
SElECTED BIBlIOgRAPHY
t.J.Mcnamara: ‘Variety and Quality on show’, new Zealand Herald (nZ), 10. April 1996
Stephen Cain: ‘Fusions that produce a weightless freedom’, Evening Post, 20.March, Wellington (nZ), 1996
Juerg von ins: “Kreativitaet: die Bruecke zwischen ‘ich und Welt’ -Peter Panyoczki-Kunstschaffender” Werbung-Publicite, 11/89, Sondernummer Kreativitaet
roy Greenspan: ‘Earth Wind and Fire’, Living in Zurich. 10/89
A.Affentranger; ‘immer wieder zurueck an den Anfang‘, Zuerichsee Zeitung, 8.nov.1989
Juerg von ins: ‘Begegnung mit einem Kuenstler: Peter Panyoczki‘ , Alpina 4/1988
roy Grenspan: ‘Chiffre zu Sein‘, Living in Zuerich, 4/88
‘Malend nachdenken ueber Sein und Bewusstsein‘ Der Zuercher oberlaerlaender, 15.Mai 1986
‘Peter Panyoczki’ Quaderni monografici a cura di roberta Fiorinilo, Scaffale di Eco d’arte moderna, il Candelaio edizioni, Florence, September 1983
Conradin E.Wolf: ‘Peter Panyoczki - angoscioso percorso della figurazione all’astrattismo e vice versa’. Eco d’Arte Moderna, no/ 41-9/10, Florenz, 1982
Suzann Mcintyre: “Visiting Swiss Filmmaker adapts Samuel Beckett’s novella ‘First Love’”, the Purdue Exponent, Vol.96,no.69, 24.April, Lafayette in- USA, 1980
39
1945年匈牙利布達佩斯出生
學歷 1980 年畢業於瑞士蘇黎世大學獲文學碩士 (修讀德語、德國文學及美術史)
2017
「表面.之下」,香港凱倫偉伯畫廊
新西蘭馬塔卡納、奧克蘭the Vivian畫廊
「Surface and Beneath」,澳洲悉尼Conny Dietzschold畫廊
澳洲悉尼當代藝博會
2016
新西蘭奧克蘭 Bath Street 畫廊(聯展)
香港Art Central
奧克蘭藝術博覽會
新西蘭奧克蘭華萊士藝術中心Pah Homstead
2015
澳洲悉尼當代藝術博覽會
吉隆坡馬來西亞藝術博覽會
奧地利維也納Lukas Feichtner畫廊(聯展)
新西蘭惠靈頓Avid畫廊(與tatjana Panyoczki聯展)
新西蘭馬塔卡納the Vivian畫廊
澳洲悉尼Conny Dietschold畫廊(聯展)
2014
「未見之見」,香港凱倫偉伯畫廊
「粒子沉思第三部分」,奧地利維也納Galerie am Schillerplatz Wien 畫廊
「粒子沉思第二部分」,瑞士蘇黎世 Global Art Source
展覽 (摘錄)PETER PANYOCZKI
ArtiSt
41
2013
奧克蘭藝術博覽會
「粒子沉思」,新西蘭奧克蘭 Bath Street 畫廊
蘇黎世 Global Art Source
2012
「光的揭示」香港凱倫偉伯畫廊
2011
「物質」,新西蘭奧克蘭 Bath Street 畫廊
奧克蘭藝術博覽會
2010
瑞士蘇黎世中央火車站(主車站)
「Peter Panyoczki新作」,蘇黎世 Werner Bommer 畫廊
威靈頓Pataka 藝術文化博物館(新西蘭藝術家聯展)
2009
「自然永生-靜物」,新西蘭奧克蘭 Bath Street 畫廊
「Zunehmend Undeutlich」,瑞士沙夫豪森Vebikus畫廊
日本東京宇都宫美術館
新西蘭奧克蘭藝術博覽會
2008
「Verscheinungen - Dis – Emergences」,瑞士楚格 radical 畫廊
2016
由BBS、蘇黎世及瑞士人壽委託的動力裝置,瑞士Emmenbrücke前電梯位置
2006
瑞士 raiffeisenbank Cham銀行
2001
瑞士 raiffeisenbank Aarau銀行
1997
瑞士蘇黎世 Winterthur Versicherungen
1996
瑞士 Sparkasse Waedenswil 銀行大樓
1995
oberstufenschulhaus Wollerau 學校
1994
柏林 Haus der Schweiz
蘇黎世 Schanzengraben 銀行
1992
瑞士 Sparkasse Horge
瑞士阿爾比斯 Sparcassa, Affoltern
1989
瑞士韋因費爾登 Model ag.
展覽 (摘錄) 公共中的委約作品
43
蘇黎世Erziehungsdepartement
蘇黎世瑞銀集團
德國柏林瑞銀信貸集團
Bank Leu
蘇黎世Schweizer rueck銀行
蘇黎世nordfinanzbank銀行
瑞士偉廷根市議會
瑞士巴登Publicitas
蘇黎世Zuercher Kantonalbank銀行
瑞士Wsa 公司
瑞士Zuerich-versicherungen
蘇黎世Winterthur versicherung
蘇黎世trifina AG
威靈頓新西蘭郵政局
威靈頓新西蘭瑞士大使館
瑞士Kunsthaus richterswil
德國法蘭克福Firma de kalb
Jenny Gibbs 收藏
James Wallace 收藏
蘇黎世raiffeisenbank 銀行
蘇黎世Julius Baer 銀行
蘇黎世Von tobel 銀行
蘇黎世Cantrade 銀行
日本東京長野町宇都宮美術館
收藏
即將駐留 - 2018
被詹姆斯·華萊士爵士藝術信託(Sir James Wallace Arts trust)獲選於海參崴作藝術駐留(6月至10月)
1993
布達佩斯
藝術家駐留計劃
Peter Panyoczki,在鄰里,新西蘭電視onE,2014年
「Peter Panyoczki」,新西蘭電視台,2013年
「Peter Panyoczki-藝術家」,Lituanian電視台(Lietuvos televizija)採訪,「StiLiUS」2005年2月27日
「Peter Panyoczki-藝術家」,立陶宛文化電視維爾紐斯,2004年
「Kleinzeit」,視頻音樂表演
「Peter Panyoczki-藝術家」,蘇黎世Kulturfernsehen,
1991年
Peter Panyoczki,Project Vanitas,蘇黎世Kulturfernsehen“Hannibal”,1991年
「Peter Panyoczki-藝術家」,Schweizer Kulturfernsehen,採訪記錄,1990年
「Hannibal-ein Vanuch zur Vanitas」,片長約50分鐘 ,Schweizer Kulturfernsehen :Hannibal 計劃的視覺日記,由Peter Panyoczki撰寫、指導及拍攝,1990年
「初戀」,片長約50分鐘,美國普渡大學:由索尼Umatic Samuel Becketts novella改編,Peter Panyoczki撰寫及指導,1980年
影片
45
t.n.Mcnamara:「冥想」,Peter Panyoczki於Bath Street畫廊的展覽,新西蘭先驅報,2013年10月12日
t.n.Mcnamara:「自然永生」,Peter Panyoczki於Bath Street畫廊的展覽,新西蘭先驅報,2009年12月12日
Barbara Ackermann:「SorgfältigeAnnäherung」,Schaffhauser AZ, 2009年6月4日
Monica Zahner:「Vom Physischen zum Digitalen」,Schaffhauser nachrichten,2009年6月2日
「Peter Panyoczki」 在L’oEiL ECoUtE- ecrits sur les artistes et leurs oeuvres,日本 Yusuku Masuda,2008 (iSBn978-4-901592-47-5)
Maria Vogel:「Wer ganz genau hinschaut, der beginnt zu sehen」,neue Zuger Zeitung,2008年5月15日
t.n.Mcnamara:「油漆抹布的氣味」,新西蘭先驅報,2007年10月8日
t.n.Mcnamara:「包含宏偉願景的簡單形狀」,新西蘭先驅報,2004年5月12日
「距離與接近」Peter Panyoczki專刊,包括Georg Kohler、Wystan Curnow、Peter Panyoczki撰寫的文章,奧克蘭imp.press,2004年
Martin Kraft:「Bummel um die Welt」,蘇黎世tagesanzeiger Zuri-tip, 2002年11月22日
Franzisca Meier:「Peter Panyoczki」,DiE SAMMLUnG
蘇黎世Cantrade Private Banking AG,2002年
Paula Mason:「混凝土的距離」,惠靈頓星期日時報,2000年
Peter P.Schneider:「im Sog der Kunst」,蘇黎世tagesanzeiger Zuri-tip,1999年11月22日
Mark Amery:「不斷進化的工作」,惠靈頓星期日時報,1998年9月13日
「Panyoczki專題」,Volker Schunck、Beatrice rolli Zinsstag、Georg Kohler、Alois M.Haas 與 Charles E.Brooks 撰寫,Benteli Verlag,Wabern -Bern,1996年(iSBn 3-7165-0979-5)
報導及出版(摘錄)
t.n.Mcnamara:「品種與質量展示」,新西蘭先驅報,1996年4月10日
Stephen Cain:「產生無重自由的融合」,新西蘭惠靈頓晚報,1996年3 月
roy Greenspan:「地球風和火」,蘇黎世,1989年10月
「immer wieder zurueck an den Anfang」,阿根廷Zuerichsee Zeitung,1989年11月8日
Juerg von ins:「Begegnung mit einem Kuenstler:Peter Panyoczki」,Alpina, 1988年4月
roy Grenspan:「Chiffre zu Sein」,蘇黎世,1988年4月
Juerg von ins:「Kreativitaet:die Bruecke zwischen’ich und Welt’-Peter Panyoczki-Kunstschaffender」,Werbung-Publicite,Sondernummer Kreativitaet,1988年4月
「Malend nachdenken ueber Sein und Bewusstsein’Der Zuercher oberlaerlaender」,1986年
「Peter Panyoczki」Quaderni monografici a cura di roberta Fiorinilo,Scaffale di Eco d’arte moderna,il Candelaio edizioni,佛羅倫斯,1983年9月
Conradin E.Wolf:「Peter Panyoczki - angoscioso percorso della figurazione all’astrattismo eversa」, Eco d’Arte Moderna,no / 41-9 / 10,佛羅倫斯,1982年
Suzann Mcintyre:「訪問瑞士電影製作人改編塞繆爾.貝克特的作品-初戀」,Purdue Exponent,第96冊,第69期,美國拉斐特,1980年4月24日
47
Established in 1999 by German-born Karin Weber and now in its 18th year, Karin Weber Gallery is one of Hong Kong’s oldest contemporary art galleries. Situated on Aberdeen Street, in the heart of SoHo, the gallery presents a year-round program of curated exhibitions, talks, and collector events. Karin Weber Gallery has been named one of ‘500 Best Galleries Worldwide’ by BLoUin ArtinFo in 2015 and 2016 consecutively. the gallery’s unique network of partners based in London, Mumbai and Berlin allows it to source emerging and established contemporary art from around the world. Karin Weber Gallery is equally passionate about presenting works by local artists. the gallery assists artists through exhibitions, art fairs, and residency programs throughout the world. Small in size, yet global in outlook, Karin Weber Gallery is one of Hong Kong’s truly international boutique galleries.
20 Aberdeen StreetCentral, Hong Kong
+852 2544 5004
凱倫偉伯畫廊在1999 年由德國的 Karin Weber 女士創立,今年踏入第18年,是香港其中一間最具歷史的當代藝術畫廊。畫廊位於蘇豪區鴨巴甸街,我們每年策劃不同的展覽、講座及活動給藏家參與。畫廊很榮幸獲選為2015及2016連續兩年BLoUin ArtinFo「全球500 最佳畫廊」。我們的合夥人於倫敦、孟買和柏林有辦事處,使我們能夠幾乎遍佈世界各地為客戶提供服務並搜尋新晉和有豐富經驗的藝術家。我們熱愛把香港本地的藝術推介給全球的藏家。我們畫廊代表的藝術家通過藝術博覽會,與其他畫廊的交流,還有駐留計畫發展自己的事業。面積雖不大,但放眼全球,凱倫偉伯畫廊是香港真正國際化的精品畫廊之一。
香港中環鴨巴甸街20號地下+852 2544 5004
KARIN WEBER gAllERY 凱倫偉伯畫廊
GALLErY