atmospheric or aerial perspective chiaroscuro & tenebrism cross-hatching and hatching hue, value...
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• atmospheric or aerial perspective • Chiaroscuro & tenebrism • cross-hatching and hatching • hue, value (key), and intensity (saturation) • local, perceptual, optically mixed, and arbitrary color • palette • pointillism & optical mixing of color• primary, secondary and intermediate colors • spectrum • Temperature• Symbolic or expressive color• Visual texture• Motion and time• Action painting• Outline or contour line• Implied line• Expressive line• Analytic or classic line• Shape and mass• 3-dimensional space• 2-dimensional space• Linear perspective• Vanishing point• One-point linear perspective• Foreshortening
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FORMAL ELEMENTS OF ART
Test on April 2Entire section on Formal Elements of Art
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Foreshortening
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Illusion of depth // two-dimensions - 1490 (left) versus 1907 (right)
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Atmospheric perspective The first object of the painter is to make a flat plane appear as a body in relief and
projecting from that plane. -- Leonardo da Vinci
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Chiaroscuro: In drawing and painting, the use of light and dark to create the effect of 3-dimensional, modeled surfaces.
Tenebrism: A heightened form of chiaroscuro
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Hatching and cross-hatching
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Color Spectrum and color wheel (invented in the 18th century)
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Test for red/green color blindness
Normal color vision should read the number 3.
Red-Green deficiencies should read the number 5.
Total color blindness should not be able to read any numeral.
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Cool and warm temperaturemonochormatic palette
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Value (key) scale: the relative lightness or darkness of a picture or the colors employed in it
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Saturation and intensity // tints and shadesIntensity: the relative purity of a color’s hue and a function of its relative brightness
or dullness
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Interaction of colors
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Pointillism // optical mixing of color
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Chuck Close, optical mixing
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Arbitrary color versus local color
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Symbolic or Expressive color
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visual texture (versus actual texture based on touch)
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Claude Monet, Waterlilies, late 19th century Impressionist oil on canvas panorama painting at the Jeu de Paume in Paris. No focal point gives sense of timeless time.
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Time and motion // visual rhythm
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Action Painting – Jackson Pollock (viewer has awareness of time – event of painting as verb)
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Op art: visual motion / visual rhythmBridget Riley
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Tinguely, Homage to New York, kinetic sculpture
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Alexander Calder, Mobile, National Gallery of Art, Washington D.C // kinetic sculpture
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Pattern
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Miriam Schapiro, Mother Russia, Pattern as a feminist statement, 1994, Femmage